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#rearwindow — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #rearwindow, aggregated by home.social.

  1. "That's Amore" is a 1953 song by composer #HarryWarren and lyricist #JackBrooks, and became a major hit and #signatureSong for #DeanMartin, who first #recorded and released it that year. Amore (pronounced [aˈmoːre]) means "love" in #Italian. The song appears in the 1954 film #RearWindow, the 1987 film #Moonstruck, the 1995 film #GrumpierOldMen, the 1999 film #StuartLittle, the 2007 film #Enchanted and the 2024 film #TheGarfieldMovie.
    youtube.com/watch?v=4866HEQLLW4

  2. "That's Amore" is a 1953 song by composer #HarryWarren and lyricist #JackBrooks, and became a major hit and #signatureSong for #DeanMartin, who first #recorded and released it that year. Amore (pronounced [aˈmoːre]) means "love" in #Italian. The song appears in the 1954 film #RearWindow, the 1987 film #Moonstruck, the 1995 film #GrumpierOldMen, the 1999 film #StuartLittle, the 2007 film #Enchanted and the 2024 film #TheGarfieldMovie.
    youtube.com/watch?v=4866HEQLLW4

  3. "That's Amore" is a 1953 song by composer #HarryWarren and lyricist #JackBrooks, and became a major hit and #signatureSong for #DeanMartin, who first #recorded and released it that year. Amore (pronounced [aˈmoːre]) means "love" in #Italian. The song appears in the 1954 film #RearWindow, the 1987 film #Moonstruck, the 1995 film #GrumpierOldMen, the 1999 film #StuartLittle, the 2007 film #Enchanted and the 2024 film #TheGarfieldMovie.
    youtube.com/watch?v=4866HEQLLW4

  4. "That's Amore" is a 1953 song by composer #HarryWarren and lyricist #JackBrooks, and became a major hit and #signatureSong for #DeanMartin, who first #recorded and released it that year. Amore (pronounced [aˈmoːre]) means "love" in #Italian. The song appears in the 1954 film #RearWindow, the 1987 film #Moonstruck, the 1995 film #GrumpierOldMen, the 1999 film #StuartLittle, the 2007 film #Enchanted and the 2024 film #TheGarfieldMovie.
    youtube.com/watch?v=4866HEQLLW4

  5. "That's Amore" is a 1953 song by composer #HarryWarren and lyricist #JackBrooks, and became a major hit and #signatureSong for #DeanMartin, who first #recorded and released it that year. Amore (pronounced [aˈmoːre]) means "love" in #Italian. The song appears in the 1954 film #RearWindow, the 1987 film #Moonstruck, the 1995 film #GrumpierOldMen, the 1999 film #StuartLittle, the 2007 film #Enchanted and the 2024 film #TheGarfieldMovie.
    youtube.com/watch?v=4866HEQLLW4

  6. REAR WINDOW
    Seeing isn't always believing.

    🪟 pradt.co/rear-window

    A film by Alfred Hitchcock, starring James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Raymond Burr, Judith Evelyn, Ross Bagdasarian, Georgine Darcy, Sara Berner, Frank Cady, Jesslyn Fax, Rand Harper, Irene Winston, and Havis Davenport.

    #RearWindow

  7. It's Grace Kelly's birthday. I offer, in remembrance, her entrance in Rear Window (1954), my all-time favorite movie.

    #GraceKelly #RearWindow #ClassicMovies #CineMasto
    don

    youtube.com/watch?v=xRBUcBgyxUI

  8. It's Grace Kelly's birthday. I offer, in remembrance, her entrance in Rear Window (1954), my all-time favorite movie.

    #GraceKelly #RearWindow #ClassicMovies #CineMasto
    don

    youtube.com/watch?v=xRBUcBgyxUI

  9. It's Grace Kelly's birthday. I offer, in remembrance, her entrance in Rear Window (1954), my all-time favorite movie.

    #GraceKelly #RearWindow #ClassicMovies #CineMasto
    don

    youtube.com/watch?v=xRBUcBgyxUI

  10. It's Grace Kelly's birthday. I offer, in remembrance, her entrance in Rear Window (1954), my all-time favorite movie.

    #GraceKelly #RearWindow #ClassicMovies #CineMasto
    don

    youtube.com/watch?v=xRBUcBgyxUI

  11. It's Grace Kelly's birthday. I offer, in remembrance, her entrance in Rear Window (1954), my all-time favorite movie.

    #GraceKelly #RearWindow #ClassicMovies #CineMasto
    don

    youtube.com/watch?v=xRBUcBgyxUI

  12. Movie TV Tech Geeks #MovieNews #AlfredHitchcock #RearWindow Over 70 Years Later, One of Alfred Hitchcock’s Greatest Films Finds New Streaming Home dlvr.it/TP1FTs

  13. Movie TV Tech Geeks #Movie #TheWomanInCabin10 #RearWindow #Netflix Forget 'The Woman in Cabin 10,' You Need to See This Mystery That's One of the Best Movies of All Time dlvr.it/TNfVyW

  14. Rear Window! It’s probably the most obvious example of Hitchcock’s use of sympathy and manipulation of the audience, and the most meta film. We observe a man observing other people. It also features one of the most magnificent studio sets in film history. (I had completely forgotten how inherently horny the film is.)

    #RearWindow #AlfredHitchcock #Movies #CineMastoton #FilmMastodon

  15. Rear Window! It’s probably the most obvious example of Hitchcock’s use of sympathy and manipulation of the audience, and the most meta film. We observe a man observing other people. It also features one of the most magnificent studio sets in film history. (I had completely forgotten how inherently horny the film is.)

    #RearWindow #AlfredHitchcock #Movies #CineMastoton #FilmMastodon

  16. Rear Window! It’s probably the most obvious example of Hitchcock’s use of sympathy and manipulation of the audience, and the most meta film. We observe a man observing other people. It also features one of the most magnificent studio sets in film history. (I had completely forgotten how inherently horny the film is.)

    #RearWindow #AlfredHitchcock #Movies #CineMastoton #FilmMastodon

  17. #Hitchcock’s genius lies in implicating the audience: our consumption of the film mirrors Jeff’s voyeurism, challenging us to confront our complacency in systems that reduce life to spectacle. As Miss Lonelyhearts’ fake smile fades and Thorwald’s violence is normalized, the film asks-can solidarity exist beyond the capitalist gaze? The answer, like the unresolved tensions of Hitchcock’s frames, lingers in the shadows“ #RearWindow boxd.it/9DQTE3

  18. #Hitchcock’s genius lies in implicating the audience: our consumption of the film mirrors Jeff’s voyeurism, challenging us to confront our complacency in systems that reduce life to spectacle. As Miss Lonelyhearts’ fake smile fades and Thorwald’s violence is normalized, the film asks-can solidarity exist beyond the capitalist gaze? The answer, like the unresolved tensions of Hitchcock’s frames, lingers in the shadows“ #RearWindow boxd.it/9DQTE3

  19. #Hitchcock’s genius lies in implicating the audience: our consumption of the film mirrors Jeff’s voyeurism, challenging us to confront our complacency in systems that reduce life to spectacle. As Miss Lonelyhearts’ fake smile fades and Thorwald’s violence is normalized, the film asks-can solidarity exist beyond the capitalist gaze? The answer, like the unresolved tensions of Hitchcock’s frames, lingers in the shadows“ #RearWindow boxd.it/9DQTE3