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#jts2026 — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #jts2026, aggregated by home.social.

  1. @notclacke for touchlessly reading magnetic media, there should be quite a few articles out there since this was first done in 2024. For the motion picture part, that's new. There were audible gasp in the theatre at #JTS2026. I am looking forward to see further development on this.

  2. @notclacke for touchlessly reading magnetic media, there should be quite a few articles out there since this was first done in 2024. For the motion picture part, that's new. There were audible gasp in the theatre at #JTS2026. I am looking forward to see further development on this.

  3. Final #JTS2026 presentation @briannatoth Brianna Toth and Casey Winkleman - From degralescence to collective action: Community-driven response to magnetic media crisis. Magnetic Media Crisis Committee (MMCC)

    Super glad MMCC is able to present at #JTS2026. For the past two days, we've heard so many questions and comments about the importance of working together, especially on legacy equipment, manuals, knowledge sharing and resource development.

  4. Final #JTS2026 presentation @briannatoth Brianna Toth and Casey Winkleman - From degralescence to collective action: Community-driven response to magnetic media crisis. Magnetic Media Crisis Committee (MMCC)

    Super glad MMCC is able to present at #JTS2026. For the past two days, we've heard so many questions and comments about the importance of working together, especially on legacy equipment, manuals, knowledge sharing and resource development.

  5. NOW: Caroline Ashworth and Rod Butler, National Archives of Australia - Lessons from a decade of audiovisual digitisation.

    Most challenging format - video. QC of non-broadcast format - very hard. Need experienced eye. Double the time you think you need for logistics. Triple the time you think you need for QC. IT (OT?) infrastructure, interconnected systems need to be fit-for-purpose.

    Recommend watch if you are embarking on a video digitisation project.

    #JTS2026

  6. NOW: Caroline Ashworth and Rod Butler, National Archives of Australia - Lessons from a decade of audiovisual digitisation.

    Most challenging format - video. QC of non-broadcast format - very hard. Need experienced eye. Double the time you think you need for logistics. Triple the time you think you need for QC. IT (OT?) infrastructure, interconnected systems need to be fit-for-purpose.

    Recommend watch if you are embarking on a video digitisation project.

    #JTS2026

  7. Proven that synchrotron x-ray can be used to touchlessly read magnetic media. Now experimenting with reading degraded motion picture film without even need to unroll the film. It's even sitting in the can. [jaw dropping] 🤯🤯🤯

    #JTS2026 #WorthTheTicket

  8. Proven that synchrotron x-ray can be used to touchlessly read magnetic media. Now experimenting with reading degraded motion picture film without even need to unroll the film. It's even sitting in the can. [jaw dropping] 🤯🤯🤯

    #JTS2026 #WorthTheTicket

  9. NOW: Dr Sebastian Gliga, Paul Sherrer Institute on Play It Again - Recovering audiovisual content from degraded tapes and films with synchroton X-rays. Also motion pictures from degraded films (!!)

    "Big machines looking at small things"

    Swiss light source synchrotron. High powered, focused X-rays. Beam lines.

    #JTS2026

  10. NOW: Dr Sebastian Gliga, Paul Sherrer Institute on Play It Again - Recovering audiovisual content from degraded tapes and films with synchroton X-rays. Also motion pictures from degraded films (!!)

    "Big machines looking at small things"

    Swiss light source synchrotron. High powered, focused X-rays. Beam lines.

    #JTS2026

  11. NLA has a highly secured facility for Piql reels in Abu Dhabi. Government agencies and private organisations can deposit their Piql reels in NLA facility. Can opt for 2nd copy in Arctic World Archive, Norway.

    #JTS2026

  12. NLA has a highly secured facility for Piql reels in Abu Dhabi. Government agencies and private organisations can deposit their Piql reels in NLA facility. Can opt for 2nd copy in Arctic World Archive, Norway.

    #JTS2026

  13. Final #JTS2026 session - Lessons learnt, future speculations and breakthroughs.

    Dr Victor Kabata, Sorbonne University, on preserving audiovisual archives using Piql at UAE National Library and Archives.

  14. Final #JTS2026 session - Lessons learnt, future speculations and breakthroughs.

    Dr Victor Kabata, Sorbonne University, on preserving audiovisual archives using Piql at UAE National Library and Archives.

  15. Hazard and heritage session at #JTS2026. I'm speaking about calculating avoided carbon dioxide equivalent emissions by adopting #FFV1 lossless compression.

    #environmentalimpact #kgco2e

    View from panel seats on stage.

