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  1. The storm’s fury whips Portia’s gown into sharp, jagged folds, while the second figure clutches her skirts in stillness. Their contrasting postures suggest a moment suspended between chaos and control—is the tempest outside, or within?

    What does the tension in their hands reveal about the story’s unseen weight?
    #ClevelandMuseumofArt #BookIllustration #VictorianArt
    clevelandart.org/art/1942.1408

  2. The storm’s fury whips Portia’s gown into sharp, jagged folds, while the second figure clutches her skirts in stillness. Their contrasting postures suggest a moment suspended between chaos and control—is the tempest outside, or within?

    What does the tension in their hands reveal about the story’s unseen weight?
    #ClevelandMuseumofArt #BookIllustration #VictorianArt
    clevelandart.org/art/1942.1408

  3. The storm’s fury whips Portia’s gown into sharp, jagged folds, while the second figure clutches her skirts in stillness. Their contrasting postures suggest a moment suspended between chaos and control—is the tempest outside, or within?

    What does the tension in their hands reveal about the story’s unseen weight?
    #ClevelandMuseumofArt #BookIllustration #VictorianArt
    clevelandart.org/art/1942.1408

  4. 19th-Century Portraits Reveal Deep Maternal Bonds in Victorian Era

    📰 Original title: 35 Touching Mid-19th Century Portraits of Victorian Mothers and Children

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary en.killbait.com/19th-century-p

    #art #victorianart #historicalphotography #maternalbonds

  5. 19th-Century Portraits Reveal Deep Maternal Bonds in Victorian Era

    📰 Original title: 35 Touching Mid-19th Century Portraits of Victorian Mothers and Children

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary en.killbait.com/19th-century-p

    #art #victorianart #historicalphotography #maternalbonds

  6. 19th-Century Portraits Reveal Deep Maternal Bonds in Victorian Era

    📰 Original title: 35 Touching Mid-19th Century Portraits of Victorian Mothers and Children

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary en.killbait.com/19th-century-p

    #art #victorianart #historicalphotography #maternalbonds

  7. 19th-Century Portraits Reveal Deep Maternal Bonds in Victorian Era

    📰 Original title: 35 Touching Mid-19th Century Portraits of Victorian Mothers and Children

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary en.killbait.com/19th-century-p

    #art #victorianart #historicalphotography #maternalbonds

  8. 19th-Century Portraits Reveal Deep Maternal Bonds in Victorian Era

    📰 Original title: 35 Touching Mid-19th Century Portraits of Victorian Mothers and Children

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary en.killbait.com/19th-century-p

    #art #victorianart #historicalphotography #maternalbonds

  9. The Victorian Hieronymus Bosch | The Spectator Australia

    No one paints fairyland like Richard Dadd (1817-86). In ‘The Fairy Feller’s Master-Stroke’, 1855-64, he reveals a teeming…
    #Germany #DE #Europe #EU #Europa #Bosch #asylums #Exhibitions #outsiderart #RobertBosch #Royalacademy #Victorianart
    europesays.com/germany/59758/

  10. "Fresh from the Greenhouse," Jessica Hayllar, 1885.

    Hayllar (1858-1940) was the daughter of British painter James Hayllar, who educated Jessica and her sisters Edith, Mary, and Kate in art. All of them became artists but Jessica was the busiest.

    Hayllar was detail-oriented and realistic in her work, similar to her father, but she is less stiffly academic and less sentimental than him; in fact, her father's work is not well-regarded these days, and her work is viewed as superior.

    She often did scenes of everyday life, often featuring multiple open doors in an unusual use of space for the time. She also did a few paintings of her sisters at work; in fact, they're often credited with shifting ideas of art as a woman's hobby and instead a woman's profession.

    A carriage accident left her wheelchair bound after 1900, but she continued to work, and she led a full and productive life.

    Happy Flower Friday!

    From a private collection.

