#wormwitch — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #wormwitch, aggregated by home.social.
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Fell Omen – Invaded by a Dark Spirit Review
By Thus Spoke
If you’re especially in the know, you might already be familiar with the artist behind Fell Omen, Spider of Pynx. Having contributed hurdy-gurdy and electronica skills to two different Spectral Lore records under this moniker, he has also created cover art for Auriferous Flame, Cirkeln, and Μπατουσκα, under the name Gilded Panoply. After years of lurking about the black metal scene, with Invaded by a Dark Spirit, the Spider has the chance to step out of the background and begin their officially ‘metal’ musical arc as Fell Omen.1 Here for a good time, and not a long time, with a runtime barely surpassing 20 minutes,2 Invaded by a Dark Spirit is a lightning round in Fell Omen’s raucous take on black metal.
Invaded by a Dark Spirit is characterized by two main facets: punky attitude and crusty sound—though it’s not exactly crust-punk stylistically. While there are hints of Wormwitch here and there, this is combined with an old Immortal vibe about the riffs and vocals, as well as frequent use of hurdy-gurdy. Rambunctious rhythms and refrains abound (“Dungeon Metal Punks Besieging Digital Castles,” “Warrior Jar,” “In the Poison Swamp”). The record maintains this rough and ready tone throughout: while there is a subtly different flair to individual tracks, there’s not a lot to actually distinguish them. Opener “Don’t Go Hollow, You Have Steel,”3, showcases everything you will hear for the rest of the record, with the exception of vocals, which here are restricted to the occasional snarled “eaaaagh!” The low-fi production which brings the fuzz and distortion, and that faraway washy quality to the vocals, contributes to the album’s coarseness and the sense of a gutsy spirit. But it equally brings the above uniformity into the realm of the problematic, as well as generating some problems of its own.
Rawness itself is not the issue, it’s how this rawness negatively affects Fell Omen’s compositions. Good raw black metal is a biting assault that can be beautiful or brutal. But in the case of Invaded by a Dark Spirit, the grittiness makes everything bland or bothersome. Hurdy-gurdy, sitting right at the front of the mix, wailing its refrain through the cellophane wrapping of the master, like a fucking kazoo, is jarring in a way I had not experienced before. And it is used a lot. That being said, the actual guitar is also prone to flights of wobbly fancy that imitate the hurdy-gurdy’s mannerisms in a way that blurs the line between them. This guitar sound could be cool, and in fact sometimes actually is (“Dungeon Metal…,” “In the Poison Swamp”), but the milquetoast package it comes in saps that coolness away. Programmed and acoustic drums alike sound akin to a stock keyboard ‘drum’ noise and are thus indistinguishable. Pointlessly brief flashes of synth get thrown in for no identifiable reason other than a whim (“Dungeon Metal…,” “Forlorn Knights and Strange Flasks”, tricking the listener into thinking that something interesting might be about to happen. Even setting aside particular noises that might be personal triggers, the songs are boring: monotonous in their vaguely repetitious way and stultified by the veil of grime.
While there are some admittedly catchy grooves sprinkled around Invaded by a Dark Spirit, the above problems block proper enjoyment of them. “In the Poison Swamp” is the closest thing to a “banger” with its infectious rhythms and well-timed “rawwrr”s working well off of the bendy guitar lines. It’s a shame it comes last. Others (“Don’t Go Hollow…,” “Warrior Jar”) can get your head bobbing well enough, and if you strain your ears just right, the whining melodies (hurdy-gurdy or otherwise) sound almost gnarly. Yet nothing is gripping; nothing is sufficiently slick, raw, or savage enough to capitalize on the low-fi sound and make this the rollicking riot it could so easily have been. Rather, it all feels anodyne, distant, and placid.
For an album that only lasts around 20 minutes, Invaded by a Fell Spirit is a drag to get through; unless, that is, you just ignore it, which is relatively easy to do. Fell Omen can craft some fun grooves, and there is some cool stuff going on with the guitar distortion and hurdy-gurdy, but these are superseded by the monotony and paradoxical blandness of it all. You can have a good time with selected tracks, but it doesn’t diminish the fact that Invaded by a Dark Spirit is nothing like the boisterous, epic tale it pretends to be.
Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: True Cult Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 14th, 2025#20 #2025 #BlackMetal #Crust #CrustPunk #DungeonSynth #Feb25 #FellOmen #GreekMetal #Immortal #InvadedByADarkSpirit #RawBlackMetal #Review #Reviews #TrueCultRecords #Wormwitch
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Fell Omen – Invaded by a Dark Spirit Review
By Thus Spoke
If you’re especially in the know, you might already be familiar with the artist behind Fell Omen, Spider of Pynx. Having contributed hurdy-gurdy and electronica skills to two different Spectral Lore records under this moniker, he has also created cover art for Auriferous Flame, Cirkeln, and Μπατουσκα, under the name Gilded Panoply. After years of lurking about the black metal scene, with Invaded by a Dark Spirit, the Spider has the chance to step out of the background and begin their officially ‘metal’ musical arc as Fell Omen.1 Here for a good time, and not a long time, with a runtime barely surpassing 20 minutes,2 Invaded by a Dark Spirit is a lightning round in Fell Omen’s raucous take on black metal.
Invaded by a Dark Spirit is characterized by two main facets: punky attitude and crusty sound—though it’s not exactly crust-punk stylistically. While there are hints of Wormwitch here and there, this is combined with an old Immortal vibe about the riffs and vocals, as well as frequent use of hurdy-gurdy. Rambunctious rhythms and refrains abound (“Dungeon Metal Punks Besieging Digital Castles,” “Warrior Jar,” “In the Poison Swamp”). The record maintains this rough and ready tone throughout: while there is a subtly different flair to individual tracks, there’s not a lot to actually distinguish them. Opener “Don’t Go Hollow, You Have Steel,”3, showcases everything you will hear for the rest of the record, with the exception of vocals, which here are restricted to the occasional snarled “eaaaagh!” The low-fi production which brings the fuzz and distortion, and that faraway washy quality to the vocals, contributes to the album’s coarseness and the sense of a gutsy spirit. But it equally brings the above uniformity into the realm of the problematic, as well as generating some problems of its own.
Rawness itself is not the issue, it’s how this rawness negatively affects Fell Omen’s compositions. Good raw black metal is a biting assault that can be beautiful or brutal. But in the case of Invaded by a Dark Spirit, the grittiness makes everything bland or bothersome. Hurdy-gurdy, sitting right at the front of the mix, wailing its refrain through the cellophane wrapping of the master, like a fucking kazoo, is jarring in a way I had not experienced before. And it is used a lot. That being said, the actual guitar is also prone to flights of wobbly fancy that imitate the hurdy-gurdy’s mannerisms in a way that blurs the line between them. This guitar sound could be cool, and in fact sometimes actually is (“Dungeon Metal…,” “In the Poison Swamp”), but the milquetoast package it comes in saps that coolness away. Programmed and acoustic drums alike sound akin to a stock keyboard ‘drum’ noise and are thus indistinguishable. Pointlessly brief flashes of synth get thrown in for no identifiable reason other than a whim (“Dungeon Metal…,” “Forlorn Knights and Strange Flasks”, tricking the listener into thinking that something interesting might be about to happen. Even setting aside particular noises that might be personal triggers, the songs are boring: monotonous in their vaguely repetitious way and stultified by the veil of grime.
While there are some admittedly catchy grooves sprinkled around Invaded by a Dark Spirit, the above problems block proper enjoyment of them. “In the Poison Swamp” is the closest thing to a “banger” with its infectious rhythms and well-timed “rawwrr”s working well off of the bendy guitar lines. It’s a shame it comes last. Others (“Don’t Go Hollow…,” “Warrior Jar”) can get your head bobbing well enough, and if you strain your ears just right, the whining melodies (hurdy-gurdy or otherwise) sound almost gnarly. Yet nothing is gripping; nothing is sufficiently slick, raw, or savage enough to capitalize on the low-fi sound and make this the rollicking riot it could so easily have been. Rather, it all feels anodyne, distant, and placid.