  16. Hazard and heritage session at #JTS2026. I'm speaking about calculating avoided carbon dioxide equivalent emissions by adopting #FFV1 lossless compression.

    #environmentalimpact #kgco2e

    View from panel seats on stage.

  17. Scientific research done found no evidence that magnetic properties are affected by cold store!

    Positive experience working with scientists.

    #JTS2026

  18. Scientific research done found no evidence that magnetic properties are affected by cold store!

    Positive experience working with scientists.

    #JTS2026

  19. Charles Fairall, BFI on Particle acceleration and spectral microscopy on magnetic track conservation conundrum.

    Suspect Iron in the magnetic coating acting as catalyst for deterioration - vinegar syndrome.

    Magnetic materials don't do well in cold enrlvironment. BFU master film store -5°C & 35% RH. Only way to preserve magnetic material is to digitise them.

    #JTS2026

  20. Charles Fairall, BFI on Particle acceleration and spectral microscopy on magnetic track conservation conundrum.

    Suspect Iron in the magnetic coating acting as catalyst for deterioration - vinegar syndrome.

    Magnetic materials don't do well in cold enrlvironment. BFU master film store -5°C & 35% RH. Only way to preserve magnetic material is to digitise them.

    #JTS2026

  21. Karelle Duchesne, NFSA, presented Australian 1930s invention - bi-pack solarchrome. They look amazing. Lots of sleuthing to figure out who was first. First newsreel in the world with colour - uses solarchrome.

    More research to be done to get this added to the Film Atlas and history of film colour.

    Note: recommended watch for film interest

    #JTS2026

  22. Karelle Duchesne, NFSA, presented Australian 1930s invention - bi-pack solarchrome. They look amazing. Lots of sleuthing to figure out who was first. First newsreel in the world with colour - uses solarchrome.

    More research to be done to get this added to the Film Atlas and history of film colour.

    Note: recommended watch for film interest

    #JTS2026

  23. Richard wonders whether AI could help in the OCR of partial edge code process?

    #JTS2026

  24. Richard wonders whether AI could help in the OCR of partial edge code process?

    #JTS2026

  25. NOW: The Spirits and the times will teach: De-conforming Tangata Whenua for return to Kaitiaki by Richard Falkner, Ngā Taonga Sound and Vision.

    (Note: Can't upload any photos of this presentation as per Richard's request with respect to the people in the film)

    #JTS2026

  26. NOW: The Spirits and the times will teach: De-conforming Tangata Whenua for return to Kaitiaki by Richard Falkner, Ngā Taonga Sound and Vision.

    (Note: Can't upload any photos of this presentation as per Richard's request with respect to the people in the film)

    #JTS2026

  27. Another example: Virtual Grooves for Archiving. From SDMS to SDAS. Vinyl cutting machine inadvertently developed a way to playback virtual grooves!

    In 2 mins they could get a full landscape virtual groove image of a disc.

    NAA has 19,000 undigitised discs. This might be a way to help work through the backlog more efficiently.

    (SDMS - Sillitoe Disk Mastering System?)

    #JTS2026

  28. Another example: Virtual Grooves for Archiving. From SDMS to SDAS. Vinyl cutting machine inadvertently developed a way to playback virtual grooves!

    In 2 mins they could get a full landscape virtual groove image of a disc.

    NAA has 19,000 undigitised discs. This might be a way to help work through the backlog more efficiently.

    (SDMS - Sillitoe Disk Mastering System?)

    #JTS2026

  29. Craig thinks we need to work with external party engineers to develop new machines that fit our archiving needs.

    New Open Reel to Reel Player/Recorder
    analogaudiodesign.com/tp-1000-
    analogaudiodesign.com/tr-1000-

    #JTS2026

  30. Craig thinks we need to work with external party engineers to develop new machines that fit our archiving needs.

    New Open Reel to Reel Player/Recorder
    analogaudiodesign.com/tp-1000-
    analogaudiodesign.com/tr-1000-

    #JTS2026

  31. After morning tea, we have preservation in motion: current practice and research. First up we have Craig Field, National Archives of Australia, on Reimagining analogue audio preservation.

    Craig, an established audio professional, runs his own sound recording facility in the Blue Mountains. Arrived at NAA in 2024, realised that there are many legacy equipment needs repair or have been repaired many times. Far from original built quality.

    #JTS2026

  32. After morning tea, we have preservation in motion: current practice and research. First up we have Craig Field, National Archives of Australia, on Reimagining analogue audio preservation.

