#thehirscheffekt — Public Fediverse posts

Es gibt Bands, bei denen es erst beim zweiten oder dritten Anlauf „Klick" macht. THE HIRSCH EFFEKT gehören in diese Kategorie. Wer sie früher als zu sperrig abgetan hat, kommt spätestens jetzt an ihrem neuen Werk „Der Brauch" nicht mehr vorbei – ein Album, das mit seiner düsteren Atmosphäre, der fetten Produktion und den komplexen Songstrukturen vielleicht schon jetzt den Titel „Album des Jahres" beansprucht.

Am 5. März machten die Hannoveraner im Badehaus Berlin Station. Was eigentlich auf die größeren Bühnen der Stadt gehört, verwandelte sich so in ein intimes, hochenergetisches „Familientreffen". #thehirscheffekt

https://www.burnyourears.de/live/54823-the-hirsch-effekt-im-berliner-badehaus-familiaeres-spektakel-zwischen-komplexitaet-und-klanggewalt.html

The Hirsch Effekt – Der Brauch Review

Motivation can be a tricky thing. Take me, for instance—it’s my first review of 2026, and I’m already…
#NewsBeep #News #Music #2026 #3.0 #Dawnwalker #DerBrauch #Entertainment #GermanMetal #Jan26 #LongBranchRecords #ProgressiveMetal #review #Reviews #TheHirschEffekt #UK #UnitedKingdom
https://www.newsbeep.com/uk/416926/

https://www.europesays.com/uk/753734/ The Hirsch Effekt – Der Brauch Review #2026 #3.0 #Dawnwalker #DerBrauch #Entertainment #GermanMetal #Jan26 #LongBranchRecords #music #ProgressiveMetal #Review #Reviews #TheHirschEffekt #UK #UnitedKingdom

Motivation can be a tricky thing. Take me, for instance—it’s my first review of 2026, and I’m already starting it later in the month than I meant to. For me, motivation has been a bit lacking. Now look at the subject of my first review, Der Brauch (“The Need”) from German progressive metal act The Hirsch Effekt. This is their seventh full-length release in sixteen years of existence, a commendable testament to motivation, at the very least. And while putting pen to paper (figuratively) can be a hard thing to do, I love writing about a motivated group. Though I hadn’t heard of The Hirsch Effekt before this year, I was eager to explore their unique take on progressive metal.

And progressive it is! Though perhaps the band would disagree with me—they describe their sound as being “rooted in Postpunk, Postrock, Artcore, Progressive Metal, Pop and classical music.” It’s an interesting blend with a couple of notable outliers, but frankly, that’s how I like my music. Lead vocalist and guitarist Nils Wittrock’s style could fit fairly well in most of those styles, a clean, somber croon with a hardcore edge—or vice versa, depending on the song. Bassist Ilja John Lappin lends his cello to proceedings, giving Der Brauch a symphonic, classical side that softens its otherwise loud approach. This, in turn, forces drummer Moritz Schmidt to be something of a chameleon, adapting to each of the aforementioned styles as songs demand. The result is a loud, hardcore-ish sound rooted in progressive metal that is nevertheless “nice” to listen to.

Der Brauch by The Hirsch Effekt

…or so it may appear at first glance. Truer is that Der Brauch is very much a multifaceted album and The Hirsch Effekt have a lot of tricks up their sleeves. Songs like “Das Seil” lean into their art/classical stylings, with lengthy, complex guitar noodling and cello support. It builds to a dramatic metal flourish and demonstrates much skill from each musician. Elsewhere, “Der Doppelgägner” features notably more intense guitar work, leaning towards the more extreme side of progressive metal. “Die Brücke,” on the other hand, is slow and dream-like, reminding me of Dawnwalker in the way it covers a lot of ground, seemingly in no rush to do so. Lastly, “Das Nachsehen” treads symphonic metal territory, using the cello as a lead instrument and building a genuinely dramatic sound. Throughout, the three bandmates, all of them vocalists, sing, growl, and scream their way through each style as needed.

