#soundsource — Public Fediverse posts

Is there a software which moves the Volume Hud back to the center of the screen in #MacOS Tahoe?

lol, before I even posted this I found https://github.com/dannystewart/volumeHUD

Sadly, it doesn't work with #SoundSource Super Volume Key.

@matdevdug never heard of it but seeing the screenshot I can see how useful it can be

#soundsource

@atpfm re: #headphones and #EQ discussion, wanted to share that https://autoeq.app exists which will output EQ configurations for an extensive list of EQ apps (#SoundSource is their recommended app for macOS) I use one of the Audio-Technica profiles for my ATH-M50s in order to get a flat response for music production use. Recommend it.

@amerpie Haven't heard of this one. Will check it out! I use #SoundSource by @RogueAmoeba to do similar things like running a compressor fx on my Teams audio to make the volume disparities less irritating.

@uliwitness @storiesofapple On the #Mac you can find this in the #macOS Control Center in your menu bar. You can even have a special menu item appear when something is playing: https://support.apple.com/guide/mac-help/change-control-center-settings-mchlad96d366/mac

#SoundSource by @RogueAmoeba goes further by optionally displaying app-specific mute-able volume meters in the menu bar, as well as controlling per-app volume, effects, and audio output destinations: https://RogueAmoeba.com/support/manuals/soundsource/?page=menubarcontrols#details-on-menu-bar-meters

Modern enough for you?

I either need to write a tool that tries to play (and simultaneously record) an audio sample and if it get's silence runs

`sudo killall coreaudiod audiomxd`

..or hope it's something #Apple knows about and will fix in future #macOS updates.

Or hope it's related to @RogueAmoeba
's #SoundSource still using their old ACE kernel extension and that being somewhat incompatible with recent Sonoma updates (they're moving away from it - SoundSource is the last app on my system that still needs it).

In the meantime it's getting old to lose my system sounds randomly every other day or sometimes multiple times a day with no known reason and the internet only telling me "yeah me too”

#random

If, like me, you are a user of more than one @RogueAmoeba product, you might want to know that, while the move to a new capture backend in #AudioHijack is great news for the future, right now, since it’s the only product that has been updated for this, there is a conflict with other RA products. Namely, if you try to capture the sound of app that is also controlled via #SoundSource, SS affects the volume level of the capture itself, and you need to quit it first.

If, like me, you are a user of more than one @RogueAmoeba product, you might want to know that, while the move to a new capture backend in #AudioHijack is great news for the future, right now, since it’s the only product that has been updated for this, there is a conflict with other RA products. Namely, if you try to capture the sound of app that is also controlled via #SoundSource, SS affects the volume level of the capture itself, and you need to quit it first.

If, like me, you are a user of more than one @RogueAmoeba product, you might want to know that, while the move to a new capture backend in #AudioHijack is great news for the future, right now, since it’s the only product that has been updated for this, there is a conflict with other RA products. Namely, if you try to capture the sound of app that is also controlled via #SoundSource, SS affects the volume level of the capture itself, and you need to quit it first.

If, like me, you are a user of more than one @RogueAmoeba product, you might want to know that, while the move to a new capture backend in #AudioHijack is great news for the future, right now, since it’s the only product that has been updated for this, there is a conflict with other RA products. Namely, if you try to capture the sound of app that is also controlled via #SoundSource, SS affects the volume level of the capture itself, and you need to quit it first.

If, like me, you are a user of more than one @RogueAmoeba product, you might want to know that, while the move to a new capture backend in #AudioHijack is great news for the future, right now, since it’s the only product that has been updated for this, there is a conflict with other RA products. Namely, if you try to capture the sound of app that is also controlled via #SoundSource, SS affects the volume level of the capture itself, and you need to quit it first.

I think the expression you are looking for is „Microsoft #Teams is running“. #SoundSource

I was initially tempted to blame a bug in one of my third-party @RogueAmoeba audio tools, namely either #SoundSource or #Loopback. But I knew very well it was actually more likely to be macOS itself.

Ended up force-quitting #coreaudiod and #systemsoundserverd in #ActivityMonitor and… sure enough, things were back to normal after that.

Today’s Apple for ya. A picture of software unreliability and untrustworthiness.

2/2

I was initially tempted to blame a bug in one of my third-party @RogueAmoeba audio tools, namely either #SoundSource or #Loopback. But I knew very well it was actually more likely to be macOS itself.

