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#williamfriedkin — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #williamfriedkin, aggregated by home.social.

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  1. Now watching:

    'The French Connection'

    - directed by William Friedkin

    - written by Ernest Tidyman, Robin Moore (Book
    ___)
    - with Gene Hackman, Fernando Rey, Roy Scheider, Tony Lo Bianco, Marcel Bozzuffi.....
    ___

    #thefrenchconnection - #williamfriedkin - #nowwatching #firstwatch - #cinema #cinemastodon #film #filmastodon #movies #moviesmastodon - #letterboxd #trakt - #classicnight

  2. Now watching:

    'The French Connection'

    - directed by William Friedkin

    - written by Ernest Tidyman, Robin Moore (Book
    ___)
    - with Gene Hackman, Fernando Rey, Roy Scheider, Tony Lo Bianco, Marcel Bozzuffi.....
    ___

    #thefrenchconnection - #williamfriedkin - #nowwatching #firstwatch - #cinema #cinemastodon #film #filmastodon #movies #moviesmastodon - #letterboxd #trakt - #classicnight

  3. “Good Times” (1967) was the feature length directorial debut from William Friedkin AND the first starring roles for both Cher and Sonny in a major film.
    #SatMat #AANHPIHeritageMonth #GoodTimes #Cher #SonnyAndCher #WilliamFriedkin

  4. “Good Times” (1967) was the feature length directorial debut from William Friedkin AND the first starring roles for both Cher and Sonny in a major film.
    #SatMat #AANHPIHeritageMonth #GoodTimes #Cher #SonnyAndCher #WilliamFriedkin

  5. “Good Times” (1967) was the feature length directorial debut from William Friedkin AND the first starring roles for both Cher and Sonny in a major film.
    #SatMat #AANHPIHeritageMonth #GoodTimes #Cher #SonnyAndCher #WilliamFriedkin

  6. “Good Times” (1967) was the feature length directorial debut from William Friedkin AND the first starring roles for both Cher and Sonny in a major film.
    #SatMat #AANHPIHeritageMonth #GoodTimes #Cher #SonnyAndCher #WilliamFriedkin

  7. “Good Times” (1967) was the feature length directorial debut from William Friedkin AND the first starring roles for both Cher and Sonny in a major film.
    #SatMat #AANHPIHeritageMonth #GoodTimes #Cher #SonnyAndCher #WilliamFriedkin

  8. I've published a new essay on my website.

    "The Stars Are God's Eyes: A Video Essay on To Live and Die in L.A."

    William Friedkin, Los Angeles, and why To Live and Die in L.A. is more than just a 1980s crime film.

    Video:
    ominous.net/To_Live_and_Die_in

    Essay:
    ominous.net/To_Live_and_Die_in

    #WilliamFriedkin #ToLiveAndDieInLA #VideoEssay #NeoNoir #Cinema #Film #Movies #LosAngeles

  9. I've published a new essay on my website.

    "The Stars Are God's Eyes: A Video Essay on To Live and Die in L.A."

    William Friedkin, Los Angeles, and why To Live and Die in L.A. is more than just a 1980s crime film.

    Video:
    ominous.net/To_Live_and_Die_in

    Essay:
    ominous.net/To_Live_and_Die_in

    #WilliamFriedkin #ToLiveAndDieInLA #VideoEssay #NeoNoir #Cinema #Film #Movies #LosAngeles

  10. I've published a new essay on my website.

    "The Stars Are God's Eyes: A Video Essay on To Live and Die in L.A."

    William Friedkin, Los Angeles, and why To Live and Die in L.A. is more than just a 1980s crime film.

    Video:
    ominous.net/To_Live_and_Die_in

    Essay:
    ominous.net/To_Live_and_Die_in

    #WilliamFriedkin #ToLiveAndDieInLA #VideoEssay #NeoNoir #Cinema #Film #Movies #LosAngeles

  11. I've published a new essay on my website.

    "The Stars Are God's Eyes: A Video Essay on To Live and Die in L.A."

