#buxton — Public Fediverse posts

Buxton Museum – From Closure to New Beginnings

Pull up a chair and let me put the kettle on, because this is one of those stories that feels close to home in more ways than one – Buxton has a way of doing that, doesn’t it? The mist rolling down over the hills, the limestone underfoot, the sense that if you dig even a little you will find something older than you expected. Sometimes a fossil, sometimes a story, and sometimes, if you are very lucky, something shaped by human hands thousands of years ago.

Buxton Museum and Art Gallery has always been the place where all those different layers come together. Not in a grand, untouchable way, but in that quietly fascinating, slightly eccentric way that local museums do so well. You could walk in out of the Derbyshire drizzle and find yourself standing in the middle of 360 million years of history, from ancient seas to Roman roads to the tools of people who once walked these same hills with flint in their hands and purpose in their stride.

The museum itself has roots deep in the late nineteenth century, when Buxton was not only a spa town but a place of folklore, culture and curiosity. Like many civic museums of the Victorian and Edwardian era, it was born from the idea that knowledge should be shared, that history and science should not belong solely to scholars but to everyone. Its long time home in the Peak Buildings on Terrace Road became a kind of anchor point for that vision, holding collections that told the story of the Peak District in all its strange and beautiful complexity.

And what a story that is.

The Peak is one of the richest prehistoric landscapes in Britain, a place where Mesolithic hunters once tracked game through woodland that no longer exists, where Neolithic communities raised monuments that still puzzle us, and where Bronze Age burials quietly mark the passing of lives long forgotten. The museum’s archaeological collections have always been central to telling that story, and tucked within them, the lithics collection carries a particular kind of magic. I know this because I, along with my good friend Bob, were once part of the team that sorted them.

There is something about lithics that stops you in your tracks. These are not decorative objects or curiosities. They are tools, shaped with intent, held in real hands, used in moments of survival. When you handle them, even through gloves and careful procedure, there is a flicker of connection. The angle of a blade, the precision of a strike, the quiet evidence of skill passed from one generation to another. The work of curation – sorting, cataloguing and understanding museum artefacts – is meticulous and often unseen, but it is the foundation on which everything else is built. Without that work, the stories remain silent.

Over the years, the museum grew into something much broader than a simple collection of ‘things’. It became a place that told the entire story of the Peak District, from deep geological time through to modern social history. Visitors could move through the corridors from fossils and Blue John stone to Roman jewellery, medieval relics and the industrial heritage that shaped the town itself. It was a place where everything connected if you took the time to look.

A turning point came in 2017 with the redevelopment of the Wonders of the Peak gallery, a project that brought new life and energy into the museum. Funded in part by Arts Council England, it transformed the way the collections were displayed, making them more immersive, more accessible and more engaging for a wider audience. Suddenly, this quiet local museum was drawing over 30,000 visitors a year, hosting exhibitions, workshops and even collaborations with institutions like the British Museum. There was a sense that little old Buxton’s story was not just local after all, but part of something much, much bigger.

The museum also began to shift in how it invited people in. Gone was the stuffy, old fashioned sense that everything must be observed at a distance. In its place came a more hands on approach, encouraging curiosity, exploration and connection. Families, researchers, school groups and the simply curious all found something to hold onto there, whether literally or figuratively.

And then, as so often happens with buildings that have stood a long time, reality intervened. Structural concerns with the Peak Buildings led to the museum’s closure in 2023. It is difficult to overstate how much that changed things. This was not just a case of locked doors. It was the temporary loss of a space that had quietly held the town’s memory for generations.

Behind the scenes, an enormous amount of work began almost immediately. Over 100,000 objects had to be carefully packed, documented and moved into secure storage. Each one handled with the same care it had received on display, perhaps more so, because now it had to endure uncertainty. Staff adapted, shifting their focus to outreach and temporary displays, with Buxton Library becoming a kind of lifeline for keeping the museum’s presence alive in the community.

The community, for its part, did not stay quiet.

In 2024, hundreds of people turned out in support of the museum, a reminder that this was never just a place tourists visited but something woven into everyday life. When a museum like this closes, even temporarily, it leaves a gap you can feel.

Now, in 2026, the story is shifting again, and there is a cautious sense of movement. Funding from Arts Council England has supported plans for a new temporary home near Buxton Library, with exhibition spaces, a shop and areas for activities and education. It is not a permanent solution, but it is a vital step, a way of bringing the collections back into public view and restoring that connection between people and place.

At the same time, Derbyshire County Council has committed to finding a permanent new location within the town centre as part of wider regeneration plans. It is an ambitious goal, and one that will take time. There are practical challenges, funding considerations and the delicate balance of honouring what the museum has always been while allowing it to evolve into something that can serve future generations.

Public consultation has become a key part of that process, with residents invited in 2026 to help shape what the museum should look like and how it should function. That feels fitting. This has always been a shared space, built not just by curators and councils but by the people who visit, contribute and care about it.

There are still questions, of course. Timelines are uncertain, and the move to a permanent home may take several years. Temporary arrangements will bridge that gap, and there will likely be moments of frustration along the way. But what stands out most is not uncertainty, but resilience.

Even now, the work continues. Collections are being researched, conserved and understood in quiet rooms rather than public galleries. Stories are still being pieced together. Knowledge is still growing.

And somewhere, carefully wrapped and waiting, are those lithics. Silent, patient, carrying the imprint of lives lived thousands of years ago. The fact that they have been handled, sorted and interpreted by people who care deeply about them adds another layer to their story. It becomes a chain of connection, from the original maker to the modern curator, from ancient landscape to present day Buxton.

When the museum opens its doors again, whether in a temporary space or a new permanent home, it will not simply be returning to what it was. It will be stepping into something new, shaped by everything it has been through and by the people who refused to let it fade quietly away.

And if you stand there, looking at a piece of worked flint under soft gallery lights, you might just feel it. That sense of continuity. Of hands across time. Of stories waiting patiently to be told again.

Buxton Museum – From Closure to New Beginnings

Pull up a chair and let me put the kettle on, because this is one of those stories that feels close to home in more ways than one – Buxton has a way of doing that, doesn’t it? The mist rolling down over the hills, the limestone underfoot, the sense that if you dig even a little you will find something older than you expected. Sometimes a fossil, sometimes a story, and sometimes, if you are very lucky, something shaped by human hands thousands of years ago.

Buxton Museum and Art Gallery has always been the place where all those different layers come together. Not in a grand, untouchable way, but in that quietly fascinating, slightly eccentric way that local museums do so well. You could walk in out of the Derbyshire drizzle and find yourself standing in the middle of 360 million years of history, from ancient seas to Roman roads to the tools of people who once walked these same hills with flint in their hands and purpose in their stride.

The museum itself has roots deep in the late nineteenth century, when Buxton was not only a spa town but a place of folklore, culture and curiosity. Like many civic museums of the Victorian and Edwardian era, it was born from the idea that knowledge should be shared, that history and science should not belong solely to scholars but to everyone. Its long time home in the Peak Buildings on Terrace Road became a kind of anchor point for that vision, holding collections that told the story of the Peak District in all its strange and beautiful complexity.

