#viande — Public Fediverse posts on home.social

Angry Metal Guy @[email protected] · 2026-07-31 · 12:13 UTC

Viande – Monument aux morts Review By Thus Spoke

As I snatch their sophomore, Monument aux morts from the jaws of the dormant Shark, the irony of reviewing an act called Viande1 as a vegan is not lost on me. Fortunately, the meat they’re serving is of the metaphorical kind—brutal, nasty, chewy. After L’Abime dévore les âmes saw all souls eaten, a Monument to the dead comes in comiseration castigation for the misstep into that abyss. At first blush, Monument aux morts seems to follow also in its predecessor’s grimy doom-death-black stylistic tracks; but there’s more to the descent this time. Coming four years since Viande first crawled out of the earth, can it strike the death blow its predecessor narrowly missed?

Monument aux morts changes little about Viande’s culinary style, continuing to draw heavily from the Incantation school of death metal, though now with more prominent disorienting flourishes that vividly recall Thantifaxath (“Sacrifice Ardent,” “L’homme Brasier”). The atmospheric side leans closer to that of Praise the Plague—grand and menacing—on the slower end (“Linceul Immense,” “Une cage d’os”), and Ultha on the faster—vocals excepted—(“Germes de mort”). Together, these create a darker and more dissonant offering which in turn makes the omnipresent echo and whines of feedback that bleed tracks together feel even more smothering. Dense and heavy at fast as well as moderated tempos, Monument aux morts succeeds in creating a persistent aura of horror even as it wavers before the threshold of total envelopment.

Viande’s ability to unsettle has improved, thanks to deeper, more nuanced compositions. Guitars snake ominously and twist themselves into ever more gut-wrenching patterns (“Sacrifice ardent,” “Germes de mort,” “L’homme brasier”), whilst tremolos also slip more often into an eerie shiver (“Linceul immense”). The pervasive atmosphere uses reverb intelligently, without detracting from each song’s momentum, and often pulls in the horrifying sounds of screams (“Sacrifice ardent”) and strange synthetic whines (“L’esprit cachot”). Malevolent minor melody bleeds in as a short-lived, swaying foothold in the mire (“Une cage d’os”) of churning scales or feedback. Amidst the chaos, oddly compelling grooves take hold (“Linceul Immense,” “Cercueil de vase”). The culmination of these aspects is a consistently frightening texture, which peaks when it all combines to form thrilling, even darkly beautiful, shapes that step outside of a clear (sub-)genre boundary. At these times, Monument aux morts ceases to be merely a punishing, dirt-choked slab of blackened death-doom,2, but a consuming miasma of discordant scales and impossible drums (“Sacrifice ardent,” “L’homme brasier”), or a rippling, oddly mesmerising chasm driven deeper through layers of rhythm and almost-melody (“Monolithe de chagrin,” “L’esprit cachot”).

And yet, Monument aux morts fails to maintain the vice grip on the listener it periodically holds. This is partly down to production that’s fittingly crushing and filth-encrusted for the album’s brutal death leanings, but thereby flattens the more prominent atmospheric side. Aside from above-noted highlights, and the odd sharp turns into the unusual, the majority of Monument aux morts’ eight movements progress along the same lines. The shared components—lurching from resonant tremolos into gallops, retreats to minimalistic whining and half-present drums, recurrent sludgy stomping—are effective in themselves. The issue comes with their repetition across a runtime that approaches an hour, where overlapping song transitions cause things to blur still further into an indistinct mass.

Viande are getting closer to the masterwork of horror they suggest they’re capable of. Despite being longer, Monument aux morts holds a more commanding presence than their debut and the germs of dark brilliance have grown to larger aspects that are truly gripping when they take over. All that remains is for Viande to stitch them together and give them the richer master their depths deserve.

Rating: Good
DR: 63 | Format Reviewed: 320 kbps mp3
Label: Transcending Obscurity Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 31st, 2026

#2026 #30 #AtmosphericDeathMetal #BlackMetal #DeathMetal #DoomDeathMetal #DoomMetal #FrenchMetal #Incantation #Jul26 #MonumentAuxMorts #PraiseThePlague #Review #Reviews #Thantifaxath #TranscendingObscurityRecords #Ultha #Viande

#atmosphericdeathmetal #blackmetal #deathmetal #doomdeathmetal #doommetal #frenchmetal

Angry Metal Guy @[email protected] · 2026-07-31 · 12:13 UTC

Viande – Monument aux morts Review By Thus Spoke

As I snatch their sophomore, Monument aux morts from the jaws of the dormant Shark, the irony of reviewing an act called Viande1 as a vegan is not lost on me. Fortunately, the meat they’re serving is of the metaphorical kind—brutal, nasty, chewy. After L’Abime dévore les âmes saw all souls eaten, a Monument to the dead comes in comiseration castigation for the misstep into that abyss. At first blush, Monument aux morts seems to follow also in its predecessor’s grimy doom-death-black stylistic tracks; but there’s more to the descent this time. Coming four years since Viande first crawled out of the earth, can it strike the death blow its predecessor narrowly missed?

Monument aux morts changes little about Viande’s culinary style, continuing to draw heavily from the Incantation school of death metal, though now with more prominent disorienting flourishes that vividly recall Thantifaxath (“Sacrifice Ardent,” “L’homme Brasier”). The atmospheric side leans closer to that of Praise the Plague—grand and menacing—on the slower end (“Linceul Immense,” “Une cage d’os”), and Ultha on the faster—vocals excepted—(“Germes de mort”). Together, these create a darker and more dissonant offering which in turn makes the omnipresent echo and whines of feedback that bleed tracks together feel even more smothering. Dense and heavy at fast as well as moderated tempos, Monument aux morts succeeds in creating a persistent aura of horror even as it wavers before the threshold of total envelopment.