    William Friedkin, Los Angeles, and why To Live and Die in L.A. is more than just a 1980s crime film.

    Video:
    ominous.net/To_Live_and_Die_in

    Essay:
    ominous.net/To_Live_and_Die_in

    #WilliamFriedkin #ToLiveAndDieInLA #VideoEssay #NeoNoir #Cinema #Film #Movies #LosAngeles

  12. I've published a new essay on my website.

    "The Stars Are God's Eyes: A Video Essay on To Live and Die in L.A."

    William Friedkin, Los Angeles, and why To Live and Die in L.A. is more than just a 1980s crime film.

    Video:
    ominous.net/To_Live_and_Die_in

    Essay:
    ominous.net/To_Live_and_Die_in

    #WilliamFriedkin #ToLiveAndDieInLA #VideoEssay #NeoNoir #Cinema #Film #Movies #LosAngeles

  13. Reihe „Architektur im Film“: wir zeigen den Action-Klassiker „The French Connection“ von ⁨⁨William Friedkin aus dem Jahr 1971 zusammen mit dem Zentrum für Baukultur Sachsen
    **********************************************
    – Wann: Mittwoch, 10. Dezember, 20.00 Uhr
    – Wo: ⁨⁨⁨⁨⁨⁨⁨⁨⁨#ZfBK⁩⁩⁩⁩⁩⁩⁩⁩⁩ im Kulturpalast (Eingang über Galeriestraße)
    – Eintritt frei, wir freuen uns über eine Spende
    – Fassung: Engl. Originalfassung mit dt. Untertiteln
    **********************************************
    Weitere Informationen:
    zfbk.de/programm/architektur-i

    (1/2)

    ⁨⁨⁨⁨⁨⁨⁨⁨⁨#WilliamFriedkin #GeneHackman #RoyScheider#TheFrenchConnection #NewHollywood #Architektur⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#architecture⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Action #Thriller #Crime#Kino⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩⁩⁩⁩ #cinemastodon #DresdenBubble⁩⁩⁩⁩⁩⁩⁩⁩

  14. Reihe „Architektur im Film“: wir zeigen den Action-Klassiker „The French Connection“ von ⁨⁨William Friedkin aus dem Jahr 1971 zusammen mit dem Zentrum für Baukultur Sachsen
    **********************************************
    – Wann: Mittwoch, 9. Dezember, 20.00 Uhr
    – Wo: ⁨⁨⁨⁨⁨⁨⁨⁨⁨#ZfBK⁩⁩⁩⁩⁩⁩⁩⁩⁩ im Kulturpalast (Eingang über Galeriestraße)
    – Eintritt frei, wir freuen uns über eine Spende
    – Fassung: Engl. Originalfassung mit dt. Untertiteln
    **********************************************
    Weitere Informationen:
    zfbk.de/programm/architektur-i

    (1/2)

    ⁨⁨⁨⁨⁨⁨⁨⁨⁨#WilliamFriedkin #GeneHackman #RoyScheider#TheFrenchConnection #NewHollywood #Architektur⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#architecture⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Action #Thriller #Crime#Kino⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩⁩⁩⁩ #cinemastodon #DresdenBubble⁩⁩⁩⁩⁩⁩⁩⁩

  15. Reihe „Architektur im Film“: wir zeigen den Action-Klassiker „The French Connection“ von ⁨⁨William Friedkin aus dem Jahr 1971 zusammen mit dem Zentrum für Baukultur Sachsen
    **********************************************
    – Wann: Mittwoch, 9. Dezember, 20.00 Uhr
    – Wo: ⁨⁨⁨⁨⁨⁨⁨⁨⁨#ZfBK⁩⁩⁩⁩⁩⁩⁩⁩⁩ im Kulturpalast (Eingang über Galeriestraße)
    – Eintritt frei, wir freuen uns über eine Spende
    – Fassung: Engl. Originalfassung mit dt. Untertiteln
    **********************************************
    Weitere Informationen:
    zfbk.de/programm/architektur-i

