#vulvodynia — Public Fediverse posts

https://www.europesays.com/ie/730560/ Golgothan – Offering Review | Angry Metal Guy #25 #2026 #Aborted #AmericanMetal #Benighted #BrutalDeathMetal #DeathMetal #Éire #Entertainment #Golgothan #IE #Ireland #LaceratedEnemyRecords #Music #offering #Review #Reviews #Sep26 #Vulvodynia

Golgothan hails from Lafayette, Louisiana, and they ply their brand of brutal death metal with murderous verve. After releasing a string of EPs between 2014 and 2020, these bayou brutes dropped debut, Leech in 2022. Four years later, Golgothan returns with sophomore Offering, and it picks up where Leech left off—by making your earholes beg for mercy. At a lean thirty-six minutes, Offering doesn’t faff about. Brutal death metal usually necessitates trim runtimes, as overwhelming the senses with bloated barbarity floods systems with too much br00tal juice. Golgothan certainly delivers on that front, and Offering hums with vile vitality as it rips and rends through nine tracks of unrelenting mayhem. Yet in the end, more than wicked savagery is required to sustain memorability past an album’s runtime. Does Golgothan muster an Offering fit for brutal backwaters?

Golgothan operates at their best and most distinctive when they bludgeon with melodious intent. This might seem odd in a genre notorious for crushing listeners into meat paste, but it helps Golgothan stand out amongst their peers. Tracks like “Suck the Fluid from Their Heads” and “Sal[i]vation” rush out the gate with gnarly through-lines that imbue Offering with the catchy nastiness of Aborted, Benighted, and Vulvodynia. And like these outfits, Golgothan does a swell job of saturating compositions with stank while also sloughing heaps of hooks that imbue songs with techy personality (“Human Lunchable,” “Sal[i]vation”). Other moments get stuck in the muck, dredging up blood-soaked slogs befitting Golgothan’s swampy surroundings (“Golgothan Offering,” “Down into the Gullet”). The deft balance of all these elements unites into a varied but cohesive record.

Throughout Offering, Golgothan supplies ample proof that their bilious coffers ooze with talent. Guitarists John LeBlanc and Jesse Majors flay fretboards with frantic riffing and feverish chugs, caroming between blistering blasts of bloodthirst (“Red Desert”) and polished leads that seep into tech death territory (“Down into the Gullet”). Drummer Eddie Jacobs discharges snappy kitwork that pummels without overpowering songs, engendering a nuanced and impactful performance. Bassist Jerik Thibodeaux rounds out the instrumentation, and while the mix often distracts from his performance, he cuts through every now and again to round out the low end. And throughout Offering, vocalist Jai Benoit scrapes together a feral performance as he shreds his throat across its runtime.1 From death roars (“Onslaught of Teeth”) to squelching rasps (“Human Lunchable”), Benoit exhibits a versatility that enhances the diversity of Golgothan’s individual tracks.

With all the positive momentum built by Golgothan’s kinetic bluster, a couple of factors dampen Offering’s impact. Foremost, the record’s compression renders it a chore to listen to. Of all the ways I played it, Offering sounds best on my car stereo with the windows down. With earbuds, cans, or even on my laptop speakers, the mix is overloud and busy. This is most telling by the distorted drums, especially at the beginning of songs where they’re the only thing playing (“Forest vs. Children,” “Suck the Fluid from Their Heads”). And while slam jams don’t often warrant much sonic space to do their jobs, Golgothan unfairly hinders their music by not allowing individual performances more separation. Besides the production woes, Offering mostly shines with aggressively compelling death metal, but a few songs feel underbaked and lack the zip of the album’s best material. Specifically, “Zed” and the first halves of “Red Desert” and “Onslaught of Teeth” underwhelm compared to other tracks, although the back halves of those tracks sport some killer solos and are essential listening on the album—they just need fine-tuning early on.

In total, Golgothan delivers a rousing slab of brutal death metal on Offering. A more nuanced production would immediately elevate the outcome, but even as-is these Pelican State punks promise big potential. Inspired axework, gurgling vocals, and a boisterous rhythm section enliven a fun time full of noxious spunk that goes down quick if not easy. Even so, the cream of the crop hits hard enough to preserve for select playlists and will keep me interested in what Golgothan decides to with their next Offering.