For an album that only lasts around 20 minutes, Invaded by a Fell Spirit is a drag to get through; unless, that is, you just ignore it, which is relatively easy to do. Fell Omen can craft some fun grooves, and there is some cool stuff going on with the guitar distortion and hurdy-gurdy, but these are superseded by the monotony and paradoxical blandness of it all. You can have a good time with selected tracks, but it doesn’t diminish the fact that Invaded by a Dark Spirit is nothing like the boisterous, epic tale it pretends to be.
Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: True Cult Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 14th, 2025#20 #2025 #BlackMetal #Crust #CrustPunk #DungeonSynth #Feb25 #FellOmen #GreekMetal #Immortal #InvadedByADarkSpirit #RawBlackMetal #Review #Reviews #TrueCultRecords #Wormwitch
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Fell Omen – Invaded by a Dark Spirit Review
By Thus Spoke
If you’re especially in the know, you might already be familiar with the artist behind Fell Omen, Spider of Pynx. Having contributed hurdy-gurdy and electronica skills to two different Spectral Lore records under this moniker, he has also created cover art for Auriferous Flame, Cirkeln, and Μπατουσκα, under the name Gilded Panoply. After years of lurking about the black metal scene, with Invaded by a Dark Spirit, the Spider has the chance to step out of the background and begin their officially ‘metal’ musical arc as Fell Omen.1 Here for a good time, and not a long time, with a runtime barely surpassing 20 minutes,2 Invaded by a Dark Spirit is a lightning round in Fell Omen’s raucous take on black metal.
Invaded by a Dark Spirit is characterized by two main facets: punky attitude and crusty sound—though it’s not exactly crust-punk stylistically. While there are hints of Wormwitch here and there, this is combined with an old Immortal vibe about the riffs and vocals, as well as frequent use of hurdy-gurdy. Rambunctious rhythms and refrains abound (“Dungeon Metal Punks Besieging Digital Castles,” “Warrior Jar,” “In the Poison Swamp”). The record maintains this rough and ready tone throughout: while there is a subtly different flair to individual tracks, there’s not a lot to actually distinguish them. Opener “Don’t Go Hollow, You Have Steel,”3, showcases everything you will hear for the rest of the record, with the exception of vocals, which here are restricted to the occasional snarled “eaaaagh!” The low-fi production which brings the fuzz and distortion, and that faraway washy quality to the vocals, contributes to the album’s coarseness and the sense of a gutsy spirit. But it equally brings the above uniformity into the realm of the problematic, as well as generating some problems of its own.
Rawness itself is not the issue, it’s how this rawness negatively affects Fell Omen’s compositions. Good raw black metal is a biting assault that can be beautiful or brutal. But in the case of Invaded by a Dark Spirit, the grittiness makes everything bland or bothersome. Hurdy-gurdy, sitting right at the front of the mix, wailing its refrain through the cellophane wrapping of the master, like a fucking kazoo, is jarring in a way I had not experienced before. And it is used a lot. That being said, the actual guitar is also prone to flights of wobbly fancy that imitate the hurdy-gurdy’s mannerisms in a way that blurs the line between them. This guitar sound could be cool, and in fact sometimes actually is (“Dungeon Metal…,” “In the Poison Swamp”), but the milquetoast package it comes in saps that coolness away. Programmed and acoustic drums alike sound akin to a stock keyboard ‘drum’ noise and are thus indistinguishable. Pointlessly brief flashes of synth get thrown in for no identifiable reason other than a whim (“Dungeon Metal…,” “Forlorn Knights and Strange Flasks”, tricking the listener into thinking that something interesting might be about to happen. Even setting aside particular noises that might be personal triggers, the songs are boring: monotonous in their vaguely repetitious way and stultified by the veil of grime.
While there are some admittedly catchy grooves sprinkled around Invaded by a Dark Spirit, the above problems block proper enjoyment of them. “In the Poison Swamp” is the closest thing to a “banger” with its infectious rhythms and well-timed “rawwrr”s working well off of the bendy guitar lines. It’s a shame it comes last. Others (“Don’t Go Hollow…,” “Warrior Jar”) can get your head bobbing well enough, and if you strain your ears just right, the whining melodies (hurdy-gurdy or otherwise) sound almost gnarly. Yet nothing is gripping; nothing is sufficiently slick, raw, or savage enough to capitalize on the low-fi sound and make this the rollicking riot it could so easily have been. Rather, it all feels anodyne, distant, and placid.