    #Art #JessicaHayllar #Realism #WomenArtists #Herstory #VictorianArt #FlowerFriday

  11. "Fresh from the Greenhouse," Jessica Hayllar, 1885.

    Hayllar (1858-1940) was the daughter of British painter James Hayllar, who educated Jessica and her sisters Edith, Mary, and Kate in art. All of them became artists but Jessica was the busiest.

    Hayllar was detail-oriented and realistic in her work, similar to her father, but she is less stiffly academic and less sentimental than him; in fact, her father's work is not well-regarded these days, and her work is viewed as superior.

    She often did scenes of everyday life, often featuring multiple open doors in an unusual use of space for the time. She also did a few paintings of her sisters at work; in fact, they're often credited with shifting ideas of art as a woman's hobby and instead a woman's profession.

    A carriage accident left her wheelchair bound after 1900, but she continued to work, and she led a full and productive life.

    Happy Flower Friday!

    From a private collection.

    #Art #JessicaHayllar #Realism #WomenArtists #Herstory #VictorianArt #FlowerFriday

  12. "Fresh from the Greenhouse," Jessica Hayllar, 1885.

    Hayllar (1858-1940) was the daughter of British painter James Hayllar, who educated Jessica and her sisters Edith, Mary, and Kate in art. All of them became artists but Jessica was the busiest.

    Hayllar was detail-oriented and realistic in her work, similar to her father, but she is less stiffly academic and less sentimental than him; in fact, her father's work is not well-regarded these days, and her work is viewed as superior.

    She often did scenes of everyday life, often featuring multiple open doors in an unusual use of space for the time. She also did a few paintings of her sisters at work; in fact, they're often credited with shifting ideas of art as a woman's hobby and instead a woman's profession.

    A carriage accident left her wheelchair bound after 1900, but she continued to work, and she led a full and productive life.

    Happy Flower Friday!

    From a private collection.

    #Art #JessicaHayllar #Realism #WomenArtists #Herstory #VictorianArt #FlowerFriday

  13. "Fresh from the Greenhouse," Jessica Hayllar, 1885.

    Hayllar (1858-1940) was the daughter of British painter James Hayllar, who educated Jessica and her sisters Edith, Mary, and Kate in art. All of them became artists but Jessica was the busiest.

    Hayllar was detail-oriented and realistic in her work, similar to her father, but she is less stiffly academic and less sentimental than him; in fact, her father's work is not well-regarded these days, and her work is viewed as superior.

    She often did scenes of everyday life, often featuring multiple open doors in an unusual use of space for the time. She also did a few paintings of her sisters at work; in fact, they're often credited with shifting ideas of art as a woman's hobby and instead a woman's profession.

    A carriage accident left her wheelchair bound after 1900, but she continued to work, and she led a full and productive life.

    Happy Flower Friday!

    From a private collection.

    #Art #JessicaHayllar #Realism #WomenArtists #Herstory #VictorianArt #FlowerFriday

  14. "Fresh from the Greenhouse," Jessica Hayllar, 1885.

    Hayllar (1858-1940) was the daughter of British painter James Hayllar, who educated Jessica and her sisters Edith, Mary, and Kate in art. All of them became artists but Jessica was the busiest.

    Hayllar was detail-oriented and realistic in her work, similar to her father, but she is less stiffly academic and less sentimental than him; in fact, her father's work is not well-regarded these days, and her work is viewed as superior.

    She often did scenes of everyday life, often featuring multiple open doors in an unusual use of space for the time. She also did a few paintings of her sisters at work; in fact, they're often credited with shifting ideas of art as a woman's hobby and instead a woman's profession.

    A carriage accident left her wheelchair bound after 1900, but she continued to work, and she led a full and productive life.

    Happy Flower Friday!

    From a private collection.