Rating: Mixed
DR: 4 | Format Reviewed: 320 kbps mp3
Label: Lacerated Enemy Records
Websites: Bandcamp2 | Facebook | Instagram
Releases Worldwide: September 4th, 20263

VULVODYNIA (Sud-àfrica) presenta nou single: "Twin Tyrants" #Vulvodynia #Deathcore #BrutalDeathMetal #Setembre2026 #SudÀfrica #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

30 years of brutality – live and photo report from Cryptopsy’s show in Krakow

Author Daniel Escobar – 5.8.2026 Bathed in a heatwave in southern Poland, Canadian legends Cryptopsy embarked on their…
#Poland #Polska #PL #Europe #Europa #EU #Krakow #Cryptopsy #HypePark #Terror #Vulvodynia
https://www.europesays.com/poland/19972/

Vulvodynia open auditions to find new vocalist

Vulvodynia have opened auditions for a new vocalist. The South African deathcore/death metal band have now cycled through…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #hardcore #Lambgoat #Metal #Vulvodynia
https://www.newsbeep.com/us/571751/

Ex-Vulvodynia vocalist Zion Bittenbender responds to firing:

#Vulvodynia #ZionBittenbender

Link: https://metalinsider.net/news/ex-vulvodynia-vocalist-zion-bittenbender-responds-to-firing

https://www.europesays.com/at/35530/ Vulvodynia feuern erneut ihren Sänger #AT #Austria #Entertainment #Missbrauchsvorwürfe #Music #Musik #Österreich #Rauswurf #saenger #Statement #Unterhaltung #Vulvodynia #ZionBittenbender

Vulvodynia officially part ways with vocalist Zion Bittenbender:

#Vulvodynia #ZionBittenbender

Link: https://metalinsider.net/news/vulvodynia-officially-part-ways-with-vocalist-zion-bittenbender

Architectural Genocide – Malignant Cognition Review

It’s gotta be tough being inspired by genre giants. For bands like Incantation or Autopsy, it can be…
#NewsBeep #News #Music #2.5 #2026 #AmericanMetal #Amputate #ArchitecturalGenocide #Autopsy #BrutalDeathMetal #ComatoseRecords #Devourment #Entertainment #Incantation #Jan26 #MalignantCognition #Pathology #review #Reviews #Suffocation #UK #UnitedKingdom #Vulvodynia
https://www.newsbeep.com/uk/378024/

https://www.europesays.com/ie/291243/ Architectural Genocide – Malignant Cognition Review #2.5 #2026 #AmericanMetal #Amputate #ArchitecturalGenocide #Autopsy #BrutalDeathMetal #ComatoseRecords #Devourment #Éire #Entertainment #IE #Incantation #Ireland #Jan26 #MalignantCognition #Music #Pathology #Review #Reviews #Suffocation #Vulvodynia

It’s gotta be tough being inspired by genre giants. For bands like Incantation or Autopsy, it can be hard to drink from their well without sounding like derivative, uninspired knockoffs. In the realm of brutal death, Suffocation unsurprisingly stands at the top of the corpse pile, with a sound that’s inspired offshoot after offshoot and triggered more permutations of listener-savaging than one can count. There was a period when “Suffoclone” was used as a term of mockery, and now time has looped back around to turning such a descriptor into a potential point of praise. Architectural Genocide have landed with their sophomore album Malignant Cognition, which unsurprisingly seeks to worship at the altar of the brutal death kings. Will their tribute allow them to rise to the ranks of priesthood in this church of the charnel, or relegate them to mere parish members of the profane?

Architectural Genocide overcome brutal deaths first major hurdle with an excellent sound and a clearly articulated production. With a slightly above average DR (particularly by genre standards), every instrument1 is clearly articulated, with a real shine to the drums. Nate Conner’s drum performance rides snare violations, and china fills in what sounds like a refreshingly undigital performance, while guitarists Tom Savage and Caleb Baker offer up a hodgepodge of slams and chuggy assaults which alternate between breakdowns and full-blown Suffo-isms at the drop of a hat. Vocalist Daniel Brockway, in particular, manages to share a similar register with Ricky Myers when in his higher range, adding some sense of familiarity to the proceedings. Everything is confidently delivered and competently composed.

Malignant Cognition by ARCHITECTURAL GENOCIDE

With brutal death being such a broad target to hit, various strains of DNA making their presence known is unsurprising. As already alluded too, Suffocation are the clear cornerstone, with Architectural Genocide even going so far as to kick off the album with a sample that uses the phrase “Bind, torture, kill” (“Precursor to Bloodshed.”) Occasional nods to mid-era Devourment (“Malicious Wager”) and swings to Mob Justice-era Vulvodynia (“Leave It to Cleaver”) litter Malignant Cognition, as one riff after another attempts to channel different foul spirits of savagery into one whole. In the included promo sheet, Architectural Genocide brag about distilling all the vital elements of the genre into one offering, and the sheer glut of names that can occur to anyone with a slight knowledge of the genre is telling that they’ve done their homework.