Ended up force-quitting #coreaudiod and #systemsoundserverd in #ActivityMonitor and… sure enough, things were back to normal after that.

Today’s Apple for ya. A picture of software unreliability and untrustworthiness.

2/2

I was initially tempted to blame a bug in one of my third-party @RogueAmoeba audio tools, namely either #SoundSource or #Loopback. But I knew very well it was actually more likely to be macOS itself.

Ended up force-quitting #coreaudiod and #systemsoundserverd in #ActivityMonitor and… sure enough, things were back to normal after that.

Today’s Apple for ya. A picture of software unreliability and untrustworthiness.

2/2

I was initially tempted to blame a bug in one of my third-party @RogueAmoeba audio tools, namely either #SoundSource or #Loopback. But I knew very well it was actually more likely to be macOS itself.

Ended up force-quitting #coreaudiod and #systemsoundserverd in #ActivityMonitor and… sure enough, things were back to normal after that.

Today’s Apple for ya. A picture of software unreliability and untrustworthiness.

2/2

I was initially tempted to blame a bug in one of my third-party @RogueAmoeba audio tools, namely either #SoundSource or #Loopback. But I knew very well it was actually more likely to be macOS itself.

Ended up force-quitting #coreaudiod and #systemsoundserverd in #ActivityMonitor and… sure enough, things were back to normal after that.

Today’s Apple for ya. A picture of software unreliability and untrustworthiness.

2/2

#Upcoming #SoundSource At the core of #RaisonDêtre (aka #PeterAndersson) is a philosophy deeply intertwined with exploration of existential themes and the profound mysteries of human consciousness. Originally released in 1992, “Après Nous Le Déluge” (“After us, the deluge”, a phrase often attributed to Madame de Pompadour), suggests an impending catastrophe which echoes throughout the album. https://urashima.bandcamp.com/album/apr-s-nous-le-d-luge

#Upcoming #SoundSource At the core of #RaisonDêtre (aka #PeterAndersson) is a philosophy deeply intertwined with exploration of existential themes and the profound mysteries of human consciousness. Originally released in 1992, “Après Nous Le Déluge” (“After us, the deluge”, a phrase often attributed to Madame de Pompadour), suggests an impending catastrophe which echoes throughout the album. https://urashima.bandcamp.com/album/apr-s-nous-le-d-luge

#Upcoming #SoundSource At the core of #RaisonDêtre (aka #PeterAndersson) is a philosophy deeply intertwined with exploration of existential themes and the profound mysteries of human consciousness. Originally released in 1992, “Après Nous Le Déluge” (“After us, the deluge”, a phrase often attributed to Madame de Pompadour), suggests an impending catastrophe which echoes throughout the album. https://urashima.bandcamp.com/album/apr-s-nous-le-d-luge

#Upcoming #SoundSource At the core of #RaisonDêtre (aka #PeterAndersson) is a philosophy deeply intertwined with exploration of existential themes and the profound mysteries of human consciousness. Originally released in 1992, “Après Nous Le Déluge” (“After us, the deluge”, a phrase often attributed to Madame de Pompadour), suggests an impending catastrophe which echoes throughout the album. https://urashima.bandcamp.com/album/apr-s-nous-le-d-luge

#Upcoming #SoundSource At the core of #RaisonDêtre (aka #PeterAndersson) is a philosophy deeply intertwined with exploration of existential themes and the profound mysteries of human consciousness. Originally released in 1992, “Après Nous Le Déluge” (“After us, the deluge”, a phrase often attributed to Madame de Pompadour), suggests an impending catastrophe which echoes throughout the album. https://urashima.bandcamp.com/album/apr-s-nous-le-d-luge

#Upcoming #SoundSource Originally released in 1991, “Near Death” is an account into the depths of the human psyche. Pushing the boundaries of gritty industrial, bleak neoclassical, and cold wave, this pivotal album marked the inception of #Megaptera, a collaboration between #PeterNyström, #MikaelSvensson, and #MagnusÅslund. https://urashima.bandcamp.com/album/near-death

#Upcoming #SoundSource #Morthond's music dances at the intersection of experimental and dark ambient, creating landscapes of unsettling and captivating sound. Originally released in 1991, “Death Time” is a mesmerizing portal into #BJNilsen's early years. https://urashima.bandcamp.com/album/death-time

