#slimanmansour — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #slimanmansour, aggregated by home.social.
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“The Painter of the Wounded Land” exhibition opens in Tehran, honoring Sliman Mansour’s Palestinian
TEHRAN- The painting exhibition “The Painter of the Wounded Land,” featuring works by renowned Palestinian artist Sliman Mansour,…
#Conflict #Conflicts #War #“ThePainteroftheWoundedLand” #AbolfazlAaliGallery #Iran #middleeast #middleeastcrisis #SlimanMansour #Tehran
https://www.europesays.com/3251286/ -
https://www.europesays.com/iran/292272/ “The Painter of the Wounded Land” exhibition opens in Tehran, honoring Sliman Mansour’s Palestinian #“ThePainterOfTheWoundedLand” #AbolfazlAaliGallery #Iran #SlimanMansour #Tehran
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https://www.europesays.com/si/209352/ Poslovil se je Sliman Mansur, “pionirska sila palestinskega kulturnega upora” #Entertainment #KulturniUpor #PalestinskaUmetnost #PalestinskiBoj #SI #SlimanMansour #Slovene #Slovenia #Slovenija #Slovenščina #VizualnaIdentiteta #Zabava
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https://www.europesays.com/ch-fr/283425/ Sliman Mansour, voix de la Palestine #Disparition #Divertissement #Entertainment #Palestine #SlimanMansour #Suisse
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The Wild Lily of Galilee (2020) symbolises love, identity and the eternal spirit of Palestine through its poetic symbolism and deep cultural heritage.
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The Wild Lily of Galilee (2020) symbolises love, identity and the eternal spirit of Palestine through its poetic symbolism and deep cultural heritage.
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The Wild Lily of Galilee (2020) symbolises love, identity and the eternal spirit of Palestine through its poetic symbolism and deep cultural heritage.
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The Wild Lily of Galilee (2020) symbolises love, identity and the eternal spirit of Palestine through its poetic symbolism and deep cultural heritage.
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The Wild Lily of Galilee (2020) symbolises love, identity and the eternal spirit of Palestine through its poetic symbolism and deep cultural heritage.
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Sketch of human figures, charcoal on paper (1966).
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Sketch of human figures, charcoal on paper (1966).
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Sketch of human figures, charcoal on paper (1966).
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Sketch of human figures, charcoal on paper (1966).
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Sketch of human figures, charcoal on paper (1966).
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The Sea is Mine (2016) depicts a symbolic scene of three Palestinian figures — a woman, a girl and a child — walking along the beach with their hands raised. They hold key Palestinian symbols: a pen, a paintbrush, a rifle, an olive branch and the key of return, while a white dove, symbolising peace, hovers above them. The beach stretches into the background, underscoring the steadfastness of the Palestinian people in the face of marginalisation and occupation.
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The Sea is Mine (2016) depicts a symbolic scene of three Palestinian figures — a woman, a girl and a child — walking along the beach with their hands raised. They hold key Palestinian symbols: a pen, a paintbrush, a rifle, an olive branch and the key of return, while a white dove, symbolising peace, hovers above them. The beach stretches into the background, underscoring the steadfastness of the Palestinian people in the face of marginalisation and occupation.
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The Sea is Mine (2016) depicts a symbolic scene of three Palestinian figures — a woman, a girl and a child — walking along the beach with their hands raised. They hold key Palestinian symbols: a pen, a paintbrush, a rifle, an olive branch and the key of return, while a white dove, symbolising peace, hovers above them. The beach stretches into the background, underscoring the steadfastness of the Palestinian people in the face of marginalisation and occupation.
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The Sea is Mine (2016) depicts a symbolic scene of three Palestinian figures — a woman, a girl and a child — walking along the beach with their hands raised. They hold key Palestinian symbols: a pen, a paintbrush, a rifle, an olive branch and the key of return, while a white dove, symbolising peace, hovers above them. The beach stretches into the background, underscoring the steadfastness of the Palestinian people in the face of marginalisation and occupation.
