#shyamalan — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #shyamalan, aggregated by home.social.
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#Movie fans, I just got around to watching Signs by director, M. Night Shyamalan. I know, only 24 years late. I actually liked it a LOT, so now I am scratching my head over the bad reviews it's gotten over the years. It was those reviews and things I saw online that made me think I wouldn't enjoy it all these years. I think it deserves better than "mixed or average reviews", eh.
https://en.wikipedia.org/wiki/Signs_(film)#Critical_response
Did you like Signs? Should we watch it for a #monsterdon night someday?
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#Movie fans, I just got around to watching Signs by director, M. Night Shyamalan. I know, only 24 years late. I actually liked it a LOT, so now I am scratching my head over the bad reviews it's gotten over the years. It was those reviews and things I saw online that made me think I wouldn't enjoy it all these years. I think it deserves better than "mixed or average reviews", eh.
https://en.wikipedia.org/wiki/Signs_(film)#Critical_response
Did you like Signs? Should we watch it for a #monsterdon night someday?
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#Movie fans, I just got around to watching Signs by director, M. Night Shyamalan. I know, only 24 years late. I actually liked it a LOT, so now I am scratching my head over the bad reviews it's gotten over the years. It was those reviews and things I saw online that made me think I wouldn't enjoy it all these years. I think it deserves better than "mixed or average reviews", eh.
https://en.wikipedia.org/wiki/Signs_(film)#Critical_response
Did you like Signs? Should we watch it for a #monsterdon night someday?
-
#Movie fans, I just got around to watching Signs by director, M. Night Shyamalan. I know, only 24 years late. I actually liked it a LOT, so now I am scratching my head over the bad reviews it's gotten over the years. It was those reviews and things I saw online that made me think I wouldn't enjoy it all these years. I think it deserves better than "mixed or average reviews", eh.
https://en.wikipedia.org/wiki/Signs_(film)#Critical_response
Did you like Signs? Should we watch it for a #monsterdon night someday?
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Trap 2024: oh... M. Night Shyamalan is Back, Baby!
We are living in the most exciting era when it comes to M. Night Shyamalan. The era I would call "A lottery". M. Night started strong. Critical acclaim and commercial success hit him hard, when he was a young film-maker. They were calling him "the next Spielberg". Then doubt possessed his sole. Some critics said something about something he did. And there he went. On a downward spiral towards the bottom. The Happening, The Last Airbender, After Earth... M. Night never truly recovered from this turmoil. He did great films since: The Visit, Split, Knock at the Cabin. But he then made strangely not so great films in between: Glass, Old, the strangely The Happening esque ending of Knock at the Cabin. Going today to an M. Night Shyamalan movie is truly a lottery. You never know what you are gonna get. With Trap we all got a fucking jack-pot!
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Trap 2024: oh... M. Night Shyamalan is Back, Baby!
We are living in the most exciting era when it comes to M. Night Shyamalan. The era I would call "A lottery". M. Night started strong. Critical acclaim and commercial success hit him hard, when he was a young film-maker. They were calling him "the next Spielberg". Then doubt possessed his sole. Some critics said something about something he did. And there he went. On a downward spiral towards the bottom. The Happening, The Last Airbender, After Earth... M. Night never truly recovered from this turmoil. He did great films since: The Visit, Split, Knock at the Cabin. But he then made strangely not so great films in between: Glass, Old, the strangely The Happening esque ending of Knock at the Cabin. Going today to an M. Night Shyamalan movie is truly a lottery. You never know what you are gonna get. With Trap we all got a fucking jack-pot!
-
Trap 2024: oh... M. Night Shyamalan is Back, Baby!
We are living in the most exciting era when it comes to M. Night Shyamalan. The era I would call "A lottery". M. Night started strong. Critical acclaim and commercial success hit him hard, when he was a young film-maker. They were calling him "the next Spielberg". Then doubt possessed his sole. Some critics said something about something he did. And there he went. On a downward spiral towards the bottom. The Happening, The Last Airbender, After Earth... M. Night never truly recovered from this turmoil. He did great films since: The Visit, Split, Knock at the Cabin. But he then made strangely not so great films in between: Glass, Old, the strangely The Happening esque ending of Knock at the Cabin. Going today to an M. Night Shyamalan movie is truly a lottery. You never know what you are gonna get. With Trap we all got a fucking jack-pot!
