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#trapeze — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #trapeze, aggregated by home.social.

  1. Performing Arts Review: ECHO by Cirque du Soleil


    Cirque du Soleil ECHO

    Writer and Director: Mukhtar Omar Sharif Mukhtar
    Creation Director: Chantal Tremblay
    Original Idea; Set and Props Designer: Es Devlin
    Production Director: Serge Côté

    May 24, 2026: Under the Big Top, Old Port of Montreal, Quebec

    Last week while visiting Montreal, I enjoyed the opportunity to see the Cirque du Soleil performance Echo under a big top on the St. Lawrence River waterfront. The show centers around a giant Cube that moves around the stage, serves as a screen for remarkable projections, and a various times is taken apart by the performers to reveal new surprises before being rebuilt by the end of the show. The central character is FUTURE (Louana Seclet-Monchot), a young woman who like Alice and Clara before her explores a fanciful world and it’s unique and talented beings. FUTURE is accompanied by her faithful companion Ewai “the Dog” (Philippe Dupuis) who is also a skilled juggler.  A pair of clowns known as Double Trouble (Clément Malin and Thomas Gaskin) tie together the various pieces of the show with a lot of crowd interaction and their specialty of balancing large stacks of cardboard boxes (a whole lot more interesting than it sounds!).

    View this post on Instagram

    There’s a whole story in the program about how this show explores our connection with nature and animals and “how our actions can shape the world around us.”  But for me it was mostly a series of acts the fed my childlike sense of wonder and whimsy.  Acts include performers dressed as paper animals performing a vertical ballet along the sides of the Cube, the Fireflies (Alma Danira Quintanar and Penelope Elena Scheidler) who performed acrobatics while suspended by their hair, acrobatics dancing around flying poles, and a finale on a triple set of teeterboards.  FUTURE also does a lovely performance on the Washington trapeze, where she balances on her head while suspended high within the big top.  A live band and vocalists accompany the entire performance.

    I first saw Cirque du Soleil way back in 1991 when they performed Nouvelle Expérience under a big top in Battery Park in New York City.  I loved that performance with the new twists on circus arts, the amazing things that humans could do with their bodies, and the fact that they did not include animals in their performance.  I always wanted to see Cirque du Soleil again but time and circumstances prevented me until this visit to their home base in Montreal.  The circus has grown into a huge company with residencies at several prominent tourist destinations.  But I still feel that the show is grounded in exploring possibility and wonder with a team of creative artists.  Hopefully, I will not wait 35 years to see them again.

    ECHO continues in Montreal through August 16, 2026 and then will make three stops on a tour in Mexico later in the year.

     

    #Acrobatics #Ballet #CirqueDuSoleil #Contortionist #Juggling #PerformingArtsReviews #Slackwire #Teeterboards #Trapeze
  2. Performing Arts Review: ECHO by Cirque du Soleil


    Cirque du Soleil ECHO

    Writer and Director: Mukhtar Omar Sharif Mukhtar
    Creation Director: Chantal Tremblay
    Original Idea; Set and Props Designer: Es Devlin
    Production Director: Serge Côté

    May 24, 2026: Under the Big Top, Old Port of Montreal, Quebec

    Last week while visiting Montreal, I enjoyed the opportunity to see the Cirque du Soleil performance Echo under a big top on the St. Lawrence River waterfront. The show centers around a giant Cube that moves around the stage, serves as a screen for remarkable projections, and a various times is taken apart by the performers to reveal new surprises before being rebuilt by the end of the show. The central character is FUTURE (Louana Seclet-Monchot), a young woman who like Alice and Clara before her explores a fanciful world and it’s unique and talented beings. FUTURE is accompanied by her faithful companion Ewai “the Dog” (Philippe Dupuis) who is also a skilled juggler.  A pair of clowns known as Double Trouble (Clément Malin and Thomas Gaskin) tie together the various pieces of the show with a lot of crowd interaction and their specialty of balancing large stacks of cardboard boxes (a whole lot more interesting than it sounds!).

    View this post on Instagram

    There’s a whole story in the program about how this show explores our connection with nature and animals and “how our actions can shape the world around us.”  But for me it was mostly a series of acts the fed my childlike sense of wonder and whimsy.  Acts include performers dressed as paper animals performing a vertical ballet along the sides of the Cube, the Fireflies (Alma Danira Quintanar and Penelope Elena Scheidler) who performed acrobatics while suspended by their hair, acrobatics dancing around flying poles, and a finale on a triple set of teeterboards.  FUTURE also does a lovely performance on the Washington trapeze, where she balances on her head while suspended high within the big top.  A live band and vocalists accompany the entire performance.

