#overmars — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #overmars, aggregated by home.social.
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Marc #Overmars is in talks with #Anderlecht for the technical director role. #transfers
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Marc #Overmars is in talks with #Anderlecht for the technical director role. #transfers
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https://www.europesays.com/nl/133025/ Oosting: “Na mijn ontslag bij FC Twente wist ik waar… #Antwerp #belletje #Dutch #joseph #marc #Nederland #Nederlanden #Nederlands #Netherlands #NL #oefenmeester #ontslag #oosting #Overmars #royal #Sport #Sports #tijdje #trainer #twente #veranderde #WERK #wilde
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Mütterlein – Amidst the Flames, May Our Organs Resound Review
By Dear Hollow
I’ve always unfairly ranked Rorcal above Overmars. What can I say? I got into Heliogabalus and Born Again around the same time, enamored by both single epic song interpretations of hardcore vigor, pained dissonance, and pitch-black sludge. Still, Heliogabalus took the cake when it came to bottom-scraping hellish riffs, wailing, and gnashing of teeth. Themes differ, as Rorcal’s elegant storytelling added further majesty to their colossal attack, while Overmars’ scrappy commentary on injustice and religious trauma owed a more anti-establishment aura. Rorcal remains one of my favorite acts, while Overmars broke up in 2011. Out of sight, out of mind, but it wasn’t until now that Overmars has come back to haunt me in the form of Mütterlein.
Mütterlein is a project of Overmars vocalist/bassist Marion Leclercq,1 but the sound in comparison to Overmars is a spiritual successor only. The sludge is present in the density in much the same way Author & Punisher offers, in walls of electronic darkness, synthesized percussion, and trip-hop beats, while climactic moments of mammoth post-metal chugs crash through like a freight train. Always rooted in more ominous atmospheres recalling the resounding organ of its cover, third full-length Amidst the Flames, May Our Organs Resound offers an electronic trip to the shadows that feels grandiose and explosive where it ought to, but far too stripped down in others.
Mütterlein revolves its movements around a synthesized beat, resembling either a darkwave pulse that feels a tad like Perturbator or a thunderously precise snare that feels like an electronic interpretation of Isis, and its movements flow around and atop it. It’s a simple but effective structure, as largely these percussion movements carry across an entire song, while Leclercq’s atmospheric songwriting allows more metallic movements to mesh in a slurry with the synth-driven elements that combine into a haunting overture that recalls some of horror’s more cinematic moments. From a synth-centric version of Amenra in its diminished post-metal rhythms, leads, and call-and-response riffage (“Wounded Grace”) to the pulsing wave of density interwoven with angelic choirs atop trip-hop beats (“Concrete Black,” “Ivory Claws”), and guest appearances of Church of Ra’s Treha Sektori in sprawling dark ambient interludes (“Memorial One,” “Memorial Two”), Mütterlein has a formula that is effectively simple and simply crushing when it needs to be, although its more minimalist pieces drag on for far too long (“Anarcha,” “Division of Pain”).
Mütterlein places its claustrophobic sound design front and center, and like any good post-metal album, vocals are just another instrument in Amidst the Flames, May Our Organs Resound. It’s a bit of a shame, because Leclercq gives her most passionate and disconcerting vocal performance, relying on a drawling Audrey Sylvain (ex-Amesoeurs) post-punk groan (“Ivory Claws,” “Memorial Two”) and a rabid Kristin Michael Hayter (formerly Lingua Ignota) sermonic howl (“Memorial One,” “Division of Pain”). Too much of the music becomes monotonous and repetitive without enough of her vocals to keep up the vigor and energy, its pulse quickly dwindling to a flatline (“Division of Pain”), making the tracks that feature a switch-up at its midpoint highlights (“Wounded Grace,” “Ivory Claws”). The sound palette is nice when her vocals guide the horror, giving a climactic three-prong attack of vocals, electronic pulses, and overlaying leads, but when one of those crucial elements is removed, Mütterlein quickly loses its bite.
I miss Overmars, but Mütterlein offers a brand new sound that’s both densely crushing and darkly atmospheric, even if the sound is imperfect. Recalling the likes of Author & Punisher in swaths of punishing electronics, Amenra in its haunting melodic approach, and Lingua Ignota in the fury behind the mic, there’s a lot to like about Amidst the Flames. However, there’s a thin line between intrigue and monotony, and when the track goes too long or Leclercq removes her vocals, the result becomes painfully dull in its more stark passages. Feeling a tad long at a normally reasonable forty minutes, Mütterlein offers a mixed bag with triumphant highs and dull lows in Amidst the Flames, May Our Organs Resound.
