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#steve-reich — Public Fediverse posts

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  1. London Sinfonietta & Jonny Greenwood: Steve Reich – Southbank Centre, London

    Conductor: Chloe Rooke Steve Reich is 90 in a few days’ time, and to celebrate his birthday, the…
    #EuropeSays #Britain #Europe #EU #London #ChloeRooke #HermanCerisha #JonnyGreenwood #LondonSinfonietta #Music #radiohead #Review #SouthbankCentre #SteveReich
    europesays.com/britain/133582/

  2. Paraorchestra; Sinfonietta/Jonny Greenwood review – Reich’s kaleidoscopic music bursts into life
    By Clive Paget

    Southbank Centre, LondonParaorchestra’s immersive performance of Music for 18 Musicians was immaculate and exhilarating; London Sinfonietta and the Radiohead guitarist’s vibrant tribute to the almost 90-year-old composer followed

    theguardian.com/music/2026/sep

    #Classicalmusic #SteveReich #Culture #Music #TheLondonSinfonietta #TheGuardian #ClivePaget

  3. Paraorchestra; Sinfonietta/Jonny Greenwood review – Reich’s kaleidoscopic music bursts into life
    By Clive Paget

    Southbank Centre, LondonParaorchestra’s immersive performance of Music for 18 Musicians was immaculate and exhilarating; London Sinfonietta and the Radiohead guitarist’s vibrant tribute to the almost 90-year-old composer followed

    theguardian.com/music/2026/sep

    #Classicalmusic #SteveReich #Culture #Music #TheLondonSinfonietta #TheGuardian #ClivePaget

  4. Paraorchestra; Sinfonietta/Jonny Greenwood review – Reich’s kaleidoscopic music bursts into life
    By Clive Paget

    Southbank Centre, LondonParaorchestra’s immersive performance of Music for 18 Musicians was immaculate and exhilarating; London Sinfonietta and the Radiohead guitarist’s vibrant tribute to the almost 90-year-old composer followed

    theguardian.com/music/2026/sep

    #Classicalmusic #SteveReich #Culture #Music #TheLondonSinfonietta #TheGuardian #ClivePaget

  5. Paraorchestra; Sinfonietta/Jonny Greenwood review – Reich’s kaleidoscopic music bursts into life
    By Clive Paget

    Southbank Centre, LondonParaorchestra’s immersive performance of Music for 18 Musicians was immaculate and exhilarating; London Sinfonietta and the Radiohead guitarist’s vibrant tribute to the almost 90-year-old composer followed

    theguardian.com/music/2026/sep

    #Classicalmusic #SteveReich #Culture #Music #TheLondonSinfonietta #TheGuardian #ClivePaget

  6. 2. Music for 18 Musicians by #SteveReich.

    Didn’t know what to expect from a two-hour concert that started at 10 PM, but one way to remain awake while still jet-lagged was not to have any seating. I looked around at all the elderly people mixed in with a younger crowd and was even more confused. Then the performance started:

    multi-layered, short
    measures of music repeat
    hypnotic pulses

    I love live music. The lighting, the way people start moving or dancing unconsciously. While familiar with Philip Glass, I’m not with Reich. This was incredible. And inexplicably, the second half of the concert was a DJ set by ROLROLROL. WTF? I was just talking about wanting a club experience without the club and here it was, the closing night of Flanders Festival Ghent. An older couple, looking like the DJs grandparents, sat on stools right next to the booth as young people danced all around them.

    Reich’s piece performed by Het Muziek, HIIIT, and Storm in a Jar.

    #ArtVacation #Ghent #Gent #Belgium

  7. 2. Music for 18 Musicians by #SteveReich.

    Didn’t know what to expect from a two-hour concert that started at 10 PM, but one way to remain awake while still jet-lagged was not to have any seating. I looked around at all the elderly people mixed in with a younger crowd and was even more confused. Then the performance started:

    multi-layered, short
    measures of music repeat
    hypnotic pulses

    I love live music. The lighting, the way people start moving or dancing unconsciously. While familiar with Philip Glass, I’m not with Reich. This was incredible. And inexplicably, the second half of the concert was a DJ set by ROLROLROL. WTF? I was just talking about wanting a club experience without the club and here it was, the closing night of Flanders Festival Ghent. An older couple, looking like the DJs grandparents, sat on stools right next to the booth as young people danced all around them.

    Reich’s piece performed by Het Muziek, HIIIT, and Storm in a Jar.

    #ArtVacation #Ghent #Gent #Belgium

  8. 2. Music for 18 Musicians by #SteveReich.

    Didn’t know what to expect from a two-hour concert that started at 10 PM, but one way to remain awake while still jet-lagged was not to have any seating. I looked around at all the elderly people mixed in with a younger crowd and was even more confused. Then the performance started:

    multi-layered, short
    measures of music repeat
    hypnotic pulses

    I love live music. The lighting, the way people start moving or dancing unconsciously. While familiar with Philip Glass, I’m not with Reich. This was incredible. And inexplicably, the second half of the concert was a DJ set by ROLROLROL. WTF? I was just talking about wanting a club experience without the club and here it was, the closing night of Flanders Festival Ghent. An older couple, looking like the DJs grandparents, sat on stools right next to the booth as young people danced all around them.