    #Art #JessicaHayllar #Realism #WomenArtists #Herstory #VictorianArt #FlowerFriday

  15. Victorian Painter Richard Ansdell Remembered for His Animal and Highland Scenes

    📰 Original title: Richard Ansdell: A Master of Victorian Animal and Sporting Art

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary: en.killbait.com/victorian-pain

    #culture #victorianart #richardansdell #animalpainting

  16. Victorian Painter Richard Ansdell Remembered for His Animal and Highland Scenes

    📰 Original title: Richard Ansdell: A Master of Victorian Animal and Sporting Art

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary: en.killbait.com/victorian-pain

    #culture #victorianart #richardansdell #animalpainting

  17. Victorian Painter Richard Ansdell Remembered for His Animal and Highland Scenes

    📰 Original title: Richard Ansdell: A Master of Victorian Animal and Sporting Art

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary: en.killbait.com/victorian-pain

    #culture #victorianart #richardansdell #animalpainting

  18. Victorian Painter Richard Ansdell Remembered for His Animal and Highland Scenes

    📰 Original title: Richard Ansdell: A Master of Victorian Animal and Sporting Art

    🤖 IA: It's not clickbait ✅
    👥 Users: It's not clickbait ✅

    View full AI summary: en.killbait.com/victorian-pain

    #culture #victorianart #richardansdell #animalpainting

  19. fromoldbooks.org/ModerneKunst-

    I fell in love with these huge (A3-size) books in Prague. I’ve seen the cover design described as pretentious (like me) but the full-page engravings are really fabulous.

    The book only just fits on the scanner i use, with a few mm (eighth of an inch) to spare.

    #bookCover #vintageArt #fobo #GIMP #victorianArt

  20. fromoldbooks.org/ModerneKunst-

    I fell in love with these huge (A3-size) books in Prague. I’ve seen the cover design described as pretentious (like me) but the full-page engravings are really fabulous.

    The book only just fits on the scanner i use, with a few mm (eighth of an inch) to spare.

    #bookCover #vintageArt #fobo #GIMP #victorianArt

  21. fromoldbooks.org/ModerneKunst-

    I fell in love with these huge (A3-size) books in Prague. I’ve seen the cover design described as pretentious (like me) but the full-page engravings are really fabulous.

    The book only just fits on the scanner i use, with a few mm (eighth of an inch) to spare.

    #bookCover #vintageArt #fobo #GIMP #victorianArt

  22. fromoldbooks.org/ModerneKunst-

    I fell in love with these huge (A3-size) books in Prague. I’ve seen the cover design described as pretentious (like me) but the full-page engravings are really fabulous.

    The book only just fits on the scanner i use, with a few mm (eighth of an inch) to spare.

    #bookCover #vintageArt #fobo #GIMP #victorianArt

  23. fromoldbooks.org/ModerneKunst-

    I fell in love with these huge (A3-size) books in Prague. I’ve seen the cover design described as pretentious (like me) but the full-page engravings are really fabulous.

    The book only just fits on the scanner i use, with a few mm (eighth of an inch) to spare.

    #bookCover #vintageArt #fobo #GIMP #victorianArt

  24. fromoldbooks.org/r/5H/pages/84

    Picture: Thomas Morten (1836‒1866) (yes, died at 30) engraved by Dalziel brothers, to accompany a poem, An Orphan’s Family Christmas, by Gerald Massey. See link for poem

    They were so poor they had no turnspit (clockwork meat spit)! it was a major part of the industrial revolution.

    The Dalziel studio also engraved the Alice in Wonderland pics

    #fobo #vintageArt #victorianArt #vintageEngraving #christmas #xmas #poverty #goodWordsMagazine #Dalziel #GIMP #Gimp_3 #GIMP3

  25. fromoldbooks.org/r/5H/pages/84

    Picture: Thomas Morten (1836‒1866) (yes, died at 30) engraved by Dalziel brothers, to accompany a poem, An Orphan’s Family Christmas, by Gerald Massey. See link for poem

    They were so poor they had no turnspit (clockwork meat spit)! it was a major part of the industrial revolution.