And what a story that is.

The Peak is one of the richest prehistoric landscapes in Britain, a place where Mesolithic hunters once tracked game through woodland that no longer exists, where Neolithic communities raised monuments that still puzzle us, and where Bronze Age burials quietly mark the passing of lives long forgotten. The museum’s archaeological collections have always been central to telling that story, and tucked within them, the lithics collection carries a particular kind of magic. I know this because I, along with my good friend Bob, were once part of the team that sorted them.

There is something about lithics that stops you in your tracks. These are not decorative objects or curiosities. They are tools, shaped with intent, held in real hands, used in moments of survival. When you handle them, even through gloves and careful procedure, there is a flicker of connection. The angle of a blade, the precision of a strike, the quiet evidence of skill passed from one generation to another. The work of curation – sorting, cataloguing and understanding museum artefacts – is meticulous and often unseen, but it is the foundation on which everything else is built. Without that work, the stories remain silent.

Over the years, the museum grew into something much broader than a simple collection of ‘things’. It became a place that told the entire story of the Peak District, from deep geological time through to modern social history. Visitors could move through the corridors from fossils and Blue John stone to Roman jewellery, medieval relics and the industrial heritage that shaped the town itself. It was a place where everything connected if you took the time to look.

A turning point came in 2017 with the redevelopment of the Wonders of the Peak gallery, a project that brought new life and energy into the museum. Funded in part by Arts Council England, it transformed the way the collections were displayed, making them more immersive, more accessible and more engaging for a wider audience. Suddenly, this quiet local museum was drawing over 30,000 visitors a year, hosting exhibitions, workshops and even collaborations with institutions like the British Museum. There was a sense that little old Buxton’s story was not just local after all, but part of something much, much bigger.

The museum also began to shift in how it invited people in. Gone was the stuffy, old fashioned sense that everything must be observed at a distance. In its place came a more hands on approach, encouraging curiosity, exploration and connection. Families, researchers, school groups and the simply curious all found something to hold onto there, whether literally or figuratively.

And then, as so often happens with buildings that have stood a long time, reality intervened. Structural concerns with the Peak Buildings led to the museum’s closure in 2023. It is difficult to overstate how much that changed things. This was not just a case of locked doors. It was the temporary loss of a space that had quietly held the town’s memory for generations.

Behind the scenes, an enormous amount of work began almost immediately. Over 100,000 objects had to be carefully packed, documented and moved into secure storage. Each one handled with the same care it had received on display, perhaps more so, because now it had to endure uncertainty. Staff adapted, shifting their focus to outreach and temporary displays, with Buxton Library becoming a kind of lifeline for keeping the museum’s presence alive in the community.

The community, for its part, did not stay quiet.

In 2024, hundreds of people turned out in support of the museum, a reminder that this was never just a place tourists visited but something woven into everyday life. When a museum like this closes, even temporarily, it leaves a gap you can feel.

Now, in 2026, the story is shifting again, and there is a cautious sense of movement. Funding from Arts Council England has supported plans for a new temporary home near Buxton Library, with exhibition spaces, a shop and areas for activities and education. It is not a permanent solution, but it is a vital step, a way of bringing the collections back into public view and restoring that connection between people and place.

At the same time, Derbyshire County Council has committed to finding a permanent new location within the town centre as part of wider regeneration plans. It is an ambitious goal, and one that will take time. There are practical challenges, funding considerations and the delicate balance of honouring what the museum has always been while allowing it to evolve into something that can serve future generations.

Public consultation has become a key part of that process, with residents invited in 2026 to help shape what the museum should look like and how it should function. That feels fitting. This has always been a shared space, built not just by curators and councils but by the people who visit, contribute and care about it.

There are still questions, of course. Timelines are uncertain, and the move to a permanent home may take several years. Temporary arrangements will bridge that gap, and there will likely be moments of frustration along the way. But what stands out most is not uncertainty, but resilience.

Even now, the work continues. Collections are being researched, conserved and understood in quiet rooms rather than public galleries. Stories are still being pieced together. Knowledge is still growing.

And somewhere, carefully wrapped and waiting, are those lithics. Silent, patient, carrying the imprint of lives lived thousands of years ago. The fact that they have been handled, sorted and interpreted by people who care deeply about them adds another layer to their story. It becomes a chain of connection, from the original maker to the modern curator, from ancient landscape to present day Buxton.

When the museum opens its doors again, whether in a temporary space or a new permanent home, it will not simply be returning to what it was. It will be stepping into something new, shaped by everything it has been through and by the people who refused to let it fade quietly away.

And if you stand there, looking at a piece of worked flint under soft gallery lights, you might just feel it. That sense of continuity. Of hands across time. Of stories waiting patiently to be told again.

Buxton Museum – From Closure to New Beginnings

Pull up a chair and let me put the kettle on, because this is one of those stories that feels close to home in more ways than one – Buxton has a way of doing that, doesn’t it? The mist rolling down over the hills, the limestone underfoot, the sense that if you dig even a little you will find something older than you expected. Sometimes a fossil, sometimes a story, and sometimes, if you are very lucky, something shaped by human hands thousands of years ago.

Buxton Museum and Art Gallery has always been the place where all those different layers come together. Not in a grand, untouchable way, but in that quietly fascinating, slightly eccentric way that local museums do so well. You could walk in out of the Derbyshire drizzle and find yourself standing in the middle of 360 million years of history, from ancient seas to Roman roads to the tools of people who once walked these same hills with flint in their hands and purpose in their stride.

The museum itself has roots deep in the late nineteenth century, when Buxton was not only a spa town but a place of folklore, culture and curiosity. Like many civic museums of the Victorian and Edwardian era, it was born from the idea that knowledge should be shared, that history and science should not belong solely to scholars but to everyone. Its long time home in the Peak Buildings on Terrace Road became a kind of anchor point for that vision, holding collections that told the story of the Peak District in all its strange and beautiful complexity.

And what a story that is.

The Peak is one of the richest prehistoric landscapes in Britain, a place where Mesolithic hunters once tracked game through woodland that no longer exists, where Neolithic communities raised monuments that still puzzle us, and where Bronze Age burials quietly mark the passing of lives long forgotten. The museum’s archaeological collections have always been central to telling that story, and tucked within them, the lithics collection carries a particular kind of magic. I know this because I, along with my good friend Bob, were once part of the team that sorted them.

There is something about lithics that stops you in your tracks. These are not decorative objects or curiosities. They are tools, shaped with intent, held in real hands, used in moments of survival. When you handle them, even through gloves and careful procedure, there is a flicker of connection. The angle of a blade, the precision of a strike, the quiet evidence of skill passed from one generation to another. The work of curation – sorting, cataloguing and understanding museum artefacts – is meticulous and often unseen, but it is the foundation on which everything else is built. Without that work, the stories remain silent.