For an album that only lasts around 20 minutes, Invaded by a Fell Spirit is a drag to get through; unless, that is, you just ignore it, which is relatively easy to do. Fell Omen can craft some fun grooves, and there is some cool stuff going on with the guitar distortion and hurdy-gurdy, but these are superseded by the monotony and paradoxical blandness of it all. You can have a good time with selected tracks, but it doesn’t diminish the fact that Invaded by a Dark Spirit is nothing like the boisterous, epic tale it pretends to be.
Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: True Cult Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 14th, 2025#20 #2025 #BlackMetal #Crust #CrustPunk #DungeonSynth #Feb25 #FellOmen #GreekMetal #Immortal #InvadedByADarkSpirit #RawBlackMetal #Review #Reviews #TrueCultRecords #Wormwitch
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Fell Omen – Invaded by a Dark Spirit Review
By Thus Spoke
If you’re especially in the know, you might already be familiar with the artist behind Fell Omen, Spider of Pynx. Having contributed hurdy-gurdy and electronica skills to two different Spectral Lore records under this moniker, he has also created cover art for Auriferous Flame, Cirkeln, and Μπατουσκα, under the name Gilded Panoply. After years of lurking about the black metal scene, with Invaded by a Dark Spirit, the Spider has the chance to step out of the background and begin their officially ‘metal’ musical arc as Fell Omen.1 Here for a good time, and not a long time, with a runtime barely surpassing 20 minutes,2 Invaded by a Dark Spirit is a lightning round in Fell Omen’s raucous take on black metal.
Invaded by a Dark Spirit is characterized by two main facets: punky attitude and crusty sound—though it’s not exactly crust-punk stylistically. While there are hints of Wormwitch here and there, this is combined with an old Immortal vibe about the riffs and vocals, as well as frequent use of hurdy-gurdy. Rambunctious rhythms and refrains abound (“Dungeon Metal Punks Besieging Digital Castles,” “Warrior Jar,” “In the Poison Swamp”). The record maintains this rough and ready tone throughout: while there is a subtly different flair to individual tracks, there’s not a lot to actually distinguish them. Opener “Don’t Go Hollow, You Have Steel,”3, showcases everything you will hear for the rest of the record, with the exception of vocals, which here are restricted to the occasional snarled “eaaaagh!” The low-fi production which brings the fuzz and distortion, and that faraway washy quality to the vocals, contributes to the album’s coarseness and the sense of a gutsy spirit. But it equally brings the above uniformity into the realm of the problematic, as well as generating some problems of its own.
Rawness itself is not the issue, it’s how this rawness negatively affects Fell Omen’s compositions. Good raw black metal is a biting assault that can be beautiful or brutal. But in the case of Invaded by a Dark Spirit, the grittiness makes everything bland or bothersome. Hurdy-gurdy, sitting right at the front of the mix, wailing its refrain through the cellophane wrapping of the master, like a fucking kazoo, is jarring in a way I had not experienced before. And it is used a lot. That being said, the actual guitar is also prone to flights of wobbly fancy that imitate the hurdy-gurdy’s mannerisms in a way that blurs the line between them. This guitar sound could be cool, and in fact sometimes actually is (“Dungeon Metal…,” “In the Poison Swamp”), but the milquetoast package it comes in saps that coolness away. Programmed and acoustic drums alike sound akin to a stock keyboard ‘drum’ noise and are thus indistinguishable. Pointlessly brief flashes of synth get thrown in for no identifiable reason other than a whim (“Dungeon Metal…,” “Forlorn Knights and Strange Flasks”, tricking the listener into thinking that something interesting might be about to happen. Even setting aside particular noises that might be personal triggers, the songs are boring: monotonous in their vaguely repetitious way and stultified by the veil of grime.