-
Trap 2024: oh... M. Night Shyamalan is Back, Baby!
We are living in the most exciting era when it comes to M. Night Shyamalan. The era I would call "A lottery". M. Night started strong. Critical acclaim and commercial success hit him hard, when he was a young film-maker. They were calling him "the next Spielberg". Then doubt possessed his sole. Some critics said something about something he did. And there he went. On a downward spiral towards the bottom. The Happening, The Last Airbender, After Earth... M. Night never truly recovered from this turmoil. He did great films since: The Visit, Split, Knock at the Cabin. But he then made strangely not so great films in between: Glass, Old, the strangely The Happening esque ending of Knock at the Cabin. Going today to an M. Night Shyamalan movie is truly a lottery. You never know what you are gonna get. With Trap we all got a fucking jack-pot!
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Unbeliebte Meinung: Ich mag die Filme von Shyamalan und versteh absolut nicht warum das solche Kinoflops sind :o
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Unbeliebte Meinung: Ich mag die Filme von Shyamalan und versteh absolut nicht warum das solche Kinoflops sind :o
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Unbeliebte Meinung: Ich mag die Filme von Shyamalan und versteh absolut nicht warum das solche Kinoflops sind :o
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Upon rewatching “Glass”, I’ve concluded that if there’s ever a sequel, it should revolve around the Evil Dr. Staple recruiting Casey Cooke to join “Clover,” and upon conferring with Joseph Dunn and Mrs. Price, Casey decides to join in order to infiltrate its deepest factions and destroy it from the inside. I just can’t figure out the name of the film. Shard? Prism? Cracked? Etched? 🤷🏻♀️
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Upon rewatching “Glass”, I’ve concluded that if there’s ever a sequel, it should revolve around the Evil Dr. Staple recruiting Casey Cooke to join “Clover,” and upon conferring with Joseph Dunn and Mrs. Price, Casey decides to join in order to infiltrate its deepest factions and destroy it from the inside. I just can’t figure out the name of the film. Shard? Prism? Cracked? Etched? 🤷🏻♀️
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Upon rewatching “Glass”, I’ve concluded that if there’s ever a sequel, it should revolve around the Evil Dr. Staple recruiting Casey Cooke to join “Clover,” and upon conferring with Joseph Dunn and Mrs. Price, Casey decides to join in order to infiltrate its deepest factions and destroy it from the inside. I just can’t figure out the name of the film. Shard? Prism? Cracked? Etched? 🤷🏻♀️
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Upon rewatching “Glass”, I’ve concluded that if there’s ever a sequel, it should revolve around the Evil Dr. Staple recruiting Casey Cooke to join “Clover,” and upon conferring with Joseph Dunn and Mrs. Price, Casey decides to join in order to infiltrate its deepest factions and destroy it from the inside. I just can’t figure out the name of the film. Shard? Prism? Cracked? Etched? 🤷🏻♀️
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Hier soir, j'ai regardé "The Watchers", un #film fantastique réalisé par Ishana Night #Shyamalan (la fille de son père). J'ai beaucoup aimé le thème, le scénario, les références païennes et les divers rebondissements. Un film sur le rapport horrifique que nous entretenons avec notre sentiment de culpabilité, qui peut nous enfermer, isoler voire détruire.
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Hier soir, j'ai regardé "The Watchers", un #film fantastique réalisé par Ishana Night #Shyamalan (la fille de son père). J'ai beaucoup aimé le thème, le scénario, les références païennes et les divers rebondissements. Un film sur le rapport horrifique que nous entretenons avec notre sentiment de culpabilité, qui peut nous enfermer, isoler voire détruire.