    Craig, an established audio professional, runs his own sound recording facility in the Blue Mountains. Arrived at NAA in 2024, realised that there are many legacy equipment needs repair or have been repaired many times. Far from original built quality.

    #JTS2026

  33. Truly a digital preservation challenge where the physical assets (Digital relational assets) and the digital derivatives are all to be preserved, possibly in different forms and in different systems. Q: What's the glue linking all of these?

    #JTS2026

  34. Truly a digital preservation challenge where the physical assets (Digital relational assets) and the digital derivatives are all to be preserved, possibly in different forms and in different systems. Q: What's the glue linking all of these?

    #JTS2026

  35. TIL WiFi was inspired by radio astronomy! Low powered radio signals indoor resembles radio waves from outer space! 🤯🤯

    #JTS2026

  36. TIL WiFi was inspired by radio astronomy! Low powered radio signals indoor resembles radio waves from outer space! 🤯🤯

    #JTS2026

  37. NOW: @audiovisualopen Andrew Martin, Digital Preservation Coordinator on Preserving a WiFi Prototype: CSIRO's WLAN Test bed at the National Museum of Australia.

    How do we preserve a technological system where its cultural significance is still developing?

    #JTS2026

  38. NOW: @audiovisualopen Andrew Martin, Digital Preservation Coordinator on Preserving a WiFi Prototype: CSIRO's WLAN Test bed at the National Museum of Australia.

    How do we preserve a technological system where its cultural significance is still developing?

    #JTS2026

  39. NOW: Lara Simmons, Ngā Taonga Sound & Vision on Taking a prioritisation approach to collection management.

    842,820 titles and 6389 depositors. Recently acquired another 300,000 items from TV3.

    Hakune - prioritisation model. Three dimensions - Risk, Significance and Access.

    #JTS2026

  40. NOW: Lara Simmons, Ngā Taonga Sound & Vision on Taking a prioritisation approach to collection management.

    842,820 titles and 6389 depositors. Recently acquired another 300,000 items from TV3.

    Hakune - prioritisation model. Three dimensions - Risk, Significance and Access.

    #JTS2026

  41. #JTS2026 Day 2: Dr Cynde Moya sharing the awesomeness of AusEaaSI and how it's helped the archiving of Australian media arts!

  42. #JTS2026 Day 2: Dr Cynde Moya sharing the awesomeness of AusEaaSI and how it's helped the archiving of Australian media arts!

  43. From Q&A, DU was able to develop this open source exhibits platform by repurposing all the developer-time previously rebuilding Omeka for customisation.

    Note: DU certainly believes in investing in internal open source development, which is a rare sight nowadays.

    #JTS2026

  44. From Q&A, DU was able to develop this open source exhibits platform by repurposing all the developer-time previously rebuilding Omeka for customisation.

    Note: DU certainly believes in investing in internal open source development, which is a rare sight nowadays.

    #JTS2026

  45. NOW: Designing for discovery: An open-source exhibits platform for digital collections - Beth Mawhinney, Digital Initiatives Librarian, Denver University.

    Omeka didn't meet their requirements. Started developing their own discovery platform with media-first focus - Exhibits @ DU github.com/dulibrarytech/exhib

    Collaborative model with development team, and a new position digital initiative librarian.

    #JTS2026

  46. NOW: Designing for discovery: An open-source exhibits platform for digital collections - Beth Mawhinney, Digital Initiatives Librarian, Denver University.

    Omeka didn't meet their requirements. Started developing their own discovery platform with media-first focus - Exhibits @ DU github.com/dulibrarytech/exhib

    Collaborative model with development team, and a new position digital initiative librarian.

    #JTS2026

  47. NOW: Thoughtful implementation of AI-assisted audio transcription technologies in a cultural heritage context - Rowan Henderson, National Library of Australia.

    WhisperX, local machines, no leakage and model not "learning". Result: All oral history at NLA has uncorrected transcript. Internal search only. Revolutionised internal workflows.

    (Before: Tomohiro Hasegawa and Yoko Arai, Imagica, presented on an ethical approach to AV preservation through human-AI collaboration.)

    #JTS2026

  48. NOW: Thoughtful implementation of AI-assisted audio transcription technologies in a cultural heritage context - Rowan Henderson, National Library of Australia.

    WhisperX, local machines, no leakage and model not "learning". Result: All oral history at NLA has uncorrected transcript. Internal search only. Revolutionised internal workflows.

    (Before: Tomohiro Hasegawa and Yoko Arai, Imagica, presented on an ethical approach to AV preservation through human-AI collaboration.)

    #JTS2026