Over the years, the museum grew into something much broader than a simple collection of ‘things’. It became a place that told the entire story of the Peak District, from deep geological time through to modern social history. Visitors could move through the corridors from fossils and Blue John stone to Roman jewellery, medieval relics and the industrial heritage that shaped the town itself. It was a place where everything connected if you took the time to look.

A turning point came in 2017 with the redevelopment of the Wonders of the Peak gallery, a project that brought new life and energy into the museum. Funded in part by Arts Council England, it transformed the way the collections were displayed, making them more immersive, more accessible and more engaging for a wider audience. Suddenly, this quiet local museum was drawing over 30,000 visitors a year, hosting exhibitions, workshops and even collaborations with institutions like the British Museum. There was a sense that little old Buxton’s story was not just local after all, but part of something much, much bigger.

The museum also began to shift in how it invited people in. Gone was the stuffy, old fashioned sense that everything must be observed at a distance. In its place came a more hands on approach, encouraging curiosity, exploration and connection. Families, researchers, school groups and the simply curious all found something to hold onto there, whether literally or figuratively.

And then, as so often happens with buildings that have stood a long time, reality intervened. Structural concerns with the Peak Buildings led to the museum’s closure in 2023. It is difficult to overstate how much that changed things. This was not just a case of locked doors. It was the temporary loss of a space that had quietly held the town’s memory for generations.

Behind the scenes, an enormous amount of work began almost immediately. Over 100,000 objects had to be carefully packed, documented and moved into secure storage. Each one handled with the same care it had received on display, perhaps more so, because now it had to endure uncertainty. Staff adapted, shifting their focus to outreach and temporary displays, with Buxton Library becoming a kind of lifeline for keeping the museum’s presence alive in the community.

The community, for its part, did not stay quiet.

In 2024, hundreds of people turned out in support of the museum, a reminder that this was never just a place tourists visited but something woven into everyday life. When a museum like this closes, even temporarily, it leaves a gap you can feel.

Now, in 2026, the story is shifting again, and there is a cautious sense of movement. Funding from Arts Council England has supported plans for a new temporary home near Buxton Library, with exhibition spaces, a shop and areas for activities and education. It is not a permanent solution, but it is a vital step, a way of bringing the collections back into public view and restoring that connection between people and place.

At the same time, Derbyshire County Council has committed to finding a permanent new location within the town centre as part of wider regeneration plans. It is an ambitious goal, and one that will take time. There are practical challenges, funding considerations and the delicate balance of honouring what the museum has always been while allowing it to evolve into something that can serve future generations.

Public consultation has become a key part of that process, with residents invited in 2026 to help shape what the museum should look like and how it should function. That feels fitting. This has always been a shared space, built not just by curators and councils but by the people who visit, contribute and care about it.

There are still questions, of course. Timelines are uncertain, and the move to a permanent home may take several years. Temporary arrangements will bridge that gap, and there will likely be moments of frustration along the way. But what stands out most is not uncertainty, but resilience.

Even now, the work continues. Collections are being researched, conserved and understood in quiet rooms rather than public galleries. Stories are still being pieced together. Knowledge is still growing.

And somewhere, carefully wrapped and waiting, are those lithics. Silent, patient, carrying the imprint of lives lived thousands of years ago. The fact that they have been handled, sorted and interpreted by people who care deeply about them adds another layer to their story. It becomes a chain of connection, from the original maker to the modern curator, from ancient landscape to present day Buxton.

When the museum opens its doors again, whether in a temporary space or a new permanent home, it will not simply be returning to what it was. It will be stepping into something new, shaped by everything it has been through and by the people who refused to let it fade quietly away.

And if you stand there, looking at a piece of worked flint under soft gallery lights, you might just feel it. That sense of continuity. Of hands across time. Of stories waiting patiently to be told again.

Buxton Museum – From Closure to New Beginnings

Pull up a chair and let me put the kettle on, because this is one of those stories that feels close to home in more ways than one – Buxton has a way of doing that, doesn’t it? The mist rolling down over the hills, the limestone underfoot, the sense that if you dig even a little you will find something older than you expected. Sometimes a fossil, sometimes a story, and sometimes, if you are very lucky, something shaped by human hands thousands of years ago.

Buxton Museum and Art Gallery has always been the place where all those different layers come together. Not in a grand, untouchable way, but in that quietly fascinating, slightly eccentric way that local museums do so well. You could walk in out of the Derbyshire drizzle and find yourself standing in the middle of 360 million years of history, from ancient seas to Roman roads to the tools of people who once walked these same hills with flint in their hands and purpose in their stride.

The museum itself has roots deep in the late nineteenth century, when Buxton was not only a spa town but a place of folklore, culture and curiosity. Like many civic museums of the Victorian and Edwardian era, it was born from the idea that knowledge should be shared, that history and science should not belong solely to scholars but to everyone. Its long time home in the Peak Buildings on Terrace Road became a kind of anchor point for that vision, holding collections that told the story of the Peak District in all its strange and beautiful complexity.

And what a story that is.

The Peak is one of the richest prehistoric landscapes in Britain, a place where Mesolithic hunters once tracked game through woodland that no longer exists, where Neolithic communities raised monuments that still puzzle us, and where Bronze Age burials quietly mark the passing of lives long forgotten. The museum’s archaeological collections have always been central to telling that story, and tucked within them, the lithics collection carries a particular kind of magic. I know this because I, along with my good friend Bob, were once part of the team that sorted them.

There is something about lithics that stops you in your tracks. These are not decorative objects or curiosities. They are tools, shaped with intent, held in real hands, used in moments of survival. When you handle them, even through gloves and careful procedure, there is a flicker of connection. The angle of a blade, the precision of a strike, the quiet evidence of skill passed from one generation to another. The work of curation – sorting, cataloguing and understanding museum artefacts – is meticulous and often unseen, but it is the foundation on which everything else is built. Without that work, the stories remain silent.

Over the years, the museum grew into something much broader than a simple collection of ‘things’. It became a place that told the entire story of the Peak District, from deep geological time through to modern social history. Visitors could move through the corridors from fossils and Blue John stone to Roman jewellery, medieval relics and the industrial heritage that shaped the town itself. It was a place where everything connected if you took the time to look.

A turning point came in 2017 with the redevelopment of the Wonders of the Peak gallery, a project that brought new life and energy into the museum. Funded in part by Arts Council England, it transformed the way the collections were displayed, making them more immersive, more accessible and more engaging for a wider audience. Suddenly, this quiet local museum was drawing over 30,000 visitors a year, hosting exhibitions, workshops and even collaborations with institutions like the British Museum. There was a sense that little old Buxton’s story was not just local after all, but part of something much, much bigger.

The museum also began to shift in how it invited people in. Gone was the stuffy, old fashioned sense that everything must be observed at a distance. In its place came a more hands on approach, encouraging curiosity, exploration and connection. Families, researchers, school groups and the simply curious all found something to hold onto there, whether literally or figuratively.

