#vellum — Public Fediverse posts

Explore the top Python libraries for AI workflow automation in 2026, including n8n, Vellum AI, and Make. Learn how to integrate AI models, implement RAG, and build scalable, secure workflows for content creation, lead scoring, and data enrichment.

#n8n #Vellum AI #Make #AI workflow automation #RAG #LangChain #Python #AI agents #enterprise automation #AI integration

https://dasroot.net/posts/2026/02/top-python-libraries-ai-workflow-automation-2026/

Explore the top Python libraries for AI workflow automation in 2026, including n8n, Vellum AI, and Make. Learn how to integrate AI models, implement RAG, and build scalable, secure workflows for content creation, lead scoring, and data enrichment.

#n8n #Vellum AI #Make #AI workflow automation #RAG #LangChain #Python #AI agents #enterprise automation #AI integration

https://dasroot.net/posts/2026/02/top-python-libraries-ai-workflow-automation-2026/

Explore the top Python libraries for AI workflow automation in 2026, including n8n, Vellum AI, and Make. Learn how to integrate AI models, implement RAG, and build scalable, secure workflows for content creation, lead scoring, and data enrichment.

#n8n #Vellum AI #Make #AI workflow automation #RAG #LangChain #Python #AI agents #enterprise automation #AI integration

https://dasroot.net/posts/2026/02/top-python-libraries-ai-workflow-automation-2026/

Explore the top Python libraries for AI workflow automation in 2026, including n8n, Vellum AI, and Make. Learn how to integrate AI models, implement RAG, and build scalable, secure workflows for content creation, lead scoring, and data enrichment.

#n8n #Vellum AI #Make #AI workflow automation #RAG #LangChain #Python #AI agents #enterprise automation #AI integration

https://dasroot.net/posts/2026/02/top-python-libraries-ai-workflow-automation-2026/

Explore the top Python libraries for AI workflow automation in 2026, including n8n, Vellum AI, and Make. Learn how to integrate AI models, implement RAG, and build scalable, secure workflows for content creation, lead scoring, and data enrichment.

#n8n #Vellum AI #Make #AI workflow automation #RAG #LangChain #Python #AI agents #enterprise automation #AI integration

https://dasroot.net/posts/2026/02/top-python-libraries-ai-workflow-automation-2026/

Tonight (4/15/2026) I'm going to try to build something like these porcelain pieces by Linda Lopez: https://www.thisiscolossal.com/2023/01/linda-lopez-ceramic-dust-furries/. We'll try to take a look at both a procedural and simulated method.

Stream/Discord: houdinihangout.com

#houdini #vfx #vellum #motiondesign #art

Tonight (4/15/2026) I'm going to try to build something like these porcelain pieces by Linda Lopez: https://www.thisiscolossal.com/2023/01/linda-lopez-ceramic-dust-furries/. We'll try to take a look at both a procedural and simulated method.

Stream/Discord: houdinihangout.com

#houdini #vfx #vellum #motiondesign #art

Tonight (4/15/2026) I'm going to try to build something like these porcelain pieces by Linda Lopez: https://www.thisiscolossal.com/2023/01/linda-lopez-ceramic-dust-furries/. We'll try to take a look at both a procedural and simulated method.

Stream/Discord: houdinihangout.com

#houdini #vfx #vellum #motiondesign #art

Tonight (4/15/2026) I'm going to try to build something like these porcelain pieces by Linda Lopez: https://www.thisiscolossal.com/2023/01/linda-lopez-ceramic-dust-furries/. We'll try to take a look at both a procedural and simulated method.

Stream/Discord: houdinihangout.com

#houdini #vfx #vellum #motiondesign #art

Tonight (4/15/2026) I'm going to try to build something like these porcelain pieces by Linda Lopez: https://www.thisiscolossal.com/2023/01/linda-lopez-ceramic-dust-furries/. We'll try to take a look at both a procedural and simulated method.

Stream/Discord: houdinihangout.com

#houdini #vfx #vellum #motiondesign #art

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Mint Chocolate and Shadows

Chapter 5: The Alchemy of Shadows

The hidden drawer in the hearth of the Mint Chocolate House did not contain a simple map. That would have been too pedestrian for a mind as labyrinthine as Sir Alistair Finch’s. Instead, we found a collection of translucent vellum sheets, brittle with age, covered in what appeared to be nonsense: botanical sketches of deadly nightshade overlaying architectural diagrams of Speranza’s sewer system, and chemical formulas for synthetic diamonds written in the margins of a recipe for ganache.

