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#twofortuesday — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #twofortuesday, aggregated by home.social.

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  1. #TwoForTuesday:
    #Ostrich & #Cockatoo by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水 Sugiura Hisui, 1876-1965) from his design collection Hisui Sosaku Zuanshu, 1926
    National Diet Library Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign #BirdsInArt

  2. #TwoForTuesday:
    #Ostrich & #Cockatoo by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水 Sugiura Hisui, 1876-1965) from his design collection Hisui Sosaku Zuanshu, 1926
    National Diet Library Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign #BirdsInArt

  3. #TwoForTuesday:
    #Ostrich & #Cockatoo by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水 Sugiura Hisui, 1876-1965) from his design collection Hisui Sosaku Zuanshu, 1926
    National Diet Library Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign #BirdsInArt

  4. #TwoForTuesday:
    #Ostrich & #Cockatoo by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水 Sugiura Hisui, 1876-1965) from his design collection Hisui Sosaku Zuanshu, 1926
    National Diet Library Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign #BirdsInArt

  5. #TwoForTuesday:
    #Crab and #Fish by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水, Sugiura Hisui; 1876-1965) from Hisui Sosaku Zuanshu, 1926, a collection of designs created after his studies in Europe.
    National Diet Library of Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign

  6. #TwoForTuesday:
    #Crab and #Fish by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水, Sugiura Hisui; 1876-1965) from Hisui Sosaku Zuanshu, 1926, a collection of designs created after his studies in Europe.
    National Diet Library of Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign

  7. #TwoForTuesday:
    #Crab and #Fish by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水, Sugiura Hisui; 1876-1965) from Hisui Sosaku Zuanshu, 1926, a collection of designs created after his studies in Europe.
    National Diet Library of Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign

  8. #TwoForTuesday:
    #Crab and #Fish by pioneering Japanese graphic designer Hisui Sugiura (杉浦 非水, Sugiura Hisui; 1876-1965) from Hisui Sosaku Zuanshu, 1926, a collection of designs created after his studies in Europe.
    National Diet Library of Japan:
    ndl.go.jp/en/imagebank/theme/h
    #JapaneseArt #GraphicDesign

  9. #TwoForTuesday :
    Two #Bats
    Muḥammad ibn Maḥmūd Ṭūsī, ʿAjāyib al-makhlūqāt va-gharāyib al-mawjūdāt, Baghdad 790 AH / 1388 CE
    BnF, Supplément persan 332, fol. 223v
    gallica.bnf.fr/ark:/12148/btv1

  10. #TwoForTuesday :
    Two #Bats
    Muḥammad ibn Maḥmūd Ṭūsī, ʿAjāyib al-makhlūqāt va-gharāyib al-mawjūdāt, Baghdad 790 AH / 1388 CE
    BnF, Supplément persan 332, fol. 223v
    gallica.bnf.fr/ark:/12148/btv1

  11. #TwoForTuesday :
    Two #Bats
    Muḥammad ibn Maḥmūd Ṭūsī, ʿAjāyib al-makhlūqāt va-gharāyib al-mawjūdāt, Baghdad 790 AH / 1388 CE
    BnF, Supplément persan 332, fol. 223v
    gallica.bnf.fr/ark:/12148/btv1

  12. #TwoForTuesday :
    Two #Bats
    Muḥammad ibn Maḥmūd Ṭūsī, ʿAjāyib al-makhlūqāt va-gharāyib al-mawjūdāt, Baghdad 790 AH / 1388 CE
    BnF, Supplément persan 332, fol. 223v
    gallica.bnf.fr/ark:/12148/btv1

  13. #TwoForTuesday :
    Two #Bats
    Muḥammad ibn Maḥmūd Ṭūsī, ʿAjāyib al-makhlūqāt va-gharāyib al-mawjūdāt, Baghdad 790 AH / 1388 CE
    BnF, Supplément persan 332, fol. 223v
    gallica.bnf.fr/ark:/12148/btv1

  14. #TwoForTuesday :
    Eric Carle (1929-2021)
    The Very Hungry Caterpillar
    (promotional artworks, undated)
    Collages of acrylic-painted tissue paper & wax crayon on illustration board
    On display @ “Small Living Things: The Magical Art of Eric Carle” exhibition @ Michener Art Museum

  15. #TwoForTuesday :
    Eric Carle (1929-2021)
    The Very Hungry Caterpillar
    (promotional artworks, undated)
    Collages of acrylic-painted tissue paper & wax crayon on illustration board
    On display @ “Small Living Things: The Magical Art of Eric Carle” exhibition @ Michener Art Museum

  16. #TwoForTuesday :
    Eric Carle (1929-2021)
    The Very Hungry Caterpillar
    (promotional artworks, undated)
    Collages of acrylic-painted tissue paper & wax crayon on illustration board
    On display @ “Small Living Things: The Magical Art of Eric Carle” exhibition @ Michener Art Museum

