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#tvwriting — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #tvwriting, aggregated by home.social.

  1. RE: hci.social/@floe/1168299355270

    Florian's post reminded me of the 1979 UK series Danger UXB, created by John Hawkesworth and John Whitney (creators of Upstairs, Downstairs; The Flame Trees of Thika; & The Duchess of Duke Street).

    I saw it a few years ago (on Acorn maybe? I don't remember now).

    Whether the series is your cup of tea or not, the pilot has some great writing. I recommend it for TV- and film writers.

    justwatch.com/ca/tv-show/dange

    #DangerUXB #AnthonyAndrews #TVWriting #Writing #Screenwriting #TV #UKTV

  2. RE: hci.social/@floe/1168299355270

    Florian's post reminded me of the 1979 UK series Danger UXB, created by John Hawkesworth and John Whitney (creators of Upstairs, Downstairs; The Flame Trees of Thika; & The Duchess of Duke Street).

    I saw it a few years ago (on Acorn maybe? I don't remember now).

    Whether the series is your cup of tea or not, the pilot has some great writing. I recommend it for TV- and film writers.

    justwatch.com/ca/tv-show/dange

    #DangerUXB #AnthonyAndrews #TVWriting #Writing #Screenwriting #TV #UKTV

  3. From novelist to co-creator of Star Trek: Picard, Kirsten Beyer has quietly shaped the modern Star Trek universe.

    But the real story?

    Growing up across the country. Wrestling with #Perfectionism. Learning how to land a #PitchMeeting. Navigating #FanCommunities without losing yourself.

    This Thursday on Producers Lounge:
    #Showrunning #TVWriting #CreativeBalance #StarTrek

    #Picard #StarTrek #StarfleetAcademy #Discovery

    Join us.

  4. Life is Strange: Rewriting Max and Chloe’s Reunion for the Show

    When adapting a beloved game like Life is Strange to television, some narrative choices from the original medium need reevaluation. One of the most significant of these involves the reunion between Max Caulfield and Chloe Price. In the game, Max doesn’t immediately recognize Chloe after returning to Arcadia Bay. While this works in an interactive gaming context—where the player experiences discovery and uncertainty—television is a different medium. The audience needs to understand […]

    jaimedavid.blog/2025/10/29/23/

  5. Life is Strange: Rewriting Max and Chloe’s Reunion for the Show

    When adapting a beloved game like Life is Strange to television, some narrative choices from the original medium need reevaluation. One of the most significant of these involves the reunion between Max Caulfield and Chloe Price. In the game, Max doesn’t immediately recognize Chloe after returning to Arcadia Bay. While this works in an interactive gaming context—where the player experiences discovery and uncertainty—television is a different medium. The audience needs to understand […]

    jaimedavid.blog/2025/10/29/23/

  6. Life is Strange: Rewriting Max and Chloe’s Reunion for the Show

    When adapting a beloved game like Life is Strange to television, some narrative choices from the original medium need reevaluation. One of the most significant of these involves the reunion between Max Caulfield and Chloe Price. In the game, Max doesn’t immediately recognize Chloe after returning to Arcadia Bay. While this works in an interactive gaming context—where the player experiences discovery and uncertainty—television is a different medium. The audience needs to understand […]

    jaimedavid.blog/2025/10/29/23/

  7. Life is Strange: Rewriting Max and Chloe’s Reunion for the Show

    When adapting a beloved game like Life is Strange to television, some narrative choices from the original medium need reevaluation. One of the most significant of these involves the reunion between Max Caulfield and Chloe Price. In the game, Max doesn’t immediately recognize Chloe after returning to Arcadia Bay. While this works in an interactive gaming context—where the player experiences discovery and uncertainty—television is a different medium. The audience needs to understand […]

    jaimedavid.blog/2025/10/29/23/

  8. "3%" from Brazil and "Bon Appetit, Your Majesty" from South Korea exist in a shared universe in that they both know exactly what the game engine is that underlies their series premise and the writers deploy that game engine skillfully and elegantly in each episode (at least in the first few seasons of 3%).

    I recommend both series to anyone interested in advanced episodic writing.

    @writing @film

    #BonAppetitYourMajesty #ThreePercent #Netflix #TVWriting #EpisodicWring #Screenwriting #Kdrama

  9. "3%" from Brazil and "Bon Appetit, Your Majesty" from South Korea exist in a shared universe in that they both know exactly what the game engine is that underlies their series premise and the writers deploy that game engine skillfully and elegantly in each episode (at least in the first few seasons of 3%).

    I recommend both series to anyone interested in advanced episodic writing.

    @writing @film

    #BonAppetitYourMajesty #ThreePercent #Netflix #TVWriting #EpisodicWring #Screenwriting #Kdrama

  10. "3%" from Brazil and "Bon Appetit, Your Majesty" from South Korea exist in a shared universe in that they both know exactly what the game engine is that underlies their series premise and the writers deploy that game engine skillfully and elegantly in each episode (at least in the first few seasons of 3%).

    I recommend both series to anyone interested in advanced episodic writing.

    @writing @film

    #BonAppetitYourMajesty #ThreePercent #Netflix #TVWriting #EpisodicWring #Screenwriting #Kdrama

  11. "3%" from Brazil and "Bon Appetit, Your Majesty" from South Korea exist in a shared universe in that they both know exactly what the game engine is that underlies their series premise and the writers deploy that game engine skillfully and elegantly in each episode (at least in the first few seasons of 3%).