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Debemur Morti Productions
Websites: mutterlein.bandcamp.com | facebook.com/mutterlein
Releases Worldwide: May 9th, 2025#25 #2025 #AmbientMetal #Amenra #Amesoeurs #AmidstTheFlames #AuthorPunisher #DebemurMortiProductions #Electronic #ElectronicaMetal #FrenchMetal #IndustrialMetal #Isis #LinguaIgnota #MayOurOrgansResound #May25 #Mütterlein #Overmars #Perturbator #PostMetal #ReverendKristinMichaelHayter #Review #Reviews #Rorcal #TrehaSektori
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Mütterlein – Amidst the Flames, May Our Organs Resound Review
By Dear Hollow
I’ve always unfairly ranked Rorcal above Overmars. What can I say? I got into Heliogabalus and Born Again around the same time, enamored by both single epic song interpretations of hardcore vigor, pained dissonance, and pitch-black sludge. Still, Heliogabalus took the cake when it came to bottom-scraping hellish riffs, wailing, and gnashing of teeth. Themes differ, as Rorcal’s elegant storytelling added further majesty to their colossal attack, while Overmars’ scrappy commentary on injustice and religious trauma owed a more anti-establishment aura. Rorcal remains one of my favorite acts, while Overmars broke up in 2011. Out of sight, out of mind, but it wasn’t until now that Overmars has come back to haunt me in the form of Mütterlein.
Mütterlein is a project of Overmars vocalist/bassist Marion Leclercq,1 but the sound in comparison to Overmars is a spiritual successor only. The sludge is present in the density in much the same way Author & Punisher offers, in walls of electronic darkness, synthesized percussion, and trip-hop beats, while climactic moments of mammoth post-metal chugs crash through like a freight train. Always rooted in more ominous atmospheres recalling the resounding organ of its cover, third full-length Amidst the Flames, May Our Organs Resound offers an electronic trip to the shadows that feels grandiose and explosive where it ought to, but far too stripped down in others.
Mütterlein revolves its movements around a synthesized beat, resembling either a darkwave pulse that feels a tad like Perturbator or a thunderously precise snare that feels like an electronic interpretation of Isis, and its movements flow around and atop it. It’s a simple but effective structure, as largely these percussion movements carry across an entire song, while Leclercq’s atmospheric songwriting allows more metallic movements to mesh in a slurry with the synth-driven elements that combine into a haunting overture that recalls some of horror’s more cinematic moments. From a synth-centric version of Amenra in its diminished post-metal rhythms, leads, and call-and-response riffage (“Wounded Grace”) to the pulsing wave of density interwoven with angelic choirs atop trip-hop beats (“Concrete Black,” “Ivory Claws”), and guest appearances of Church of Ra’s Treha Sektori in sprawling dark ambient interludes (“Memorial One,” “Memorial Two”), Mütterlein has a formula that is effectively simple and simply crushing when it needs to be, although its more minimalist pieces drag on for far too long (“Anarcha,” “Division of Pain”).
Mütterlein places its claustrophobic sound design front and center, and like any good post-metal album, vocals are just another instrument in Amidst the Flames, May Our Organs Resound. It’s a bit of a shame, because Leclercq gives her most passionate and disconcerting vocal performance, relying on a drawling Audrey Sylvain (ex-Amesoeurs) post-punk groan (“Ivory Claws,” “Memorial Two”) and a rabid Kristin Michael Hayter (formerly Lingua Ignota) sermonic howl (“Memorial One,” “Division of Pain”). Too much of the music becomes monotonous and repetitive without enough of her vocals to keep up the vigor and energy, its pulse quickly dwindling to a flatline (“Division of Pain”), making the tracks that feature a switch-up at its midpoint highlights (“Wounded Grace,” “Ivory Claws”). The sound palette is nice when her vocals guide the horror, giving a climactic three-prong attack of vocals, electronic pulses, and overlaying leads, but when one of those crucial elements is removed, Mütterlein quickly loses its bite.