So there’s a lot happening here; The Hirsch Effekt is a dodecahedron of ideas on Der Brauch, something you may see as a strength or weakness depending on your preferences. I could argue, for example, that Der Brauch doesn’t have very strong flow as a complete album because the sound is constantly changing. You might return that the sound they cultivate is unmistakably theirs, and so it really isn’t that big a deal. For my part, I like their melodic leanings the best—the dramatic “Das Nachsehen” and surprisingly catchy “Der Brauch” in particular, with their huge choruses and passionate performances. By contrast, the longer, more wandering pieces like “Die Lüge” don’t land so well, and as a resul,t I find Der Brauch lags a little in the middle. I wouldn’t have minded if it were a bit less than its 49-minute runtime, despite the impressive array of ideas contained therein.

But all that is me. Really, The Hirsch Effekt has enough ideas and styles that it’s a hard album to put a number or description on. I’ve certainly enjoyed it, and will likely return to it after this review is published. But I think a lot of people will have varied experiences with Der Brauch (more so than the average album, I mean). It’s a fascinating listen, one that reveals more and more with every spin; strong, explorative, and motivated for sure.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Long Branch Records
Websites: thehirscheffekt.bandcamp.com | thehirscheffekt.de | facebook.com/thehirscheffekt
Releases Worldwide: January 30th, 2026

Motivation can be a tricky thing. Take me, for instance—it’s my first review of 2026, and I’m already starting it later in the month than I meant to. For me, motivation has been a bit lacking. Now look at the subject of my first review, Der Brauch (“The Need”) from German progressive metal act The Hirsch Effekt. This is their seventh full-length release in sixteen years of existence, a commendable testament to motivation, at the very least. And while putting pen to paper (figuratively) can be a hard thing to do, I love writing about a motivated group. Though I hadn’t heard of The Hirsch Effekt before this year, I was eager to explore their unique take on progressive metal.

And progressive it is! Though perhaps the band would disagree with me—they describe their sound as being “rooted in Postpunk, Postrock, Artcore, Progressive Metal, Pop and classical music.” It’s an interesting blend with a couple of notable outliers, but frankly, that’s how I like my music. Lead vocalist and guitarist Nils Wittrock’s style could fit fairly well in most of those styles, a clean, somber croon with a hardcore edge—or vice versa, depending on the song. Bassist Ilja John Lappin lends his cello to proceedings, giving Der Brauch a symphonic, classical side that softens its otherwise loud approach. This, in turn, forces drummer Moritz Schmidt to be something of a chameleon, adapting to each of the aforementioned styles as songs demand. The result is a loud, hardcore-ish sound rooted in progressive metal that is nevertheless “nice” to listen to.

Der Brauch by The Hirsch Effekt

…or so it may appear at first glance. Truer is that Der Brauch is very much a multifaceted album and The Hirsch Effekt have a lot of tricks up their sleeves. Songs like “Das Seil” lean into their art/classical stylings, with lengthy, complex guitar noodling and cello support. It builds to a dramatic metal flourish and demonstrates much skill from each musician. Elsewhere, “Der Doppelgägner” features notably more intense guitar work, leaning towards the more extreme side of progressive metal. “Die Brücke,” on the other hand, is slow and dream-like, reminding me of Dawnwalker in the way it covers a lot of ground, seemingly in no rush to do so. Lastly, “Das Nachsehen” treads symphonic metal territory, using the cello as a lead instrument and building a genuinely dramatic sound. Throughout, the three bandmates, all of them vocalists, sing, growl, and scream their way through each style as needed.

So there’s a lot happening here; The Hirsch Effekt is a dodecahedron of ideas on Der Brauch, something you may see as a strength or weakness depending on your preferences. I could argue, for example, that Der Brauch doesn’t have very strong flow as a complete album because the sound is constantly changing. You might return that the sound they cultivate is unmistakably theirs, and so it really isn’t that big a deal. For my part, I like their melodic leanings the best—the dramatic “Das Nachsehen” and surprisingly catchy “Der Brauch” in particular, with their huge choruses and passionate performances. By contrast, the longer, more wandering pieces like “Die Lüge” don’t land so well, and as a resul,t I find Der Brauch lags a little in the middle. I wouldn’t have minded if it were a bit less than its 49-minute runtime, despite the impressive array of ideas contained therein.