“It is chaos,” Anna whispered, the steam from her earlier espresso seeming to have evaporated into the cold tension of the room. “Just scrawls and madness.”

“No,” I corrected, adjusting my glasses as Toe, my black cat, jumped onto the table and placed a paw precisely on a sketch of a Datura flower. “It is not madness. It is a transparency cipher. Marisa, bring the light.”

Marisa, pale but steady, brought a heavy kerosene lamp from the counter. When we held the vellum sheets up against the flame, layering them one over the other, the chaotic lines merged. The botanical sketches faded, and the architectural lines aligned to form a perfect, three-dimensional geometry of a specific object.

It was not a building. It was a humidifier. specifically, the grand, walk-in humidor at Altea’s Cigars House.

“The gear,” I murmured, pulling the brass cog we had found in the poisoned snuff box from my pocket. “It wasn’t a piece of the Raven’s Kiss dagger. It is a key for a different lock entirely.”

Suddenly, the scent of almonds—the cyanide trace from the box—hit me with a new, terrifying realization. I grabbed the snuff box and scraped a tiny amount of the crystalline powder onto the table. “Altea, do you have any lemon juice? Or vinegar?”

“I have a lime for the cocktails,” Altea replied, confused but handing me the fruit.

I squeezed a drop onto the white powder. It hissed violently, turning a vibrant, shocking violet.

“It’s not cyanide,” I breathed, my heart hammering a frantic rhythm against my ribs. “It’s a reactants-based dye, used in the 19th century to mark fools’ gold. The poison was a bluff. A distraction to keep us looking for a killer while the thief walked right past us.”

“The thief?” Anna asked.

“The man in the gray coat,” I said, the realization dawning like a cold sunrise. “He didn’t have a limp because he was injured. He walked with a heavy step because he was carrying something incredibly dense in his lining. He didn’t bring the box to threaten us. He brought it to trigger us. He needed us to find the notes. He needed us to solve the puzzle he couldn’t.”

A crash echoed from the street outside—the sound of breaking glass. It came from the direction of the Cigars House.

“He’s already there,” I said, blowing out the lamp. “And he’s waiting for us to bring him the gear.”

Chapter 6: The Smoke and the Mirrors

We moved through the back alleys of Speranza, avoiding the main cobblestone streets bathed in moonlight. Ashwaganda, usually a creature of kinetic chaos, moved low to the ground, a silent orange streak leading the way. The air grew heavier as we approached Altea’s shop, thick with the scent of unlit tobacco and aged cedar.

The front door of the Cigars House was ajar, the glass pane shattered. Inside, the shop was a cavern of shadows. The moonlight caught the drifting smoke—not from cigars, but from a small canister rolling on the floor, releasing a disorienting, white fog.

“Stay close,” I whispered to my friends. “He wants the gear. He won’t strike until he sees it.”

We pushed through the fog into the back room, where the massive walk-in humidor stood. It was a masterpiece of engineering, lined with Spanish cedar and temperature-controlled dials. Standing before it, silhouetted against the faint light of the streetlamps outside, was the figure in the gray coat.

He turned. The limp was gone. In his hand, he held a heavy, silenced pistol. But it wasn’t the courier we had interrogated at the Coffee Taverna. It was Inspector Salomone.

The shock was physical, a punch to the gut. The weary, cynical policeman who had dismissed my theories for years stood there with a cold, calculating smile.

“Dr. Hopes,” Salomone said, his voice stripped of its usual fatigue. “I knew you couldn’t resist a puzzle. You and your wretched cats are better than any hound.”

“The courier…” I started.

“A hired actor,” Salomone scoffed. “Paid to tremble and deliver a prop. I needed you to find the location. Sir Alistair’s notes were too encoded for a simple policeman, but for a doctor with a penchant for history? Child’s play.” He extended his hand. “The gear, Moira. Now.”

Altea stepped forward, her eyes blazing. “You monitored us? You betrayed the village?”

“I protected this village from boredom for twenty years,” Salomone snapped. “Do you know what is inside this humidor? It is not just cigars. Sir Alistair didn’t trust banks. He trusted climate control. The ‘Star of Speranza’ isn’t a diamond, Altea. It is a seed. The last viable seed of the Silphium plant, thought extinct since Roman times. Worth more than any diamond. A botanical miracle that could rewrite history—and make its owner a billionaire.”