But while it’s true that imitation is the sincerest form of flattery, everyone always forgets the back half of the quote: “…that mediocrity can pay to greatness.” In a world where gurgles and snare-shattering blasts are a requisite, the distinction between the goods and the greats is personality. Architectural Genocide have their greatest strength function as their biggest Achilles heel, in that they remind me of so many other bands that I find myself wishing I was listening to them instead. The snare-based drum patterns grow to be so repetitive that even Pathology might suggest toning them down a little bit, while tracks like “Malicious Wager” use a start-stop method of riffing which doesn’t get past Amputate in “intensity”, with the staccato presentation only underscoring how “fine” it is. The most interesting riffing and intense moments are all saved for the back end of the album (“Zed Requiem”, Stuffed Under Floordboards”), where Nate Connor unfurls some genuinely fun fills, and we have our first meaningful bass presence. We even get a slam worthy of slicing spines to carry us to the conclusion, ending on a high note, but also leaving one to ask where this personality has been hiding the entire time. It seems like Architectural Genocide have spent the last few years learning the compositional tricks of all these great bands, but are still struggling to cobble together the pieces into what distinguished those outfits from their hoards of imitators.

This is disappointing, because Architectural Genocide are skilled players with a good grasp of composition. But at the moment, that composition has only allowed them to ring out with the echoes of the greats, rather than sing with their own anthems of death. Nobody knocks bands anymore (usually) for sounding inspired by others, but everyone at least knows that you have to come with flair and personality, not just good emulation of style. I believe the band has the toolset to evolve past their inspirations, and I am rooting for them to do so. In the meantime, if you need a quick fix of head-bobbing gnarliness, there are plenty worse options out there.

Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Comatose Music
Website: Official Album Bandcamp
Releases Worldwide: January 16th, 2025

Defeated Sanity announce 2026 headline tour

#DefeatedSanity #Vulvodynia #Organectomy #TourAlert

Link: https://metalinsider.net/touring/defeated-sanity-announce-2026-headline-tour

Vulvodynia temporarily part ways with new vocalist Zion Bittenbender:

#Vulvodynia #ZionBittenbender

Link: https://metalinsider.net/news/vulvodynia-temporarily-part-ways-with-new-vocalist-zion-bittenbender

https://www.europesays.com/de/557961/ Missbrauchsvorwürfe gegen den neuen Vulvodynia-Sänger #Deutschland #DuncanBentley #Entertainment #Germany #Instagram #LwandilePrusent #Missbrauchsvorwürfe #Music #Musik #Unterhaltung #Vulvodynia #ZionBitterbender

#Vulvodynia
18/08/2025

https://www.purgatoire.fr/merch/merch-859_vulvodynia

📷 Tonight's photo office #Vulvodynia , #Revocation , #ShadowofIntent , #CattleDecapitation

Gig Review: Cattle Decapitation / Shadow of Intent / Revocation / Vulvodynia – O2 Institute, Birmingham (28th January 2025)

We’re back at the O2 Institute in Birmingham for an evening of very heavy, heavy metal. The Institute is a great looking venue, and I rememb

https://www.moshville.co.uk/misc/2025/02/gig-review-cattle-decapitation-shadow-of-intent-revocation-vulvodynia-o2-institute-birmingham-28th-january-2025/

#Misc #CattleDecapitation #Revocation #ShadowOfIntent #Vulvodynia

#CattleDecapitation
#ShadowOfIntent
#Revocation
#Vulvodynia
05/02/2025

#LaRayonne

#TheMetalDogArticleList
#BraveWords
VULVODYNIA Debut "The Randlord" Music Video

https://bravewords.com/news/vulvodynia-debut-the-randlord-music-video

#Vulvodynia #Entabeni #TheRandlord #SouthAfricanMetal

#TheMetalDogArticleList
#MetalInjection
VULVODYNIA Recruits PEELING FLESH's Vocalist For New Single "Entabeni"
Get slammed.

https://metalinjection.net/new-music/vulvodynia-recruits-peeling-fleshs-vocalist-for-new-single-entabeni

#Vulvodynia #Entabeni #NewSingle #PeelingFlesh #DamontealHarris #AfricanFolklore #DavidSimonich #SignsOfTheSwarm #KyleMedina #Bodysnatcher

#TheMetalDogArticleList
#MetalInjection
VULVODYNIA's Guitarist Moves To Vocals After Previous Vocalist Is Fired For Alleged Attempted Murder
A better place for the band to be.

https://metalinjection.net/news/vulvodynias-guitarist-moves-to-vocals-after-previous-vocalist-is-fired-for-attempted-murder

#Vulvodynia #Guitarist #Vocals #PreviousVocalist #Fired #AttemptedMurder