I miss Overmars, but Mütterlein offers a brand new sound that’s both densely crushing and darkly atmospheric, even if the sound is imperfect. Recalling the likes of Author & Punisher in swaths of punishing electronics, Amenra in its haunting melodic approach, and Lingua Ignota in the fury behind the mic, there’s a lot to like about Amidst the Flames. However, there’s a thin line between intrigue and monotony, and when the track goes too long or Leclercq removes her vocals, the result becomes painfully dull in its more stark passages. Feeling a tad long at a normally reasonable forty minutes, Mütterlein offers a mixed bag with triumphant highs and dull lows in Amidst the Flames, May Our Organs Resound.
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Debemur Morti Productions
Websites: mutterlein.bandcamp.com | facebook.com/mutterlein
Releases Worldwide: May 9th, 2025#25 #2025 #AmbientMetal #Amenra #Amesoeurs #AmidstTheFlames #AuthorPunisher #DebemurMortiProductions #Electronic #ElectronicaMetal #FrenchMetal #IndustrialMetal #Isis #LinguaIgnota #MayOurOrgansResound #May25 #Mütterlein #Overmars #Perturbator #PostMetal #ReverendKristinMichaelHayter #Review #Reviews #Rorcal #TrehaSektori
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Mütterlein – Amidst the Flames, May Our Organs Resound Review
By Dear Hollow
I’ve always unfairly ranked Rorcal above Overmars. What can I say? I got into Heliogabalus and Born Again around the same time, enamored by both single epic song interpretations of hardcore vigor, pained dissonance, and pitch-black sludge. Still, Heliogabalus took the cake when it came to bottom-scraping hellish riffs, wailing, and gnashing of teeth. Themes differ, as Rorcal’s elegant storytelling added further majesty to their colossal attack, while Overmars’ scrappy commentary on injustice and religious trauma owed a more anti-establishment aura. Rorcal remains one of my favorite acts, while Overmars broke up in 2011. Out of sight, out of mind, but it wasn’t until now that Overmars has come back to haunt me in the form of Mütterlein.
Mütterlein is a project of Overmars vocalist/bassist Marion Leclercq,1 but the sound in comparison to Overmars is a spiritual successor only. The sludge is present in the density in much the same way Author & Punisher offers, in walls of electronic darkness, synthesized percussion, and trip-hop beats, while climactic moments of mammoth post-metal chugs crash through like a freight train. Always rooted in more ominous atmospheres recalling the resounding organ of its cover, third full-length Amidst the Flames, May Our Organs Resound offers an electronic trip to the shadows that feels grandiose and explosive where it ought to, but far too stripped down in others.
Mütterlein revolves its movements around a synthesized beat, resembling either a darkwave pulse that feels a tad like Perturbator or a thunderously precise snare that feels like an electronic interpretation of Isis, and its movements flow around and atop it. It’s a simple but effective structure, as largely these percussion movements carry across an entire song, while Leclercq’s atmospheric songwriting allows more metallic movements to mesh in a slurry with the synth-driven elements that combine into a haunting overture that recalls some of horror’s more cinematic moments. From a synth-centric version of Amenra in its diminished post-metal rhythms, leads, and call-and-response riffage (“Wounded Grace”) to the pulsing wave of density interwoven with angelic choirs atop trip-hop beats (“Concrete Black,” “Ivory Claws”), and guest appearances of Church of Ra’s Treha Sektori in sprawling dark ambient interludes (“Memorial One,” “Memorial Two”), Mütterlein has a formula that is effectively simple and simply crushing when it needs to be, although its more minimalist pieces drag on for far too long (“Anarcha,” “Division of Pain”).
Mütterlein places its claustrophobic sound design front and center, and like any good post-metal album, vocals are just another instrument in Amidst the Flames, May Our Organs Resound. It’s a bit of a shame, because Leclercq gives her most passionate and disconcerting vocal performance, relying on a drawling Audrey Sylvain (ex-Amesoeurs) post-punk groan (“Ivory Claws,” “Memorial Two”) and a rabid Kristin Michael Hayter (formerly Lingua Ignota) sermonic howl (“Memorial One,” “Division of Pain”). Too much of the music becomes monotonous and repetitive without enough of her vocals to keep up the vigor and energy, its pulse quickly dwindling to a flatline (“Division of Pain”), making the tracks that feature a switch-up at its midpoint highlights (“Wounded Grace,” “Ivory Claws”). The sound palette is nice when her vocals guide the horror, giving a climactic three-prong attack of vocals, electronic pulses, and overlaying leads, but when one of those crucial elements is removed, Mütterlein quickly loses its bite.