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Hier soir, j'ai regardé "The Watchers", un #film fantastique réalisé par Ishana Night #Shyamalan (la fille de son père). J'ai beaucoup aimé le thème, le scénario, les références païennes et les divers rebondissements. Un film sur le rapport horrifique que nous entretenons avec notre sentiment de culpabilité, qui peut nous enfermer, isoler voire détruire.
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Melodram oder Sci-Fi? Irritierend oder stilbildend? Meisterhaft oder vermessen? Das Werk M. Night #Shyamalans lässt sich nicht leicht einordnen. Wir widmen den Artikel des Tages dem #Filmemacher, der stets für eine Überraschung gut ist: https://www.dwds.de/wb/eine%20unerwartete%20Wendung%20nehmen
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Melodram oder Sci-Fi? Irritierend oder stilbildend? Meisterhaft oder vermessen? Das Werk M. Night #Shyamalans lässt sich nicht leicht einordnen. Wir widmen den Artikel des Tages dem #Filmemacher, der stets für eine Überraschung gut ist: https://www.dwds.de/wb/eine%20unerwartete%20Wendung%20nehmen
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Melodram oder Sci-Fi? Irritierend oder stilbildend? Meisterhaft oder vermessen? Das Werk M. Night #Shyamalans lässt sich nicht leicht einordnen. Wir widmen den Artikel des Tages dem #Filmemacher, der stets für eine Überraschung gut ist: https://www.dwds.de/wb/eine%20unerwartete%20Wendung%20nehmen
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Melodram oder Sci-Fi? Irritierend oder stilbildend? Meisterhaft oder vermessen? Das Werk M. Night #Shyamalans lässt sich nicht leicht einordnen. Wir widmen den Artikel des Tages dem #Filmemacher, der stets für eine Überraschung gut ist: https://www.dwds.de/wb/eine%20unerwartete%20Wendung%20nehmen
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Apple TV+ e M. Night Shyamalan sotto processo per "Servant", accusati di plagio da un film del 2013. La giuria dovrà decidere se ci sia violazione di copyright. 🎬⚖️ #Servant #AppleTV #Shyamalan #plagio
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Apple TV+ e M. Night Shyamalan sotto processo per "Servant", accusati di plagio da un film del 2013. La giuria dovrà decidere se ci sia violazione di copyright. 🎬⚖️ #Servant #AppleTV #Shyamalan #plagio
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Apple TV+ e M. Night Shyamalan sotto processo per "Servant", accusati di plagio da un film del 2013. La giuria dovrà decidere se ci sia violazione di copyright. 🎬⚖️ #Servant #AppleTV #Shyamalan #plagio
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Apple TV+ e M. Night Shyamalan sotto processo per "Servant", accusati di plagio da un film del 2013. La giuria dovrà decidere se ci sia violazione di copyright. 🎬⚖️ #Servant #AppleTV #Shyamalan #plagio
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I finally got around to watching #Oppenheimer. Besides the #nonlinear narrative, my criticisms would be similar to Lauren's as well - incredible technical achievements in producing what appears to be period-authentic scenery, sets, and props, and fantastic visuals, but in service of a somewhat lame, too-Hollywood script.
#Nolan's going to get pegged as a one-trick pony, like #Shyamalan (if he hasn't already...) with the nonlinear #storytelling. You're right that it was totally unnecessary here; this story could have been told start-to-finish and not lost one iota of its message or power. Arguably the opposite.
In Memento, the "two narrative threads with one played backwards" thing was essential to the story. Here the temporal slice-and-dice is a needless distraction, a "Mommy, watch me!" affectation. It detracts from the story.
The cheap #melodrama is annoying too, but it's hard to get worked up about that as long as the "look at what a twisted web I can weave" attitude is there to complain about.
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I finally got around to watching #Oppenheimer. Besides the #nonlinear narrative, my criticisms would be similar to Lauren's as well - incredible technical achievements in producing what appears to be period-authentic scenery, sets, and props, and fantastic visuals, but in service of a somewhat lame, too-Hollywood script.
#Nolan's going to get pegged as a one-trick pony, like #Shyamalan (if he hasn't already...) with the nonlinear #storytelling. You're right that it was totally unnecessary here; this story could have been told start-to-finish and not lost one iota of its message or power. Arguably the opposite.
