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#textileart — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #textileart, aggregated by home.social.

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  1. Interesting thoughts about Kaffe Fassett.

    Many years ago I could attend a talk he gave at the needleart fair "Nadelwelt" in Karlsruhe - must have been around 2008 or so.

    Very inspiring, very interesting. I still can't for the life of me work with color, but I love his art.

    youtu.be/w57K1jYFxgk

    #fiberarts #textileart @fiberarts

  2. Interesting thoughts about Kaffe Fassett.

    Many years ago I could attend a talk he gave at the needleart fair "Nadelwelt" in Karlsruhe - must have been around 2008 or so.

    Very inspiring, very interesting. I still can't for the life of me work with color, but I love his art.

    youtu.be/w57K1jYFxgk

    #fiberarts #textileart @fiberarts

  3. Interesting thoughts about Kaffe Fassett.

    Many years ago I could attend a talk he gave at the needleart fair "Nadelwelt" in Karlsruhe - must have been around 2008 or so.

    Very inspiring, very interesting. I still can't for the life of me work with color, but I love his art.

    youtu.be/w57K1jYFxgk

    #fiberarts #textileart @fiberarts

  4. Interesting thoughts about Kaffe Fassett.

    Many years ago I could attend a talk he gave at the needleart fair "Nadelwelt" in Karlsruhe - must have been around 2008 or so.

    Very inspiring, very interesting. I still can't for the life of me work with color, but I love his art.

    youtu.be/w57K1jYFxgk

    #fiberarts #textileart @fiberarts

  5. Interesting thoughts about Kaffe Fassett.

    Many years ago I could attend a talk he gave at the needleart fair "Nadelwelt" in Karlsruhe - must have been around 2008 or so.

    Very inspiring, very interesting. I still can't for the life of me work with color, but I love his art.

    youtu.be/w57K1jYFxgk

    #fiberarts #textileart @fiberarts

  6. I've spent much of today going through this incredible archive of work by British-Indian textile artist Surjeet Husain: surjeethusain.com/

    If you’re interested in Indian embroidery — particularly kantha, phulkari, and mirror-work — this is a super-useful resource. (There are no instructions, but the photos are very clear.)

    I found out about this via another South London artist, PiNS ( pinspired.com/ ) who I met at the Museum of Croydon many years ago. His work is very different, but also well worth a look.

    #Embroidery #Kantha #TextileArt

  7. I've spent much of today going through this incredible archive of work by British-Indian textile artist Surjeet Husain: surjeethusain.com/

    If you’re interested in Indian embroidery — particularly kantha, phulkari, and mirror-work — this is a super-useful resource. (There are no instructions, but the photos are very clear.)

    I found out about this via another South London artist, PiNS ( pinspired.com/ ) who I met at the Museum of Croydon many years ago. His work is very different, but also well worth a look.

    #Embroidery #Kantha #TextileArt

  8. I've spent much of today going through this incredible archive of work by British-Indian textile artist Surjeet Husain: surjeethusain.com/

    If you’re interested in Indian embroidery — particularly kantha, phulkari, and mirror-work — this is a super-useful resource. (There are no instructions, but the photos are very clear.)

    I found out about this via another South London artist, PiNS ( pinspired.com/ ) who I met at the Museum of Croydon many years ago. His work is very different, but also well worth a look.

    #Embroidery #Kantha #TextileArt

  9. I've spent much of today going through this incredible archive of work by British-Indian textile artist Surjeet Husain: surjeethusain.com/

    If you’re interested in Indian embroidery — particularly kantha, phulkari, and mirror-work — this is a super-useful resource. (There are no instructions, but the photos are very clear.)

    I found out about this via another South London artist, PiNS ( pinspired.com/ ) who I met at the Museum of Croydon many years ago. His work is very different, but also well worth a look.

    #Embroidery #Kantha #TextileArt

  10. I've spent much of today going through this incredible archive of work by British-Indian textile artist Surjeet Husain: surjeethusain.com/

    If you’re interested in Indian embroidery — particularly kantha, phulkari, and mirror-work — this is a super-useful resource. (There are no instructions, but the photos are very clear.)

    I found out about this via another South London artist, PiNS ( pinspired.com/ ) who I met at the Museum of Croydon many years ago. His work is very different, but also well worth a look.

    #Embroidery #Kantha #TextileArt

  11. The sari keeps evolving because tradition was never as static as museums sometimes make it look.

    The Offbeat Sari is currently touring in Melbourne.

    designmuseum.org/exhibitions/...

    #FashionDesign #TextileArt

    See a Touring Exhibition

  12. Gold-threaded waves ripple beneath a xiezhi, its coiled horn catching the light against deep indigo silk. This mythical censor’s badge merges imperial authority with cosmic order—how does the creature’s stance reinforce its role as moral arbiter?

    #ClevelandMuseumofArt #QingDynasty #TextileArt
    clevelandart.org/art/1948.72

  13. Gold-threaded waves ripple beneath a xiezhi, its coiled horn catching the light against deep indigo silk. This mythical censor’s badge merges imperial authority with cosmic order—how does the creature’s stance reinforce its role as moral arbiter?

    #ClevelandMuseumofArt #QingDynasty #TextileArt
    clevelandart.org/art/1948.72

  14. Gold-threaded waves ripple beneath a xiezhi, its coiled horn catching the light against deep indigo silk. This mythical censor’s badge merges imperial authority with cosmic order—how does the creature’s stance reinforce its role as moral arbiter?

    #ClevelandMuseumofArt #QingDynasty #TextileArt
    clevelandart.org/art/1948.72

  15. Christine Borland obituary
    By Sorcha Dallas

    Turner prize nominee whose installations, sculptures and films returned repeatedly to the histories embedded within bodies

    theguardian.com/artanddesign/2

    #Art #Textileart #Sculpture #Ceramics #Culture #Artanddesign #TheGuardian #SorchaDallas

  16. Christine Borland obituary
    By Sorcha Dallas

    Turner prize nominee whose installations, sculptures and films returned repeatedly to the histories embedded within bodies

    theguardian.com/artanddesign/2

    #Art #Textileart #Sculpture #Ceramics #Culture #Artanddesign #TheGuardian #SorchaDallas

  17. Christine Borland obituary
    By Sorcha Dallas

    Turner prize nominee whose installations, sculptures and films returned repeatedly to the histories embedded within bodies

    theguardian.com/artanddesign/2

    #Art #Textileart #Sculpture #Ceramics #Culture #Artanddesign #TheGuardian #SorchaDallas

  18. Went to the textile museum today which I really enjoyed. Highly recommend. In their gift shop you can buy scrap fabrics and notions and old patterns there too. The items are donated and the money raised goes to support the museum. They have free workshops too, one workshop was going on while there and it looked very friendly.

    textilemuseum.ca/

    #toronto #textileArt #art #museum

  19. Went to the textile museum today which I really enjoyed. Highly recommend. In their gift shop you can buy scrap fabrics and notions and old patterns there too. The items are donated and the money raised goes to support the museum. They have free workshops too, one workshop was going on while there and it looked very friendly.

    textilemuseum.ca/

    #toronto #textileArt #art #museum

  20. Went to the textile museum today which I really enjoyed. Highly recommend. In their gift shop you can buy scrap fabrics and notions and old patterns there too. The items are donated and the money raised goes to support the museum. They have free workshops too, one workshop was going on while there and it looked very friendly.

    textilemuseum.ca/

    #toronto #textileArt #art #museum

  21. Went to the textile museum today which I really enjoyed. Highly recommend. In their gift shop you can buy scrap fabrics and notions and old patterns there too. The items are donated and the money raised goes to support the museum. They have free workshops too, one workshop was going on while there and it looked very friendly.

    textilemuseum.ca/

    #toronto #textileArt #art #museum

  22. Went to the textile museum today which I really enjoyed. Highly recommend. In their gift shop you can buy scrap fabrics and notions and old patterns there too. The items are donated and the money raised goes to support the museum. They have free workshops too, one workshop was going on while there and it looked very friendly.

    textilemuseum.ca/

    #toronto #textileArt #art #museum

  23. Finally got around to starting my part of the embroidery/woodwork collaboration I’m doing with @bob. I don’t have a plan for what comes next; I’m just doing what seems like it might be interesting.

    Threads I’ve used so far are DMC soft cotton and DMC variegated floss. (I expect bob will probably reply to give details of the wood bit.)

    The overall idea was inspired by seeing an article about Nosheen Iqbal’s embroidery-on-wood in the March/April 2026 issue of Embroidery magazine (NB there is more than one Nosheen Iqbal on social media — this one is noshii on Instagram).

    #Embroidery #TextileArt #Woodworking

  24. Finally got around to starting my part of the embroidery/woodwork collaboration I’m doing with @bob. I don’t have a plan for what comes next; I’m just doing what seems like it might be interesting.

    Threads I’ve used so far are DMC soft cotton and DMC variegated floss. (I expect bob will probably reply to give details of the wood bit.)

    The overall idea was inspired by seeing an article about Nosheen Iqbal’s embroidery-on-wood in the March/April 2026 issue of Embroidery magazine (NB there is more than one Nosheen Iqbal on social media — this one is noshii on Instagram).

    #Embroidery #TextileArt #Woodworking

  25. Finally got around to starting my part of the embroidery/woodwork collaboration I’m doing with @bob. I don’t have a plan for what comes next; I’m just doing what seems like it might be interesting.

    Threads I’ve used so far are DMC soft cotton and DMC variegated floss. (I expect bob will probably reply to give details of the wood bit.)

    The overall idea was inspired by seeing an article about Nosheen Iqbal’s embroidery-on-wood in the March/April 2026 issue of Embroidery magazine (NB there is more than one Nosheen Iqbal on social media — this one is noshii on Instagram).

    #Embroidery #TextileArt #Woodworking

  26. Finally got around to starting my part of the embroidery/woodwork collaboration I’m doing with @bob. I don’t have a plan for what comes next; I’m just doing what seems like it might be interesting.

    Threads I’ve used so far are DMC soft cotton and DMC variegated floss. (I expect bob will probably reply to give details of the wood bit.)

    The overall idea was inspired by seeing an article about Nosheen Iqbal’s embroidery-on-wood in the March/April 2026 issue of Embroidery magazine (NB there is more than one Nosheen Iqbal on social media — this one is noshii on Instagram).

    #Embroidery #TextileArt #Woodworking

  27. Finally got around to starting my part of the embroidery/woodwork collaboration I’m doing with @bob. I don’t have a plan for what comes next; I’m just doing what seems like it might be interesting.

    Threads I’ve used so far are DMC soft cotton and DMC variegated floss. (I expect bob will probably reply to give details of the wood bit.)

    The overall idea was inspired by seeing an article about Nosheen Iqbal’s embroidery-on-wood in the March/April 2026 issue of Embroidery magazine (NB there is more than one Nosheen Iqbal on social media — this one is noshii on Instagram).

    #Embroidery #TextileArt #Woodworking

  28. Entangled and Woven review – exquisitely spun textiles that cross borders, culture and time
    By Hannah Clugston

    The Whitworth, ManchesterManchester’s past as a centre of textile production forms the starting point of this seamless showcase of skills

    theguardian.com/artanddesign/2

    #Artanddesign #Culture #Textileart #Exhibitions #Manchester #Art #TheGuardian #HannahClugston

  29. Entangled and Woven review – exquisitely spun textiles that cross borders, culture and time
    By Hannah Clugston

    The Whitworth, ManchesterManchester’s past as a centre of textile production forms the starting point of this seamless showcase of skills

    theguardian.com/artanddesign/2

    #Artanddesign #Culture #Textileart #Exhibitions #Manchester #Art #TheGuardian #HannahClugston

  30. Entangled and Woven review – exquisitely spun textiles that cross borders, culture and time
    By Hannah Clugston

    The Whitworth, ManchesterManchester’s past as a centre of textile production forms the starting point of this seamless showcase of skills

    theguardian.com/artanddesign/2

    #Artanddesign #Culture #Textileart #Exhibitions #Manchester #Art #TheGuardian #HannahClugston

  31. Triumfa España en las Americas (The Triumph of Spain in the Americas) -- Spanish -- Late 18th century -- Block Printed Cotton --Metropolitan Museum of Art.

    What I would like to have as a throw while I watch television on the sofa tomorrow afternoon.

    #Art #TextileArt #WorldCup #SpainNationalSoccerTeam

  32. Triumfa España en las Americas (The Triumph of Spain in the Americas) -- Spanish -- Late 18th century -- Block Printed Cotton --Metropolitan Museum of Art.

    What I would like to have as a throw while I watch television on the sofa tomorrow afternoon.

    #Art #TextileArt #WorldCup #SpainNationalSoccerTeam

  33. Triumfa España en las Americas (The Triumph of Spain in the Americas) -- Spanish -- Late 18th century -- Block Printed Cotton --Metropolitan Museum of Art.

    What I would like to have as a throw while I watch television on the sofa tomorrow afternoon.

    #Art #TextileArt #WorldCup #SpainNationalSoccerTeam

  34. Triumfa España en las Americas (The Triumph of Spain in the Americas) -- Spanish -- Late 18th century -- Block Printed Cotton --Metropolitan Museum of Art.

    What I would like to have as a throw while I watch television on the sofa tomorrow afternoon.

    #Art #TextileArt #WorldCup #SpainNationalSoccerTeam

  35. Triumfa España en las Americas (The Triumph of Spain in the Americas) -- Spanish -- Late 18th century -- Block Printed Cotton --Metropolitan Museum of Art.

    What I would like to have as a throw while I watch television on the sofa tomorrow afternoon.

    #Art #TextileArt #WorldCup #SpainNationalSoccerTeam

  36. I love weaving—and the history of fabrics is deeply tied to computing!

    From the Jacquard loom (which used punch cards to automate patterns) to early computers like IBM's, textile technology laid the foundation for modern computing. Even Ada Lovelace recognized the loom's punch cards as an early form of programming.

    This art by Irene Posch and Ebru Kurbak embroidered 8-bit computers into textiles—beautiful and thoughtful work that bridges craft and code.

    ebrukurbak.net/stitching-world

    #TextileArt #ComputingHistory #JacquardLoom #FabricAndCode #TechEvolution

  37. I love weaving—and the history of fabrics is deeply tied to computing!

    From the Jacquard loom (which used punch cards to automate patterns) to early computers like IBM's, textile technology laid the foundation for modern computing. Even Ada Lovelace recognized the loom's punch cards as an early form of programming.

    This art by Irene Posch and Ebru Kurbak embroidered 8-bit computers into textiles—beautiful and thoughtful work that bridges craft and code.

    ebrukurbak.net/stitching-world

    #TextileArt #ComputingHistory #JacquardLoom #FabricAndCode #TechEvolution

  38. I love weaving—and the history of fabrics is deeply tied to computing!

    From the Jacquard loom (which used punch cards to automate patterns) to early computers like IBM's, textile technology laid the foundation for modern computing. Even Ada Lovelace recognized the loom's punch cards as an early form of programming.

    This art by Irene Posch and Ebru Kurbak embroidered 8-bit computers into textiles—beautiful and thoughtful work that bridges craft and code.

    ebrukurbak.net/stitching-world

    #TextileArt #ComputingHistory #JacquardLoom #FabricAndCode #TechEvolution

  39. I love weaving—and the history of fabrics is deeply tied to computing!

    From the Jacquard loom (which used punch cards to automate patterns) to early computers like IBM's, textile technology laid the foundation for modern computing. Even Ada Lovelace recognized the loom's punch cards as an early form of programming.

    This art by Irene Posch and Ebru Kurbak embroidered 8-bit computers into textiles—beautiful and thoughtful work that bridges craft and code.

    ebrukurbak.net/stitching-world

    #TextileArt #ComputingHistory #JacquardLoom #FabricAndCode #TechEvolution

  40. I love weaving—and the history of fabrics is deeply tied to computing!

    From the Jacquard loom (which used punch cards to automate patterns) to early computers like IBM's, textile technology laid the foundation for modern computing. Even Ada Lovelace recognized the loom's punch cards as an early form of programming.

    This art by Irene Posch and Ebru Kurbak embroidered 8-bit computers into textiles—beautiful and thoughtful work that bridges craft and code.

    ebrukurbak.net/stitching-world

    #TextileArt #ComputingHistory #JacquardLoom #FabricAndCode #TechEvolution

  41. Digging out stuff in my craft room, here’s my smocking pleater. I was gifted this by an aunt in the 90s. She was making art-to-wear jackets for upscale craft shows. I was in grad school, studying textile design. I got all manner of materials leftover and gizmos she tried.

    She knew I was really into Ana Lisa Hedstrom’s work, and passed this pleater to me. I made a few gorgeous experiments but it’s a fussy device and replacement needles seem to only come from Australia.
    #TextileArt #Sewing

  42. Digging out stuff in my craft room, here’s my smocking pleater. I was gifted this by an aunt in the 90s. She was making art-to-wear jackets for upscale craft shows. I was in grad school, studying textile design. I got all manner of materials leftover and gizmos she tried.

    She knew I was really into Ana Lisa Hedstrom’s work, and passed this pleater to me. I made a few gorgeous experiments but it’s a fussy device and replacement needles seem to only come from Australia.
    #TextileArt #Sewing