I miss Overmars, but Mütterlein offers a brand new sound that’s both densely crushing and darkly atmospheric, even if the sound is imperfect. Recalling the likes of Author & Punisher in swaths of punishing electronics, Amenra in its haunting melodic approach, and Lingua Ignota in the fury behind the mic, there’s a lot to like about Amidst the Flames. However, there’s a thin line between intrigue and monotony, and when the track goes too long or Leclercq removes her vocals, the result becomes painfully dull in its more stark passages. Feeling a tad long at a normally reasonable forty minutes, Mütterlein offers a mixed bag with triumphant highs and dull lows in Amidst the Flames, May Our Organs Resound.
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Debemur Morti Productions
Websites: mutterlein.bandcamp.com | facebook.com/mutterlein
Releases Worldwide: May 9th, 2025#25 #2025 #AmbientMetal #Amenra #Amesoeurs #AmidstTheFlames #AuthorPunisher #DebemurMortiProductions #Electronic #ElectronicaMetal #FrenchMetal #IndustrialMetal #Isis #LinguaIgnota #MayOurOrgansResound #May25 #Mütterlein #Overmars #Perturbator #PostMetal #ReverendKristinMichaelHayter #Review #Reviews #Rorcal #TrehaSektori
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Mütterlein – Amidst the Flames, May Our Organs Resound Review
By Dear Hollow
I’ve always unfairly ranked Rorcal above Overmars. What can I say? I got into Heliogabalus and Born Again around the same time, enamored by both single epic song interpretations of hardcore vigor, pained dissonance, and pitch-black sludge. Still, Heliogabalus took the cake when it came to bottom-scraping hellish riffs, wailing, and gnashing of teeth. Themes differ, as Rorcal’s elegant storytelling added further majesty to their colossal attack, while Overmars’ scrappy commentary on injustice and religious trauma owed a more anti-establishment aura. Rorcal remains one of my favorite acts, while Overmars broke up in 2011. Out of sight, out of mind, but it wasn’t until now that Overmars has come back to haunt me in the form of Mütterlein.
Mütterlein is a project of Overmars vocalist/bassist Marion Leclercq,1 but the sound in comparison to Overmars is a spiritual successor only. The sludge is present in the density in much the same way Author & Punisher offers, in walls of electronic darkness, synthesized percussion, and trip-hop beats, while climactic moments of mammoth post-metal chugs crash through like a freight train. Always rooted in more ominous atmospheres recalling the resounding organ of its cover, third full-length Amidst the Flames, May Our Organs Resound offers an electronic trip to the shadows that feels grandiose and explosive where it ought to, but far too stripped down in others.
Mütterlein revolves its movements around a synthesized beat, resembling either a darkwave pulse that feels a tad like Perturbator or a thunderously precise snare that feels like an electronic interpretation of Isis, and its movements flow around and atop it. It’s a simple but effective structure, as largely these percussion movements carry across an entire song, while Leclercq’s atmospheric songwriting allows more metallic movements to mesh in a slurry with the synth-driven elements that combine into a haunting overture that recalls some of horror’s more cinematic moments. From a synth-centric version of Amenra in its diminished post-metal rhythms, leads, and call-and-response riffage (“Wounded Grace”) to the pulsing wave of density interwoven with angelic choirs atop trip-hop beats (“Concrete Black,” “Ivory Claws”), and guest appearances of Church of Ra’s Treha Sektori in sprawling dark ambient interludes (“Memorial One,” “Memorial Two”), Mütterlein has a formula that is effectively simple and simply crushing when it needs to be, although its more minimalist pieces drag on for far too long (“Anarcha,” “Division of Pain”).