In Memento, the "two narrative threads with one played backwards" thing was essential to the story. Here the temporal slice-and-dice is a needless distraction, a "Mommy, watch me!" affectation. It detracts from the story.
The cheap #melodrama is annoying too, but it's hard to get worked up about that as long as the "look at what a twisted web I can weave" attitude is there to complain about.
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I finally got around to watching #Oppenheimer. Besides the #nonlinear narrative, my criticisms would be similar to Lauren's as well - incredible technical achievements in producing what appears to be period-authentic scenery, sets, and props, and fantastic visuals, but in service of a somewhat lame, too-Hollywood script.
#Nolan's going to get pegged as a one-trick pony, like #Shyamalan (if he hasn't already...) with the nonlinear #storytelling. You're right that it was totally unnecessary here; this story could have been told start-to-finish and not lost one iota of its message or power. Arguably the opposite.
In Memento, the "two narrative threads with one played backwards" thing was essential to the story. Here the temporal slice-and-dice is a needless distraction, a "Mommy, watch me!" affectation. It detracts from the story.
The cheap #melodrama is annoying too, but it's hard to get worked up about that as long as the "look at what a twisted web I can weave" attitude is there to complain about.
-
I finally got around to watching #Oppenheimer. Besides the #nonlinear narrative, my criticisms would be similar to Lauren's as well - incredible technical achievements in producing what appears to be period-authentic scenery, sets, and props, and fantastic visuals, but in service of a somewhat lame, too-Hollywood script.
#Nolan's going to get pegged as a one-trick pony, like #Shyamalan (if he hasn't already...) with the nonlinear #storytelling. You're right that it was totally unnecessary here; this story could have been told start-to-finish and not lost one iota of its message or power. Arguably the opposite.
In Memento, the "two narrative threads with one played backwards" thing was essential to the story. Here the temporal slice-and-dice is a needless distraction, a "Mommy, watch me!" affectation. It detracts from the story.
The cheap #melodrama is annoying too, but it's hard to get worked up about that as long as the "look at what a twisted web I can weave" attitude is there to complain about.
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<
Si vede che è stato prodotto da #Shyamalan, anche se non c'entra nulla con il suo stile, solo vedendolo fino alla fine si capisce perché ha voluto produrre un film del genereA me ha ricordato un mix tra il bellissimo #DonnieDarko di #RichardKelly e il simpatico #PhiladelphiaExperiment
Un film che si lascia vedere con molta curiosità per capire dove si andrà a parare 3/3 END
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<
Si vede che è stato prodotto da #Shyamalan, anche se non c'entra nulla con il suo stile, solo vedendolo fino alla fine si capisce perché ha voluto produrre un film del genereA me ha ricordato un mix tra il bellissimo #DonnieDarko di #RichardKelly e il simpatico #PhiladelphiaExperiment
Un film che si lascia vedere con molta curiosità per capire dove si andrà a parare 3/3 END
-
<
Si vede che è stato prodotto da #Shyamalan, anche se non c'entra nulla con il suo stile, solo vedendolo fino alla fine si capisce perché ha voluto produrre un film del genereA me ha ricordato un mix tra il bellissimo #DonnieDarko di #RichardKelly e il simpatico #PhiladelphiaExperiment
Un film che si lascia vedere con molta curiosità per capire dove si andrà a parare 3/3 END
-
<
Si vede che è stato prodotto da #Shyamalan, anche se non c'entra nulla con il suo stile, solo vedendolo fino alla fine si capisce perché ha voluto produrre un film del genereA me ha ricordato un mix tra il bellissimo #DonnieDarko di #RichardKelly e il simpatico #PhiladelphiaExperiment
Un film che si lascia vedere con molta curiosità per capire dove si andrà a parare 3/3 END
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¡Analizamos el Steelbook 4K UHD de Los Vigilantes! 🎬🌲 Ishana Shyamalan debuta con una historia llena de suspense y terror. Disponible en tiendas hasta fin de existencias. #LosVigilantes #Cine #Shyamalan https://www.cinemascomics.com/los-vigilantes-analisis-steelbook-4k-uhd/
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¡Analizamos el Steelbook 4K UHD de Los Vigilantes! 🎬🌲 Ishana Shyamalan debuta con una historia llena de suspense y terror. Disponible en tiendas hasta fin de existencias. #LosVigilantes #Cine #Shyamalan https://www.cinemascomics.com/los-vigilantes-analisis-steelbook-4k-uhd/
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¡Analizamos el Steelbook 4K UHD de Los Vigilantes! 🎬🌲 Ishana Shyamalan debuta con una historia llena de suspense y terror. Disponible en tiendas hasta fin de existencias. #LosVigilantes #Cine #Shyamalan https://www.cinemascomics.com/los-vigilantes-analisis-steelbook-4k-uhd/
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¡Analizamos el Steelbook 4K UHD de Los Vigilantes! 🎬🌲 Ishana Shyamalan debuta con una historia llena de suspense y terror. Disponible en tiendas hasta fin de existencias. #LosVigilantes #Cine #Shyamalan https://www.cinemascomics.com/los-vigilantes-analisis-steelbook-4k-uhd/
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Las líneas generales de las carreras de Nicolas Cage y M. Night Shyamalan podrían estudiarse a la vez. Abundan los denominadores comunes.
Shyamalan es un cineasta, y prolífico. Ni se le puede pedir que sea brillante en todo ni -presupongo- le importa: necesita crear. Eso es el arte y de eso carece una IA, la pulsión. Cuando ha tenido más dineros ha hecho unas cosas; cuando menos otras.
Últimamente ha sacado a Josh Hartnett de su guarida para meterlo en su trampa. Curioso que Josh siga con los mismos defectos de hace veinte años. Actor cumplidor sin más vuelta. Además de a su hija Saleka.
La trampa está bien dirigida y regular escrita. El guion se vuelve endeble en la última parte, cuyo desenlace se siente un (meta)boicot. Lástima porque la idea es buena y los códigos del policial thrillerizado se plantan con acierto.
No hagas segunda parte. Nadie la necesita.
https://www.filmaffinity.com/es/film150448.html
#popazo #movie #movies #cinema #cine #film #films #Shyamalan #mnightShyamalan #trap #crime #thriller -
Las líneas generales de las carreras de Nicolas Cage y M. Night Shyamalan podrían estudiarse a la vez. Abundan los denominadores comunes.
Shyamalan es un cineasta, y prolífico. Ni se le puede pedir que sea brillante en todo ni -presupongo- le importa: necesita crear. Eso es el arte y de eso carece una IA, la pulsión. Cuando ha tenido más dineros ha hecho unas cosas; cuando menos otras.
Últimamente ha sacado a Josh Hartnett de su guarida para meterlo en su trampa. Curioso que Josh siga con los mismos defectos de hace veinte años. Actor cumplidor sin más vuelta. Además de a su hija Saleka.
La trampa está bien dirigida y regular escrita. El guion se vuelve endeble en la última parte, cuyo desenlace se siente un (meta)boicot. Lástima porque la idea es buena y los códigos del policial thrillerizado se plantan con acierto.
No hagas segunda parte. Nadie la necesita.
https://www.filmaffinity.com/es/film150448.html
#popazo #movie #movies #cinema #cine #film #films #Shyamalan #mnightShyamalan #trap #crime #thriller -
Las líneas generales de las carreras de Nicolas Cage y M. Night Shyamalan podrían estudiarse a la vez. Abundan los denominadores comunes.
Shyamalan es un cineasta, y prolífico. Ni se le puede pedir que sea brillante en todo ni -presupongo- le importa: necesita crear. Eso es el arte y de eso carece una IA, la pulsión. Cuando ha tenido más dineros ha hecho unas cosas; cuando menos otras.
Últimamente ha sacado a Josh Hartnett de su guarida para meterlo en su trampa. Curioso que Josh siga con los mismos defectos de hace veinte años. Actor cumplidor sin más vuelta. Además de a su hija Saleka.