But all that is me. Really, The Hirsch Effekt has enough ideas and styles that it’s a hard album to put a number or description on. I’ve certainly enjoyed it, and will likely return to it after this review is published. But I think a lot of people will have varied experiences with Der Brauch (more so than the average album, I mean). It’s a fascinating listen, one that reveals more and more with every spin; strong, explorative, and motivated for sure.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Long Branch Records
Websites: thehirscheffekt.bandcamp.com | thehirscheffekt.de | facebook.com/thehirscheffekt
Releases Worldwide: January 30th, 2026

Motivation can be a tricky thing. Take me, for instance—it’s my first review of 2026, and I’m already starting it later in the month than I meant to. For me, motivation has been a bit lacking. Now look at the subject of my first review, Der Brauch (“The Need”) from German progressive metal act The Hirsch Effekt. This is their seventh full-length release in sixteen years of existence, a commendable testament to motivation, at the very least. And while putting pen to paper (figuratively) can be a hard thing to do, I love writing about a motivated group. Though I hadn’t heard of The Hirsch Effekt before this year, I was eager to explore their unique take on progressive metal.

And progressive it is! Though perhaps the band would disagree with me—they describe their sound as being “rooted in Postpunk, Postrock, Artcore, Progressive Metal, Pop and classical music.” It’s an interesting blend with a couple of notable outliers, but frankly, that’s how I like my music. Lead vocalist and guitarist Nils Wittrock’s style could fit fairly well in most of those styles, a clean, somber croon with a hardcore edge—or vice versa, depending on the song. Bassist Ilja John Lappin lends his cello to proceedings, giving Der Brauch a symphonic, classical side that softens its otherwise loud approach. This, in turn, forces drummer Moritz Schmidt to be something of a chameleon, adapting to each of the aforementioned styles as songs demand. The result is a loud, hardcore-ish sound rooted in progressive metal that is nevertheless “nice” to listen to.

Der Brauch by The Hirsch Effekt

…or so it may appear at first glance. Truer is that Der Brauch is very much a multifaceted album and The Hirsch Effekt have a lot of tricks up their sleeves. Songs like “Das Seil” lean into their art/classical stylings, with lengthy, complex guitar noodling and cello support. It builds to a dramatic metal flourish and demonstrates much skill from each musician. Elsewhere, “Der Doppelgägner” features notably more intense guitar work, leaning towards the more extreme side of progressive metal. “Die Brücke,” on the other hand, is slow and dream-like, reminding me of Dawnwalker in the way it covers a lot of ground, seemingly in no rush to do so. Lastly, “Das Nachsehen” treads symphonic metal territory, using the cello as a lead instrument and building a genuinely dramatic sound. Throughout, the three bandmates, all of them vocalists, sing, growl, and scream their way through each style as needed.

So there’s a lot happening here; The Hirsch Effekt is a dodecahedron of ideas on Der Brauch, something you may see as a strength or weakness depending on your preferences. I could argue, for example, that Der Brauch doesn’t have very strong flow as a complete album because the sound is constantly changing. You might return that the sound they cultivate is unmistakably theirs, and so it really isn’t that big a deal. For my part, I like their melodic leanings the best—the dramatic “Das Nachsehen” and surprisingly catchy “Der Brauch” in particular, with their huge choruses and passionate performances. By contrast, the longer, more wandering pieces like “Die Lüge” don’t land so well, and as a resul,t I find Der Brauch lags a little in the middle. I wouldn’t have minded if it were a bit less than its 49-minute runtime, despite the impressive array of ideas contained therein.

But all that is me. Really, The Hirsch Effekt has enough ideas and styles that it’s a hard album to put a number or description on. I’ve certainly enjoyed it, and will likely return to it after this review is published. But I think a lot of people will have varied experiences with Der Brauch (more so than the average album, I mean). It’s a fascinating listen, one that reveals more and more with every spin; strong, explorative, and motivated for sure.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Long Branch Records
Websites: thehirscheffekt.bandcamp.com | thehirscheffekt.de | facebook.com/thehirscheffekt
Releases Worldwide: January 30th, 2026

Motivation can be a tricky thing. Take me, for instance—it’s my first review of 2026, and I’m already starting it later in the month than I meant to. For me, motivation has been a bit lacking. Now look at the subject of my first review, Der Brauch (“The Need”) from German progressive metal act The Hirsch Effekt. This is their seventh full-length release in sixteen years of existence, a commendable testament to motivation, at the very least. And while putting pen to paper (figuratively) can be a hard thing to do, I love writing about a motivated group. Though I hadn’t heard of The Hirsch Effekt before this year, I was eager to explore their unique take on progressive metal.

And progressive it is! Though perhaps the band would disagree with me—they describe their sound as being “rooted in Postpunk, Postrock, Artcore, Progressive Metal, Pop and classical music.” It’s an interesting blend with a couple of notable outliers, but frankly, that’s how I like my music. Lead vocalist and guitarist Nils Wittrock’s style could fit fairly well in most of those styles, a clean, somber croon with a hardcore edge—or vice versa, depending on the song. Bassist Ilja John Lappin lends his cello to proceedings, giving Der Brauch a symphonic, classical side that softens its otherwise loud approach. This, in turn, forces drummer Moritz Schmidt to be something of a chameleon, adapting to each of the aforementioned styles as songs demand. The result is a loud, hardcore-ish sound rooted in progressive metal that is nevertheless “nice” to listen to.

Der Brauch by The Hirsch Effekt

…or so it may appear at first glance. Truer is that Der Brauch is very much a multifaceted album and The Hirsch Effekt have a lot of tricks up their sleeves. Songs like “Das Seil” lean into their art/classical stylings, with lengthy, complex guitar noodling and cello support. It builds to a dramatic metal flourish and demonstrates much skill from each musician. Elsewhere, “Der Doppelgägner” features notably more intense guitar work, leaning towards the more extreme side of progressive metal. “Die Brücke,” on the other hand, is slow and dream-like, reminding me of Dawnwalker in the way it covers a lot of ground, seemingly in no rush to do so. Lastly, “Das Nachsehen” treads symphonic metal territory, using the cello as a lead instrument and building a genuinely dramatic sound. Throughout, the three bandmates, all of them vocalists, sing, growl, and scream their way through each style as needed.

So there’s a lot happening here; The Hirsch Effekt is a dodecahedron of ideas on Der Brauch, something you may see as a strength or weakness depending on your preferences. I could argue, for example, that Der Brauch doesn’t have very strong flow as a complete album because the sound is constantly changing. You might return that the sound they cultivate is unmistakably theirs, and so it really isn’t that big a deal. For my part, I like their melodic leanings the best—the dramatic “Das Nachsehen” and surprisingly catchy “Der Brauch” in particular, with their huge choruses and passionate performances. By contrast, the longer, more wandering pieces like “Die Lüge” don’t land so well, and as a resul,t I find Der Brauch lags a little in the middle. I wouldn’t have minded if it were a bit less than its 49-minute runtime, despite the impressive array of ideas contained therein.

But all that is me. Really, The Hirsch Effekt has enough ideas and styles that it’s a hard album to put a number or description on. I’ve certainly enjoyed it, and will likely return to it after this review is published. But I think a lot of people will have varied experiences with Der Brauch (more so than the average album, I mean). It’s a fascinating listen, one that reveals more and more with every spin; strong, explorative, and motivated for sure.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Long Branch Records
Websites: thehirscheffekt.bandcamp.com | thehirscheffekt.de | facebook.com/thehirscheffekt
Releases Worldwide: January 30th, 2026

Motivation can be a tricky thing. Take me, for instance—it’s my first review of 2026, and I’m already starting it later in the month than I meant to. For me, motivation has been a bit lacking. Now look at the subject of my first review, Der Brauch (“The Need”) from German progressive metal act The Hirsch Effekt. This is their seventh full-length release in sixteen years of existence, a commendable testament to motivation, at the very least. And while putting pen to paper (figuratively) can be a hard thing to do, I love writing about a motivated group. Though I hadn’t heard of The Hirsch Effekt before this year, I was eager to explore their unique take on progressive metal.

And progressive it is! Though perhaps the band would disagree with me—they describe their sound as being “rooted in Postpunk, Postrock, Artcore, Progressive Metal, Pop and classical music.” It’s an interesting blend with a couple of notable outliers, but frankly, that’s how I like my music. Lead vocalist and guitarist Nils Wittrock’s style could fit fairly well in most of those styles, a clean, somber croon with a hardcore edge—or vice versa, depending on the song. Bassist Ilja John Lappin lends his cello to proceedings, giving Der Brauch a symphonic, classical side that softens its otherwise loud approach. This, in turn, forces drummer Moritz Schmidt to be something of a chameleon, adapting to each of the aforementioned styles as songs demand. The result is a loud, hardcore-ish sound rooted in progressive metal that is nevertheless “nice” to listen to.

Der Brauch by The Hirsch Effekt

…or so it may appear at first glance. Truer is that Der Brauch is very much a multifaceted album and The Hirsch Effekt have a lot of tricks up their sleeves. Songs like “Das Seil” lean into their art/classical stylings, with lengthy, complex guitar noodling and cello support. It builds to a dramatic metal flourish and demonstrates much skill from each musician. Elsewhere, “Der Doppelgägner” features notably more intense guitar work, leaning towards the more extreme side of progressive metal. “Die Brücke,” on the other hand, is slow and dream-like, reminding me of Dawnwalker in the way it covers a lot of ground, seemingly in no rush to do so. Lastly, “Das Nachsehen” treads symphonic metal territory, using the cello as a lead instrument and building a genuinely dramatic sound. Throughout, the three bandmates, all of them vocalists, sing, growl, and scream their way through each style as needed.

So there’s a lot happening here; The Hirsch Effekt is a dodecahedron of ideas on Der Brauch, something you may see as a strength or weakness depending on your preferences. I could argue, for example, that Der Brauch doesn’t have very strong flow as a complete album because the sound is constantly changing. You might return that the sound they cultivate is unmistakably theirs, and so it really isn’t that big a deal. For my part, I like their melodic leanings the best—the dramatic “Das Nachsehen” and surprisingly catchy “Der Brauch” in particular, with their huge choruses and passionate performances. By contrast, the longer, more wandering pieces like “Die Lüge” don’t land so well, and as a resul,t I find Der Brauch lags a little in the middle. I wouldn’t have minded if it were a bit less than its 49-minute runtime, despite the impressive array of ideas contained therein.

But all that is me. Really, The Hirsch Effekt has enough ideas and styles that it’s a hard album to put a number or description on. I’ve certainly enjoyed it, and will likely return to it after this review is published. But I think a lot of people will have varied experiences with Der Brauch (more so than the average album, I mean). It’s a fascinating listen, one that reveals more and more with every spin; strong, explorative, and motivated for sure.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Long Branch Records
Websites: thehirscheffekt.bandcamp.com | thehirscheffekt.de | facebook.com/thehirscheffekt
Releases Worldwide: January 30th, 2026

Interview: The Hirsch Effekt’s Nils & Ilja talk new album ‘Der Brauch’

#TheHirschEffekt #Interview #DerBrauch

Link: https://metalinsider.net/interviews/interview-the-hirsch-effekts-nils-ilja-talk-new-album-der-brauch

Interview: The Hirsch Effekt’s Nils & Ilja talk new album ‘Der Brauch’

#TheHirschEffekt #Interview #DerBrauch

Link: https://metalinsider.net/interviews/interview-the-hirsch-effekts-nils-ilja-talk-new-album-der-brauch

Album Review: The Hirsch Effekt – ‘Der Brauch’

#TheHirschEffekt #DerBrauch #JanuaryReleases #AlbumReview

Link: https://metalinsider.net/releases/album-review-the-hirsch-effekt-der-brauch

Album Review: The Hirsch Effekt – ‘Der Brauch’

#TheHirschEffekt #DerBrauch #JanuaryReleases #AlbumReview

Link: https://metalinsider.net/releases/album-review-the-hirsch-effekt-der-brauch

The Hirsch Effekt drop “Die Brücke” video:

#TheHirschEffekt #DieBrucke #NewSong #NewVideo #JanuaryReleases

Link: https://metalinsider.net/video/the-hirsch-effekt-drop-die-brucke-video

The Hirsch Effekt drop “Die Brücke” video:

#TheHirschEffekt #DieBrucke #NewSong #NewVideo #JanuaryReleases

Link: https://metalinsider.net/video/the-hirsch-effekt-drop-die-brucke-video

Mit "Das Nachsehen" legt das Hannoveraner Rock/Metal Trio The Hirsch Effekt eine neue Single vor. "Im Titel 'Das Nachsehen' geht es im Grunde darum, wie ich – und auch einige Menschen um mich herum – mit Konflikten umgehen", erzählt Sänger Nils Wittrock. #thehirscheffekt

https://www.burnyourears.de/news/54726-the-hirsch-effekt-neue-single-das-nachsehen-online.html

https://www.europesays.com/nl/60458/ Rolo Tomassi – In The Echo of All Dreams #2025 #Amusement #brutus #Dutch #EigenBeheer #EmployedToServe #engeland #Entertainment #GenghisTron #InTheEchoOfAllDreams #ithaca #mathcore #MnrkHeavy #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #oathbreaker #PostHardcore #ProgressieveRock #PupilSlicer #recensie #RoloTomassi #shoegaze #svalbard #TheDillingerEscapePlan #TheHirschEffekt #UnitedKindgom #VerenigdKoninkrijk #ZwareMetalen

The Hirsch Effekt haben ihr siebtes Studioalbum "Der Brauch" für den 30. Januar 2026 angekündigt. Mit dem gleichnamigen Titeltrack gibt das Trio aus Hannover bereits einen ersten Einblick in das kommende Werk. #thehirscheffekt

https://www.burnyourears.de/news/54690-the-hirsch-effekt-veroeffentlichen-neues-album-der-brauch-im-januar.html

Aktuell höre ich "Egomessiah" von Pinhead. Das Projekt eines Mitglieds von The Hirsch Effekt.

#musik #music #listeningto #metal #modernmetal #egomessiah #pinhead #thehirscheffekt

Aktuell höre ich "Egomessiah" von Pinhead. Das Projekt eines Mitglieds von The Hirsch Effekt.

#musik #music #listeningto #metal #modernmetal #egomessiah #pinhead #thehirscheffekt

Aktuell höre ich "Egomessiah" von Pinhead. Das Projekt eines Mitglieds von The Hirsch Effekt.

#musik #music #listeningto #metal #modernmetal #egomessiah #pinhead #thehirscheffekt

Aktuell höre ich "Egomessiah" von Pinhead. Das Projekt eines Mitglieds von The Hirsch Effekt.

#musik #music #listeningto #metal #modernmetal #egomessiah #pinhead #thehirscheffekt

Freitag erscheint das #Pinhead Debutalbum "Egomessiah":
Bei "Egomessiah" handelt es sich um das Debutalbum von PINHEAD, dessen einziges Mitglied der Multiinstrumentalist, Sänger & Songwriter Ilja John Lappin ist (bekannt als Bassist & Sänger von "The Hirsch Effekt"). #thehirscheffekt #metalheadclub #plattenladen #lpcafewien #musik

Freitag erscheint das #Pinhead Debutalbum "Egomessiah":
Bei "Egomessiah" handelt es sich um das Debutalbum von PINHEAD, dessen einziges Mitglied der Multiinstrumentalist, Sänger & Songwriter Ilja John Lappin ist (bekannt als Bassist & Sänger von "The Hirsch Effekt"). #thehirscheffekt #metalheadclub #plattenladen #lpcafewien #musik

Wie ich dieses Jahr wieder auf dieses Festival freue! 🤩

#gloomaar
#postrock
#neunkirchen
#festival
#thehirscheffekt

Wie ich dieses Jahr wieder auf dieses Festival freue! 🤩

#gloomaar
#postrock
#neunkirchen
#festival
#thehirscheffekt

Wie ich dieses Jahr wieder auf dieses Festival freue! 🤩

#gloomaar
#postrock
#neunkirchen
#festival
#thehirscheffekt

Damn lots of good music (I didn't listen to yet) came out recently:

#SignOfThingsToCome by #Sylosis: https://songwhip.com/sylosis/a-sign-of-things-to-come

#PlayingRobotsIntoHeaven by #JamesBlake: https://songwhip.com/james-blake/playing-robots-into-heaven

#Granica by #TheHirschEffekt: https://songwhip.com/the-hirsch-effekt/granica

#TheLow by #ForestSwords: https://songwhip.com/forest-swords/thelow

#Endling by #Kvelertak: https://songwhip.com/kvelertak/endling-3

When am I supposed to listen to all this 😭

#NewMusic #NewMusicFriday #Metal #Rock #Pop

Damn lots of good music (I didn't listen to yet) came out recently:

#SignOfThingsToCome by #Sylosis: https://songwhip.com/sylosis/a-sign-of-things-to-come

#PlayingRobotsIntoHeaven by #JamesBlake: https://songwhip.com/james-blake/playing-robots-into-heaven

#Granica by #TheHirschEffekt: https://songwhip.com/the-hirsch-effekt/granica

#TheLow by #ForestSwords: https://songwhip.com/forest-swords/thelow

#Endling by #Kvelertak: https://songwhip.com/kvelertak/endling-3

When am I supposed to listen to all this 😭

#NewMusic #NewMusicFriday #Metal #Rock #Pop

Damn lots of good music (I didn't listen to yet) came out recently:

#SignOfThingsToCome by #Sylosis: https://songwhip.com/sylosis/a-sign-of-things-to-come

#PlayingRobotsIntoHeaven by #JamesBlake: https://songwhip.com/james-blake/playing-robots-into-heaven

#Granica by #TheHirschEffekt: https://songwhip.com/the-hirsch-effekt/granica

#TheLow by #ForestSwords: https://songwhip.com/forest-swords/thelow

#Endling by #Kvelertak: https://songwhip.com/kvelertak/endling-3

When am I supposed to listen to all this 😭

#NewMusic #NewMusicFriday #Metal #Rock #Pop

Damn lots of good music (I didn't listen to yet) came out recently:

#SignOfThingsToCome by #Sylosis: https://songwhip.com/sylosis/a-sign-of-things-to-come

#PlayingRobotsIntoHeaven by #JamesBlake: https://songwhip.com/james-blake/playing-robots-into-heaven

#Granica by #TheHirschEffekt: https://songwhip.com/the-hirsch-effekt/granica

#TheLow by #ForestSwords: https://songwhip.com/forest-swords/thelow

#Endling by #Kvelertak: https://songwhip.com/kvelertak/endling-3

When am I supposed to listen to all this 😭

#NewMusic #NewMusicFriday #Metal #Rock #Pop

Damn lots of good music (I didn't listen to yet) came out recently:

#SignOfThingsToCome by #Sylosis: https://songwhip.com/sylosis/a-sign-of-things-to-come

#PlayingRobotsIntoHeaven by #JamesBlake: https://songwhip.com/james-blake/playing-robots-into-heaven

#Granica by #TheHirschEffekt: https://songwhip.com/the-hirsch-effekt/granica

#TheLow by #ForestSwords: https://songwhip.com/forest-swords/thelow

#Endling by #Kvelertak: https://songwhip.com/kvelertak/endling-3

When am I supposed to listen to all this 😭

#NewMusic #NewMusicFriday #Metal #Rock #Pop

#TheMetalDogArticleList
#BraveWords
THE HIRSCH EFFEKT Streaming New Single "Otus"; Audio
Disguised as progressive metal, Germany's The Hirsch Effekt are once more twisting habits on their sixth full-length album Urian, out September 29 via Long Branch Records. The new album dives musically deep into the increasingly obtrusive ambivalence between crises and everyday life. Today, the band shares their new single...