And then, as so often happens with buildings that have stood a long time, reality intervened. Structural concerns with the Peak Buildings led to the museum’s closure in 2023. It is difficult to overstate how much that changed things. This was not just a case of locked doors. It was the temporary loss of a space that had quietly held the town’s memory for generations.

Behind the scenes, an enormous amount of work began almost immediately. Over 100,000 objects had to be carefully packed, documented and moved into secure storage. Each one handled with the same care it had received on display, perhaps more so, because now it had to endure uncertainty. Staff adapted, shifting their focus to outreach and temporary displays, with Buxton Library becoming a kind of lifeline for keeping the museum’s presence alive in the community.

The community, for its part, did not stay quiet.

In 2024, hundreds of people turned out in support of the museum, a reminder that this was never just a place tourists visited but something woven into everyday life. When a museum like this closes, even temporarily, it leaves a gap you can feel.

Now, in 2026, the story is shifting again, and there is a cautious sense of movement. Funding from Arts Council England has supported plans for a new temporary home near Buxton Library, with exhibition spaces, a shop and areas for activities and education. It is not a permanent solution, but it is a vital step, a way of bringing the collections back into public view and restoring that connection between people and place.

At the same time, Derbyshire County Council has committed to finding a permanent new location within the town centre as part of wider regeneration plans. It is an ambitious goal, and one that will take time. There are practical challenges, funding considerations and the delicate balance of honouring what the museum has always been while allowing it to evolve into something that can serve future generations.

Public consultation has become a key part of that process, with residents invited in 2026 to help shape what the museum should look like and how it should function. That feels fitting. This has always been a shared space, built not just by curators and councils but by the people who visit, contribute and care about it.

There are still questions, of course. Timelines are uncertain, and the move to a permanent home may take several years. Temporary arrangements will bridge that gap, and there will likely be moments of frustration along the way. But what stands out most is not uncertainty, but resilience.

Even now, the work continues. Collections are being researched, conserved and understood in quiet rooms rather than public galleries. Stories are still being pieced together. Knowledge is still growing.

And somewhere, carefully wrapped and waiting, are those lithics. Silent, patient, carrying the imprint of lives lived thousands of years ago. The fact that they have been handled, sorted and interpreted by people who care deeply about them adds another layer to their story. It becomes a chain of connection, from the original maker to the modern curator, from ancient landscape to present day Buxton.

When the museum opens its doors again, whether in a temporary space or a new permanent home, it will not simply be returning to what it was. It will be stepping into something new, shaped by everything it has been through and by the people who refused to let it fade quietly away.

And if you stand there, looking at a piece of worked flint under soft gallery lights, you might just feel it. That sense of continuity. Of hands across time. Of stories waiting patiently to be told again.

Buxton Museum – From Closure to New Beginnings

Pull up a chair and let me put the kettle on, because this is one of those stories that feels close to home in more ways than one – Buxton has a way of doing that, doesn’t it? The mist rolling down over the hills, the limestone underfoot, the sense that if you dig even a little you will find something older than you expected. Sometimes a fossil, sometimes a story, and sometimes, if you are very lucky, something shaped by human hands thousands of years ago.

Buxton Museum and Art Gallery has always been the place where all those different layers come together. Not in a grand, untouchable way, but in that quietly fascinating, slightly eccentric way that local museums do so well. You could walk in out of the Derbyshire drizzle and find yourself standing in the middle of 360 million years of history, from ancient seas to Roman roads to the tools of people who once walked these same hills with flint in their hands and purpose in their stride.

The museum itself has roots deep in the late nineteenth century, when Buxton was not only a spa town but a place of folklore, culture and curiosity. Like many civic museums of the Victorian and Edwardian era, it was born from the idea that knowledge should be shared, that history and science should not belong solely to scholars but to everyone. Its long time home in the Peak Buildings on Terrace Road became a kind of anchor point for that vision, holding collections that told the story of the Peak District in all its strange and beautiful complexity.

And what a story that is.

The Peak is one of the richest prehistoric landscapes in Britain, a place where Mesolithic hunters once tracked game through woodland that no longer exists, where Neolithic communities raised monuments that still puzzle us, and where Bronze Age burials quietly mark the passing of lives long forgotten. The museum’s archaeological collections have always been central to telling that story, and tucked within them, the lithics collection carries a particular kind of magic. I know this because I, along with my good friend Bob, were once part of the team that sorted them.

There is something about lithics that stops you in your tracks. These are not decorative objects or curiosities. They are tools, shaped with intent, held in real hands, used in moments of survival. When you handle them, even through gloves and careful procedure, there is a flicker of connection. The angle of a blade, the precision of a strike, the quiet evidence of skill passed from one generation to another. The work of curation – sorting, cataloguing and understanding museum artefacts – is meticulous and often unseen, but it is the foundation on which everything else is built. Without that work, the stories remain silent.

Over the years, the museum grew into something much broader than a simple collection of ‘things’. It became a place that told the entire story of the Peak District, from deep geological time through to modern social history. Visitors could move through the corridors from fossils and Blue John stone to Roman jewellery, medieval relics and the industrial heritage that shaped the town itself. It was a place where everything connected if you took the time to look.

A turning point came in 2017 with the redevelopment of the Wonders of the Peak gallery, a project that brought new life and energy into the museum. Funded in part by Arts Council England, it transformed the way the collections were displayed, making them more immersive, more accessible and more engaging for a wider audience. Suddenly, this quiet local museum was drawing over 30,000 visitors a year, hosting exhibitions, workshops and even collaborations with institutions like the British Museum. There was a sense that little old Buxton’s story was not just local after all, but part of something much, much bigger.

The museum also began to shift in how it invited people in. Gone was the stuffy, old fashioned sense that everything must be observed at a distance. In its place came a more hands on approach, encouraging curiosity, exploration and connection. Families, researchers, school groups and the simply curious all found something to hold onto there, whether literally or figuratively.

And then, as so often happens with buildings that have stood a long time, reality intervened. Structural concerns with the Peak Buildings led to the museum’s closure in 2023. It is difficult to overstate how much that changed things. This was not just a case of locked doors. It was the temporary loss of a space that had quietly held the town’s memory for generations.

Behind the scenes, an enormous amount of work began almost immediately. Over 100,000 objects had to be carefully packed, documented and moved into secure storage. Each one handled with the same care it had received on display, perhaps more so, because now it had to endure uncertainty. Staff adapted, shifting their focus to outreach and temporary displays, with Buxton Library becoming a kind of lifeline for keeping the museum’s presence alive in the community.

The community, for its part, did not stay quiet.

In 2024, hundreds of people turned out in support of the museum, a reminder that this was never just a place tourists visited but something woven into everyday life. When a museum like this closes, even temporarily, it leaves a gap you can feel.