    The Dalziel studio also engraved the Alice in Wonderland pics

    #fobo #vintageArt #victorianArt #vintageEngraving #christmas #xmas #poverty #goodWordsMagazine #Dalziel #GIMP #Gimp_3 #GIMP3

  26. fromoldbooks.org/r/5H/pages/84

    Picture: Thomas Morten (1836‒1866) (yes, died at 30) engraved by Dalziel brothers, to accompany a poem, An Orphan’s Family Christmas, by Gerald Massey. See link for poem

    They were so poor they had no turnspit (clockwork meat spit)! it was a major part of the industrial revolution.

    The Dalziel studio also engraved the Alice in Wonderland pics

    #fobo #vintageArt #victorianArt #vintageEngraving #christmas #xmas #poverty #goodWordsMagazine #Dalziel #GIMP #Gimp_3 #GIMP3

  27. fromoldbooks.org/r/5H/pages/84

    Picture: Thomas Morten (1836‒1866) (yes, died at 30) engraved by Dalziel brothers, to accompany a poem, An Orphan’s Family Christmas, by Gerald Massey. See link for poem

    They were so poor they had no turnspit (clockwork meat spit)! it was a major part of the industrial revolution.

    The Dalziel studio also engraved the Alice in Wonderland pics

    #fobo #vintageArt #victorianArt #vintageEngraving #christmas #xmas #poverty #goodWordsMagazine #Dalziel #GIMP #Gimp_3 #GIMP3

  28. fromoldbooks.org/r/5H/pages/84

    Picture: Thomas Morten (1836‒1866) (yes, died at 30) engraved by Dalziel brothers, to accompany a poem, An Orphan’s Family Christmas, by Gerald Massey. See link for poem

    They were so poor they had no turnspit (clockwork meat spit)! it was a major part of the industrial revolution.

    The Dalziel studio also engraved the Alice in Wonderland pics

    #fobo #vintageArt #victorianArt #vintageEngraving #christmas #xmas #poverty #goodWordsMagazine #Dalziel #GIMP #Gimp_3 #GIMP3

  29. A curly-haired Italian boy comforts his younger sister, “Don’t Cry” in this French painting from 1878.

    The engraving was made by Paul Adolphe Rajon, himself a painter and printmaker, after the oil painting by Léon Bonnat.

    #portrait #children #poverty #grief #sad #costumes #fobo #victorianArt

    fromoldbooks.org/Cassell-Magaz

  30. A curly-haired Italian boy comforts his younger sister, “Don’t Cry” in this French painting from 1878.

    The engraving was made by Paul Adolphe Rajon, himself a painter and printmaker, after the oil painting by Léon Bonnat.

    #portrait #children #poverty #grief #sad #costumes #fobo #victorianArt

    fromoldbooks.org/Cassell-Magaz

  31. A curly-haired Italian boy comforts his younger sister, “Don’t Cry” in this French painting from 1878.

    The engraving was made by Paul Adolphe Rajon, himself a painter and printmaker, after the oil painting by Léon Bonnat.

    #portrait #children #poverty #grief #sad #costumes #fobo #victorianArt

    fromoldbooks.org/Cassell-Magaz

  32. A curly-haired Italian boy comforts his younger sister, “Don’t Cry” in this French painting from 1878.

    The engraving was made by Paul Adolphe Rajon, himself a painter and printmaker, after the oil painting by Léon Bonnat.

    #portrait #children #poverty #grief #sad #costumes #fobo #victorianArt

    fromoldbooks.org/Cassell-Magaz

  33. A curly-haired Italian boy comforts his younger sister, “Don’t Cry” in this French painting from 1878.

    The engraving was made by Paul Adolphe Rajon, himself a painter and printmaker, after the oil painting by Léon Bonnat.

    #portrait #children #poverty #grief #sad #costumes #fobo #victorianArt

    fromoldbooks.org/Cassell-Magaz

  34. "Woman and Flowers," Lawrence Alma-Tadema, 1866.