    I first saw Cirque du Soleil way back in 1991 when they performed Nouvelle Expérience under a big top in Battery Park in New York City.  I loved that performance with the new twists on circus arts, the amazing things that humans could do with their bodies, and the fact that they did not include animals in their performance.  I always wanted to see Cirque du Soleil again but time and circumstances prevented me until this visit to their home base in Montreal.  The circus has grown into a huge company with residencies at several prominent tourist destinations.  But I still feel that the show is grounded in exploring possibility and wonder with a team of creative artists.  Hopefully, I will not wait 35 years to see them again.

    ECHO continues in Montreal through August 16, 2026 and then will make three stops on a tour in Mexico later in the year.

     

    #Acrobatics #Ballet #CirqueDuSoleil #Contortionist #Juggling #PerformingArtsReviews #Slackwire #Teeterboards #Trapeze
  3. Performing Arts Review: ECHO by Cirque du Soleil


    Cirque du Soleil ECHO

    Writer and Director: Mukhtar Omar Sharif Mukhtar
    Creation Director: Chantal Tremblay
    Original Idea; Set and Props Designer: Es Devlin
    Production Director: Serge Côté

    May 24, 2026: Under the Big Top, Old Port of Montreal, Quebec

    Last week while visiting Montreal, I enjoyed the opportunity to see the Cirque du Soleil performance Echo under a big top on the St. Lawrence River waterfront. The show centers around a giant Cube that moves around the stage, serves as a screen for remarkable projections, and a various times is taken apart by the performers to reveal new surprises before being rebuilt by the end of the show. The central character is FUTURE (Louana Seclet-Monchot), a young woman who like Alice and Clara before her explores a fanciful world and it’s unique and talented beings. FUTURE is accompanied by her faithful companion Ewai “the Dog” (Philippe Dupuis) who is also a skilled juggler.  A pair of clowns known as Double Trouble (Clément Malin and Thomas Gaskin) tie together the various pieces of the show with a lot of crowd interaction and their specialty of balancing large stacks of cardboard boxes (a whole lot more interesting than it sounds!).

    View this post on Instagram

    There’s a whole story in the program about how this show explores our connection with nature and animals and “how our actions can shape the world around us.”  But for me it was mostly a series of acts the fed my childlike sense of wonder and whimsy.  Acts include performers dressed as paper animals performing a vertical ballet along the sides of the Cube, the Fireflies (Alma Danira Quintanar and Penelope Elena Scheidler) who performed acrobatics while suspended by their hair, acrobatics dancing around flying poles, and a finale on a triple set of teeterboards.  FUTURE also does a lovely performance on the Washington trapeze, where she balances on her head while suspended high within the big top.  A live band and vocalists accompany the entire performance.

    I first saw Cirque du Soleil way back in 1991 when they performed Nouvelle Expérience under a big top in Battery Park in New York City.  I loved that performance with the new twists on circus arts, the amazing things that humans could do with their bodies, and the fact that they did not include animals in their performance.  I always wanted to see Cirque du Soleil again but time and circumstances prevented me until this visit to their home base in Montreal.  The circus has grown into a huge company with residencies at several prominent tourist destinations.  But I still feel that the show is grounded in exploring possibility and wonder with a team of creative artists.  Hopefully, I will not wait 35 years to see them again.

    ECHO continues in Montreal through August 16, 2026 and then will make three stops on a tour in Mexico later in the year.

     

    #Acrobatics #Ballet #CirqueDuSoleil #Contortionist #Juggling #PerformingArtsReviews #Slackwire #Teeterboards #Trapeze
  4. Performing Arts Review: ECHO by Cirque du Soleil


    Cirque du Soleil ECHO

    Writer and Director: Mukhtar Omar Sharif Mukhtar
    Creation Director: Chantal Tremblay
    Original Idea; Set and Props Designer: Es Devlin
    Production Director: Serge Côté

    May 24, 2026: Under the Big Top, Old Port of Montreal, Quebec

    Last week while visiting Montreal, I enjoyed the opportunity to see the Cirque du Soleil performance Echo under a big top on the St. Lawrence River waterfront. The show centers around a giant Cube that moves around the stage, serves as a screen for remarkable projections, and a various times is taken apart by the performers to reveal new surprises before being rebuilt by the end of the show. The central character is FUTURE (Louana Seclet-Monchot), a young woman who like Alice and Clara before her explores a fanciful world and it’s unique and talented beings. FUTURE is accompanied by her faithful companion Ewai “the Dog” (Philippe Dupuis) who is also a skilled juggler.  A pair of clowns known as Double Trouble (Clément Malin and Thomas Gaskin) tie together the various pieces of the show with a lot of crowd interaction and their specialty of balancing large stacks of cardboard boxes (a whole lot more interesting than it sounds!).

    View this post on Instagram

    There’s a whole story in the program about how this show explores our connection with nature and animals and “how our actions can shape the world around us.”  But for me it was mostly a series of acts the fed my childlike sense of wonder and whimsy.  Acts include performers dressed as paper animals performing a vertical ballet along the sides of the Cube, the Fireflies (Alma Danira Quintanar and Penelope Elena Scheidler) who performed acrobatics while suspended by their hair, acrobatics dancing around flying poles, and a finale on a triple set of teeterboards.  FUTURE also does a lovely performance on the Washington trapeze, where she balances on her head while suspended high within the big top.  A live band and vocalists accompany the entire performance.

    I first saw Cirque du Soleil way back in 1991 when they performed Nouvelle Expérience under a big top in Battery Park in New York City.  I loved that performance with the new twists on circus arts, the amazing things that humans could do with their bodies, and the fact that they did not include animals in their performance.  I always wanted to see Cirque du Soleil again but time and circumstances prevented me until this visit to their home base in Montreal.  The circus has grown into a huge company with residencies at several prominent tourist destinations.  But I still feel that the show is grounded in exploring possibility and wonder with a team of creative artists.  Hopefully, I will not wait 35 years to see them again.

    ECHO continues in Montreal through August 16, 2026 and then will make three stops on a tour in Mexico later in the year.

     

    #Acrobatics #Ballet #CirqueDuSoleil #Contortionist #Juggling #PerformingArtsReviews #Slackwire #Teeterboards #Trapeze
  5. ⛵️️️ 🇵🇸 ✊️️ #TOULOUSE
    🎪Samedi 28 cabaret for #Gaza à la Chapelle 🇵🇸

    Le grand soir arrive, découvrez les artistes qui feront le super show en soutient à #1000Madleens ce samedi à la Chapelle !

    Après un après-midi riche en proposition dès 15h pour petits et grands suivi d'un super repas palestinien, iels nous régaleront dans de nombreuses disciplines : #cirque, #drag #trapeze ...9 shows, 11 artistes !!!
    Prépares ta monnaie et rejoins-nous de à la chapelle au 36 rue Casanova ! 🎪

    Venez nombreux.ses

  6. ⛵️️️ 🇵🇸 ✊️️ #TOULOUSE
    🎪Samedi 28 cabaret for #Gaza à la Chapelle 🇵🇸

    Le grand soir arrive, découvrez les artistes qui feront le super show en soutient à #1000Madleens ce samedi à la Chapelle !

    Après un après-midi riche en proposition dès 15h pour petits et grands suivi d'un super repas palestinien, iels nous régaleront dans de nombreuses disciplines : #cirque, #drag #trapeze ...9 shows, 11 artistes !!!
    Prépares ta monnaie et rejoins-nous de à la chapelle au 36 rue Casanova ! 🎪

    Venez nombreux.ses

  7. ⛵️️️ 🇵🇸 ✊️️ #TOULOUSE
    🎪Samedi 28 cabaret for #Gaza à la Chapelle 🇵🇸

    Le grand soir arrive, découvrez les artistes qui feront le super show en soutient à #1000Madleens ce samedi à la Chapelle !

    Après un après-midi riche en proposition dès 15h pour petits et grands suivi d'un super repas palestinien, iels nous régaleront dans de nombreuses disciplines : #cirque, #drag #trapeze ...9 shows, 11 artistes !!!
    Prépares ta monnaie et rejoins-nous de à la chapelle au 36 rue Casanova ! 🎪

    Venez nombreux.ses

  8. ⛵️️️ 🇵🇸 ✊️️ #TOULOUSE
    🎪Samedi 28 cabaret for #Gaza à la Chapelle 🇵🇸

    Le grand soir arrive, découvrez les artistes qui feront le super show en soutient à #1000Madleens ce samedi à la Chapelle !