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The Sea is Mine (2016) depicts a symbolic scene of three Palestinian figures — a woman, a girl and a child — walking along the beach with their hands raised. They hold key Palestinian symbols: a pen, a paintbrush, a rifle, an olive branch and the key of return, while a white dove, symbolising peace, hovers above them. The beach stretches into the background, underscoring the steadfastness of the Palestinian people in the face of marginalisation and occupation.
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The Renaissance (1977) depicts a woman emerging triumphantly from a map of the historic Holy Land, symbolising resurrection and the Palestinian narrative of revolutionary revival. Traditional dress, a hand holding a rifle and images of houses and the walls of Old Jerusalem underscore the deep roots and enduring foundations of the Palestinian people.
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The Renaissance (1977) depicts a woman emerging triumphantly from a map of the historic Holy Land, symbolising resurrection and the Palestinian narrative of revolutionary revival. Traditional dress, a hand holding a rifle and images of houses and the walls of Old Jerusalem underscore the deep roots and enduring foundations of the Palestinian people.
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The Renaissance (1977) depicts a woman emerging triumphantly from a map of the historic Holy Land, symbolising resurrection and the Palestinian narrative of revolutionary revival. Traditional dress, a hand holding a rifle and images of houses and the walls of Old Jerusalem underscore the deep roots and enduring foundations of the Palestinian people.
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The Renaissance (1977) depicts a woman emerging triumphantly from a map of the historic Holy Land, symbolising resurrection and the Palestinian narrative of revolutionary revival. Traditional dress, a hand holding a rifle and images of houses and the walls of Old Jerusalem underscore the deep roots and enduring foundations of the Palestinian people.
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The Renaissance (1977) depicts a woman emerging triumphantly from a map of the historic Holy Land, symbolising resurrection and the Palestinian narrative of revolutionary revival. Traditional dress, a hand holding a rifle and images of houses and the walls of Old Jerusalem underscore the deep roots and enduring foundations of the Palestinian people.
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Desert Melodies (1977), one of Mansour’s most prominent works, embodies the spirit of resistance and hope at the heart of Palestinian suffering. The painting depicts a symbolic scene of two Palestinian women in traditional dress, one playing the flute in the middle of a barren desert, expressing Palestinians’ ability to create beauty and hope even in the harshest circumstances.
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Desert Melodies (1977), one of Mansour’s most prominent works, embodies the spirit of resistance and hope at the heart of Palestinian suffering. The painting depicts a symbolic scene of two Palestinian women in traditional dress, one playing the flute in the middle of a barren desert, expressing Palestinians’ ability to create beauty and hope even in the harshest circumstances.
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Desert Melodies (1977), one of Mansour’s most prominent works, embodies the spirit of resistance and hope at the heart of Palestinian suffering. The painting depicts a symbolic scene of two Palestinian women in traditional dress, one playing the flute in the middle of a barren desert, expressing Palestinians’ ability to create beauty and hope even in the harshest circumstances.
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Desert Melodies (1977), one of Mansour’s most prominent works, embodies the spirit of resistance and hope at the heart of Palestinian suffering. The painting depicts a symbolic scene of two Palestinian women in traditional dress, one playing the flute in the middle of a barren desert, expressing Palestinians’ ability to create beauty and hope even in the harshest circumstances.
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Desert Melodies (1977), one of Mansour’s most prominent works, embodies the spirit of resistance and hope at the heart of Palestinian suffering. The painting depicts a symbolic scene of two Palestinian women in traditional dress, one playing the flute in the middle of a barren desert, expressing Palestinians’ ability to create beauty and hope even in the harshest circumstances.
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Symbol of Hope (1985) depicts a Palestinian village whose inhabitants gaze towards the sky in contemplation as a dove of peace flies overhead.
