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#umbra — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #umbra, aggregated by home.social.

  1. Ellereve – Umbra Review

    By Thus Spoke

    In a world where “not metal” is used to deride artists as much as it is to make a factual statement about them, it’s funny how the metalsphere adopts a breadth of musical styles that borrow ‘key’ elements to various minimal degrees. Usually, they end up being grouped under post-metal. So it is that Ellereve lands in the sight of Angry Metal Guyand more specifically, me. Their sonic palette, which has so far been defined by a largely acoustic, folk-leaning rock, now steps more confidently into post-metal and even post-black, though Elisa Giulia Teschner’s sweet, husky cleans remain the star around which everything orbits. Ellereve’s pivot to a slightly heavier sound is deliberate, reflecting the album’s confrontation of grief and trauma, but maintaining the same distinctive voice (literally and generally).

    Like its namesake, Umbra is dark, but in a soft, dreamlike way. The reverberant atmosphere slips between airy weightlessness and dense gravity, as stripped-back liquid plucks and keys trade places with downtuned riffs, and Elisa’s singing also slips between ethereal and ardent. Her voice—along with the music’s overall vibe—recalls some mixture of Darkher, Halsey, and Draconian’s Heike Langhans, and against the smoky backdrop, adds to the music’s shadowy mystique. Sometimes creeping along with shuddering gravity (“An Avalanche of Shudders,” “Crawl”) or weightlessly (“Swallowed & Disguised”), sometimes bursting forth with spirited post-black or post hardcore energy (“Irreversible,” “The Veil of Your Death”), the album ebbs and flows to the fading and resurgence of cymbals, the final breaths of a vocal line, and the gentle crescendo of synth. While traversing several moods in this manner, Ellereve’s heart stays front and centre, making every resonant strum and note, and every switch up into heavier riffs and faster drums ring with honest emotion.


    Umbra is an album of opposites, again embodying the metaphor of the shadow that exists only because of the light. Through this, the music possesses a staying power that’s subtle but powerful. The melodies are melancholic and yet often hopeful, as the notes lift an octave, and ambience, or an uptempo, seeps in. This is a synecdoche for the album’s theme, which surrounds the darkness of loss and trauma, but looks to the light on the other side of the pain. Many songs begin with the stillness of hanging plucks, distorted synth, or stripped-back lamenting, but end with uplifting refrains or assertive heaviness—relative to what came prior (“Funeral,” “Irreversible,” “Trauma”). Other songs showcase the duality in a more blended form. This could be through energetic tempos and brighter chords that transmit strength belying their lyrical solemnity (“Like a moth to a flame,” “The veil of your death”),1 or through the severe pathos of mournful tremolo and hanging plucks as the emotive singing delivers lyrics of finding strength and purpose (“Unravel,”2 “Trauma”). Some songs are even palpably onomatopoeic with quavering chords (“An avalanche of shudders”), strange, creeping synth-percussion patterns (“Crawl”), or heartbreakingly sad gaze (“Lost in Longings”) aptly embodying their title. Things thus feel dynamic but not scattershot, expressive but not overwrought.

    I didn’t realize it, but Ellereve is exactly what I needed to hear. Their particular sound, blurring of elements from doom to post to gaze and more, while not totally novel, is magnetic in its distinctiveness. I feel like I know who Ellereve is, because their music communicates it so well. This is only helped by a strong production that emphasises the space created through any reverb, and centres the vocals without burying the instruments. That said, Umbra is hindered ever so slightly by Ellereve’s ambition, covering a lot of ground and in quite rapid succession, as songs all span three to five minutes. Honing in a little tighter, potentially by expanding material into longer tracks, is all it would take to reach greatness.

