#whosafraidofvirginiawoolf — Public Fediverse posts

Gillian Anderson Explains Confrontation With “Distracting” Superfans Who Sat In Front Row Of West End Show: “We Can All See You”
#News #GillianAnderson #WhosAfraidofVirginiaWoolf

https://deadline.com/2026/10/gillian-anderson-confront-distracting-fans-west-end-show-1237146461/

Gillian Anderson Explains Confrontation With “Distracting” Superfans Who Sat In Front Row Of West End Show: “We Can All See You”
#News #GillianAnderson #WhosAfraidofVirginiaWoolf

https://deadline.com/2026/10/gillian-anderson-confront-distracting-fans-west-end-show-1237146461/

Gillian Anderson Explains Confrontation With “Distracting” Superfans Who Sat In Front Row Of West End Show: “We Can All See You”
#News #GillianAnderson #WhosAfraidofVirginiaWoolf

https://deadline.com/2026/10/gillian-anderson-confront-distracting-fans-west-end-show-1237146461/

Recently watched (14.06.2026)

'𝗪𝗵𝗼'𝘀 𝗔𝗳𝗿𝗮𝗶𝗱 𝗼𝗳 𝗩𝗶𝗿𝗴𝗶𝗻𝗶𝗮 𝗪𝗼𝗼𝗹𝗳?'

- directed by Mike Nichols
- written by Ernest Lehman - Edward Albee (Play)

---
- with Elizabeth Taylor, Richard Burton, George Segal, Sandy Dennis
---

#whosafraidofvirginiawoolf - #mikenichols - #nowwatching #firstwatch - #cinema #cinemastodon #film #filmastodon #movies #moviesmastodon - #letterboxd #trakt

“Never mix, never worry...”
Who’s Afraid of Virginia Woolf?, 1966.

Elizabeth Taylor — Martha (1932–2011)
Richard Burton — George (1925–1984)
George Segal — Nick (1934–2021)
Sandy Dennis — Honey (1937–1992)
Directed by Mike Nichols (1931–2014)
Screenplay by Ernest Lehman (1915–2005), adapted from the play by Edward Albee (1928–2016).

#whosafraidofvirginiawoolf #nevermixneverworry #movieclips #classicmovies

“Never mix, never worry...”
Who’s Afraid of Virginia Woolf?, 1966.

Elizabeth Taylor — Martha (1932–2011)
Richard Burton — George (1925–1984)
George Segal — Nick (1934–2021)
Sandy Dennis — Honey (1937–1992)
Directed by Mike Nichols (1931–2014)
Screenplay by Ernest Lehman (1915–2005), adapted from the play by Edward Albee (1928–2016).

#whosafraidofvirginiawoolf #nevermixneverworry #movieclips #classicmovies

“Never mix, never worry...”
Who’s Afraid of Virginia Woolf?, 1966.

Elizabeth Taylor — Martha (1932–2011)
Richard Burton — George (1925–1984)
George Segal — Nick (1934–2021)
Sandy Dennis — Honey (1937–1992)
Directed by Mike Nichols (1931–2014)
Screenplay by Ernest Lehman (1915–2005), adapted from the play by Edward Albee (1928–2016).

#whosafraidofvirginiawoolf #nevermixneverworry #movieclips #classicmovies

“Never mix, never worry...”
Who’s Afraid of Virginia Woolf?, 1966.

Elizabeth Taylor — Martha (1932–2011)
Richard Burton — George (1925–1984)
George Segal — Nick (1934–2021)
Sandy Dennis — Honey (1937–1992)
Directed by Mike Nichols (1931–2014)
Screenplay by Ernest Lehman (1915–2005), adapted from the play by Edward Albee (1928–2016).

#whosafraidofvirginiawoolf #nevermixneverworry #movieclips #classicmovies

Why You Need to See ‘A Delicate Balance’ at the Walnut Street Theatre

If you’ve been following the Walnut Street Theatre’s 217th season, you know they’ve been on a roll. But their latest production—Edward Albee’s Pulitzer Prize-winning A Delicate Balance—is something truly special.

Stepping into the theater for this performance, I couldn’t help but be transported back to the Walnut’s production of Who’s Afraid of Virginia Woolf? from a couple of years ago. Much like that unforgettable show, this production captures Albee’s unique ability to peel back the layers of polite society to reveal the raw, messy humanity underneath. Under the seasoned direction of Bernard Havard, the Walnut has once again proved why it is the definitive home for American classics in Philadelphia.

Sharp Writing and a Tension You Can Feel

The writing in A Delicate Balance is, in a word, superb. It is strong, smart, and incredibly funny, often catching you off guard with a witty barb right before a moment of devastating psychological insight.