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Symbol of Hope (1985) depicts a Palestinian village whose inhabitants gaze towards the sky in contemplation as a dove of peace flies overhead.
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Symbol of Hope (1985) depicts a Palestinian village whose inhabitants gaze towards the sky in contemplation as a dove of peace flies overhead.
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Symbol of Hope (1985) depicts a Palestinian village whose inhabitants gaze towards the sky in contemplation as a dove of peace flies overhead.
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Symbol of Hope (1985) depicts a Palestinian village whose inhabitants gaze towards the sky in contemplation as a dove of peace flies overhead.
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The Shrinking Piece (1996) suggests that “Palestine is disappearing” and symbolises the need for international action on the Palestinian struggle.
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The Shrinking Piece (1996) suggests that “Palestine is disappearing” and symbolises the need for international action on the Palestinian struggle.
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The Shrinking Piece (1996) suggests that “Palestine is disappearing” and symbolises the need for international action on the Palestinian struggle.
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The Shrinking Piece (1996) suggests that “Palestine is disappearing” and symbolises the need for international action on the Palestinian struggle.
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The Shrinking Piece (1996) suggests that “Palestine is disappearing” and symbolises the need for international action on the Palestinian struggle.
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Patience and Hope (1976) is considered one of Mansour’s most prominent visual representations of the Palestinian concept of “steadfastness” The work expresses Palestinians’ ongoing resistance to occupation and embodies renewed hope despite persistent challenges. It depicts three Palestinian figures, each representing a different generation: an elderly man carrying cultural heritage, a young man bearing the banner of struggle and a woman symbolising hope and renewal
#Palestine
#art
#SlimanMansour -
Patience and Hope (1976) is considered one of Mansour’s most prominent visual representations of the Palestinian concept of “steadfastness” The work expresses Palestinians’ ongoing resistance to occupation and embodies renewed hope despite persistent challenges. It depicts three Palestinian figures, each representing a different generation: an elderly man carrying cultural heritage, a young man bearing the banner of struggle and a woman symbolising hope and renewal
#Palestine
#art
#SlimanMansour -
Patience and Hope (1976) is considered one of Mansour’s most prominent visual representations of the Palestinian concept of “steadfastness” The work expresses Palestinians’ ongoing resistance to occupation and embodies renewed hope despite persistent challenges. It depicts three Palestinian figures, each representing a different generation: an elderly man carrying cultural heritage, a young man bearing the banner of struggle and a woman symbolising hope and renewal
#Palestine
#art
#SlimanMansour -
Patience and Hope (1976) is considered one of Mansour’s most prominent visual representations of the Palestinian concept of “steadfastness” The work expresses Palestinians’ ongoing resistance to occupation and embodies renewed hope despite persistent challenges. It depicts three Palestinian figures, each representing a different generation: an elderly man carrying cultural heritage, a young man bearing the banner of struggle and a woman symbolising hope and renewal
#Palestine
#art
#SlimanMansour -
Patience and Hope (1976) is considered one of Mansour’s most prominent visual representations of the Palestinian concept of “steadfastness” The work expresses Palestinians’ ongoing resistance to occupation and embodies renewed hope despite persistent challenges. It depicts three Palestinian figures, each representing a different generation: an elderly man carrying cultural heritage, a young man bearing the banner of struggle and a woman symbolising hope and renewal
#Palestine
#art
#SlimanMansour -
Olive Grove
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Olive Grove
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Olive Grove
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Olive Grove
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Olive Grove
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rest in power #SlimanMansour
free 🇵🇸 free 🌏 -
rest in power #SlimanMansour
free 🇵🇸 free 🌏 -
rest in power #SlimanMansour
free 🇵🇸 free 🌏 -
The Portrait (Portrait of a Man; 2017 and 2019), clay and acrylic on wood.
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The Portrait (Portrait of a Man; 2017 and 2019), clay and acrylic on wood.
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The Portrait (Portrait of a Man; 2017 and 2019), clay and acrylic on wood.