Now, in 2026, the story is shifting again, and there is a cautious sense of movement. Funding from Arts Council England has supported plans for a new temporary home near Buxton Library, with exhibition spaces, a shop and areas for activities and education. It is not a permanent solution, but it is a vital step, a way of bringing the collections back into public view and restoring that connection between people and place.

At the same time, Derbyshire County Council has committed to finding a permanent new location within the town centre as part of wider regeneration plans. It is an ambitious goal, and one that will take time. There are practical challenges, funding considerations and the delicate balance of honouring what the museum has always been while allowing it to evolve into something that can serve future generations.

Public consultation has become a key part of that process, with residents invited in 2026 to help shape what the museum should look like and how it should function. That feels fitting. This has always been a shared space, built not just by curators and councils but by the people who visit, contribute and care about it.

There are still questions, of course. Timelines are uncertain, and the move to a permanent home may take several years. Temporary arrangements will bridge that gap, and there will likely be moments of frustration along the way. But what stands out most is not uncertainty, but resilience.

Even now, the work continues. Collections are being researched, conserved and understood in quiet rooms rather than public galleries. Stories are still being pieced together. Knowledge is still growing.

And somewhere, carefully wrapped and waiting, are those lithics. Silent, patient, carrying the imprint of lives lived thousands of years ago. The fact that they have been handled, sorted and interpreted by people who care deeply about them adds another layer to their story. It becomes a chain of connection, from the original maker to the modern curator, from ancient landscape to present day Buxton.

When the museum opens its doors again, whether in a temporary space or a new permanent home, it will not simply be returning to what it was. It will be stepping into something new, shaped by everything it has been through and by the people who refused to let it fade quietly away.

And if you stand there, looking at a piece of worked flint under soft gallery lights, you might just feel it. That sense of continuity. Of hands across time. Of stories waiting patiently to be told again.

🎥 New video on my #PeerTube channel!

Abandoned water works pumpkins house near Buxton, England - Urban Exploration Industrial Decay

Join me on as I explore this spot ➡️ https://lostpod.space/w/1vhX89ZtZspyUMYGs61NXP

#Buxton #Video #UrbanExploration #Urbex #Explore #History #England #Shorts

St Ann's Church, Buxton, Derbyshire, 1922 - Valentine's Postcard

https://www.ebid.net/uk/for-sale/st-ann-s-church-buxton-derbyshire-1922-valentine-s-postcard-223926161.htm

#Buxton

After #Colitishall you cross the #RiverBure at #Buxton and then pass through a #tunnel just outside #Aylsham.

Team USA Baseball debuts tonight vs Brazil⚾️
New artwork & accessories available
> https://cac-graphics.pixels.com/featured/usa-baseball-flag-cac-graphics.html?newartwork=true
#WorldBaseballClassic #baseball #Judge #Bregman #Harper #Schwarber #Buxton #Skenes #artforsale #wallart #prints #homedecor #FridayVibes

Team USA Baseball debuts tonight vs Brazil⚾️
New artwork & accessories available
> https://cac-graphics.pixels.com/featured/usa-baseball-flag-cac-graphics.html?newartwork=true
#WorldBaseballClassic #baseball #Judge #Bregman #Harper #Schwarber #Buxton #Skenes #artforsale #wallart #prints #homedecor #FridayVibes

Team USA Baseball debuts tonight vs Brazil⚾️
New artwork & accessories available
> https://cac-graphics.pixels.com/featured/usa-baseball-flag-cac-graphics.html?newartwork=true
#WorldBaseballClassic #baseball #Judge #Bregman #Harper #Schwarber #Buxton #Skenes #artforsale #wallart #prints #homedecor #FridayVibes

Team USA Baseball debuts tonight vs Brazil⚾️
New artwork & accessories available
> https://cac-graphics.pixels.com/featured/usa-baseball-flag-cac-graphics.html?newartwork=true
#WorldBaseballClassic #baseball #Judge #Bregman #Harper #Schwarber #Buxton #Skenes #artforsale #wallart #prints #homedecor #FridayVibes

Ready to begin WBC play, Byron Buxton says Twins clubhouse is in good spot

https://misryoum.com/us/trending/ready-to-begin-wbc-play-byron-buxton-says/

FORT MYERS, Fla. — Byron Buxton left camp Sunday feeling physically prepared for the World Baseball Classic and as if the Minnesota Twins clubhouse he’s leaving behind heard his message.With both of those items checked off, the Twins All-Star is...

#Ready #begin #WBC #play #Byron #Buxton #says #Twins #clubhouse #good #spot #US_News_Hub #misryoum_com

Lovely walk this morning:

https://loc.wiki/t/250821049?h=rp3r6bn6pl&wa=so&la=en

#buxton #walking

Solomon’s Temple just outside #Buxton

Teenager dies after multi-vehicle Derbyshire collision involving scooter

One arrest has been made in connection with the incident Sophie Fagone Buscimese Trainee Reporter 18:27, 16 Feb…
#NewsBeep #News #UnitedKingdom #Buxton #DerbyshirePolice #GB #GreatBritain #TrafficandTravel #UK
https://www.newsbeep.com/uk/429578/

https://www.europesays.com/uk/769172/ Teenager dies after multi-vehicle Derbyshire collision involving scooter #Buxton #DerbyshirePolice #News #TrafficAndTravel #UK #UnitedKingdom

Just arrived at our short break holiday cottage in #Buxton. Complete surprise to me as my wife booked it for my birthday tomorrow. Time to #relax.

TRAVERSING CULTURAL LANDSCAPES THROUGH THE LIBRARIES

If you’re looking for an affordable way to explore in Waterloo Region this winter, look no farther than your local library. With diverse community programs at a variety of branch locations, there are plenty of opportunities to learn and meet new people. Each of the listed events below are free to attend, open to anyone and require advance registration.  

The Region of Waterloo Library serves the residents of Wellesley, Woolwich, North Dumfries, and Wilmot with 12 branches. Below are five cultural events to add to your calendar.  

Celebrate Black History Month with three short films centering Black stories and history from the National Film Board of Canada (NFB), followed by a community discussion on Wednesday, Feb. 25 from 6 p.m. to 8 p.m. Register for the Ayr Branch event online. Afterwards, learn about Waterloo Region’s connection to the Underground Railroad by reading about Buxton, Ontario.  

Did you know that chess, formerly known as chaturanga, originated in India during the Gupta Empire in 600 CE? The strategic game’s playing pieces resembled components of the military and the game traversed the world through trading routes. Join a game every Tuesday and Saturday at the New Hamburg Branch and every Wednesday at the Baden Branch from 6:30 p.m. to 7:30 p.m.  

Hygge—pronounced “hoo-gah”—is perhaps one of Denmark’s most identifiable cultural exports. It is the notion of coziness and encompasses everything from the glow of a candle to spending time with good people. Head to the Breslau Branch on Tuesday, Feb. 10 for a night of Winter Hygge from 6 p.m. to 7:30 p.m. for ages 9 and up. Enjoy hot beverages, crafts and puzzles and good company.  