    With Umbra, Ellereve step confidently out of the shadows. As a first transition into post-metal proper, it’s impressively well-crafted and is compelling in its own right. Both deeply emotional and easy to listen to repeatedly, it signals potential for brilliance in the artist’s future.3

    Rating: Very Good!
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Eisenwald(EU/ROW) | Eisenwald (US)
    Websites: Bandcamp | Facebook
    Releases Worldwide: November 7th, 2025

    #2025 #35 #Darkher #Doom #DoomMetal #EisenwaldRecords #Ellereve #Folk #HarakiriForTheSky #Nov25 #PostMetal #Review #Reviews #Shoegaze #Umbra

  2. (Yet another) 1-minute excerpt of an #Umbra variation, one of my recent algorithmic/generative realtime animation art pieces, constantly evolving and exhibited exclusively on Layer.

    Very much love this color theme, especially after ~15 seconds... 🤌

    (See above hashtag for other clips)

    Made with ❤️ and my opensource thi.ng/umbrella tools... #NoAI

    #GenerativeArt #AlgrorithmicArt #AbstractArt #Art #Animation #Video
    #ThingUmbrella #TypeScript #ShaderAST #Color

  3. Another 1-minute excerpt of an #Umbra variation, one of my recent algorithmic/generative realtime animation art pieces, constantly evolving and exhibited exclusively on Layer.

    (See above hashtag for other clips)

    Made with ❤️ and my opensource thi.ng/umbrella tools... #NoAI

    #GenerativeArt #AlgrorithmicArt #AbstractArt #Art #Animation #Video
    #ThingUmbrella #TypeScript #ShaderAST

  4. Been working on some additions/adjustments for #Umbra, one of my recent algorithmic/generative art pieces, currently shown exclusively on Layer.

    Here's a 3 minute segment (of an infinite realtime animation). Give it time to develop/change! Fullscreen playback probably best...

    Made with thi.ng/shader-ast (transpile TypeScript to GLSL) & thi.ng/webgl-shadertoy

    Let's hope the video compression gods are kind to this one...

    (Ps. Alas Firefox still doesn't support Rec.2020 color in video, so use Chrome/Safari for best viewing experience)

    #GenerativeArt #Generative #AlgrorithmicArt #AbstractArt #Art #Texture #TypeScript #ShaderAST #ThingUmbrella #NoAI

  5. #Umbra

    (Revisiting an unoptimized old code sketch, semi-fluid screen recording only... Love the contrast between soft gradients and hard edges and the unexpected emergence of shapes [and their disappearance]...)

    (Made with thi.ng/shader-ast)

    #Art #GenerativeArt #Gradients #Color #Rec2020 #Video #Animation #ThingUmbrella #ShaderAST #TypeScript

  6. What they don't tell you about total solar eclipses is the sky darkens right over you, and at the horizon you see a sunrise/sunset effect...only it's in every direction. Truly breathtaking. My capture of a particularly sublime one on April 8, 2024: "Ultimate Shadow".

    #art #photography #totality #totalsolareclipse #eclipse #solareclipse #umbra #astronomy #sky #skyscape #sun #moon #clouds #cloudscape #landscape

  7. Sunrise? Sunset? No, something much more awesome, that wraps around the horizon and you can see approaching at lightning-speed from the distance. The motions of the stars, made real. My capture of last April's total solar eclipse: "Ultimate Shadow".

    #art #photography #totality #totalsolareclipse #eclipse #solareclipse #umbra #astronomy #sky #skyscape #sun #moon #clouds #cloudscape #landscape

  8. Other than that, I have some smaller tools and gems I really like:

    - #Amphetamine to stop my Mac from falling asleep
    - #Fork as a fallback #git GUI
    - #Obsidianmd for note-taking and learning
    - #TGPro to keep an eye on the temps
    - #Umbra, to select my desktop backgrounds from #Unsplash
    - #Freetube to consume YouTube content
    - #Nextcloud for all things backup
    - #OptImage for better file compression
    - #iStats for monitoring
    - #Bartender for the menu

    That is it. Not much needed to make me happy.