    Après un après-midi riche en proposition dès 15h pour petits et grands suivi d'un super repas palestinien, iels nous régaleront dans de nombreuses disciplines : #cirque, #drag #trapeze ...9 shows, 11 artistes !!!
    Prépares ta monnaie et rejoins-nous de à la chapelle au 36 rue Casanova ! 🎪

    Venez nombreux.ses

  9. ⛵️️️ 🇵🇸 ✊️️ #TOULOUSE
    🎪Samedi 28 cabaret for #Gaza à la Chapelle 🇵🇸

    Le grand soir arrive, découvrez les artistes qui feront le super show en soutient à #1000Madleens ce samedi à la Chapelle !

    Après un après-midi riche en proposition dès 15h pour petits et grands suivi d'un super repas palestinien, iels nous régaleront dans de nombreuses disciplines : #cirque, #drag #trapeze ...9 shows, 11 artistes !!!
    Prépares ta monnaie et rejoins-nous de à la chapelle au 36 rue Casanova ! 🎪

    Venez nombreux.ses

  10. Le Cirque Pinder est présent sur le Champ de Mars de Lille jusqu’au 11 novembre 2025

    Installé sur le Champ de Mars jusqu’au mardi 11 novembre 2025, le Cirque Pinder fait son retour à…
    #Lille #FR #France #Actu #News #Europe #EU #2025 #acrobaties #actu #Actualités #arbalète #champdemars #Cirque #clown #europe #Hauts-de-France #jonglage #monsieurLoyal #Pinder #Républiquefrançaise #Spectacle #trapèze #ventriloque
    europesays.com/fr/477698/

  11. fromoldbooks.org/Davison-Ornam

    A 19th century (probably) stock block.

    Techniques for copying wood engravings, and later engravings on metal, gave rise to an industry in selling printing blocks such as this one of a trapeze artist - a “stock block”.

    Papier mâché moulds for metal were followed by electrotyping and finally photographic etching.

    Now we have #GIMP 🙂 - scanned at 1400dpi and cleaned

    #fobo #vintageArt #GIMP3 #Gimp_3 #trapeze #circus #highWire #tightrope #woodcut #stockImage

  12. fromoldbooks.org/Davison-Ornam

    A 19th century (probably) stock block.

    Techniques for copying wood engravings, and later engravings on metal, gave rise to an industry in selling printing blocks such as this one of a trapeze artist - a “stock block”.

    Papier mâché moulds for metal were followed by electrotyping and finally photographic etching.

    Now we have #GIMP 🙂 - scanned at 1400dpi and cleaned

    #fobo #vintageArt #GIMP3 #Gimp_3 #trapeze #circus #highWire #tightrope #woodcut #stockImage

  13. fromoldbooks.org/Davison-Ornam

    A 19th century (probably) stock block.

    Techniques for copying wood engravings, and later engravings on metal, gave rise to an industry in selling printing blocks such as this one of a trapeze artist - a “stock block”.

    Papier mâché moulds for metal were followed by electrotyping and finally photographic etching.

    Now we have #GIMP 🙂 - scanned at 1400dpi and cleaned

    #fobo #vintageArt #GIMP3 #Gimp_3 #trapeze #circus #highWire #tightrope #woodcut #stockImage

  14. fromoldbooks.org/Davison-Ornam

    A 19th century (probably) stock block.

    Techniques for copying wood engravings, and later engravings on metal, gave rise to an industry in selling printing blocks such as this one of a trapeze artist - a “stock block”.

    Papier mâché moulds for metal were followed by electrotyping and finally photographic etching.

    Now we have #GIMP 🙂 - scanned at 1400dpi and cleaned

    #fobo #vintageArt #GIMP3 #Gimp_3 #trapeze #circus #highWire #tightrope #woodcut #stockImage

  15. fromoldbooks.org/Davison-Ornam

    A 19th century (probably) stock block.

    Techniques for copying wood engravings, and later engravings on metal, gave rise to an industry in selling printing blocks such as this one of a trapeze artist - a “stock block”.

    Papier mâché moulds for metal were followed by electrotyping and finally photographic etching.

    Now we have #GIMP 🙂 - scanned at 1400dpi and cleaned

    #fobo #vintageArt #GIMP3 #Gimp_3 #trapeze #circus #highWire #tightrope #woodcut #stockImage