He raised the gun. “The gear.”

I held up the small brass cog. My mind raced, flipping through the pages of Days of your Dreams. ‘When the enemy seeks the time, give him the bell, not the clapper.’

“Catch,” I said, and tossed the gear high into the air, towards the open door of the humidor.

Salomone’s greed was a reflex. He lunged for it, his eyes tracking the glint of brass. In that split second, Toe dropped from the top of the humidor shelves. He didn’t aim for the man. He aimed for the open canister of fog Salomone had kicked aside.

With a precise swat, the black cat sent the canister spinning between Salomone’s legs. The Inspector stumbled, his shot going wild, shattering a jar of Cuban Leafs.

Chapter 7: The Sweetest Trap

“Now!” I screamed.

Marisa, fueled by adrenaline, grabbed a heavy jar of rock candy from a display shelf and hurled it. It wasn’t a precise throw, but it was effective. The jar smashed against the humidity controls, releasing a pressurized blast of water vapor designed to keep the cigars moist.

The room instantly turned into a blinding white cloud. Salomone roared, firing blindly into the mist.

“The floor!” Anna shouted, pulling a lever near the counter. It was the trapdoor to the cellar, usually used for coal deliveries.

Salomone, disoriented and blinded by the steam and fog, took a step back to steady his aim. His heel caught on the edge of the open trapdoor. There was no scream, just a surprised grunt and the heavy thud of a body hitting the coal pile twelve feet below.

Altea slammed the trapdoor shut and threw the iron bolt.

Silence returned to the Cigars House, save for the hissing of the broken humidifier.

I leaned against the counter, shaking. Ashwaganda trotted over to the brass gear, which had landed safely on a velvet chair, and sat on it, purring loudly.

“Silphium,” Altea whispered, looking at the locked humidor. “He was willing to kill for a plant?”

“For the history,” I corrected, picking up the gear. “And for the power of being the one to bring it back.”

I walked to the humidor. The brass gear didn’t fit into the keyhole. It fit into a small, decorative ventilation grate near the floor—a cat-sized opening. I placed the gear onto a hidden spindle and turned it.

The floor of the humidor didn’t open. Instead, a small panel inside the wall slid back. There was no seed. There was no diamond.

Inside sat a single, dust-covered bottle of wine, labelled simply: Speranza, Year Zero.

Next to it was a final note from Sir Alistair:

“The Silphium was a myth I invented to test the greedy. The true treasure is the soil of this village, which grows friendship deeper than any root. Enjoy the vintage, ladies. It is the only one in existence.”

I looked at my friends—Altea, Anna, Marisa—covered in soot, steam, and chocolate dust.

“A myth?” Salomone’s muffled voice shouted from the cellar. “You mean I broke my leg for a metaphor?!”

I smiled, picking up the bottle. “It seems,” I said, channeling the finality of Hitchcock’s closing shots, “that the Inspector fell for the oldest trick in the book. Never trust a treasure map written by a man who loved stories more than gold.”

We left Salomone in the cellar for the real police to find. The night air was crisp, and as we walked back towards the Coffee Taverna to finally open the bottle, the stars above Speranza seemed to wink. Or perhaps it was just the reflection in the golden eyes of the cats, who knew all along that the best twists are the ones you never see coming.

Khi đồng nghiệp không lập trình hỏi mình làm AI cho công việc, mình thường giới thiệu các nền tảng sau để họ tự xây dựng: Gumloop (dễ dùng, phù hợp workflow đơn giản), Lindy AI (tốt cho trợ lý tự động), Stack AI (hướng doanh nghiệp, bảo mật tốt), Vellum (xử lý tác vụ phức tạp, trực quan), Retool (nếu đã dùng cho công cụ nội bộ). Hầu hết có bản miễn phí, thử nghiệm dễ dàng. Tự động hóa hiệu quả mà không cần依賴 dev! #AISaaS #NoCodeAI #Gumloop #LindyAI #StackAI #Vellum #Retool #TựĐộngHóa #CôngCụAI #

Tonight (1/28/2026 at 6pm EST), with the series ending over the holidays, we're building a #StrangerThings inspired portal. We'll use #Vellum to animate it breaking apart and healing. This will probably be a multiple week project, but we'll see how far we get.

#houdini #vfx

#Vellum is running a sale - 30% off for the next 38 hours.
https://vellum.pub/

#IndieAuthors

Tonight (9/10/2025 at 6pm EDT) we're going to try to connect a #Copernicus Flow sim to a #Vellum sim. We'll use the velocity from one to drive the other. Hope to see you there!

For more stream info and Discord link: houdinihangout.com

#sidefx #houdini #motiondesign #vfx

Tonight (9/10/2025 at 6pm EDT) we're going to try to connect a #Copernicus Flow sim to a #Vellum sim. We'll use the velocity from one to drive the other. Hope to see you there!

For more stream info and Discord link: houdinihangout.com

#sidefx #houdini #motiondesign #vfx

Tonight (9/10/2025 at 6pm EDT) we're going to try to connect a #Copernicus Flow sim to a #Vellum sim. We'll use the velocity from one to drive the other. Hope to see you there!

For more stream info and Discord link: houdinihangout.com

#sidefx #houdini #motiondesign #vfx

Tonight (9/10/2025 at 6pm EDT) we're going to try to connect a #Copernicus Flow sim to a #Vellum sim. We'll use the velocity from one to drive the other. Hope to see you there!

For more stream info and Discord link: houdinihangout.com

#sidefx #houdini #motiondesign #vfx

Tonight (9/10/2025 at 6pm EDT) we're going to try to connect a #Copernicus Flow sim to a #Vellum sim. We'll use the velocity from one to drive the other. Hope to see you there!

For more stream info and Discord link: houdinihangout.com

#sidefx #houdini #motiondesign #vfx

Don't you know the Dewey Decimal system? This week is Vellum: the third-person literary hack-and-slash roguelite with more puns to shake a Mont Blanc at!

Come for the wild gameplay decisions, stay for the increasingly unhinged references to Finnegan's Wake.

https://grogpod.zone/2025-07-02-vellum/

#Vellum #roguelike #podcast #gaming #steam #steamdeck #indiedev #indiegame #books

Tonight (6/11/2025 at 6pm EDT), we're going to create something inspired by this ad from @TactycStudio: https://youtu.be/ULgOsnNxexI?si=onakgsJkgoZW00Gf&t=6

There's a cool melting effect that we'll try to use Vellum Grains and MPM on. Hope to see you then!

#houdini #sidefx #mpm #vellum #motiondesign

Indie Showcase For 3/23/25
https://www.youtube.com/embed/3j5zwDaruWk

The weekly indie showcases show off the many games we check out on the channel and I'm (Josh Bycer) always looking for submitted games to try.

00:00 Intro00:14 Sentry2:33 The Last Humblebee3:57 Vellum6:39 Ufouria The Saga 28
https://setsideb.com/indie-showcase-for-3-23-25/
#indiedevshowcase #indies #indie #indiegameshowcase #Lakeside #Sentry #TheLastHumblebee #ufouria #UfouriaTheSage2 #Vellum #YellowTaxiGoesVroom

Indie Showcase For 3/23/25
https://www.youtube.com/embed/3j5zwDaruWk

The weekly indie showcases show off the many games we check out on the channel and I'm (Josh Bycer) always looking for submitted games to try.

00:00 Intro00:14 Sentry2:33 The Last Humblebee3:57 Vellum6:39 Ufouria The Saga 28
https://setsideb.com/indie-showcase-for-3-23-25/
#indiedevshowcase #indies #indie #indiegameshowcase #Lakeside #Sentry #TheLastHumblebee #ufouria #UfouriaTheSage2 #Vellum #YellowTaxiGoesVroom

Indie Showcase For 3/23/25
https://www.youtube.com/embed/3j5zwDaruWk

The weekly indie showcases show off the many games we check out on the channel and I'm (Josh Bycer) always looking for submitted games to try.

00:00 Intro00:14 Sentry2:33 The Last Humblebee3:57 Vellum6:39 Ufouria The Saga 28
https://setsideb.com/indie-showcase-for-3-23-25/
#indiedevshowcase #indies #indie #indiegameshowcase #Lakeside #Sentry #TheLastHumblebee #ufouria #UfouriaTheSage2 #Vellum #YellowTaxiGoesVroom

Indie Showcase For 3/23/25
https://www.youtube.com/embed/3j5zwDaruWk

The weekly indie showcases show off the many games we check out on the channel and I'm (Josh Bycer) always looking for submitted games to try.

00:00 Intro00:14 Sentry2:33 The Last Humblebee3:57 Vellum6:39 Ufouria The Saga 28
https://setsideb.com/indie-showcase-for-3-23-25/
#indiedevshowcase #indies #indie #indiegameshowcase #Lakeside #Sentry #TheLastHumblebee #ufouria #UfouriaTheSage2 #Vellum #YellowTaxiGoesVroom

Indie Showcase For 3/23/25
https://www.youtube.com/embed/3j5zwDaruWk

The weekly indie showcases show off the many games we check out on the channel and I'm (Josh Bycer) always looking for submitted games to try.

00:00 Intro00:14 Sentry2:33 The Last Humblebee3:57 Vellum6:39 Ufouria The Saga 28
https://setsideb.com/indie-showcase-for-3-23-25/
#indiedevshowcase #indies #indie #indiegameshowcase #Lakeside #Sentry #TheLastHumblebee #ufouria #UfouriaTheSage2 #Vellum #YellowTaxiGoesVroom

Okay, neuer #Impressumsservice, einmal alle #Bücher neu machen. Also die Innenteile neu hochladen, damit das aktuelle Impressum drin steht. Na gut. Verstehe ich. Aber wenn ich aus #Vellum eine Druck-Datei in 14,8x21,00 rauskriege und die Plattform 14,8x21,00 haben will, warum zum Teufel wirft sie mir dann einen Fehler, dass sie 14,8x21,00 erwartet????? ... *fluch* ... Ich will nicht mehr. ... Ich will nen Kakao. Menno. #Autorenleben #writerslife #indieauthor

Okay, neuer #Impressumsservice, einmal alle #Bücher neu machen. Also die Innenteile neu hochladen, damit das aktuelle Impressum drin steht. Na gut. Verstehe ich. Aber wenn ich aus #Vellum eine Druck-Datei in 14,8x21,00 rauskriege und die Plattform 14,8x21,00 haben will, warum zum Teufel wirft sie mir dann einen Fehler, dass sie 14,8x21,00 erwartet????? ... *fluch* ... Ich will nicht mehr. ... Ich will nen Kakao. Menno. #Autorenleben #writerslife #indieauthor

Okay, neuer #Impressumsservice, einmal alle #Bücher neu machen. Also die Innenteile neu hochladen, damit das aktuelle Impressum drin steht. Na gut. Verstehe ich. Aber wenn ich aus #Vellum eine Druck-Datei in 14,8x21,00 rauskriege und die Plattform 14,8x21,00 haben will, warum zum Teufel wirft sie mir dann einen Fehler, dass sie 14,8x21,00 erwartet????? ... *fluch* ... Ich will nicht mehr. ... Ich will nen Kakao. Menno. #Autorenleben #writerslife #indieauthor

Okay, neuer #Impressumsservice, einmal alle #Bücher neu machen. Also die Innenteile neu hochladen, damit das aktuelle Impressum drin steht. Na gut. Verstehe ich. Aber wenn ich aus #Vellum eine Druck-Datei in 14,8x21,00 rauskriege und die Plattform 14,8x21,00 haben will, warum zum Teufel wirft sie mir dann einen Fehler, dass sie 14,8x21,00 erwartet????? ... *fluch* ... Ich will nicht mehr. ... Ich will nen Kakao. Menno. #Autorenleben #writerslife #indieauthor

Okay, neuer #Impressumsservice, einmal alle #Bücher neu machen. Also die Innenteile neu hochladen, damit das aktuelle Impressum drin steht. Na gut. Verstehe ich. Aber wenn ich aus #Vellum eine Druck-Datei in 14,8x21,00 rauskriege und die Plattform 14,8x21,00 haben will, warum zum Teufel wirft sie mir dann einen Fehler, dass sie 14,8x21,00 erwartet????? ... *fluch* ... Ich will nicht mehr. ... Ich will nen Kakao. Menno. #Autorenleben #writerslife #indieauthor

@WeavingWithAI Beautiful minimal surfaces & tensile structures! Now how to teach Midjourney to turn this into actual geometry?! 😉