While there are some admittedly catchy grooves sprinkled around Invaded by a Dark Spirit, the above problems block proper enjoyment of them. “In the Poison Swamp” is the closest thing to a “banger” with its infectious rhythms and well-timed “rawwrr”s working well off of the bendy guitar lines. It’s a shame it comes last. Others (“Don’t Go Hollow…,” “Warrior Jar”) can get your head bobbing well enough, and if you strain your ears just right, the whining melodies (hurdy-gurdy or otherwise) sound almost gnarly. Yet nothing is gripping; nothing is sufficiently slick, raw, or savage enough to capitalize on the low-fi sound and make this the rollicking riot it could so easily have been. Rather, it all feels anodyne, distant, and placid.
For an album that only lasts around 20 minutes, Invaded by a Fell Spirit is a drag to get through; unless, that is, you just ignore it, which is relatively easy to do. Fell Omen can craft some fun grooves, and there is some cool stuff going on with the guitar distortion and hurdy-gurdy, but these are superseded by the monotony and paradoxical blandness of it all. You can have a good time with selected tracks, but it doesn’t diminish the fact that Invaded by a Dark Spirit is nothing like the boisterous, epic tale it pretends to be.
Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: True Cult Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 14th, 2025#20 #2025 #BlackMetal #Crust #CrustPunk #DungeonSynth #Feb25 #FellOmen #GreekMetal #Immortal #InvadedByADarkSpirit #RawBlackMetal #Review #Reviews #TrueCultRecords #Wormwitch
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New Artist announced for Ragnarök Festival 2025: 🔥 Wormwitch 🔥
🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO#Ragnark_Festival_2025 #Wormwitch #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement
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Winterfylleth announce winter dates
British black metal pioneers Winterfylleth are set to embark on a UK headline tour this November, celebrating the release of their highly anticipated album, The Imperious Horizon. Joining them will be Canada's Wormwitch alongside innovative Norwegian progressive black metallers Bizarrekult.
Tickets go on sa
https://www.moshville.co.uk/news/tours/2024/09/winterfylleth-announce-winter-dates/
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#TheMetalDogArticleList
#BLABBERMOUTH
Wormwitch
A persistent, maverick menace amid a crowded black metal marketplace, WORMWITCH have been one of the most convincingly grim and violent bands of the last decade. -
#TheMetalDogArticleList
#MetalInjection
JERRY CANTRELL, FIT FOR AN AUTOPSY, GLACIAL TOMB & More Among Metal Injection's Top Tracks Of The Week
Plus Defiled, Spectral Wound, Anciients, and more!#JerryCantrell #FitForAnAutopsy #GlacialTomb #Defiled #SpectralWound #Anciients #Wormwitch #Cabal #Misstiq
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#TheMetalDogArticleList
#MetalInjection
JERRY CANTRELL, FIT FOR AN AUTOPSY, GLACIAL TOMB & More Among Metal Injection's Top Tracks Of The Week
Plus Defiled, Spectral Wound, Anciients, and more!#JerryCantrell #FitForAnAutopsy #GlacialTomb #Defiled #SpectralWound #Anciients #Wormwitch #Cabal #Misstiq
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#TheMetalDogArticleList
#MetalInjection
JERRY CANTRELL, FIT FOR AN AUTOPSY, GLACIAL TOMB & More Among Metal Injection's Top Tracks Of The Week
Plus Defiled, Spectral Wound, Anciients, and more!#JerryCantrell #FitForAnAutopsy #GlacialTomb #Defiled #SpectralWound #Anciients #Wormwitch #Cabal #Misstiq
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#TheMetalDogArticleList
#MetalInjection
JERRY CANTRELL, FIT FOR AN AUTOPSY, GLACIAL TOMB & More Among Metal Injection's Top Tracks Of The Week
Plus Defiled, Spectral Wound, Anciients, and more!#JerryCantrell #FitForAnAutopsy #GlacialTomb #Defiled #SpectralWound #Anciients #Wormwitch #Cabal #Misstiq
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#TheMetalDogArticleList
#MetalInjection
JERRY CANTRELL, FIT FOR AN AUTOPSY, GLACIAL TOMB & More Among Metal Injection's Top Tracks Of The Week
Plus Defiled, Spectral Wound, Anciients, and more!#JerryCantrell #FitForAnAutopsy #GlacialTomb #Defiled #SpectralWound #Anciients #Wormwitch #Cabal #Misstiq
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#TheMetalDogArticleList
#BraveWords
WORMWITCH Release Vicious New Single "Godmaegen"; Audiohttps://bravewords.com/news/wormwitch-release-vicious-new-single-godmaegen-audio
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#TheMetalDogArticleList
#MetalInjection
Ex-KVELERTAK Vocalist ERLEND HJELVIK Guests On New WORMWITCH Track
For maximum savage-ness. -
Out July 26 - Wormwitch "s/t" LP/CD from Profound Lore. The Canadian Witchknights return with a melodic blackened metal assault delivered with the ferocity and attitude of crust punk and classic rock and roll.