The story follows Agnes and Tobias, an upper-middle-class couple whose lives are upended when their long-time friends, Harry and Edna, arrive at their door. They aren’t fleeing a fire or a scandal; they are fleeing an “unnamed terror.” It’s a fascinating premise that asks: What do we owe our friends, and how much of our own peace are we willing to sacrifice for them?

Superb Acting

The cast of Walnut favorites absolutely shines here.

• Alicia Roper is commanding as Agnes, the matriarch, trying to hold the family’s “balance” together.
• Paul L. Nolan brings a heartbreaking nuance to Tobias.
• Grace Gonglewski nearly steals the show as the alcoholic sister, Claire; her performance is razor-sharp and provides much of the evening’s dark humor.

The chemistry between the entire ensemble—including Wendy Scharfman, Peter Schmitz, and Alanna J. Smith—is electric. You truly believe these people have decades of shared history, secrets, and resentments.

https://youtu.be/QH_0sB8HUzc?si=PS5-4_mOQwRo1TTq

Stunning Visuals: Set and Lighting

I have to give a massive shout-out to the creative team. The set design by Roman Tatarowicz is incredibly well done, perfectly capturing a lush, 1960s suburban living room that feels both comfortable and claustrophobic.

However, it was Ryan O’Gara’s lighting design that truly blew me away. The way the lighting shifts to mirror the escalating tension and the “unnamed fear” gripping the characters is subtle yet profoundly effective. It elevates the entire production from a domestic drama to something hauntingly atmospheric.

Final Verdict

If you love theater that makes you think, laugh, and perhaps squirm just a little bit in your seat, A Delicate Balance is a must-watch. It’s a powerful look at the fragile structures of our lives and the fears we all try to keep at bay.

A Delicate Balance runs through March 29, 2026, at the Walnut Street Theatre. Don’t wait on this one—it’s the kind of production people will be talking about for the rest of the season.

Tickets & Info: Visit WalnutStreetTheatre.org or call 215-574-3550.

Why You Need to See ‘A Delicate Balance’ at the Walnut Street Theatre

If you’ve been following the Walnut Street Theatre’s 217th season, you know they’ve been on a roll. But their latest production—Edward Albee’s Pulitzer Prize-winning A Delicate Balance—is something truly special.

Stepping into the theater for this performance, I couldn’t help but be transported back to the Walnut’s production of Who’s Afraid of Virginia Woolf? from a couple of years ago. Much like that unforgettable show, this production captures Albee’s unique ability to peel back the layers of polite society to reveal the raw, messy humanity underneath. Under the seasoned direction of Bernard Havard, the Walnut has once again proved why it is the definitive home for American classics in Philadelphia.

Sharp Writing and a Tension You Can Feel

The writing in A Delicate Balance is, in a word, superb. It is strong, smart, and incredibly funny, often catching you off guard with a witty barb right before a moment of devastating psychological insight.

The story follows Agnes and Tobias, an upper-middle-class couple whose lives are upended when their long-time friends, Harry and Edna, arrive at their door. They aren’t fleeing a fire or a scandal; they are fleeing an “unnamed terror.” It’s a fascinating premise that asks: What do we owe our friends, and how much of our own peace are we willing to sacrifice for them?

Superb Acting

The cast of Walnut favorites absolutely shines here.

• Alicia Roper is commanding as Agnes, the matriarch, trying to hold the family’s “balance” together.
• Paul L. Nolan brings a heartbreaking nuance to Tobias.
• Grace Gonglewski nearly steals the show as the alcoholic sister, Claire; her performance is razor-sharp and provides much of the evening’s dark humor.

The chemistry between the entire ensemble—including Wendy Scharfman, Peter Schmitz, and Alanna J. Smith—is electric. You truly believe these people have decades of shared history, secrets, and resentments.

https://youtu.be/QH_0sB8HUzc?si=PS5-4_mOQwRo1TTq

Stunning Visuals: Set and Lighting

I have to give a massive shout-out to the creative team. The set design by Roman Tatarowicz is incredibly well done, perfectly capturing a lush, 1960s suburban living room that feels both comfortable and claustrophobic.

However, it was Ryan O’Gara’s lighting design that truly blew me away. The way the lighting shifts to mirror the escalating tension and the “unnamed fear” gripping the characters is subtle yet profoundly effective. It elevates the entire production from a domestic drama to something hauntingly atmospheric.

Final Verdict

If you love theater that makes you think, laugh, and perhaps squirm just a little bit in your seat, A Delicate Balance is a must-watch. It’s a powerful look at the fragile structures of our lives and the fears we all try to keep at bay.

A Delicate Balance runs through March 29, 2026, at the Walnut Street Theatre. Don’t wait on this one—it’s the kind of production people will be talking about for the rest of the season.

Tickets & Info: Visit WalnutStreetTheatre.org or call 215-574-3550.

