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#touchandgo — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #touchandgo, aggregated by home.social.

  1. Die Auffahrt von #zellmosel auf die Höhen des Hunsrück waren herbstlicher #Radgenuss. Ab jetzt gehörte auch der kräftige Wind aus West mit zum Programm. In dem #tinyhaus hätte ich gerne zu einem Kaffee oder mehr die Beine hoch gelegt ;)

    Ein Jet machte #touchandgo in #frankfurthahn und störte alle paar Minute die ruhige Stimmung. Zufall, das ich gerade am Stamm meines Baumes radle? #wurzelvielenübels #wurzelallenübels

    #wolltendlich

  2. #TheMetalDogArticleList
    #guitarworld
    “I blew up. I had tears in my eyes because I was so upset. I grabbed the guitar, and I just ripped through it”: Elliot Easton on the emotional rollercoaster that helped him record one of his most iconic guitar solos
    The Cars guitarist was particularly proud of the part he wrote, but was reduced to tears by his bandmates' initial reaction

    guitarworld.com/news/elliot-ea

    #ElliotEaston #TheCars #TouchAndGo #GuitarSolo #EmotionalRollercoaster #IconicSolo #SteelyDan

  3. #TheMetalDogArticleList
    #guitarworld
    “I blew up. I had tears in my eyes because I was so upset. I grabbed the guitar, and I just ripped through it”: Elliot Easton on the emotional rollercoaster that helped him record one of his most iconic guitar solos
    The Cars guitarist was particularly proud of the part he wrote, but was reduced to tears by his bandmates' initial reaction

    guitarworld.com/news/elliot-ea

    #ElliotEaston #TheCars #TouchAndGo #GuitarSolo #EmotionalRollercoaster #IconicSolo #SteelyDan

  4. #TheMetalDogArticleList
    #guitarworld
    “I blew up. I had tears in my eyes because I was so upset. I grabbed the guitar, and I just ripped through it”: Elliot Easton on the emotional rollercoaster that helped him record one of his most iconic guitar solos
    The Cars guitarist was particularly proud of the part he wrote, but was reduced to tears by his bandmates' initial reaction

    guitarworld.com/news/elliot-ea

    #ElliotEaston #TheCars #TouchAndGo #GuitarSolo #EmotionalRollercoaster #IconicSolo #SteelyDan

  5. #TheMetalDogArticleList
    #guitarworld
    “I blew up. I had tears in my eyes because I was so upset. I grabbed the guitar, and I just ripped through it”: Elliot Easton on the emotional rollercoaster that helped him record one of his most iconic guitar solos
    The Cars guitarist was particularly proud of the part he wrote, but was reduced to tears by his bandmates' initial reaction

    guitarworld.com/news/elliot-ea

    #ElliotEaston #TheCars #TouchAndGo #GuitarSolo #EmotionalRollercoaster #IconicSolo #SteelyDan

  6. #TheMetalDogArticleList
    #guitarworld
    “I blew up. I had tears in my eyes because I was so upset. I grabbed the guitar, and I just ripped through it”: Elliot Easton on the emotional rollercoaster that helped him record one of his most iconic guitar solos
    The Cars guitarist was particularly proud of the part he wrote, but was reduced to tears by his bandmates' initial reaction

    guitarworld.com/news/elliot-ea

    #ElliotEaston #TheCars #TouchAndGo #GuitarSolo #EmotionalRollercoaster #IconicSolo #SteelyDan

  7. @REEL

    I could be wrong but it feels to me like the late '70s, when punk arrived and then, more importantly for me, all the post-punk '80s indie labels.

    That gave us #Mute, #TwoTone, #Stiff, #TouchAndGo, #K, #Postcard, #CherryRed, #Creation, #SarahRecords, #SubwayRecords, #BlastFirst and all the others. It was great until they folded / were bought by majors.

    I feel like the #Fediverse might be that again but for where we are now.

    Something that cannot be bought, cannot be centralised.

  8. @REEL

    I could be wrong but it feels to me like the late '70s, when punk arrived and then, more importantly for me, all the post-punk '80s indie labels.

    That gave us #Mute, #TwoTone, #Stiff, #TouchAndGo, #K, #Postcard, #CherryRed, #Creation, #SarahRecords, #SubwayRecords, #BlastFirst and all the others. It was great until they folded / were bought by majors.

    I feel like the #Fediverse might be that again but for where we are now.

    Something that cannot be bought, cannot be centralised.

  9. @REEL

    I could be wrong but it feels to me like the late '70s, when punk arrived and then, more importantly for me, all the post-punk '80s indie labels.

    That gave us #Mute, #TwoTone, #Stiff, #TouchAndGo, #K, #Postcard, #CherryRed, #Creation, #SarahRecords, #SubwayRecords, #BlastFirst and all the others. It was great until they folded / were bought by majors.

    I feel like the #Fediverse might be that again but for where we are now.

    Something that cannot be bought, cannot be centralised.

  10. @REEL

    I could be wrong but it feels to me like the late '70s, when punk arrived and then, more importantly for me, all the post-punk '80s indie labels.

    That gave us , , , , , , , , , , and all the others. It was great until they folded / were bought by majors.

    I feel like the might be that again but for where we are now.

    Something that cannot be bought, cannot be centralised.

  11. @REEL

    I could be wrong but it feels to me like the late '70s, when punk arrived and then, more importantly for me, all the post-punk '80s indie labels.

    That gave us #Mute, #TwoTone, #Stiff, #TouchAndGo, #K, #Postcard, #CherryRed, #Creation, #SarahRecords, #SubwayRecords, #BlastFirst and all the others. It was great until they folded / were bought by majors.

    I feel like the #Fediverse might be that again but for where we are now.

    Something that cannot be bought, cannot be centralised.

  12. @sekka yeah, noone likes or even |s - espechally not in commercial passenger aviation...

  13. @sekka yeah, noone likes #TouchAndGo or even #Tailstrike|s - espechally not in commercial passenger aviation...

  14. @sekka yeah, noone likes #TouchAndGo or even #Tailstrike|s - espechally not in commercial passenger aviation...