https://bravewords.com/news/the-hirsch-effekt-streaming-new-single-otus-audio

#TheHirschEffekt #Otus #NewSingle

#TheMetalDogArticleList
#BraveWords
THE HIRSCH EFFEKT Streaming New Single "Otus"; Audio
Disguised as progressive metal, Germany's The Hirsch Effekt are once more twisting habits on their sixth full-length album Urian, out September 29 via Long Branch Records. The new album dives musically deep into the increasingly obtrusive ambivalence between crises and everyday life. Today, the band shares their new single...

https://bravewords.com/news/the-hirsch-effekt-streaming-new-single-otus-audio

#TheHirschEffekt #Otus #NewSingle

#TheMetalDogArticleList
#BraveWords
THE HIRSCH EFFEKT Streaming New Single "Otus"; Audio
Disguised as progressive metal, Germany's The Hirsch Effekt are once more twisting habits on their sixth full-length album Urian, out September 29 via Long Branch Records. The new album dives musically deep into the increasingly obtrusive ambivalence between crises and everyday life. Today, the band shares their new single...

https://bravewords.com/news/the-hirsch-effekt-streaming-new-single-otus-audio

#TheHirschEffekt #Otus #NewSingle

#TheMetalDogArticleList
#BraveWords
THE HIRSCH EFFEKT Streaming New Single "Otus"; Audio
Disguised as progressive metal, Germany's The Hirsch Effekt are once more twisting habits on their sixth full-length album Urian, out September 29 via Long Branch Records. The new album dives musically deep into the increasingly obtrusive ambivalence between crises and everyday life. Today, the band shares their new single...

https://bravewords.com/news/the-hirsch-effekt-streaming-new-single-otus-audio

#TheHirschEffekt #Otus #NewSingle

#TheMetalDogArticleList
#BraveWords
THE HIRSCH EFFEKT Streaming New Single "Otus"; Audio
Disguised as progressive metal, Germany's The Hirsch Effekt are once more twisting habits on their sixth full-length album Urian, out September 29 via Long Branch Records. The new album dives musically deep into the increasingly obtrusive ambivalence between crises and everyday life. Today, the band shares their new single...

https://bravewords.com/news/the-hirsch-effekt-streaming-new-single-otus-audio

#TheHirschEffekt #Otus #NewSingle

Video repost #thehirscheffekt ✨
Their sixth full length album "Urian" will see the light of the day on September 29th 2023.

Pre-order: https://thehirscheffekt.lnk.to/urian
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.
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#sethpicturesmusic #sethabrikoos #oktoberpromo #progmetal #metalcore #longbranchrecords

🤘✌️

Video repost #thehirscheffekt ✨
Their sixth full length album "Urian" will see the light of the day on September 29th 2023.

Pre-order: https://thehirscheffekt.lnk.to/urian
.
.
.
#sethpicturesmusic #sethabrikoos #oktoberpromo #progmetal #metalcore #longbranchrecords

🤘✌️

Video repost #thehirscheffekt ✨
Their sixth full length album "Urian" will see the light of the day on September 29th 2023.

Pre-order: https://thehirscheffekt.lnk.to/urian
.
.
.
#sethpicturesmusic #sethabrikoos #oktoberpromo #progmetal #metalcore #longbranchrecords

🤘✌️

Video repost #thehirscheffekt ✨
Their sixth full length album "Urian" will see the light of the day on September 29th 2023.

Pre-order: https://thehirscheffekt.lnk.to/urian
.
.
.
#sethpicturesmusic #sethabrikoos #oktoberpromo #progmetal #metalcore #longbranchrecords

🤘✌️

some #TheHirschEffekt songs

ATHESIE https://redirect.invidious.io/watch?v=9VlHOlrYcO8
Agnosie https://redirect.invidious.io/watch?v=riRHApRO9Nw
Agitation https://redirect.invidious.io/watch?v=pUpSriTOZ20

some #TheHirschEffekt songs

ATHESIE https://redirect.invidious.io/watch?v=9VlHOlrYcO8
Agnosie https://redirect.invidious.io/watch?v=riRHApRO9Nw
Agitation https://redirect.invidious.io/watch?v=pUpSriTOZ20