Mütterlein places its claustrophobic sound design front and center, and like any good post-metal album, vocals are just another instrument in Amidst the Flames, May Our Organs Resound. It’s a bit of a shame, because Leclercq gives her most passionate and disconcerting vocal performance, relying on a drawling Audrey Sylvain (ex-Amesoeurs) post-punk groan (“Ivory Claws,” “Memorial Two”) and a rabid Kristin Michael Hayter (formerly Lingua Ignota) sermonic howl (“Memorial One,” “Division of Pain”). Too much of the music becomes monotonous and repetitive without enough of her vocals to keep up the vigor and energy, its pulse quickly dwindling to a flatline (“Division of Pain”), making the tracks that feature a switch-up at its midpoint highlights (“Wounded Grace,” “Ivory Claws”). The sound palette is nice when her vocals guide the horror, giving a climactic three-prong attack of vocals, electronic pulses, and overlaying leads, but when one of those crucial elements is removed, Mütterlein quickly loses its bite.
I miss Overmars, but Mütterlein offers a brand new sound that’s both densely crushing and darkly atmospheric, even if the sound is imperfect. Recalling the likes of Author & Punisher in swaths of punishing electronics, Amenra in its haunting melodic approach, and Lingua Ignota in the fury behind the mic, there’s a lot to like about Amidst the Flames. However, there’s a thin line between intrigue and monotony, and when the track goes too long or Leclercq removes her vocals, the result becomes painfully dull in its more stark passages. Feeling a tad long at a normally reasonable forty minutes, Mütterlein offers a mixed bag with triumphant highs and dull lows in Amidst the Flames, May Our Organs Resound.
Rating: 2.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Debemur Morti Productions
Websites: mutterlein.bandcamp.com | facebook.com/mutterlein
Releases Worldwide: May 9th, 2025#25 #2025 #AmbientMetal #Amenra #Amesoeurs #AmidstTheFlames #AuthorPunisher #DebemurMortiProductions #Electronic #ElectronicaMetal #FrenchMetal #IndustrialMetal #Isis #LinguaIgnota #MayOurOrgansResound #May25 #Mütterlein #Overmars #Perturbator #PostMetal #ReverendKristinMichaelHayter #Review #Reviews #Rorcal #TrehaSektori
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𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗵𝗮𝗮𝗹𝘁 𝗼𝘂𝗱-𝗔𝗷𝗮𝗰𝗶𝗲𝗱 𝗥𝗶𝗲𝗱𝗲𝘄𝗮𝗹𝗱 𝗻𝗮𝗮𝗿 𝗔𝗻𝘁𝘄𝗲𝗿𝗽
Jaïro Riedewald heeft een nieuwe club gevonden. De 27-jarige Nederlandse verdediger, die ook op het middenveld kan spelen, ondertekent een contract voor een jaar bij de Belgische voetbalclub Antwerp FC, waar Marc Overmars directeur voetbalzaken is.
https://www.rtl.nl/nieuws/sport/artikel/5465756/overmars-haalt-oud-ajacied-riedewald-naar-antwerp
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Een #doofpot was beter geweest…?
Ten Hag haalt uit: 'Schandalig wat Ajax Overmars heeft aangedaan en ook zó dom'
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Een #doofpot was beter geweest…?
Ten Hag haalt uit: 'Schandalig wat Ajax Overmars heeft aangedaan en ook zó dom'
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Een #doofpot was beter geweest…?
Ten Hag haalt uit: 'Schandalig wat Ajax Overmars heeft aangedaan en ook zó dom'
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𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗻𝗶𝗲𝘁 𝗶𝗻 𝗯𝗲𝗿𝗼𝗲𝗽 𝗯𝗶𝗷 𝗵𝗲𝘁 𝗖𝗔𝗦 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴
Marc Overmars gaat niet in beroep bij het internationale sporttribunaal CAS tegen de door de wereldvoetbalbond FIFA opgelegde wereldwijde schorsing. Dat heeft zijn woordvoerder Frank Neervoort bevestigd na eerdere berichtgeving van het Algemeen Dagblad.
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𝗕𝗲𝗿𝗼𝗲𝗽 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗙𝗜𝗙𝗔 𝗮𝗳𝗴𝗲𝘄𝗲𝘇𝗲𝗻
Het beroep dat Marc Overmars had aangespannen tegen de wereldwijde schorsing die voetbalbond FIFA hem had opgelegd is afgewezen. Dat heeft zijn woordvoerder Frank Neervoort na eerdere berichtgeving van Het Parool bevestigd.
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𝗕𝗲𝗿𝗼𝗲𝗽 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗙𝗜𝗙𝗔 𝗮𝗳𝗴𝗲𝘄𝗲𝘇𝗲𝗻
Het beroep dat Marc Overmars had aangespannen tegen de wereldwijde schorsing die voetbalbond FIFA hem had opgelegd is afgewezen. Dat heeft zijn woordvoerder Frank Neervoort na eerdere berichtgeving van Het Parool bevestigd.