    I recommend both series to anyone interested in advanced episodic writing.

    @writing @film

    #BonAppetitYourMajesty #ThreePercent #Netflix #TVWriting #EpisodicWring #Screenwriting #Kdrama

  12. "3%" from Brazil and "Bon Appetit, Your Majesty" from South Korea exist in a shared universe in that they both know exactly what the game engine is that underlies their series premise and the writers deploy that game engine skillfully and elegantly in each episode (at least in the first few seasons of 3%).

    I recommend both series to anyone interested in advanced episodic writing.

    @writing @film

    #BonAppetitYourMajesty #ThreePercent #Netflix #TVWriting #EpisodicWring #Screenwriting #Kdrama

  13. Just worked with a writing coaching client, and applied some of Aristotle's Poetics to a half hour comedy pilot, and we gained useful, actionable insights. Very old school and very cool.

    #writing #ScreenwritingCoach #ScriptSky #screenplay #ComedyWriting #TVWriting #ComedyPilot #AmWriting #WritingTips #Scriptodon #tv

  14. Just worked with a writing coaching client, and applied some of Aristotle's Poetics to a half hour comedy pilot, and we gained useful, actionable insights. Very old school and very cool.

    #writing #ScreenwritingCoach #ScriptSky #screenplay #ComedyWriting #TVWriting #ComedyPilot #AmWriting #WritingTips #Scriptodon #tv

  15. @JeffLieber GOLD.

    Love that you're sharing the rules here. I did attempt to screenshot all of them and ended up losing track.

    My pilot more than benefitted from these rules. #tvwriting #tvpilot #screenwriting

  16. @JeffLieber GOLD.

    Love that you're sharing the rules here. I did attempt to screenshot all of them and ended up losing track.

    My pilot more than benefitted from these rules. #tvwriting #tvpilot #screenwriting

  17. @JeffLieber GOLD.

    Love that you're sharing the rules here. I did attempt to screenshot all of them and ended up losing track.

    My pilot more than benefitted from these rules. #tvwriting #tvpilot #screenwriting

  18. @JeffLieber GOLD.

    Love that you're sharing the rules here. I did attempt to screenshot all of them and ended up losing track.

    My pilot more than benefitted from these rules. #tvwriting #tvpilot #screenwriting

  19. SELF-PROMO/ INTRODUCTION

    Screenwriter for 20+ years. Mostly Dark Comedy & Action. Interest & options but nothing of note produced yet. Most recent project:

    "5 Freaks in a Van" - TV Pilot by me & @directorpatrick
    Both readers at #austinfilmfest
    praised it. Made 2nd round.
    Also semi-finals (top 5%) of
    #BlueCat

    Hit us up & read it! It's good. I promise. #Screenwriting #TVPilot #Film #Filmmaking
    #EmergingScreenwriter #WGAStaffingBoost #screenwriter #tvwriting #writingcommmunity

  20. SELF-PROMO/ INTRODUCTION

    Screenwriter for 20+ years. Mostly Dark Comedy & Action. Interest & options but nothing of note produced yet. Most recent project:

    "5 Freaks in a Van" - TV Pilot by me & @directorpatrick
    Both readers at #austinfilmfest
    praised it. Made 2nd round.
    Also semi-finals (top 5%) of
    #BlueCat

    Hit us up & read it! It's good. I promise. #Screenwriting #TVPilot #Film #Filmmaking
    #EmergingScreenwriter #WGAStaffingBoost #screenwriter #tvwriting #writingcommmunity

  21. SELF-PROMO/ INTRODUCTION

    Screenwriter for 20+ years. Mostly Dark Comedy & Action. Interest & options but nothing of note produced yet. Most recent project:

    "5 Freaks in a Van" - TV Pilot by me & @directorpatrick
    Both readers at #austinfilmfest
    praised it. Made 2nd round.
    Also semi-finals (top 5%) of
    #BlueCat

    Hit us up & read it! It's good. I promise. #Screenwriting #TVPilot #Film #Filmmaking
    #EmergingScreenwriter #WGAStaffingBoost #screenwriter #tvwriting #writingcommmunity

  22. SELF-PROMO/ INTRODUCTION

    Screenwriter for 20+ years. Mostly Dark Comedy & Action. Interest & options but nothing of note produced yet. Most recent project:

    "5 Freaks in a Van" - TV Pilot by me & @directorpatrick
    Both readers at #austinfilmfest
    praised it. Made 2nd round.
    Also semi-finals (top 5%) of
    #BlueCat

    Hit us up & read it! It's good. I promise. #Screenwriting #TVPilot #Film #Filmmaking
    #EmergingScreenwriter #WGAStaffingBoost #screenwriter #tvwriting #writingcommmunity

  23. SELF-PROMO/ INTRODUCTION

    Screenwriter for 20+ years. Mostly Dark Comedy & Action. Interest & options but nothing of note produced yet. Most recent project:

    "5 Freaks in a Van" - TV Pilot by me & @directorpatrick
    Both readers at #austinfilmfest
    praised it. Made 2nd round.
    Also semi-finals (top 5%) of
    #BlueCat

    Hit us up & read it! It's good. I promise. #Screenwriting #TVPilot #Film #Filmmaking
    #EmergingScreenwriter #WGAStaffingBoost #screenwriter #tvwriting #writingcommmunity