La trampa está bien dirigida y regular escrita. El guion se vuelve endeble en la última parte, cuyo desenlace se siente un (meta)boicot. Lástima porque la idea es buena y los códigos del policial thrillerizado se plantan con acierto.
No hagas segunda parte. Nadie la necesita.
https://www.filmaffinity.com/es/film150448.html
#popazo #movie #movies #cinema #cine #film #films #Shyamalan #mnightShyamalan #trap #crime #thriller -
The Watchers
Película de 2024
1 h 42’
Terror / suspenseDirección: Ishana Shyamalan
Guion: 📝📝📝
Realización/interpretación: 🎬🎬🎬🎬
Calidad/tiempo: ⭐️⭐️⭐️Los Shyamalan saben filmar y crear ambiente. Desde luego son buenos cineastas y entienden bien la comunicación visual. Sólo les falta cerrar adecuadamente sus películas. Necesitan un guionista que sepa concluir sus historias, de modo que sus creaciones no queden siempre con un final chapucero. Pero sobre todo necesitan evitar la sensación cutre de que se echaron a rodar sin tener toda la idea perfilada.
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The Watchers
Película de 2024
1 h 42’
Terror / suspenseDirección: Ishana Shyamalan
Guion: 📝📝📝
Realización/interpretación: 🎬🎬🎬🎬
Calidad/tiempo: ⭐️⭐️⭐️Los Shyamalan saben filmar y crear ambiente. Desde luego son buenos cineastas y entienden bien la comunicación visual. Sólo les falta cerrar adecuadamente sus películas. Necesitan un guionista que sepa concluir sus historias, de modo que sus creaciones no queden siempre con un final chapucero. Pero sobre todo necesitan evitar la sensación cutre de que se echaron a rodar sin tener toda la idea perfilada.
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The Watchers
Película de 2024
1 h 42’
Terror / suspenseDirección: Ishana Shyamalan
Guion: 📝📝📝
Realización/interpretación: 🎬🎬🎬🎬
Calidad/tiempo: ⭐️⭐️⭐️Los Shyamalan saben filmar y crear ambiente. Desde luego son buenos cineastas y entienden bien la comunicación visual. Sólo les falta cerrar adecuadamente sus películas. Necesitan un guionista que sepa concluir sus historias, de modo que sus creaciones no queden siempre con un final chapucero. Pero sobre todo necesitan evitar la sensación cutre de que se echaron a rodar sin tener toda la idea perfilada.
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The Watchers
Película de 2024
1 h 42’
Terror / suspenseDirección: Ishana Shyamalan
Guion: 📝📝📝
Realización/interpretación: 🎬🎬🎬🎬
Calidad/tiempo: ⭐️⭐️⭐️Los Shyamalan saben filmar y crear ambiente. Desde luego son buenos cineastas y entienden bien la comunicación visual. Sólo les falta cerrar adecuadamente sus películas. Necesitan un guionista que sepa concluir sus historias, de modo que sus creaciones no queden siempre con un final chapucero. Pero sobre todo necesitan evitar la sensación cutre de que se echaron a rodar sin tener toda la idea perfilada.
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🌲🔍 ¿Estás listo para adentrarte en los oscuros bosques de Irlanda? "Los Vigilantes", el nuevo thriller de los Shyamalan, promete mantenerte al borde del asiento. ¡No te lo pierdas en Max! #LosVigilantes #Shyamalan #Terror #Cine https://www.cinemascomics.com/los-vigilantes-el-nuevo-thriller-de-los-shyamalan-llega-a-max/
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🌲🔍 ¿Estás listo para adentrarte en los oscuros bosques de Irlanda? "Los Vigilantes", el nuevo thriller de los Shyamalan, promete mantenerte al borde del asiento. ¡No te lo pierdas en Max! #LosVigilantes #Shyamalan #Terror #Cine https://www.cinemascomics.com/los-vigilantes-el-nuevo-thriller-de-los-shyamalan-llega-a-max/
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🌲🔍 ¿Estás listo para adentrarte en los oscuros bosques de Irlanda? "Los Vigilantes", el nuevo thriller de los Shyamalan, promete mantenerte al borde del asiento. ¡No te lo pierdas en Max! #LosVigilantes #Shyamalan #Terror #Cine https://www.cinemascomics.com/los-vigilantes-el-nuevo-thriller-de-los-shyamalan-llega-a-max/
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Vin de novo *Umbreakable* (M. Night Shyamalan, 2000). Unha lección de narración cinematográfica. Algún exemplo: escena inicial, David Dunn (Bruce Willis) quita o anel cando unha muller atractiva senta ao seu carón no tren, e xa sabemos que o matrimonio vai mal, o que se ve reforzado cando é o fillo o que xunta as mans da parella que, cando o neno deixa de mirar, retiran. E máis metafórico: as escenas de Elijah Price (Samuel L. Jackson) reflectidas no espello.