    I've featured Alma-Tadema before, so I won't bother much with biography.

    He was a huge fan of Classical Greek art and stylings, and included them a lot in his artwork, even when depicting contemporary scenes.

    Here we have an obviously Victorian scene, with a sofa and all that but the table, and the woman's hair and clothing, all echo Classical Greece. It's quite a mingling of themes that works quite well. Also a rather sensual painting, in showing her obvious joy in smelling the flowers.

    Happy Flower Friday!

    #Art #LawrenceAlmaTadema #Neoclassicism #VictorianArt #FlowerFriday

  35. "Woman and Flowers," Lawrence Alma-Tadema, 1866.

    I've featured Alma-Tadema before, so I won't bother much with biography.

    He was a huge fan of Classical Greek art and stylings, and included them a lot in his artwork, even when depicting contemporary scenes.

    Here we have an obviously Victorian scene, with a sofa and all that but the table, and the woman's hair and clothing, all echo Classical Greece. It's quite a mingling of themes that works quite well. Also a rather sensual painting, in showing her obvious joy in smelling the flowers.

    Happy Flower Friday!

    #Art #LawrenceAlmaTadema #Neoclassicism #VictorianArt #FlowerFriday

  36. "Woman and Flowers," Lawrence Alma-Tadema, 1866.

    I've featured Alma-Tadema before, so I won't bother much with biography.

    He was a huge fan of Classical Greek art and stylings, and included them a lot in his artwork, even when depicting contemporary scenes.

    Here we have an obviously Victorian scene, with a sofa and all that but the table, and the woman's hair and clothing, all echo Classical Greece. It's quite a mingling of themes that works quite well. Also a rather sensual painting, in showing her obvious joy in smelling the flowers.

    Happy Flower Friday!

    #Art #LawrenceAlmaTadema #Neoclassicism #VictorianArt #FlowerFriday

  37. "Woman and Flowers," Lawrence Alma-Tadema, 1866.

    I've featured Alma-Tadema before, so I won't bother much with biography.

    He was a huge fan of Classical Greek art and stylings, and included them a lot in his artwork, even when depicting contemporary scenes.

    Here we have an obviously Victorian scene, with a sofa and all that but the table, and the woman's hair and clothing, all echo Classical Greece. It's quite a mingling of themes that works quite well. Also a rather sensual painting, in showing her obvious joy in smelling the flowers.

    Happy Flower Friday!

    #Art #LawrenceAlmaTadema #Neoclassicism #VictorianArt #FlowerFriday

  38. "Woman and Flowers," Lawrence Alma-Tadema, 1866.

    I've featured Alma-Tadema before, so I won't bother much with biography.

    He was a huge fan of Classical Greek art and stylings, and included them a lot in his artwork, even when depicting contemporary scenes.

    Here we have an obviously Victorian scene, with a sofa and all that but the table, and the woman's hair and clothing, all echo Classical Greece. It's quite a mingling of themes that works quite well. Also a rather sensual painting, in showing her obvious joy in smelling the flowers.

    Happy Flower Friday!

    #Art #LawrenceAlmaTadema #Neoclassicism #VictorianArt #FlowerFriday

  39. "Jilted," Briton Rivière, 1887.

    Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.

    In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.

    From the Philadelphia Museum of Art.

    #Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere

  40. "Jilted," Briton Rivière, 1887.

    Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.

    In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.

    From the Philadelphia Museum of Art.

    #Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere

  41. "Jilted," Briton Rivière, 1887.

    Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.

    In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.

    From the Philadelphia Museum of Art.

    #Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere

  42. "Jilted," Briton Rivière, 1887.

    Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.

    In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.

    From the Philadelphia Museum of Art.

    #Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere

  43. "Jilted," Briton Rivière, 1887.

    Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.

    In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.

    From the Philadelphia Museum of Art.

    #Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere