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#vandyck — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #vandyck, aggregated by home.social.

  1. Van Dyck was born in Antwerp on this date in 1599, the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. 10 Van Dyck facts.

    topicaltens.blogspot.com/2026/

    #BirthAnniversary #VanDyck #Art #Artists

  2. Van Dyck was born in Antwerp on this date in 1599, the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. 10 Van Dyck facts.

    topicaltens.blogspot.com/2026/

    #BirthAnniversary #VanDyck #Art #Artists

  3. Van Dyck was born in Antwerp on this date in 1599, the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. 10 Van Dyck facts.

    topicaltens.blogspot.com/2026/

    #BirthAnniversary #VanDyck #Art #Artists

  4. Van Dyck was born in Antwerp on this date in 1599, the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. 10 Van Dyck facts.

    topicaltens.blogspot.com/2026/

    #BirthAnniversary #VanDyck #Art #Artists

  5. Van Dyck was born in Antwerp on this date in 1599, the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. 10 Van Dyck facts.

    topicaltens.blogspot.com/2026/

    #BirthAnniversary #VanDyck #Art #Artists

  6. Sir Anthony van Dyck

    Wife of an Aristocratic Genoese
    1624-26
    Oil on canvas, 200 x 116 cm
    Staatliche Museen, Berlin

    #Art #Portrait #17thCenturyArt #VanDyck #Genoa

  7. Sir Anthony van Dyck

    Wife of an Aristocratic Genoese
    1624-26
    Oil on canvas, 200 x 116 cm
    Staatliche Museen, Berlin

    #Art #Portrait #17thCenturyArt #VanDyck #Genoa

  8. Sir Anthony van Dyck

    Wife of an Aristocratic Genoese
    1624-26
    Oil on canvas, 200 x 116 cm
    Staatliche Museen, Berlin

    #Art #Portrait #17thCenturyArt #VanDyck #Genoa

  9. Sir Anthony van Dyck

    Wife of an Aristocratic Genoese
    1624-26
    Oil on canvas, 200 x 116 cm
    Staatliche Museen, Berlin

    #Art #Portrait #17thCenturyArt #VanDyck #Genoa

  10. Sir Anthony van Dyck

    Wife of an Aristocratic Genoese
    1624-26
    Oil on canvas, 200 x 116 cm
    Staatliche Museen, Berlin

    #Art #Portrait #17thCenturyArt #VanDyck #Genoa

  11. I love van Dyck drapery, so I would very much like to see the actual painting.

    Anthony van Dyck (Flemish, 1599 - 1641) Portrait of Agostino Pallavicini, about 1621 Oil on canvas Unframed: 217.5 × 142.2 cm (85 5/8 × 56 in.), Framed [Outer Dim]: 265.4 × 185.4 × 11.4 cm (104 1/2 × 73 × 4 1/2 in.) The J. Paul Getty Museum, Los Angeles, 68.PA.2

    #Art #Painting #VanDyck #Baroque #Portrait #AgostinoPallavicini #17thCentury #EarlyModern #FlemishArt #Genoa #JPaulGettyMuseum

  12. I love van Dyck drapery, so I would very much like to see the actual painting.

    Anthony van Dyck (Flemish, 1599 - 1641) Portrait of Agostino Pallavicini, about 1621 Oil on canvas Unframed: 217.5 × 142.2 cm (85 5/8 × 56 in.), Framed [Outer Dim]: 265.4 × 185.4 × 11.4 cm (104 1/2 × 73 × 4 1/2 in.) The J. Paul Getty Museum, Los Angeles, 68.PA.2

    #Art #Painting #VanDyck #Baroque #Portrait #AgostinoPallavicini #17thCentury #EarlyModern #FlemishArt #Genoa #JPaulGettyMuseum

  13. I love van Dyck drapery, so I would very much like to see the actual painting.

    Anthony van Dyck (Flemish, 1599 - 1641) Portrait of Agostino Pallavicini, about 1621 Oil on canvas Unframed: 217.5 × 142.2 cm (85 5/8 × 56 in.), Framed [Outer Dim]: 265.4 × 185.4 × 11.4 cm (104 1/2 × 73 × 4 1/2 in.) The J. Paul Getty Museum, Los Angeles, 68.PA.2

    #Art #Painting #VanDyck #Baroque #Portrait #AgostinoPallavicini #17thCentury #EarlyModern #FlemishArt #Genoa #JPaulGettyMuseum

  14. I love van Dyck drapery, so I would very much like to see the actual painting.

    Anthony van Dyck (Flemish, 1599 - 1641) Portrait of Agostino Pallavicini, about 1621 Oil on canvas Unframed: 217.5 × 142.2 cm (85 5/8 × 56 in.), Framed [Outer Dim]: 265.4 × 185.4 × 11.4 cm (104 1/2 × 73 × 4 1/2 in.) The J. Paul Getty Museum, Los Angeles, 68.PA.2

    #Art #Painting #VanDyck #Baroque #Portrait #AgostinoPallavicini #17thCentury #EarlyModern #FlemishArt #Genoa #JPaulGettyMuseum

  15. I love van Dyck drapery, so I would very much like to see the actual painting.

    Anthony van Dyck (Flemish, 1599 - 1641) Portrait of Agostino Pallavicini, about 1621 Oil on canvas Unframed: 217.5 × 142.2 cm (85 5/8 × 56 in.), Framed [Outer Dim]: 265.4 × 185.4 × 11.4 cm (104 1/2 × 73 × 4 1/2 in.) The J. Paul Getty Museum, Los Angeles, 68.PA.2

    #Art #Painting #VanDyck #Baroque #Portrait #AgostinoPallavicini #17thCentury #EarlyModern #FlemishArt #Genoa #JPaulGettyMuseum

  16. Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

    Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by the larger social forces transforming Britain and the world.

    Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

    #History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

  17. Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

    Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by the larger social forces transforming Britain and the world.

    Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

    #History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

  18. Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

    Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by the larger social forces transforming Britain and the world.

    Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

    #History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

  19. Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

    Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by the larger social forces transforming Britain and the world.

    Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

    #History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

  20. Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

    Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by the larger social forces transforming Britain and the world.

    Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

    #History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

  21. Today's pick: Moses and the Brazen Serpent (1620) - Anthony Van Dyck.

    artbible.info/art/large/143.ht

  22. Today's pick: Susanna and the Elders (1621-1622) - Anthony Van Dyck.

    artbible.info/art/large/146.ht

  23. Wenn ihr eure beiden vermutlich in #Hammerbrook geklauten Fahrräder (1xTrekking Herren, 1xHolland Damen) vermisst, könnt ihr diese über das HHer PK41 wiederbeschaffen.

    Den Rädern geht es gut.

    #vanDyck #OrtlerRad

    #AirTracks

    #FediPower #Hamburg #Fahrrad #gestohlen @ADFC_Hamburg