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#womanphotographer — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #womanphotographer, aggregated by home.social.

  1. Your photography history post for today: by Lillian Bassman (1917-2012), “Night Bloom, Olga Pantushenkova, hat by Christian Lacroix Haute Couture, Paris,” gelatin silver print, published in The New York Times Magazine, 31 March 1996. #photography #photographyhistory #fashionphotography #darkroom #womanphotographer #womenphotographers

    Excerpts from her obituary in The Guardian, written by Veronica Horwell, 16 Feb 2012: ‘Lillian Bassman wandered into fashion photography in pursuit of the happiness of constant creation. Her absorption in her work showed in every picture she took, or rather in every image she printed, for Bassman… was an exuberant experimenter in the darkroom. "In there, I felt a sense of being able to say something I wanted to say," she remarked. Her pictures are closer to those of the illustrators who shared the glossy pages of fashion magazines with photographers until the 1950s than to contemporaries such as Richard Avedon and Irving Penn. Avedon knew what Bassman was up to though, saying that she made "visible that heartbreaking invisible place between the appearance and the disappearance of things".

    Bassman was a bohemian from her childhood in Brooklyn and Greenwich Village, New York, onwards. She was the daughter of Ukrainian emigres who had courted in the galleries of the Metropolitan Museum. Bassman admired the old masters, too, and was inspired by El Greco's near-monochrome, elongated portraits. Her early intention was to be a dancer, and she kept her eye for the grace in female movement that, she said, "usually passes unnoticed in everyday life".’

  2. Your photography history post for today: by Lillian Bassman (1917-2012), “Night Bloom, Olga Pantushenkova, hat by Christian Lacroix Haute Couture, Paris,” gelatin silver print, published in The New York Times Magazine, 31 March 1996. #photography #photographyhistory #fashionphotography #darkroom #womanphotographer #womenphotographers

    Excerpts from her obituary in The Guardian, written by Veronica Horwell, 16 Feb 2012: ‘Lillian Bassman wandered into fashion photography in pursuit of the happiness of constant creation. Her absorption in her work showed in every picture she took, or rather in every image she printed, for Bassman… was an exuberant experimenter in the darkroom. "In there, I felt a sense of being able to say something I wanted to say," she remarked. Her pictures are closer to those of the illustrators who shared the glossy pages of fashion magazines with photographers until the 1950s than to contemporaries such as Richard Avedon and Irving Penn. Avedon knew what Bassman was up to though, saying that she made "visible that heartbreaking invisible place between the appearance and the disappearance of things".

    Bassman was a bohemian from her childhood in Brooklyn and Greenwich Village, New York, onwards. She was the daughter of Ukrainian emigres who had courted in the galleries of the Metropolitan Museum. Bassman admired the old masters, too, and was inspired by El Greco's near-monochrome, elongated portraits. Her early intention was to be a dancer, and she kept her eye for the grace in female movement that, she said, "usually passes unnoticed in everyday life".’

  3. Your photography history post for today: by Lillian Bassman (1917-2012), “Night Bloom, Olga Pantushenkova, hat by Christian Lacroix Haute Couture, Paris,” gelatin silver print, published in The New York Times Magazine, 31 March 1996. #photography #photographyhistory #fashionphotography #darkroom #womanphotographer #womenphotographers

    Excerpts from her obituary in The Guardian, written by Veronica Horwell, 16 Feb 2012: ‘Lillian Bassman wandered into fashion photography in pursuit of the happiness of constant creation. Her absorption in her work showed in every picture she took, or rather in every image she printed, for Bassman… was an exuberant experimenter in the darkroom. "In there, I felt a sense of being able to say something I wanted to say," she remarked. Her pictures are closer to those of the illustrators who shared the glossy pages of fashion magazines with photographers until the 1950s than to contemporaries such as Richard Avedon and Irving Penn. Avedon knew what Bassman was up to though, saying that she made "visible that heartbreaking invisible place between the appearance and the disappearance of things".