    (1/2)

    ⁨⁨⁨⁨⁨⁨⁨⁨⁨#WilliamFriedkin #GeneHackman #RoyScheider#TheFrenchConnection #NewHollywood #Architektur⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#architecture⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Action #Thriller #Crime#Kino⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩⁩⁩⁩ #cinemastodon #DresdenBubble⁩⁩⁩⁩⁩⁩⁩⁩

  16. Reihe „Architektur im Film“: wir zeigen den Action-Klassiker „The French Connection“ von ⁨⁨William Friedkin aus dem Jahr 1971 zusammen mit dem Zentrum für Baukultur Sachsen
    **********************************************
    – Wann: Mittwoch, 9. Dezember, 20.00 Uhr
    – Wo: ⁨⁨⁨⁨⁨⁨⁨⁨⁨#ZfBK⁩⁩⁩⁩⁩⁩⁩⁩⁩ im Kulturpalast (Eingang über Galeriestraße)
    – Eintritt frei, wir freuen uns über eine Spende
    – Fassung: Engl. Originalfassung mit dt. Untertiteln
    **********************************************
    Weitere Informationen:
    zfbk.de/programm/architektur-i

    (1/2)

    ⁨⁨⁨⁨⁨⁨⁨⁨⁨#WilliamFriedkin #GeneHackman #RoyScheider#TheFrenchConnection #NewHollywood #Architektur⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨⁨#architecture⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Action #Thriller #Crime#Kino⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩⁩⁩⁩ #cinemastodon #DresdenBubble⁩⁩⁩⁩⁩⁩⁩⁩

  17. RAMPAGE - William Friedkin - 1987 - ★★★★
    ---
    The excellence of a dense and fascinating story about the misdeeds of a serial killer, although sometimes a little too elliptical, is just as captivating as the talented cinematography, which evokes the style of “The Exorcist” in terms of both atmosphere and visual approach. Undoubtedly Friedkin's best work.

    #WilliamFriedkin #movie #film #movies #filmphotography #cinema #Rampage

  18. RAMPAGE - William Friedkin - 1987 - ★★★★
    ---
    The excellence of a dense and fascinating story about the misdeeds of a serial killer, although sometimes a little too elliptical, is just as captivating as the talented cinematography, which evokes the style of “The Exorcist” in terms of both atmosphere and visual approach. Undoubtedly Friedkin's best work.

    #WilliamFriedkin #movie #film #movies #filmphotography #cinema #Rampage

  19. RAMPAGE - William Friedkin - 1987 - ★★★★
    ---
    The excellence of a dense and fascinating story about the misdeeds of a serial killer, although sometimes a little too elliptical, is just as captivating as the talented cinematography, which evokes the style of “The Exorcist” in terms of both atmosphere and visual approach. Undoubtedly Friedkin's best work.

    #WilliamFriedkin #movie #film #movies #filmphotography #cinema #Rampage

  20. RAMPAGE - William Friedkin - 1987 - ★★★★
    ---
    The excellence of a dense and fascinating story about the misdeeds of a serial killer, although sometimes a little too elliptical, is just as captivating as the talented cinematography, which evokes the style of “The Exorcist” in terms of both atmosphere and visual approach. Undoubtedly Friedkin's best work.

    #WilliamFriedkin #movie #film #movies #filmphotography #cinema #Rampage

  21. LE SANG DU CHÂTIMENT - William Friedkin - 1987 - ★★★★
    ---
    L’excellence d’un récit dense et passionnant autour des méfaits d’un tueur en série, quoique parfois un peu trop elliptique, captive tout autant qu’1 talentueuse cinématographie qui évoque le style de “l’Exorciste” tant du point de vue de l’ambiance que de l’approche visuelle. Le meilleur de Friedkin, sans conteste.

    #WilliamFriedkin #film #cinema #microcritique #cinemastodon #cine #Rampage