https://midheaven.com/item/wormwitch/s-t
#wormwitch
#blackenedmetal
#profoundlorerecords
#witchknights -
W tym tygodniu mało słuchałem, a jeszcze mniej mi się podobało. Ale przynajmniej zmieszczę się w jednym poście.
1. The Mist From The Mountains - podchodziłem trochę jak pies do jeża, ponieważ dwie rekomendacje bliskie temu zupełnie mi nie podpasowały. A tutaj, wbrew nazwie sugerującej atmosferyczną epikę, mamy rasowe BM z satysfakcjonującym wokalem i blastami. Owszem, czuć czasem tę podniosłość, ale jest ona zdecydowanie dodatkiem lub w formie przerwy między agresją lub średnimi tempami z melodiami, a nie 10-minutowym budowaniem atmosfery z fragmentem blastów. Polecam sprawdzić - ta fińska grupa wydała do tej pory tylko jeden album, ale mam nadzieję, że coś jeszcze urodzą. Mimo że innowacyjni nie są.
2. Aorlhac - ostatnio pisałem o tej francuskiej grupie, przesłuchałem jeszcze kilka płyt, no i... dla mnie nadzespół. Gdybym był Książulem, to powiedziałbym "muala", bo dawno nie słyszałem czegoś, co tak przyjemnie mi gra i stopniuje agresję. Nawet te utwory, które mnie nie "podrywają", nie są nudne. I może to też wada tej kapeli, że te wszystkie kawałki są bardzo do siebie podobne, ale jeśli są tak dobre, to dla mnie może tak być.
3. Darkthrone, album "Hate Them" - ostatnio m.in. tę płytę polecał @deep i rzeczywiście, to jedna z fajniejszych rzeczy, które słyszałem od norweskich legend. Niby to samo, co zawsze, niby podobne, ale jednak każdy utwór jest inny, ma nieco inny rytm i jest to lepiej nagrane niż to, z czym zwykle kojarzy się DT. Dobre, dobre.
4. Split Wormwitch oraz Sadistic Ritual - ja akurat przesłuchałem tylko ten pierwszy zespół, gdyż to ten słyszałem jakiś czas temu i chciałem miec na niego oko. Jest to black pomieszany z thrashem i crustem (ale nadal nie umiem zdefiniować crusta mimo Waszych prób, przykro mi). Szybkie, wysokie gitary, dobrze uwypuklony wokal. Po prostu jechanka, choć nie taka bezmyślna i z zakrętami.
@muzykametalowa #Metal #muzyka #MetalPany #BlackMetal #Wormwitch #Aorlhac #Darkthrone #TheMistOfTheMountains
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#Wormwitch, fantastic blackened metal you maybe don’t know yet out of Vancouver BC doing a cover of a song you probably DO know.
The closing track off their excellent third full-length record “Wolf Hex”. 🖤
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Pretty happy with my #BandcampFriday haul!
#Fetid #Wormwitch #SpiritPossession and #Hellripper – three bands from Cascadia, and one from Scotland (close enough!). 🤘🏻
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Throwing these guys from British Columbia in because – as one reviewer described it – this record sounds like it’s made people who are in love with metal, mixing a bunch of different styles and sounding like they’re having a blast doing it. #Wormwitch
https://wormwitch.bandcamp.com/album/heaven-that-dwells-within
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Well done, #Wormwitch. Warms my heart when a whole band kicks an asshole out. 🖤