Movie TV Tech Geeks #Movie #WhosAfraidofVirginiaWoolf #Classics Greatest Performances in Classic Hollywood Movies, Ranked http://dlvr.it/TPLJRv

My friends and I have made movies most our lives. Poster for our version of "Who's Afraid of Virginia Woolf?" 1980s. #super8mm #homemovies #whosafraidofvirginiawoolf #1980s #sketch #pencilsketch

My friends and I have made movies most our lives. Poster for our version of "Who's Afraid of Virginia Woolf?" 1980s. #super8mm #homemovies #whosafraidofvirginiawoolf #1980s #sketch #pencilsketch

Mike Nichols Made His Movie Directorial Debut with ‘Who’s Afraid of Virginia Woolf?’ — and Got Fired
#IndieWire #Craft #Features #Film #MikeNichols #Score #TopoftheLine #Whosafraidofvirginiawoolf

https://www.indiewire.com/features/craft/whos-afraid-of-virginia-woolf-mike-nichols-kicked-off-1234941816/

Mike Nichols Made His Movie Directorial Debut with ‘Who’s Afraid of Virginia Woolf?’ — and Got Fired
#IndieWire #Craft #Features #Film #MikeNichols #Score #TopoftheLine #Whosafraidofvirginiawoolf

https://www.indiewire.com/features/craft/whos-afraid-of-virginia-woolf-mike-nichols-kicked-off-1234941816/

Saw a production of Who’s Afraid of Virginia Woolf at the Walnut Street Theater in Philly last night. And I’ve been thinking ever since what a shame David Hyde Pierce never played George. He would have been incredible.

#DavidHydePierce
#WalnutStreetTheater
#WhosAfraidOfVirginiaWoolf

Saw a production of Who’s Afraid of Virginia Woolf at the Walnut Street Theater in Philly last night. And I’ve been thinking ever since what a shame David Hyde Pierce never played George. He would have been incredible.

#DavidHydePierce
#WalnutStreetTheater
#WhosAfraidOfVirginiaWoolf

Saw a production of Who’s Afraid of Virginia Woolf at the Walnut Street Theater in Philly last night. And I’ve been thinking ever since what a shame David Hyde Pierce never played George. He would have been incredible.

#DavidHydePierce
#WalnutStreetTheater
#WhosAfraidOfVirginiaWoolf

#TakingABreakFromFilming
#WhosAfraidOfVirginiaWoolf? (1966)
A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night.

#RichardBurton wears #ElizabethTaylor's wig on set.
#FilmMastodon 📽️ 🎬

#TakingABreakFromFilming
#WhosAfraidOfVirginiaWoolf? (1966)
A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night.

#RichardBurton wears #ElizabethTaylor's wig on set.
#FilmMastodon 📽️ 🎬

#TakingABreakFromFilming
#WhosAfraidOfVirginiaWoolf? (1966)
A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night.

#RichardBurton wears #ElizabethTaylor's wig on set.
#FilmMastodon 📽️ 🎬

#TakingABreakFromFilming
#WhosAfraidOfVirginiaWoolf? (1966)
A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night.

#RichardBurton wears #ElizabethTaylor's wig on set.
#FilmMastodon 📽️ 🎬

It’s a familiar dance.
#WhosAfraidofVirginiaWoolf

“I wish I had some brandy .. it steadies me so..” #classicmovies #movieclips #1960s #whosafraidofvirginiawoolf #sandydennis #elizabethtaylor #richardburton #roadhouse scene

“I wish I had some brandy .. it steadies me so..” #classicmovies #movieclips #1960s #whosafraidofvirginiawoolf #sandydennis #elizabethtaylor #richardburton #roadhouse scene

“I wish I had some brandy .. it steadies me so..” #classicmovies #movieclips #1960s #whosafraidofvirginiawoolf #sandydennis #elizabethtaylor #richardburton #roadhouse scene

“I wish I had some brandy .. it steadies me so..” #classicmovies #movieclips #1960s #whosafraidofvirginiawoolf #sandydennis #elizabethtaylor #richardburton #roadhouse scene

Sad to hear that Melinda Dillon has died. She was 83.

She was brilliant in everything she starred in but my personal favourite were her roles in Close Encounters of The Third Kind and Harry & The Hendersons.

She had two Oscar nominations for her performances in Close Encounters of the Third Kind and Absence of Malice.

#MelindaDillon #AChristmasStory #AbsenceofMalice #WhosAfraidofVirginiaWoolf #HarryandtheHendersons #CloseEncountersoftheThirdKind #RIP

Sad to hear that Melinda Dillon has died. She was 83.

She was brilliant in everything she starred in but my personal favourite were her roles in Close Encounters of The Third Kind and Harry & The Hendersons.

She had two Oscar nominations for her performances in Close Encounters of the Third Kind and Absence of Malice.

#MelindaDillon #AChristmasStory #AbsenceofMalice #WhosAfraidofVirginiaWoolf #HarryandtheHendersons #CloseEncountersoftheThirdKind #RIP