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𝗕𝗲𝗿𝗼𝗲𝗽 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗙𝗜𝗙𝗔 𝗮𝗳𝗴𝗲𝘄𝗲𝘇𝗲𝗻
Het beroep dat Marc Overmars had aangespannen tegen de wereldwijde schorsing die voetbalbond FIFA hem had opgelegd is afgewezen. Dat heeft zijn woordvoerder Frank Neervoort na eerdere berichtgeving van Het Parool bevestigd.
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𝗕𝗲𝗿𝗼𝗲𝗽 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗙𝗜𝗙𝗔 𝗮𝗳𝗴𝗲𝘄𝗲𝘇𝗲𝗻
Het beroep dat Marc Overmars had aangespannen tegen de wereldwijde schorsing die voetbalbond FIFA hem had opgelegd is afgewezen. Dat heeft zijn woordvoerder Frank Neervoort na eerdere berichtgeving van Het Parool bevestigd.
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𝗕𝗲𝗿𝗼𝗲𝗽 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗙𝗜𝗙𝗔 𝗮𝗳𝗴𝗲𝘄𝗲𝘇𝗲𝗻
Het beroep dat Marc Overmars had aangespannen tegen de wereldwijde schorsing die voetbalbond FIFA hem had opgelegd is afgewezen. Dat heeft zijn woordvoerder Frank Neervoort na eerdere berichtgeving van Het Parool bevestigd.
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Nog net niet de rode loper voor hem uitgelegd.
https://nos.nl/artikel/2507246-marc-overmars-tot-twee-keer-toe-gevraagd-terug-te-keren-bij-ajax #Overmars #Ajax #grensoverschrijdendgedrag
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𝗡𝗢𝗦: 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗻𝗮 𝗴𝗲𝗱𝘄𝗼𝗻𝗴𝗲𝗻 𝘃𝗲𝗿𝘁𝗿𝗲𝗸 𝘁𝘄𝗲𝗲 𝗸𝗲𝗲𝗿 𝗴𝗲𝗽𝗼𝗹𝘀𝘁 𝗱𝗼𝗼𝗿 𝗔𝗷𝗮𝘅
Ajax heeft technisch directeur Marc Overmars na zijn vertrek wegens grensoverschrijdend gedrag tot twee keer toe benaderd om terug te keren. Dat meldt de NOS na eigen onderzoek.
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𝗡𝗢𝗦: 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗻𝗮 𝗴𝗲𝗱𝘄𝗼𝗻𝗴𝗲𝗻 𝘃𝗲𝗿𝘁𝗿𝗲𝗸 𝘁𝘄𝗲𝗲 𝗸𝗲𝗲𝗿 𝗴𝗲𝗽𝗼𝗹𝘀𝘁 𝗱𝗼𝗼𝗿 𝗔𝗷𝗮𝘅
Ajax heeft technisch directeur Marc Overmars na zijn vertrek wegens grensoverschrijdend gedrag tot twee keer toe benaderd om terug te keren. Dat meldt de NOS na eigen onderzoek.
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𝗡𝗢𝗦: 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗻𝗮 𝗴𝗲𝗱𝘄𝗼𝗻𝗴𝗲𝗻 𝘃𝗲𝗿𝘁𝗿𝗲𝗸 𝘁𝘄𝗲𝗲 𝗸𝗲𝗲𝗿 𝗴𝗲𝗽𝗼𝗹𝘀𝘁 𝗱𝗼𝗼𝗿 𝗔𝗷𝗮𝘅
Ajax heeft technisch directeur Marc Overmars na zijn vertrek wegens grensoverschrijdend gedrag tot twee keer toe benaderd om terug te keren. Dat meldt de NOS na eigen onderzoek.
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𝗡𝗢𝗦: 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗻𝗮 𝗴𝗲𝗱𝘄𝗼𝗻𝗴𝗲𝗻 𝘃𝗲𝗿𝘁𝗿𝗲𝗸 𝘁𝘄𝗲𝗲 𝗸𝗲𝗲𝗿 𝗴𝗲𝗽𝗼𝗹𝘀𝘁 𝗱𝗼𝗼𝗿 𝗔𝗷𝗮𝘅
Ajax heeft technisch directeur Marc Overmars na zijn vertrek wegens grensoverschrijdend gedrag tot twee keer toe benaderd om terug te keren. Dat meldt de NOS na eigen onderzoek.