#Upcoming #SoundSource #Morthond's music dances at the intersection of experimental and dark ambient, creating landscapes of unsettling and captivating sound. Originally released in 1991, “Death Time” is a mesmerizing portal into #BJNilsen's early years. https://urashima.bandcamp.com/album/death-time

#Upcoming #SoundSource #Morthond's music dances at the intersection of experimental and dark ambient, creating landscapes of unsettling and captivating sound. Originally released in 1991, “Death Time” is a mesmerizing portal into #BJNilsen's early years. https://urashima.bandcamp.com/album/death-time

#Upcoming #SoundSource #Morthond's music dances at the intersection of experimental and dark ambient, creating landscapes of unsettling and captivating sound. Originally released in 1991, “Death Time” is a mesmerizing portal into #BJNilsen's early years. https://urashima.bandcamp.com/album/death-time

#Upcoming #SoundSource #Morthond's music dances at the intersection of experimental and dark ambient, creating landscapes of unsettling and captivating sound. Originally released in 1991, “Death Time” is a mesmerizing portal into #BJNilsen's early years. https://urashima.bandcamp.com/album/death-time

#Upcoming #SoundSource Recorded on a portable four-track in 1987, “Crematorius” is a collection of unreleased recordings by #HenrikNordvargrBjörkk, predating the blackened industrial of #MZ412. What you get is an unfiltered glimpse into a mosaic of raw emotions, stark atmospheres, and primitive textures from Björkk’s formative years. https://urashima.bandcamp.com/album/crematorius

#Upcoming #SoundSource was a short-lived (1991–1992) sub-label of #ColdMeatIndustry* dedicated to making limited edition cassettes. Often these were debut albums for the musicians.

*Founded by #RogerKarmanik, aka #BrighterDeathNow and #LilleRoger.

#Upcoming #SoundSource was a short-lived (1991–1992) sub-label of #ColdMeatIndustry* dedicated to making limited edition cassettes. Often these were debut albums for the musicians.

*Founded by #RogerKarmanik, aka #BrighterDeathNow and #LilleRoger.

#Upcoming #SoundSource was a short-lived (1991–1992) sub-label of #ColdMeatIndustry* dedicated to making limited edition cassettes. Often these were debut albums for the musicians.

*Founded by #RogerKarmanik, aka #BrighterDeathNow and #LilleRoger.

#Upcoming #SoundSource was a short-lived (1991–1992) sub-label of #ColdMeatIndustry* dedicated to making limited edition cassettes. Often these were debut albums for the musicians.

*Founded by #RogerKarmanik, aka #BrighterDeathNow and #LilleRoger.

#Upcoming #SoundSource was a short-lived (1991–1992) sub-label of #ColdMeatIndustry* dedicated to making limited edition cassettes. Often these were debut albums for the musicians.

*Founded by #RogerKarmanik, aka #BrighterDeathNow and #LilleRoger.

#Upcoming A quick thread 🧵 about the Italian harsh noise label #Urashima. They’ve got a new batch of vinyl reissues, originally cassettes from the #SoundSource record label, available September 29th. Get in fanatics, we’re going to Sweden! 🇸🇪

Tune into #AMITv at https://www.amiplus.ca/p/fWpLtzVh?channel=Uh7zcqVm and locate the play button. use #SoundSource to adjust the volume so you can listen in the background if on the mac. Windows will let you adjust the volume of each app independently.

Hey y'all—please welcome purveyors of incredible #audio #software @RogueAmoeba to the Fediverse!
#audioHijack #fission #airfoil #farrago #loopback #piezo #SoundSource

Hey y'all—please welcome purveyors of incredible #audio #software @RogueAmoeba to the Fediverse!
#audioHijack #fission #airfoil #farrago #loopback #piezo #SoundSource

Hey y'all—please welcome purveyors of incredible #audio #software @RogueAmoeba to the Fediverse!
#audioHijack #fission #airfoil #farrago #loopback #piezo #SoundSource

Hey y'all—please welcome purveyors of incredible #audio #software @RogueAmoeba to the Fediverse!
#audioHijack #fission #airfoil #farrago #loopback #piezo #SoundSource

While looking for a good EQ to adjust my headphone signatures, I stumbled upon #SoundSource from Rogue Amoeba. While the application looks good and I trust its publisher, lowering my security settings in recovery mode to allow signed extensions from third parties is no option for me (and doesn't work for my company MacBook anyway). Any other good suggestions?

https://www.rogueamoeba.com/soundsource/