#shyamalan #cine -
Vin de novo *Umbreakable* (M. Night Shyamalan, 2000). Unha lección de narración cinematográfica. Algún exemplo: escena inicial, David Dunn (Bruce Willis) quita o anel cando unha muller atractiva senta ao seu carón no tren, e xa sabemos que o matrimonio vai mal, o que se ve reforzado cando é o fillo o que xunta as mans da parella que, cando o neno deixa de mirar, retiran. E máis metafórico: as escenas de Elijah Price (Samuel L. Jackson) reflectidas no espello.
#shyamalan #cine -
Vin de novo *Umbreakable* (M. Night Shyamalan, 2000). Unha lección de narración cinematográfica. Algún exemplo: escena inicial, David Dunn (Bruce Willis) quita o anel cando unha muller atractiva senta ao seu carón no tren, e xa sabemos que o matrimonio vai mal, o que se ve reforzado cando é o fillo o que xunta as mans da parella que, cando o neno deixa de mirar, retiran. E máis metafórico: as escenas de Elijah Price (Samuel L. Jackson) reflectidas no espello.
#shyamalan #cine -
Vin de novo *Umbreakable* (M. Night Shyamalan, 2000). Unha lección de narración cinematográfica. Algún exemplo: escena inicial, David Dunn (Bruce Willis) quita o anel cando unha muller atractiva senta ao seu carón no tren, e xa sabemos que o matrimonio vai mal, o que se ve reforzado cando é o fillo o que xunta as mans da parella que, cando o neno deixa de mirar, retiran. E máis metafórico: as escenas de Elijah Price (Samuel L. Jackson) reflectidas no espello.
#shyamalan #cine -
Trap (M. Night Shyamalan, 2024). Como é posíbel que o mesmo que filmou The Sixth Sense, Umbrekeabme ou The Village escriba, dirixa e produza este despropósito?
#cine #films #shyamalan -
Trap (M. Night Shyamalan, 2024). Como é posíbel que o mesmo que filmou The Sixth Sense, Umbrekeabme ou The Village escriba, dirixa e produza este despropósito?
#cine #films #shyamalan -
Trap (M. Night Shyamalan, 2024). Como é posíbel que o mesmo que filmou The Sixth Sense, Umbrekeabme ou The Village escriba, dirixa e produza este despropósito?
#cine #films #shyamalan -
Trap (M. Night Shyamalan, 2024). Como é posíbel que o mesmo que filmou The Sixth Sense, Umbrekeabme ou The Village escriba, dirixa e produza este despropósito?
#cine #films #shyamalan -
#Shyamalan’s American version of a Bolly nepo baby launch: ‘Shyamalan’s daughter Saleka… really didn’t work… out of place… he just wanted to show off her vocal talents’ https://x.com/SJTimes13/status/1819203152899416212
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‘This silly thriller [#Trap] … Hartnett is incredible… campy and creepy… #Shyamalan’s version of a Hitchcockian thriller… one of the [intentionally] funniest cinematic experiences… in years’
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‘This silly thriller [#Trap] … Hartnett is incredible… campy and creepy… #Shyamalan’s version of a Hitchcockian thriller… one of the [intentionally] funniest cinematic experiences… in years’