Embracing winter weather is a feat for some and a joy for others. Cambridge resident and globally published freelance journalist Paul Gains will share his love of the Arctic’s snowy owls during a presentation at the Ayr Branch on Wednesday, Feb. 18 from 7 p.m. to 8 p.m.   

Escape the cold and slip into a sunny state of mind without hopping on a plane. Chef Arielle is teaching a Roti and Trini Curry Masterclass at the Wilmot Recreation Complex on Tuesday, Feb. 24 from 6 p.m. to 7:30 p.m. for ages nine and up.   

The Cambridge Public Library (CPL), Waterloo Public Library (WPL) and Kitchener Public Library (KPL) offer a wide range of tools to rent out, some of which will help support your Waterloo Region (and beyond!) explorations. Visit their websites or branches in-person to borrow skates, snowshoes, trekking poles, wildlife kits, museum passes, or Grand River and Ontario Parks passes.  

Learning a language is a phenomenal way to travel deeper. Start at home with free language classes, French reading buddies, or language circles in French, Chinese, Spanish and English at CPL, WPL and KPL branches.   

Finally, if you’re looking for an activity that’s engaging for the whole family, the WPL is hosting The Great Family Geocache Challenge. Geocaching is an adventurous hobby where participants search for hidden objects based on other participants’ clues. It’s an excellent way to get outside, exercise your brain, and enjoy a new and free activity at home or elsewhere around the world.  

Happy exploring!  

TRAVERSING CULTURAL LANDSCAPES THROUGH THE LIBRARIES

If you’re looking for an affordable way to explore in Waterloo Region this winter, look no farther than your local library. With diverse community programs at a variety of branch locations, there are plenty of opportunities to learn and meet new people. Each of the listed events below are free to attend, open to anyone and require advance registration.  

The Region of Waterloo Library serves the residents of Wellesley, Woolwich, North Dumfries, and Wilmot with 12 branches. Below are five cultural events to add to your calendar.  

Celebrate Black History Month with three short films centering Black stories and history from the National Film Board of Canada (NFB), followed by a community discussion on Wednesday, Feb. 25 from 6 p.m. to 8 p.m. Register for the Ayr Branch event online. Afterwards, learn about Waterloo Region’s connection to the Underground Railroad by reading about Buxton, Ontario.  

Did you know that chess, formerly known as chaturanga, originated in India during the Gupta Empire in 600 CE? The strategic game’s playing pieces resembled components of the military and the game traversed the world through trading routes. Join a game every Tuesday and Saturday at the New Hamburg Branch and every Wednesday at the Baden Branch from 6:30 p.m. to 7:30 p.m.  

Hygge—pronounced “hoo-gah”—is perhaps one of Denmark’s most identifiable cultural exports. It is the notion of coziness and encompasses everything from the glow of a candle to spending time with good people. Head to the Breslau Branch on Tuesday, Feb. 10 for a night of Winter Hygge from 6 p.m. to 7:30 p.m. for ages 9 and up. Enjoy hot beverages, crafts and puzzles and good company.  

Embracing winter weather is a feat for some and a joy for others. Cambridge resident and globally published freelance journalist Paul Gains will share his love of the Arctic’s snowy owls during a presentation at the Ayr Branch on Wednesday, Feb. 18 from 7 p.m. to 8 p.m.   

Escape the cold and slip into a sunny state of mind without hopping on a plane. Chef Arielle is teaching a Roti and Trini Curry Masterclass at the Wilmot Recreation Complex on Tuesday, Feb. 24 from 6 p.m. to 7:30 p.m. for ages nine and up.   

The Cambridge Public Library (CPL), Waterloo Public Library (WPL) and Kitchener Public Library (KPL) offer a wide range of tools to rent out, some of which will help support your Waterloo Region (and beyond!) explorations. Visit their websites or branches in-person to borrow skates, snowshoes, trekking poles, wildlife kits, museum passes, or Grand River and Ontario Parks passes.  

Learning a language is a phenomenal way to travel deeper. Start at home with free language classes, French reading buddies, or language circles in French, Chinese, Spanish and English at CPL, WPL and KPL branches.   

Finally, if you’re looking for an activity that’s engaging for the whole family, the WPL is hosting The Great Family Geocache Challenge. Geocaching is an adventurous hobby where participants search for hidden objects based on other participants’ clues. It’s an excellent way to get outside, exercise your brain, and enjoy a new and free activity at home or elsewhere around the world.  

Happy exploring!  

TRAVERSING CULTURAL LANDSCAPES THROUGH THE LIBRARIES

If you’re looking for an affordable way to explore in Waterloo Region this winter, look no farther than your local library. With diverse community programs at a variety of branch locations, there are plenty of opportunities to learn and meet new people. Each of the listed events below are free to attend, open to anyone and require advance registration.  

The Region of Waterloo Library serves the residents of Wellesley, Woolwich, North Dumfries, and Wilmot with 12 branches. Below are five cultural events to add to your calendar.  

Celebrate Black History Month with three short films centering Black stories and history from the National Film Board of Canada (NFB), followed by a community discussion on Wednesday, Feb. 25 from 6 p.m. to 8 p.m. Register for the Ayr Branch event online. Afterwards, learn about Waterloo Region’s connection to the Underground Railroad by reading about Buxton, Ontario.  

Did you know that chess, formerly known as chaturanga, originated in India during the Gupta Empire in 600 CE? The strategic game’s playing pieces resembled components of the military and the game traversed the world through trading routes. Join a game every Tuesday and Saturday at the New Hamburg Branch and every Wednesday at the Baden Branch from 6:30 p.m. to 7:30 p.m.  

Hygge—pronounced “hoo-gah”—is perhaps one of Denmark’s most identifiable cultural exports. It is the notion of coziness and encompasses everything from the glow of a candle to spending time with good people. Head to the Breslau Branch on Tuesday, Feb. 10 for a night of Winter Hygge from 6 p.m. to 7:30 p.m. for ages 9 and up. Enjoy hot beverages, crafts and puzzles and good company.  

Embracing winter weather is a feat for some and a joy for others. Cambridge resident and globally published freelance journalist Paul Gains will share his love of the Arctic’s snowy owls during a presentation at the Ayr Branch on Wednesday, Feb. 18 from 7 p.m. to 8 p.m.   

Escape the cold and slip into a sunny state of mind without hopping on a plane. Chef Arielle is teaching a Roti and Trini Curry Masterclass at the Wilmot Recreation Complex on Tuesday, Feb. 24 from 6 p.m. to 7:30 p.m. for ages nine and up.   

The Cambridge Public Library (CPL), Waterloo Public Library (WPL) and Kitchener Public Library (KPL) offer a wide range of tools to rent out, some of which will help support your Waterloo Region (and beyond!) explorations. Visit their websites or branches in-person to borrow skates, snowshoes, trekking poles, wildlife kits, museum passes, or Grand River and Ontario Parks passes.  

Learning a language is a phenomenal way to travel deeper. Start at home with free language classes, French reading buddies, or language circles in French, Chinese, Spanish and English at CPL, WPL and KPL branches.   

