#meisterundmagarita — Public Fediverse posts

The Master and Margarita. The final part ten.

https://www.youtube.com/watch?v=gXnZv2gomLg

The character of Master is autobiographical, burning of his manuscript alludes to what Bulgakov himself did under threats from the Soviet authorities.

The Master and Margarita. Part eight.

https://www.youtube.com/watch?v=DtgCcpiqAGI&t=13s

The Master and Margarita. Part five.

https://www.youtube.com/watch?v=JkkXeyPKK_s

The Master and Margarita. Part Four.

https://www.youtube.com/watch?v=2_uUkme4bdQ

The Master and Margarita. Part three.

https://www.youtube.com/watch?v=P4sGewZWyaQ&t=12s

Die große Vergeltung: Michail Bulgakows ,Der Meister und Margarita‘ – Von Literatur ist Alles

https://www.youtube.com/watch?v=4skCHT5eVUc

Michail Afanassjewitsch Bulgakow (russisch Михаил Афанасьевич Булгаков, wiss. Transliteration Michail Afanas’evič Bulgakov; * 3. Maijul./ 15. Mai 1891greg. in Kiew, Russisches Kaiserreich; † 10. März 1940 in Moskau, Sowjetunion) war ein sowjetischer Schriftsteller. Er gilt als einer der großen Satiriker der russischen Literatur.
Der Meister und Margarita (russisch Мастер и Маргарита / Master i Margarita) ist der bekannteste Roman des russischen Schriftstellers Michail Bulgakow und ein Klassiker der russischen Literatur des 20. Jahrhunderts.

The Master and Margarita. Part one. Von Mikhail A. Bulgakov

https://www.youtube.com/watch?v=P5Lb6rgFeQU

Master and Margarita (2005) is a Menippean film based on the eponymous book by Mikhail A. Bulgakov. Set in Moscow under Stalin and in Jerusalem under Pilate, it has several story-lines where history, religion and politics are intertwined. The sacrifices of Master, a talented author of a manuscript about the biblical Pontius Pilate, and Master’s muse – Margarita, are paralleled by the biblical story of Ieshua in Ierushalaim, and the deceit of the cowardly ambiguous Pilate, whose character alludes to a Soviet leader. The reality is distorted by Satan Woland , and his lieutenants, who are manipulating public events and people’s lives by pushing the buttons of human weaknesses and sins. Margarita taps into Woland’s power, trying to save Master. The character of Master is autobiographical, burning of his manuscript alludes to what Bulgakov himself did under threats from the Soviet authorities.