    Bassman was a bohemian from her childhood in Brooklyn and Greenwich Village, New York, onwards. She was the daughter of Ukrainian emigres who had courted in the galleries of the Metropolitan Museum. Bassman admired the old masters, too, and was inspired by El Greco's near-monochrome, elongated portraits. Her early intention was to be a dancer, and she kept her eye for the grace in female movement that, she said, "usually passes unnoticed in everyday life".’

  4. Your photography history post for today: by Lillian Bassman (1917-2012), “Night Bloom, Olga Pantushenkova, hat by Christian Lacroix Haute Couture, Paris,” gelatin silver print, published in The New York Times Magazine, 31 March 1996. #photography #photographyhistory #fashionphotography #darkroom #womanphotographer #womenphotographers

    Excerpts from her obituary in The Guardian, written by Veronica Horwell, 16 Feb 2012: ‘Lillian Bassman wandered into fashion photography in pursuit of the happiness of constant creation. Her absorption in her work showed in every picture she took, or rather in every image she printed, for Bassman… was an exuberant experimenter in the darkroom. "In there, I felt a sense of being able to say something I wanted to say," she remarked. Her pictures are closer to those of the illustrators who shared the glossy pages of fashion magazines with photographers until the 1950s than to contemporaries such as Richard Avedon and Irving Penn. Avedon knew what Bassman was up to though, saying that she made "visible that heartbreaking invisible place between the appearance and the disappearance of things".

    Bassman was a bohemian from her childhood in Brooklyn and Greenwich Village, New York, onwards. She was the daughter of Ukrainian emigres who had courted in the galleries of the Metropolitan Museum. Bassman admired the old masters, too, and was inspired by El Greco's near-monochrome, elongated portraits. Her early intention was to be a dancer, and she kept her eye for the grace in female movement that, she said, "usually passes unnoticed in everyday life".’

  5. Your photography history post for today: by Lillian Bassman (1917-2012), “Night Bloom, Olga Pantushenkova, hat by Christian Lacroix Haute Couture, Paris,” gelatin silver print, published in The New York Times Magazine, 31 March 1996. #photography #photographyhistory #fashionphotography #darkroom #womanphotographer #womenphotographers

    Excerpts from her obituary in The Guardian, written by Veronica Horwell, 16 Feb 2012: ‘Lillian Bassman wandered into fashion photography in pursuit of the happiness of constant creation. Her absorption in her work showed in every picture she took, or rather in every image she printed, for Bassman… was an exuberant experimenter in the darkroom. "In there, I felt a sense of being able to say something I wanted to say," she remarked. Her pictures are closer to those of the illustrators who shared the glossy pages of fashion magazines with photographers until the 1950s than to contemporaries such as Richard Avedon and Irving Penn. Avedon knew what Bassman was up to though, saying that she made "visible that heartbreaking invisible place between the appearance and the disappearance of things".

    Bassman was a bohemian from her childhood in Brooklyn and Greenwich Village, New York, onwards. She was the daughter of Ukrainian emigres who had courted in the galleries of the Metropolitan Museum. Bassman admired the old masters, too, and was inspired by El Greco's near-monochrome, elongated portraits. Her early intention was to be a dancer, and she kept her eye for the grace in female movement that, she said, "usually passes unnoticed in everyday life".’

  6. The Cinematic World of French Photographer Lou Escobar

    In her own words:

    "I don’t think of my editorials as fashion shoots. i collaborate with stylists to define the vision and story i want to put forward. style is important because it helps my subject express itself, colour is essential too. but i don’t feel like i know the language of fashion. i create stories, in which, intensity is the most important thing.

    #louescobar #photography #photographer #filmmaker #fashion #style #modernstyle #fashionworld #photoworld #color #colour #fantasyphotography #illusion #cinematic #frenchphotographer #womanphotographer #fotografia #fotografie #artistquote

  7. The Cinematic World of French Photographer Lou Escobar

    In her own words:

    "I don’t think of my editorials as fashion shoots. i collaborate with stylists to define the vision and story i want to put forward. style is important because it helps my subject express itself, colour is essential too. but i don’t feel like i know the language of fashion. i create stories, in which, intensity is the most important thing.