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𝗡𝗢𝗦: 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗻𝗮 𝗴𝗲𝗱𝘄𝗼𝗻𝗴𝗲𝗻 𝘃𝗲𝗿𝘁𝗿𝗲𝗸 𝘁𝘄𝗲𝗲 𝗸𝗲𝗲𝗿 𝗴𝗲𝗽𝗼𝗹𝘀𝘁 𝗱𝗼𝗼𝗿 𝗔𝗷𝗮𝘅
Ajax heeft technisch directeur Marc Overmars na zijn vertrek wegens grensoverschrijdend gedrag tot twee keer toe benaderd om terug te keren. Dat meldt de NOS na eigen onderzoek.
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𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗶𝗻 𝗯𝗲𝗿𝗼𝗲𝗽 𝘁𝗲𝗴𝗲𝗻 𝘄𝗲𝗿𝗲𝗹𝗱𝘄𝗶𝗷𝗱𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝘃𝗮𝗻 𝗙𝗜𝗙𝗔
Marc Overmars gaat in beroep tegen de wereldwijde schorsing die hij begin dit jaar heeft gekregen van wereldvoetbalbond FIFA. Dat bevestigt Overmars' woordvoerder Frank Neervoort na eerdere berichtgeving van De Telegraaf.
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𝗙𝗜𝗙𝗔 𝗻𝗲𝗲𝗺𝘁 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗼𝘃𝗲𝗿
Marc Overmars kan voorlopig zijn functie als technisch directeur van de Belgische voetbalclub Antwerp niet meer uitoefenen. De FIFA heeft de nationale schorsing die hij kreeg om grensoverschrijdend gedrag tijdens zijn periode bij Ajax wereldwijd overgenomen. Dat bevestigde een woordvoerder van de KNVB na eerdere...
https://www.rtlnieuws.nl/sport/voetbal/artikel/5428556/fifa-neemt-nationale-schorsing-overmars-over
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𝗙𝗜𝗙𝗔 𝗻𝗲𝗲𝗺𝘁 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗼𝘃𝗲𝗿
Marc Overmars kan voorlopig zijn functie als technisch directeur van de Belgische voetbalclub Antwerp niet meer uitoefenen. De FIFA heeft de nationale schorsing die hij kreeg om grensoverschrijdend gedrag tijdens zijn periode bij Ajax wereldwijd overgenomen. Dat bevestigde een woordvoerder van de KNVB na eerdere...
https://www.rtlnieuws.nl/sport/voetbal/artikel/5428556/fifa-neemt-nationale-schorsing-overmars-over
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𝗙𝗜𝗙𝗔 𝗻𝗲𝗲𝗺𝘁 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗼𝘃𝗲𝗿
Marc Overmars kan voorlopig zijn functie als technisch directeur van de Belgische voetbalclub Antwerp niet meer uitoefenen. De FIFA heeft de nationale schorsing die hij kreeg om grensoverschrijdend gedrag tijdens zijn periode bij Ajax wereldwijd overgenomen. Dat bevestigde een woordvoerder van de KNVB na eerdere...
https://www.rtlnieuws.nl/sport/voetbal/artikel/5428556/fifa-neemt-nationale-schorsing-overmars-over
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𝗙𝗜𝗙𝗔 𝗻𝗲𝗲𝗺𝘁 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗼𝘃𝗲𝗿
Marc Overmars kan voorlopig zijn functie als technisch directeur van de Belgische voetbalclub Antwerp niet meer uitoefenen. De FIFA heeft de nationale schorsing die hij kreeg om grensoverschrijdend gedrag tijdens zijn periode bij Ajax wereldwijd overgenomen. Dat bevestigde een woordvoerder van de KNVB na eerdere...
https://www.rtlnieuws.nl/sport/voetbal/artikel/5428556/fifa-neemt-nationale-schorsing-overmars-over
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𝗙𝗜𝗙𝗔 𝗻𝗲𝗲𝗺𝘁 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹𝗲 𝘀𝗰𝗵𝗼𝗿𝘀𝗶𝗻𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗼𝘃𝗲𝗿
Marc Overmars kan voorlopig zijn functie als technisch directeur van de Belgische voetbalclub Antwerp niet meer uitoefenen. De FIFA heeft de nationale schorsing die hij kreeg om grensoverschrijdend gedrag tijdens zijn periode bij Ajax wereldwijd overgenomen. Dat bevestigde een woordvoerder van de KNVB na eerdere...