Viande’s ability to unsettle has improved, thanks to deeper, more nuanced compositions. Guitars snake ominously and twist themselves into ever more gut-wrenching patterns (“Sacrifice ardent,” “Germes de mort,” “L’homme brasier”), whilst tremolos also slip more often into an eerie shiver (“Linceul immense”). The pervasive atmosphere uses reverb intelligently, without detracting from each song’s momentum, and often pulls in the horrifying sounds of screams (“Sacrifice ardent”) and strange synthetic whines (“L’esprit cachot”). Malevolent minor melody bleeds in as a short-lived, swaying foothold in the mire (“Une cage d’os”) of churning scales or feedback. Amidst the chaos, oddly compelling grooves take hold (“Linceul Immense,” “Cercueil de vase”). The culmination of these aspects is a consistently frightening texture, which peaks when it all combines to form thrilling, even darkly beautiful, shapes that step outside of a clear (sub-)genre boundary. At these times, Monument aux morts ceases to be merely a punishing, dirt-choked slab of blackened death-doom,2, but a consuming miasma of discordant scales and impossible drums (“Sacrifice ardent,” “L’homme brasier”), or a rippling, oddly mesmerising chasm driven deeper through layers of rhythm and almost-melody (“Monolithe de chagrin,” “L’esprit cachot”).

And yet, Monument aux morts fails to maintain the vice grip on the listener it periodically holds. This is partly down to production that’s fittingly crushing and filth-encrusted for the album’s brutal death leanings, but thereby flattens the more prominent atmospheric side. Aside from above-noted highlights, and the odd sharp turns into the unusual, the majority of Monument aux morts’ eight movements progress along the same lines. The shared components—lurching from resonant tremolos into gallops, retreats to minimalistic whining and half-present drums, recurrent sludgy stomping—are effective in themselves. The issue comes with their repetition across a runtime that approaches an hour, where overlapping song transitions cause things to blur still further into an indistinct mass.

Viande are getting closer to the masterwork of horror they suggest they’re capable of. Despite being longer, Monument aux morts holds a more commanding presence than their debut and the germs of dark brilliance have grown to larger aspects that are truly gripping when they take over. All that remains is for Viande to stitch them together and give them the richer master their depths deserve.

Rating: Good
DR: 63 | Format Reviewed: 320 kbps mp3
Label: Transcending Obscurity Records
Websites: Bandcamp | Facebook
Releases Worldwide: July 31st, 2026

#2026 #30 #AtmosphericDeathMetal #BlackMetal #DeathMetal #DoomDeathMetal #DoomMetal #FrenchMetal #Incantation #Jul26 #MonumentAuxMorts #PraiseThePlague #Review #Reviews #Thantifaxath #TranscendingObscurityRecords #Ultha #Viande

#atmosphericdeathmetal #blackmetal #deathmetal #doomdeathmetal #doommetal #frenchmetal

El Pregoner del Metall @[email protected] · 2026-07-31 · 08:05 UTC

VIANDE (França) presenta nou àlbum: "Monument aux morts" #Viande #BlackMetal #DeathMetal #Juliol2026 #França #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#viande #blackmetal #noualbum #deathmetal #juliol2026 #franca

Bagolina @[email protected] · 2026-07-26 · 13:51 UTC

Pourquoi les #hommes mangent-ils plus de #viande que les femmes ?
https://theconversation.com/pourquoi-les-hommes-mangent-ils-plus-de-viande-que-les-femmes-285988
En France près de 9 % des femmes se déclaraient végétariennes en 2018, contre à peine 2 % des hommes, un écart qui reste marqué malgré la montée des préoccupations environnementales. Des différences similaires sont observées aux États‑Unis, en Australie ou en Allemagne
#vegetarian
#veganfood
#genre

#hommes #viande #vegetarian #veganfood #genre

Bagolina @[email protected] · 2026-07-26 · 13:51 UTC

Pourquoi les #hommes mangent-ils plus de #viande que les femmes ?
https://theconversation.com/pourquoi-les-hommes-mangent-ils-plus-de-viande-que-les-femmes-285988
En France près de 9 % des femmes se déclaraient végétariennes en 2018, contre à peine 2 % des hommes, un écart qui reste marqué malgré la montée des préoccupations environnementales. Des différences similaires sont observées aux États‑Unis, en Australie ou en Allemagne
#vegetarian
#veganfood
#genre

#hommes #viande #vegetarian #veganfood #genre

Mauvais Profil @[email protected] · 2026-07-23 · 07:21 UTC

"Si la mondialisation néolibérale est un cadre indépassable, alors nous ne sommes déjà plus en démocratie, puisque, quels que soient ceux qui seront élus, ils ne pourront mener que des politiques identiques à des nuances près."
Jacques Nikonoff

#servicepublic #intérêtgénéral #profit #inégalité #dissonancecognitive #viande #aimer #aimer❤️ #liberalisme #neoliberalisme #capitalisme #capitalocene #croissance #dessin #meme #dessincontemporain #dessinsatirique

#servicepublic #interetgeneral #profit #inegalite #dissonancecognitive #viande

RappelConso @[email protected] · 2026-07-22 · 14:49 UTC

#RappelProduit
merguez de volaille halal 50*100 gr - 5 kg - ozen et

Risques : salmonella spp (agent responsable de la salmonellose)

Motif : détection de salmonelle dans les produits
https://rappel.conso.gouv.fr/fiche-rappel/22931/interne