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#precodemovies — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #precodemovies, aggregated by home.social.

  1. The Crowd Roars (1932), a Howard Hawks race-car melodrama. Also deals with the uneasy dynamics that develop when a woman enters this male world. Very Hawksian. Grown-up action movie with some depth. James Cagney and Joan Blondell are terrific.

    My review: dfordoom-movieramblings.blogsp

    #30smovie #30smovies #1930smovie #1930smovies #precode #precodemovie #precodemovies #precodehollywood #HowardHawks #JamesCagney #JoanBlondell

  2. The Right to Romance is a 1933 pre-code melodrama. Peggy is a top plastic surgeon but she wants more - she wants romance. She finds herself a handsome irresponsible playboy. A good film that takes a grown-up look at complex emotional issues.

    My review: dfordoom-movieramblings.blogsp

    #30smovie ##30smovies #1930smovie #1930smovies #precode #precodemovie #precodemovies #precodehollywood #AnnHarding #RobertYoung

  3. Mandalay (1934) belongs to a sub-genre I dearly love, the pre-code tropical melodrama. With Kay Francis as a high-class hooker and sexual adventuress. She wears fabulous slinky 30s dresses. She’s at the top of her game here. Great movie.

    My review: dfordoom-movieramblings.blogsp

    #30smovie #30smovies #1930smovie #1930smovies #classicmovie #classicmovies #precode #precodemovie #precodemovies #precodehollywood #melodrama #melodramas #KayFrancis #MichaelCurtiz

  4. Ann Vickers, a 1933 melodrama with Irene Dunne as a social reformer. There's lots of pre-code sexual content but this a movie that bludgeons us relentlessly with a social message. Amazingly it features a bad performance by Walter Huston. Avoid.

    My review: dfordoom-movieramblings.blogsp

    #30smovie #30smovies #1930smovie #1930smovies #classicmovie #classicmovies #precode #precodemovie #precodemovies #precodehollywood #melodrama #IreneDunne #WalterHuston

  5. The most lurid pre-code movie genre was the lust in the jungle movie, and the sleaziest and most over-the-top of them was Kongo (1932). Sweaty and scuzzy and sleazy, a totally mad depraved movie but it’s inspired madness and it's wonderful.

    My review: dfordoom-movieramblings.blogsp

    #classicmovie #classicmovies #30smovie #30smovies #1930smovie #1930smovies #goldenagehollywood #precode #precodehollywood #precodemovie #precodemovies #WalterHuston #precodecinema

  6. James Whale's 1931 film Waterloo Bridge, the tale of an American soldier who falls in love with an English prostitute, has attracted much praise. Personally I didn’t like any of the performances or the characters and this movie left me cold.

    Bette Davis has a supporting role.

    My review: dfordoom-movieramblings.blogsp

    #precodehollywood #precodemovies #precode #classicmovies #classicmovie #1930smovie #goldenagehollywood #JamesWhale #MaeClarke #BetteDavis

  7. Lewis Milestone’s tropical melodrama Rain (1932), based on a story by W. Somerset Maugham. The story of a power struggle between a prostitute (Joan Crawford) and a preacher man (Walter Huston). One of the essential pre-code movies.

    My review: dfordoom-movieramblings.blogsp

    #precodehollywood #precodemovies #precode #classicmovies #classicmovie #1930smovie #goldenagehollywood #JoanCrawford #WalterHuston #WSomersetMaugham Maugham #LewisMilestone

  8. MGM's The Beast of the City (1932), most hard-edged and violent of all 30s gangster movies. Based on a W. R. Burnett story. Walter Huston is chilling as the obsessed cop. Jean Harlow, unconstrained by the Production Code, sizzles as a bad girl.

    My review: dfordoom-movieramblings.blogsp

    #gangstermovies #gangstermovie #precodehollywood #precodemovies #precode #classicmovies #classicmovie #1930smovie #goldenagehollywood #WRBurnett #WalterHuston #JeanHarlow