    #louescobar #photography #photographer #filmmaker #fashion #style #modernstyle #fashionworld #photoworld #color #colour #fantasyphotography #illusion #cinematic #frenchphotographer #womanphotographer #fotografia #fotografie #artistquote

  8. The Cinematic World of French Photographer Lou Escobar

    In her own words:

    "I don’t think of my editorials as fashion shoots. i collaborate with stylists to define the vision and story i want to put forward. style is important because it helps my subject express itself, colour is essential too. but i don’t feel like i know the language of fashion. i create stories, in which, intensity is the most important thing.

    #louescobar #photography #photographer #filmmaker #fashion #style #modernstyle #fashionworld #photoworld #color #colour #fantasyphotography #illusion #cinematic #frenchphotographer #womanphotographer #fotografia #fotografie #artistquote

  9. La revolución será colectiva, feminista, diversa, antipatriarcal, antiracista, anticolonial o no lo será.

    Nuestras vidas y nuestra tierra no son territorios de conquista!!!!

    Marcha Federal del Orgullo Antifascista y Antirracista

    1ro de Febrero del 2025

    Villa La Angostura, Neuquén

    #photography #womanphotographer #marchaorgulloantifascista #lucha #antirracista #antipatriarcal #anticolonial #anticapitalista #antifascista #ddhh #feminismo #luchafeminista #argentina

    pixelfed.social/p/guada.fotogr

  10. Exhibition Celebrates Pioneering Finnish Photographer Claire Aho

    Claire Aho, Surprise! Pirkko Mannola, Miss Finland 1958 © JB, courtesy of Aho & Soldan Photo and Film…
    #NewsBeep #News #Artsanddesign #Arts #ArtsAndDesign #AU #Australia #claireaho #Design #Entertainment #Exhibition #femalephotographer #finnish #womanphotographer
    newsbeep.com/au/558118/

  11. La revolución será colectiva, feminista, diversa, antipatriarcal, antiracista, anticolonial o no lo será.

    Nuestras vidas y nuestra tierra no son territorios de conquista!!!!

    Marcha Federal del Orgullo Antifascista y Antirracista

    1ro de Febrero del 2025

    Villa La Angostura, Neuquén

    #photography #womanphotographer #marchaorgulloantifascista #lucha #antirracista #antipatriarcal #anticolonial #anticapitalista #antifascista #ddhh #feminismo #luchafeminista #argentina

    pixelfed.social/p/guada.fotogr

  12. La revolución será colectiva, feminista, diversa, antipatriarcal, antiracista, anticolonial o no lo será.

    Nuestras vidas y nuestra tierra no son territorios de conquista!!!!

    Marcha Federal del Orgullo Antifascista y Antirracista

    1ro de Febrero del 2025

    Villa La Angostura, Neuquén

    #photography #womanphotographer #marchaorgulloantifascista #lucha #antirracista #antipatriarcal #anticolonial #anticapitalista #antifascista #ddhh #feminismo #luchafeminista #argentina

    pixelfed.social/p/guada.fotogr

  13. La revolución será colectiva, feminista, diversa, antipatriarcal, antiracista, anticolonial o no lo será.

    Nuestras vidas y nuestra tierra no son territorios de conquista!!!!

    Marcha Federal del Orgullo Antifascista y Antirracista

    1ro de Febrero del 2025

    Villa La Angostura, Neuquén

    #photography #womanphotographer #marchaorgulloantifascista #lucha #antirracista #antipatriarcal #anticolonial #anticapitalista #antifascista #ddhh #feminismo #luchafeminista #argentina

    pixelfed.social/p/guada.fotogr

  14. La revolución será colectiva, feminista, diversa, antipatriarcal, antiracista, anticolonial o no lo será.

    Nuestras vidas y nuestra tierra no son territorios de conquista!!!!

    Marcha Federal del Orgullo Antifascista y Antirracista

    1ro de Febrero del 2025

    Villa La Angostura, Neuquén

    #photography #womanphotographer #marchaorgulloantifascista #lucha #antirracista #antipatriarcal #anticolonial #anticapitalista #antifascista #ddhh #feminismo #luchafeminista #argentina

    pixelfed.social/p/guada.fotogr