    Reich’s piece performed by Het Muziek, HIIIT, and Storm in a Jar.

    #ArtVacation #Ghent #Gent #Belgium

  9. 2. Music for 18 Musicians by .

    Didn’t know what to expect from a two-hour concert that started at 10 PM, but one way to remain awake while still jet-lagged was not to have any seating. I looked around at all the elderly people mixed in with a younger crowd and was even more confused. Then the performance started:

    multi-layered, short
    measures of music repeat
    hypnotic pulses

    I love live music. The lighting, the way people start moving or dancing unconsciously. While familiar with Philip Glass, I’m not with Reich. This was incredible. And inexplicably, the second half of the concert was a DJ set by ROLROLROL. WTF? I was just talking about wanting a club experience without the club and here it was, the closing night of Flanders Festival Ghent. An older couple, looking like the DJs grandparents, sat on stools right next to the booth as young people danced all around them.

    Reich’s piece performed by Het Muziek, HIIIT, and Storm in a Jar.

  10. 2. Music for 18 Musicians by #SteveReich.

    Didn’t know what to expect from a two-hour concert that started at 10 PM, but one way to remain awake while still jet-lagged was not to have any seating. I looked around at all the elderly people mixed in with a younger crowd and was even more confused. Then the performance started:

    multi-layered, short
    measures of music repeat
    hypnotic pulses

    I love live music. The lighting, the way people start moving or dancing unconsciously. While familiar with Philip Glass, I’m not with Reich. This was incredible. And inexplicably, the second half of the concert was a DJ set by ROLROLROL. WTF? I was just talking about wanting a club experience without the club and here it was, the closing night of Flanders Festival Ghent. An older couple, looking like the DJs grandparents, sat on stools right next to the booth as young people danced all around them.

    Reich’s piece performed by Het Muziek, HIIIT, and Storm in a Jar.

    #ArtVacation #Ghent #Gent #Belgium

  11. The Schwarzman Centre for the Humanities at the University of Oxford has announced details of Steve Reich: Phase | Pattern | Pulse, an immersive spatial audio experience celebrating the American composer’s 90th birthday. 🔊 #stevereich #spatialaudio

    909originals.com/2026/09/21/st

  12. The Schwarzman Centre for the Humanities at the University of Oxford has announced details of Steve Reich: Phase | Pattern | Pulse, an immersive spatial audio experience celebrating the American composer’s 90th birthday. 🔊 #stevereich #spatialaudio

    909originals.com/2026/09/21/st

  13. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    theguardian.com/music/2026/sep
    #SteveReich

  14. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    theguardian.com/music/2026/sep
    #SteveReich

  15. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    theguardian.com/music/2026/sep
    #SteveReich

  16. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    theguardian.com/music/2026/sep
    #SteveReich

  17. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    theguardian.com/music/2026/sep
    #SteveReich

  18. At 14, he heard Stravinsky and resolved to be a composer. As #SteveReich approaches his 10th decade, the man revered by the likes of David Bowie reflects on a life that changed the soundtrack of modern living.

    theguardian.com/music/2026/sep

  19. At 14, he heard Stravinsky and resolved to be a composer. As #SteveReich approaches his 10th decade, the man revered by the likes of David Bowie reflects on a life that changed the soundtrack of modern living.

    theguardian.com/music/2026/sep

  20. Fair enough.

    theguardian.com/music/2026/sep

    ' Ultimately, [Steve] Reich is clear about his measure for success. "Good music is good music, and most music is not," he says emphatically. And what makes good music good? "Can you play it next to Charlie Parker? Can you play it next to Johann Sebastian Bach? Does it still sound worthwhile? If it does – hey, you got something!" '

    #minimalism #stevereich

  21. Fair enough.

    theguardian.com/music/2026/sep

    ' Ultimately, [Steve] Reich is clear about his measure for success. "Good music is good music, and most music is not," he says emphatically. And what makes good music good? "Can you play it next to Charlie Parker? Can you play it next to Johann Sebastian Bach? Does it still sound worthwhile? If it does – hey, you got something!" '

    #minimalism #stevereich

  22. Fair enough.

    theguardian.com/music/2026/sep

    ' Ultimately, [Steve] Reich is clear about his measure for success. "Good music is good music, and most music is not," he says emphatically. And what makes good music good? "Can you play it next to Charlie Parker? Can you play it next to Johann Sebastian Bach? Does it still sound worthwhile? If it does – hey, you got something!" '

    #minimalism #stevereich

  23. Fair enough.

    theguardian.com/music/2026/sep

    ' Ultimately, [Steve] Reich is clear about his measure for success. "Good music is good music, and most music is not," he says emphatically. And what makes good music good? "Can you play it next to Charlie Parker? Can you play it next to Johann Sebastian Bach? Does it still sound worthwhile? If it does – hey, you got something!" '

    #minimalism #stevereich

  24. Fair enough.

    theguardian.com/music/2026/sep

    ' Ultimately, [Steve] Reich is clear about his measure for success. "Good music is good music, and most music is not," he says emphatically. And what makes good music good? "Can you play it next to Charlie Parker? Can you play it next to Johann Sebastian Bach? Does it still sound worthwhile? If it does – hey, you got something!" '

    #minimalism #stevereich

  25. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    By Flora Willson

    At 14, he heard Stravinsky and resolved to be a composer. As Reich approaches his 10th decade, the man revered by the likes of David Bowie reflects on a life that changed the soundtrack of modern living

    theguardian.com/music/2026/sep

    #SteveReich #Classicalmusic #Culture #Music #TheGuardian #FloraWillson

  26. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    By Flora Willson

    At 14, he heard Stravinsky and resolved to be a composer. As Reich approaches his 10th decade, the man revered by the likes of David Bowie reflects on a life that changed the soundtrack of modern living

    theguardian.com/music/2026/sep

    #SteveReich #Classicalmusic #Culture #Music #TheGuardian #FloraWillson

  27. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    By Flora Willson

    At 14, he heard Stravinsky and resolved to be a composer. As Reich approaches his 10th decade, the man revered by the likes of David Bowie reflects on a life that changed the soundtrack of modern living

    theguardian.com/music/2026/sep

    #SteveReich #Classicalmusic #Culture #Music #TheGuardian #FloraWillson

  28. ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
    By Flora Willson

    At 14, he heard Stravinsky and resolved to be a composer. As Reich approaches his 10th decade, the man revered by the likes of David Bowie reflects on a life that changed the soundtrack of modern living

    theguardian.com/music/2026/sep

    #SteveReich #Classicalmusic #Culture #Music #TheGuardian #FloraWillson

  29. Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
    By Lyndsey Winship

    The radical British choreographer, who has died aged 77, was as warm and graceful as his astonishing body of work

    theguardian.com/stage/2026/sep

    #RichardAlston #Dance #Stage #Culture #SteveReich #JohannesBrahms #Rambert #Music #TheGuardian #LyndseyWinship

  30. Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
    By Lyndsey Winship

    The radical British choreographer, who has died aged 77, was as warm and graceful as his astonishing body of work

    theguardian.com/stage/2026/sep

    #RichardAlston #Dance #Stage #Culture #SteveReich #JohannesBrahms #Rambert #Music #TheGuardian #LyndseyWinship

  31. Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
    By Lyndsey Winship

    The radical British choreographer, who has died aged 77, was as warm and graceful as his astonishing body of work

    theguardian.com/stage/2026/sep

    #RichardAlston #Dance #Stage #Culture #SteveReich #JohannesBrahms #Rambert #Music #TheGuardian #LyndseyWinship

  32. Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
    By Lyndsey Winship

    The radical British choreographer, who has died aged 77, was as warm and graceful as his astonishing body of work

    theguardian.com/stage/2026/sep

    #RichardAlston #Dance #Stage #Culture #SteveReich #JohannesBrahms #Rambert #Music #TheGuardian #LyndseyWinship

  33. The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom
    By Erica Jeal

    Royal Albert Hall, LondonThe Gesualdo Six brought focus and luminous tone to a sequence of early devotional music; Reich’s Tehillim made a mesmeric and ecstatic pairing

    theguardian.com/music/2026/sep

    #Classicalmusic #Proms2026 #Culture #Music #SteveReich #TheGuardian #EricaJeal

  34. The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom
    By Erica Jeal

    Royal Albert Hall, LondonThe Gesualdo Six brought focus and luminous tone to a sequence of early devotional music; Reich’s Tehillim made a mesmeric and ecstatic pairing

    theguardian.com/music/2026/sep

    #Classicalmusic #Proms2026 #Culture #Music #SteveReich #TheGuardian #EricaJeal

  35. The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom
    By Erica Jeal

    Royal Albert Hall, LondonThe Gesualdo Six brought focus and luminous tone to a sequence of early devotional music; Reich’s Tehillim made a mesmeric and ecstatic pairing

    theguardian.com/music/2026/sep

    #Classicalmusic #Proms2026 #Culture #Music #SteveReich #TheGuardian #EricaJeal

  36. Kas kun osui Minimalismi ja Reich oli tänään juuri aiheena

    Klasariparatiisi - Eva Tigerstedt
    Minimalismi joka muuntui

    "Liikennevalon piipitys, onko se minimalismia? Tai preerian katkeamaton tuulenhumina?

    Tunnemme suuret nimet Reichista Glassiin, mutta miten musiikin minimalismi sai alkunsa, ja miten se on vaikuttanut aikamme musiikkiin?"

    📰 pressreader.com/uk/mojo-uk/202

    📻 areena.yle.fi/1-50649768