  17. #TwoForTuesday :
    Eric Carle (1929-2021)
    The Very Hungry Caterpillar
    (promotional artworks, undated)
    Collages of acrylic-painted tissue paper & wax crayon on illustration board
    On display @ “Small Living Things: The Magical Art of Eric Carle” exhibition @ Michener Art Museum

  18. #TwoForTuesday :
    Eric Carle (1929-2021)
    The Very Hungry Caterpillar
    (promotional artworks, undated)
    Collages of acrylic-painted tissue paper & wax crayon on illustration board
    On display @ “Small Living Things: The Magical Art of Eric Carle” exhibition @ Michener Art Museum

  19. #TwoForTuesday & #TurtleTuesday 🐢:
    Eric Carle (USA 1929-2021)
    Artwork for The Very Clumsy Click Beetle (1999) & The Foolish Tortoise (Richard Buckley, 1985)
    Acrylic-painted tissue paper collages on illustration board
    Exhibition: “Small Living Things: The Magical Art of Eric Carle” @ Michener Art Museum

  20. #TwoForTuesday & #TurtleTuesday 🐢:
    Eric Carle (USA 1929-2021)
    Artwork for The Very Clumsy Click Beetle (1999) & The Foolish Tortoise (Richard Buckley, 1985)
    Acrylic-painted tissue paper collages on illustration board
    Exhibition: “Small Living Things: The Magical Art of Eric Carle” @ Michener Art Museum

  21. #TwoForTuesday & #TurtleTuesday 🐢:
    Eric Carle (USA 1929-2021)
    Artwork for The Very Clumsy Click Beetle (1999) & The Foolish Tortoise (Richard Buckley, 1985)
    Acrylic-painted tissue paper collages on illustration board
    Exhibition: “Small Living Things: The Magical Art of Eric Carle” @ Michener Art Museum

  22. #TwoForTuesday & #TurtleTuesday 🐢:
    Eric Carle (USA 1929-2021)
    Artwork for The Very Clumsy Click Beetle (1999) & The Foolish Tortoise (Richard Buckley, 1985)
    Acrylic-painted tissue paper collages on illustration board
    Exhibition: “Small Living Things: The Magical Art of Eric Carle” @ Michener Art Museum

  23. #TwoForTuesday :
    Royal goldsmiths; Kumasi, Asante
    Empire, Ghana
    #Lion ornaments, 19th c.
    Gold; H. 1 1/2 x W. 2 1/8 x D. 2 1/4 in. (3.8 x 5.4 x 5.7cm) ea.
    On display at the Met (1979.206.227, 228)
    #AfricanArt

  24. #TwoForTuesday :
    Royal goldsmiths; Kumasi, Asante
    Empire, Ghana
    #Lion ornaments, 19th c.
    Gold; H. 1 1/2 x W. 2 1/8 x D. 2 1/4 in. (3.8 x 5.4 x 5.7cm) ea.
    On display at the Met (1979.206.227, 228)
    #AfricanArt

  25. #TwoForTuesday :
    Royal goldsmiths; Kumasi, Asante
    Empire, Ghana
    #Lion ornaments, 19th c.
    Gold; H. 1 1/2 x W. 2 1/8 x D. 2 1/4 in. (3.8 x 5.4 x 5.7cm) ea.
    On display at the Met (1979.206.227, 228)
    #AfricanArt

  26. #TwoForTuesday :
    Royal goldsmiths; Kumasi, Asante
    Empire, Ghana
    #Lion ornaments, 19th c.
    Gold; H. 1 1/2 x W. 2 1/8 x D. 2 1/4 in. (3.8 x 5.4 x 5.7cm) ea.
    On display at the Met (1979.206.227, 228)
    #AfricanArt

  27. #TwoForTuesday :
    Lagoon artist, Côte d'Ivoire
    Double #Crocodile Pendant
    19th–mid-20th century
    Gold; H 3 3/4 x W 3 3/4 in. (9.5 x 9.5 cm)
    On display at the Met (1979.206.151)
    #AfricanArt
    “Among Akan peoples, figural forms [on] ornaments often refer to proverbs & bear symbolic meaning: this pendant represents the popular Siamese twin-crocodile motif known as futumfunafu. With their shared stomachs but distinct heads, they allude to the challenges of aligning community & personal interests.”

  28. #TwoForTuesday :
    Lagoon artist, Côte d'Ivoire
    Double #Crocodile Pendant
    19th–mid-20th century
    Gold; H 3 3/4 x W 3 3/4 in. (9.5 x 9.5 cm)
    On display at the Met (1979.206.151)
    #AfricanArt
    “Among Akan peoples, figural forms [on] ornaments often refer to proverbs & bear symbolic meaning: this pendant represents the popular Siamese twin-crocodile motif known as futumfunafu. With their shared stomachs but distinct heads, they allude to the challenges of aligning community & personal interests.”