As a general observation, to me it's this lack of concrete underlying geometric/computational/structural models (of the objects & material behaviors represented here as mere pixels) what still keeps me more interested in non-GAN/non-LLM approaches to generative art/design, e.g. using physics sims like below... IMHO these can (still?) serve as more practical/feasible ways to explore the design space with more detailed control over expected (real) behaviors/outcomes and as stepping stones to realizing some of these ideas physically... OTOH your example proves how powerful this is for early ideation phases (or if none of the above matters)... 👍

#Houdini #Vellum #PhysicsSim #SoftbodyPhysics #MinimalSurface

Tonight we'll be finishing up our #Vellum Chats by talking about the most recent updates to Vellum Shape Match (pseudo-rigids). Join us tonight at 8pm ET!

More info at https://www.HoudiniHangout.com

#sidefx #houdini #houdinifx #vfx #motiondesign #motionGraphics

@terryflynn I love#linux and first used it in 1993 at Keele. I ran Slackware on 8MB (yes,mega) of RAM on my home PC and used it to send print jobs to Unix servers at the University (among other things) back when we could ‘finger’ eachother and send out a ‘gopher’.
Unfortunately, as a publishing author, I had to move to #macos to run the tools I need ( #scrivener , #Scapple , #Vellum , editing software, etc.) but I do miss those early days when we were beta testing the WWW.

#AuthorCommunity friends! I’m formatting my Mac and I have a tech question.

If I save out my Scrivener files and Vellum files and import them later as Scrivener (.scriv) and Vellum files (.vellum), they should still function when I reimport them, right?

I’m not going to get some weird error or something… right?

#scrivener #vellum #AuthorCommunity #AuthorsOfBookstodon #Writerverse #WritingCommunity #Writing

#AuthorCommunity friends! I’m formatting my Mac and I have a tech question.

If I save out my Scrivener files and Vellum files and import them later as Scrivener (.scriv) and Vellum files (.vellum), they should still function when I reimport them, right?

I’m not going to get some weird error or something… right?

#scrivener #vellum #AuthorCommunity #AuthorsOfBookstodon #Writerverse #WritingCommunity #Writing

I am going to buy Vellum during their sale this week.

I need to practice using Vellum.

Drafting and self-pubbing a holiday ebook is a good way to do this, right?

Anyone want to give me a prompt for an original queer holiday story? Fluff and at most a light-R rating probably preferred. Any prompt I write will likely be self-published, gifted to the prompter, and to my patrons on Patreon.

#Writing #AmWriting #Vellum #IndyWriter #SelfPublishing #HolidayFiction #QueerFiction

I am going to buy Vellum during their sale this week.

I need to practice using Vellum.

Drafting and self-pubbing a holiday ebook is a good way to do this, right?

Anyone want to give me a prompt for an original queer holiday story? Fluff and at most a light-R rating probably preferred. Any prompt I write will likely be self-published, gifted to the prompter, and to my patrons on Patreon.

#Writing #AmWriting #Vellum #IndyWriter #SelfPublishing #HolidayFiction #QueerFiction

I am going to buy Vellum during their sale this week.

I need to practice using Vellum.

Drafting and self-pubbing a holiday ebook is a good way to do this, right?

Anyone want to give me a prompt for an original queer holiday story? Fluff and at most a light-R rating probably preferred. Any prompt I write will likely be self-published, gifted to the prompter, and to my patrons on Patreon.

#Writing #AmWriting #Vellum #IndyWriter #SelfPublishing #HolidayFiction #QueerFiction

I am going to buy Vellum during their sale this week.

I need to practice using Vellum.

Drafting and self-pubbing a holiday ebook is a good way to do this, right?

Anyone want to give me a prompt for an original queer holiday story? Fluff and at most a light-R rating probably preferred. Any prompt I write will likely be self-published, gifted to the prompter, and to my patrons on Patreon.

#Writing #AmWriting #Vellum #IndyWriter #SelfPublishing #HolidayFiction #QueerFiction

I am going to buy Vellum during their sale this week.

I need to practice using Vellum.

Drafting and self-pubbing a holiday ebook is a good way to do this, right?

Anyone want to give me a prompt for an original queer holiday story? Fluff and at most a light-R rating probably preferred. Any prompt I write will likely be self-published, gifted to the prompter, and to my patrons on Patreon.

#Writing #AmWriting #Vellum #IndyWriter #SelfPublishing #HolidayFiction #QueerFiction