Finally, if you’re looking for an activity that’s engaging for the whole family, the WPL is hosting The Great Family Geocache Challenge. Geocaching is an adventurous hobby where participants search for hidden objects based on other participants’ clues. It’s an excellent way to get outside, exercise your brain, and enjoy a new and free activity at home or elsewhere around the world.  

Happy exploring!  

TRAVERSING CULTURAL LANDSCAPES THROUGH THE LIBRARIES

If you’re looking for an affordable way to explore in Waterloo Region this winter, look no farther than your local library. With diverse community programs at a variety of branch locations, there are plenty of opportunities to learn and meet new people. Each of the listed events below are free to attend, open to anyone and require advance registration.  

The Region of Waterloo Library serves the residents of Wellesley, Woolwich, North Dumfries, and Wilmot with 12 branches. Below are five cultural events to add to your calendar.  

Celebrate Black History Month with three short films centering Black stories and history from the National Film Board of Canada (NFB), followed by a community discussion on Wednesday, Feb. 25 from 6 p.m. to 8 p.m. Register for the Ayr Branch event online. Afterwards, learn about Waterloo Region’s connection to the Underground Railroad by reading about Buxton, Ontario.  

Did you know that chess, formerly known as chaturanga, originated in India during the Gupta Empire in 600 CE? The strategic game’s playing pieces resembled components of the military and the game traversed the world through trading routes. Join a game every Tuesday and Saturday at the New Hamburg Branch and every Wednesday at the Baden Branch from 6:30 p.m. to 7:30 p.m.  

Hygge—pronounced “hoo-gah”—is perhaps one of Denmark’s most identifiable cultural exports. It is the notion of coziness and encompasses everything from the glow of a candle to spending time with good people. Head to the Breslau Branch on Tuesday, Feb. 10 for a night of Winter Hygge from 6 p.m. to 7:30 p.m. for ages 9 and up. Enjoy hot beverages, crafts and puzzles and good company.  

Embracing winter weather is a feat for some and a joy for others. Cambridge resident and globally published freelance journalist Paul Gains will share his love of the Arctic’s snowy owls during a presentation at the Ayr Branch on Wednesday, Feb. 18 from 7 p.m. to 8 p.m.   

Escape the cold and slip into a sunny state of mind without hopping on a plane. Chef Arielle is teaching a Roti and Trini Curry Masterclass at the Wilmot Recreation Complex on Tuesday, Feb. 24 from 6 p.m. to 7:30 p.m. for ages nine and up.   

The Cambridge Public Library (CPL), Waterloo Public Library (WPL) and Kitchener Public Library (KPL) offer a wide range of tools to rent out, some of which will help support your Waterloo Region (and beyond!) explorations. Visit their websites or branches in-person to borrow skates, snowshoes, trekking poles, wildlife kits, museum passes, or Grand River and Ontario Parks passes.  

Learning a language is a phenomenal way to travel deeper. Start at home with free language classes, French reading buddies, or language circles in French, Chinese, Spanish and English at CPL, WPL and KPL branches.   

Finally, if you’re looking for an activity that’s engaging for the whole family, the WPL is hosting The Great Family Geocache Challenge. Geocaching is an adventurous hobby where participants search for hidden objects based on other participants’ clues. It’s an excellent way to get outside, exercise your brain, and enjoy a new and free activity at home or elsewhere around the world.  

Happy exploring!  

Old limestone quarry, Buxton, England

📷 Zenit-E 🔎 Mir-1b 37mm
🎞️ #kodakportra160 #35mmfilm

England; August 2023

#believeinfilm #filmphotography #filmisnotdead #filmcommunity #photography #buxton #limestone #kodak #kodakportra

Screening tonight by our wonderful local independent cinema https://buxtonfilm.org.uk/diary/

#Buxton❄️

https://palestine36film.com/ 🍉

Don't think I have ever bought tickets this far in advance of a show.

Just purchased tickets for the #SilenceOfTheLambs stage show in #Buxton - May 2027!

The tickets seem to be selling quite quickly..

#Theatre #Silence_of_the_lambs

Don't think I have ever bought tickets this far in advance of a show.

Just purchased tickets for the #SilenceOfTheLambs stage show in #Buxton - May 2027!

The tickets seem to be selling quite quickly..

#Theatre #Silence_of_the_lambs

Don't think I have ever bought tickets this far in advance of a show.

Just purchased tickets for the #SilenceOfTheLambs stage show in #Buxton - May 2027!

The tickets seem to be selling quite quickly..

#Theatre #Silence_of_the_lambs

Don't think I have ever bought tickets this far in advance of a show.

Just purchased tickets for the #SilenceOfTheLambs stage show in #Buxton - May 2027!

The tickets seem to be selling quite quickly..

#Theatre #Silence_of_the_lambs

Don't think I have ever bought tickets this far in advance of a show.

Just purchased tickets for the #SilenceOfTheLambs stage show in #Buxton - May 2027!

The tickets seem to be selling quite quickly..

#Theatre #Silence_of_the_lambs

The Cat and Fiddle near Buxton, Cheshire, c.1902 - Valentine's Postcard

https://www.ebid.net/uk/for-sale/the-cat-and-fiddle-near-buxton-cheshire-c-1902-valentine-s-postcard-223469044.htm

#Buxton #Macclesfield

#NCwx #OBX #Buxton

From Island Free Press: A fifth home collapsed in Buxton on Tuesday afternoon. Video by Don Bowers.

https://islandfreepress.org/outer-banks-news/five-oceanfront-homes-collapse-in-buxton-on-tuesday/

A group of 60 cows who had wandered from a neighbouring animal farm stirred disorder after escaping and invading a housing estate. 🐄 👉 Learn more: https://veganfta.com/articles/2025/09/26/escaped-herd-of-cows-wreaks-havoc-in-derbyshire-housing-estate-uk/ #cows #farming #escape #buxton #derbyshire

7 houses collapse in less than 2 days as hurricanes roar off East Coast https://www.rawchili.com/nhl/220657/ #AtlanticOcean #buxton #CapeHatterasNationalSeashore #Carolina #CarolinaHurricanes #CarolinaHurricanes #Hockey #Hurricanes #NationalParkService #NationalWeatherService #NHL #NorthCarolina #OuterBanks

#Imelda #NCwx #OBX #Buxton

From NC’s Weather Authority on FB: Overnight, due to high surf, a sixth home collapsed in 24 hours on Hatteras Island in Buxton at the end of Tower Circle Road. The beach in the Buxton area is dangerous, so please avoid it. The beach in Buxton remains closed to the public due to piles of hazardous debris. Additional home collapses are likely in Buxton and potentially Rodanthe this afternoon as we approach high tide due to additional coastal flooding expected.