  29. #TwoForTuesday :
    Lagoon artist, Côte d'Ivoire
    Double #Crocodile Pendant
    19th–mid-20th century
    Gold; H 3 3/4 x W 3 3/4 in. (9.5 x 9.5 cm)
    On display at the Met (1979.206.151)
    #AfricanArt
    “Among Akan peoples, figural forms [on] ornaments often refer to proverbs & bear symbolic meaning: this pendant represents the popular Siamese twin-crocodile motif known as futumfunafu. With their shared stomachs but distinct heads, they allude to the challenges of aligning community & personal interests.”

  30. #TwoForTuesday :
    Lagoon artist, Côte d'Ivoire
    Double #Crocodile Pendant
    19th–mid-20th century
    Gold; H 3 3/4 x W 3 3/4 in. (9.5 x 9.5 cm)
    On display at the Met (1979.206.151)
    #AfricanArt
    “Among Akan peoples, figural forms [on] ornaments often refer to proverbs & bear symbolic meaning: this pendant represents the popular Siamese twin-crocodile motif known as futumfunafu. With their shared stomachs but distinct heads, they allude to the challenges of aligning community & personal interests.”

  31. #TwoForTuesday / #TextileTuesday:
    Antelopers (Furnishing Fabric) x 2
    Designed by Ben Rose (USA, 1916–2004) for Ben Rose, Inc., Chicago, 1965
    Rayon & modacrylic, plain weave; screenprinted
    67.3 × 61 cm (26 1/2 × 24 in), 67.5 × 57.5 cm (26 5/8 × 22 5/8 in)
    Art Institute of Chicago 1996.376,7 artic.edu/artists/22194/ben-ro
    #Bongo

  32. #TwoForTuesday / #TextileTuesday:
    Antelopers (Furnishing Fabric) x 2
    Designed by Ben Rose (USA, 1916–2004) for Ben Rose, Inc., Chicago, 1965
    Rayon & modacrylic, plain weave; screenprinted
    67.3 × 61 cm (26 1/2 × 24 in), 67.5 × 57.5 cm (26 5/8 × 22 5/8 in)
    Art Institute of Chicago 1996.376,7 artic.edu/artists/22194/ben-ro
    #Bongo

  33. #TwoForTuesday / #TextileTuesday:
    Antelopers (Furnishing Fabric) x 2
    Designed by Ben Rose (USA, 1916–2004) for Ben Rose, Inc., Chicago, 1965
    Rayon & modacrylic, plain weave; screenprinted
    67.3 × 61 cm (26 1/2 × 24 in), 67.5 × 57.5 cm (26 5/8 × 22 5/8 in)
    Art Institute of Chicago 1996.376,7 artic.edu/artists/22194/ben-ro
    #Bongo

  34. #TwoForTuesday / #TextileTuesday:
    Antelopers (Furnishing Fabric) x 2
    Designed by Ben Rose (USA, 1916–2004) for Ben Rose, Inc., Chicago, 1965
    Rayon & modacrylic, plain weave; screenprinted
    67.3 × 61 cm (26 1/2 × 24 in), 67.5 × 57.5 cm (26 5/8 × 22 5/8 in)
    Art Institute of Chicago 1996.376,7 artic.edu/artists/22194/ben-ro
    #Bongo

  35. For #LunarNewYear #YearOfTheHorse on a #TwoForTuesday :
    Rebecca Raubacher (USA, b. 1954)
    #Horses with Blue and Silver, 2023
    Mixed media on paper, 60 x 40 in.
    Biggs Museum of American Art collection
    #WomenArtists #ContemporaryArt

  36. For #LunarNewYear #YearOfTheHorse on a #TwoForTuesday :
    Rebecca Raubacher (USA, b. 1954)
    #Horses with Blue and Silver, 2023
    Mixed media on paper, 60 x 40 in.
    Biggs Museum of American Art collection
    #WomenArtists #ContemporaryArt

  37. For #LunarNewYear #YearOfTheHorse on a #TwoForTuesday :
    Rebecca Raubacher (USA, b. 1954)
    #Horses with Blue and Silver, 2023
    Mixed media on paper, 60 x 40 in.
    Biggs Museum of American Art collection
    #WomenArtists #ContemporaryArt

  38. For #LunarNewYear #YearOfTheHorse on a #TwoForTuesday :
    Rebecca Raubacher (USA, b. 1954)
    #Horses with Blue and Silver, 2023
    Mixed media on paper, 60 x 40 in.
    Biggs Museum of American Art collection
    #WomenArtists #ContemporaryArt