https://www.rtlnieuws.nl/sport/voetbal/artikel/5428556/fifa-neemt-nationale-schorsing-overmars-over
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𝗢𝗻𝗱𝗲𝗿𝘇𝗼𝗲𝗸 𝗴𝗿𝗲𝗻𝘀𝗼𝘃𝗲𝗿𝘀𝗰𝗵𝗿𝗶𝗷𝗱𝗲𝗻𝗱 𝗴𝗲𝗱𝗿𝗮𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗮𝗳𝗴𝗲𝗿𝗼𝗻𝗱
Het onderzoek naar het grensoverschrijdende gedrag waar Marc Overmars zich bij Ajax schuldig aan zou hebben gemaakt is afgerond, zo heeft het Instituut Sportrechtspraak bevestigd. Binnen enkele weken volgt er een uitspraak van de tuchtcommissie, aldus directeur Henk van Aller.
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𝗢𝗻𝗱𝗲𝗿𝘇𝗼𝗲𝗸 𝗴𝗿𝗲𝗻𝘀𝗼𝘃𝗲𝗿𝘀𝗰𝗵𝗿𝗶𝗷𝗱𝗲𝗻𝗱 𝗴𝗲𝗱𝗿𝗮𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗮𝗳𝗴𝗲𝗿𝗼𝗻𝗱
Het onderzoek naar het grensoverschrijdende gedrag waar Marc Overmars zich bij Ajax schuldig aan zou hebben gemaakt is afgerond, zo heeft het Instituut Sportrechtspraak bevestigd. Binnen enkele weken volgt er een uitspraak van de tuchtcommissie, aldus directeur Henk van Aller.
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𝗢𝗻𝗱𝗲𝗿𝘇𝗼𝗲𝗸 𝗴𝗿𝗲𝗻𝘀𝗼𝘃𝗲𝗿𝘀𝗰𝗵𝗿𝗶𝗷𝗱𝗲𝗻𝗱 𝗴𝗲𝗱𝗿𝗮𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗮𝗳𝗴𝗲𝗿𝗼𝗻𝗱
Het onderzoek naar het grensoverschrijdende gedrag waar Marc Overmars zich bij Ajax schuldig aan zou hebben gemaakt is afgerond, zo heeft het Instituut Sportrechtspraak bevestigd. Binnen enkele weken volgt er een uitspraak van de tuchtcommissie, aldus directeur Henk van Aller.
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𝗢𝗻𝗱𝗲𝗿𝘇𝗼𝗲𝗸 𝗴𝗿𝗲𝗻𝘀𝗼𝘃𝗲𝗿𝘀𝗰𝗵𝗿𝗶𝗷𝗱𝗲𝗻𝗱 𝗴𝗲𝗱𝗿𝗮𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗮𝗳𝗴𝗲𝗿𝗼𝗻𝗱
Het onderzoek naar het grensoverschrijdende gedrag waar Marc Overmars zich bij Ajax schuldig aan zou hebben gemaakt is afgerond, zo heeft het Instituut Sportrechtspraak bevestigd. Binnen enkele weken volgt er een uitspraak van de tuchtcommissie, aldus directeur Henk van Aller.
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𝗢𝗻𝗱𝗲𝗿𝘇𝗼𝗲𝗸 𝗴𝗿𝗲𝗻𝘀𝗼𝘃𝗲𝗿𝘀𝗰𝗵𝗿𝗶𝗷𝗱𝗲𝗻𝗱 𝗴𝗲𝗱𝗿𝗮𝗴 𝗢𝘃𝗲𝗿𝗺𝗮𝗿𝘀 𝗮𝗳𝗴𝗲𝗿𝗼𝗻𝗱
Het onderzoek naar het grensoverschrijdende gedrag waar Marc Overmars zich bij Ajax schuldig aan zou hebben gemaakt is afgerond, zo heeft het Instituut Sportrechtspraak bevestigd. Binnen enkele weken volgt er een uitspraak van de tuchtcommissie, aldus directeur Henk van Aller.