Photos: Jeffery Schall

#Imelda #NCwx #OBX #Buxton

From NC’s Weather Authority on FB: Overnight, due to high surf, a sixth home collapsed in 24 hours on Hatteras Island in Buxton at the end of Tower Circle Road. The beach in the Buxton area is dangerous, so please avoid it. The beach in Buxton remains closed to the public due to piles of hazardous debris. Additional home collapses are likely in Buxton and potentially Rodanthe this afternoon as we approach high tide due to additional coastal flooding expected.

Photos: Jeffery Schall

#Imelda #NCwx #OBX #Buxton

From NC’s Weather Authority on FB: Overnight, due to high surf, a sixth home collapsed in 24 hours on Hatteras Island in Buxton at the end of Tower Circle Road. The beach in the Buxton area is dangerous, so please avoid it. The beach in Buxton remains closed to the public due to piles of hazardous debris. Additional home collapses are likely in Buxton and potentially Rodanthe this afternoon as we approach high tide due to additional coastal flooding expected.

Photos: Jeffery Schall

#Imelda #NCwx #OBX #Buxton

From NC’s Weather Authority on FB: Overnight, due to high surf, a sixth home collapsed in 24 hours on Hatteras Island in Buxton at the end of Tower Circle Road. The beach in the Buxton area is dangerous, so please avoid it. The beach in Buxton remains closed to the public due to piles of hazardous debris. Additional home collapses are likely in Buxton and potentially Rodanthe this afternoon as we approach high tide due to additional coastal flooding expected.

Photos: Jeffery Schall

Arizona Diamondbacks wrap Red Sox series, meet Giants, Twins on road https://www.rawchili.com/mlb/298791/ #Adames #AI #Arizona #ArizonaDiamondbacks #Baseball #Boston #BostonRedSox #Buxton #Byron #ByronBuxton #CA #Diamondbacks #Enabled #Francisco #Giants #Heliot #HeliotRamos #Highlights #Minnesota #MinnesotaTwins #MinnesotaTwins #MLB #Neutral #news #Overall #OverallNeutral #Ramos #Red #San #SanFrancisco #SanFranciscoGiants #Sox #Sports #SportsNews #Story #StoryHighlightsAIEnabled #Twins #Willy #WillyAdames

Arizona Diamondbacks wrap Red Sox series, meet Giants, Twins on road https://www.rawchili.com/mlb/298791/ #Adames #AI #Arizona #ArizonaDiamondbacks #Baseball #Boston #BostonRedSox #Buxton #Byron #ByronBuxton #CA #Diamondbacks #Enabled #Francisco #Giants #Heliot #HeliotRamos #Highlights #Minnesota #MinnesotaTwins #MinnesotaTwins #MLB #Neutral #news #Overall #OverallNeutral #Ramos #Red #San #SanFrancisco #SanFranciscoGiants #Sox #Sports #SportsNews #Story #StoryHighlightsAIEnabled #Twins #Willy #WillyAdames

#NCwx #OBX #HurricaneErin #Erin #Buxton

From NC’s Weather Authority on FB: The views around the vulnerable areas of Buxton in Dare County this morning show Storm Surge hitting these areas hard. https://www.facebook.com/share/1CcwnVU7ra/?mibextid=wwXIfr

Colorado Rockies 6, Twins 4: Buxton still awesome, Paddack less so https://www.rawchili.com/mlb/187034/ #awesome #Baseball #Buxton #colorado #ColoradoRockies #ColoradoRockies #FrontPage #less #MinnesotaTwinsGameRecaps #MLB #Paddack #rockies #so #still #town #twinkie #Twins

Colorado Rockies 6, Twins 4: Buxton still awesome, Paddack less so https://www.rawchili.com/mlb/187034/ #awesome #Baseball #Buxton #colorado #ColoradoRockies #ColoradoRockies #FrontPage #less #MinnesotaTwinsGameRecaps #MLB #Paddack #rockies #so #still #town #twinkie #Twins

Buxton Opera House
#photography #Buxton #theatre #Derbyshire

#ShotOniPhone #ukcountrypic #photography #Derbyshire #Buxton

Back in time to September 2018.....

Buxton is a charming spa town in Derbyshire, England, known for its natural beauty, Georgian architecture, and healing mineral waters. Nestled in the Peak District, it’s the highest market town in England, sitting about 1,000 feet (300 meters) above sea level.

(4 of 4)

#ShotOniPhone #ukcountrypic #photography #Derbyshire #Buxton

Back in time to September 2018.....

Buxton is a charming spa town in Derbyshire, England, known for its natural beauty, Georgian architecture, and healing mineral waters. Nestled in the Peak District, it’s the highest market town in England, sitting about 1,000 feet (300 meters) above sea level.

(3 of 4)

#ShotOniPhone #ukcountrypic #photography #Derbyshire #Buxton

Back in time to September 2018.....

Buxton is a charming spa town in Derbyshire, England, known for its natural beauty, Georgian architecture, and healing mineral waters. Nestled in the Peak District, it’s the highest market town in England, sitting about 1,000 feet (300 meters) above sea level.

(2 of 4)

🆕 #Photo gallery and blog post - Cowdale Quarry, England

Cowdale Quarry, abandoned for 70 years, is now being reclaimed by the forest. The concrete ruins rise out of the overgrowth dramatically.

Head over to my website to read a historical article and see the full photo gallery - https://www.obsidianurbexphotography.com/industrial/cowdale-quarry-england/

#Buxton #England #Limestone #Quarry #History #Ruins #AbandonedPlaces #Natute #Photo #SilentSunday

Spring Art Fair, 12th – 13th April 2025, The Octagon, Pavilion Gardens, Buxton - Meet the artists
Textile artist Alison Wake creates evocative landscape art thorugh the medium of stitch. Living in the Peak district just south of Buxton she is inspired by the scenery and architecture of the area. Alison's work often features well known landmarks, but from a different perspective
#ArtExhibition #ArtForSale #PeakDistrict #InspiredByThePeakDistrict #BuyArtFromArtists #Buxton #Spring #VisitBuxton

A reminder that our Spring Art Fair is this coming weekend, 12th & 13th April, in the Octagon, Pavilion Gardens, Buxton, open 10am to 4pm.
You may hear reports that the A515 is closed this weekend at the Brierlow Bar junction. A, not too onerous, diversion will be in place via Old Coal Pit Lane and the A6 - Buxton is not cut off! We are really looking forward to seeing you all 😊

#ArtExhibition #ArtForSale #PeakDistrict #InspiredByThePeakDistrict #BuyArtFromArtists #Buxton #Spring #VisitBuxton

We are delighted to be holding our first Spring Art Fair this year. Taking place on the 12th & 13th April, in the Octagon, Pavilion Gardens, Buxton and open 10am to 4pm. This new event will see many new and established members exhibitng a range of work including fine art, jewellery, textiles, ceramics, photography and glass.
#PDArtisans #ArtExhibition #ArtForSale #PeakDistrict #InspiredByThePeakDistrict #BuyArtFromArtists #Buxton #PavilionGardens #Spring #VisitBuxton #SpringArtFair #PDASAF