#saveccm — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #saveccm, aggregated by home.social.
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Now listening: https://othermindsrecords.bandcamp.com/album/first-things-first
Irreverent, fun, weird sound art from former #MillsCollege faculty Anthony Gnazzo
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Now listening: https://othermindsrecords.bandcamp.com/album/first-things-first
Irreverent, fun, weird sound art from former #MillsCollege faculty Anthony Gnazzo
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Now listening: https://othermindsrecords.bandcamp.com/album/gallivants-and-garnishes
Ramón Sender was a co-founder of the San Francisco Tape Music Center, which later became The Center for Contemporary Music at #MillsCollege. Sender was instrumental in the invention of the voltage controlled synthesiser and I think I hear a Buchla on this delightfully weird, multilayered album.
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Now listening: https://othermindsrecords.bandcamp.com/album/gallivants-and-garnishes
Ramón Sender was a co-founder of the San Francisco Tape Music Center, which later became The Center for Contemporary Music at #MillsCollege. Sender was instrumental in the invention of the voltage controlled synthesiser and I think I hear a Buchla on this delightfully weird, multilayered album.
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Now Listening:
https://millscollegemusic.bandcamp.com/album/mills-spring-2020-compilationMusic from #MillsCollege CCM, spring 2020. This is a selection of what recent students have been doing.
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Now Listening:
https://millscollegemusic.bandcamp.com/album/mills-spring-2020-compilationMusic from #MillsCollege CCM, spring 2020. This is a selection of what recent students have been doing.
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Now listening: https://maryclarebrzytwa.bandcamp.com/album/experimental-electronic
Experimental Electronic by #MillsCollege alum Mary Clare Brzytwa
The extremely cool album photo shows a clarinet with a proximity detector on it. Listening so far, it sounds like left coast dreamy electronics.
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Now listening: https://maryclarebrzytwa.bandcamp.com/album/experimental-electronic
Experimental Electronic by #MillsCollege alum Mary Clare Brzytwa
The extremely cool album photo shows a clarinet with a proximity detector on it. Listening so far, it sounds like left coast dreamy electronics.
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Now listening:
https://djll.bandcamp.com/album/skin-tightener
Noisy free improv. Recorded at #MillsCollege by people involved with the music department in various capacities.
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Now listening:
https://djll.bandcamp.com/album/skin-tightener
Noisy free improv. Recorded at #MillsCollege by people involved with the music department in various capacities.
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Now listening:
https://www.youtube.com/watch?v=hy3W-3HPMWg
A Rainbow in Curved Air by former #MillsCollege faculty Terry Riley.
His second most influential piece has a droney undercurrent, but is a steady forward momentum. Loopy but linear. Busy but still. The Guardian describes this piece as "feel good".
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Now listening:
https://www.youtube.com/watch?v=hy3W-3HPMWg
A Rainbow in Curved Air by former #MillsCollege faculty Terry Riley.
His second most influential piece has a droney undercurrent, but is a steady forward momentum. Loopy but linear. Busy but still. The Guardian describes this piece as "feel good".
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Now Listening:
https://othermindsrecords.bandcamp.com/album/om-live-hommage
Cello and electronics from #MillsCollege teacher Joan Jeanrenaud
Very complicated droney new music vibe.
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Now Listening:
https://othermindsrecords.bandcamp.com/album/om-live-hommage
Cello and electronics from #MillsCollege teacher Joan Jeanrenaud
Very complicated droney new music vibe.
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Now Listening:
Lovely Little Records
https://www.ubu.com/sound/lovely.html
A fascinating compilation of the state of experimental electronic music in 1980. Everyone on the record either taught at or studied at #MillsCollege.
John Bischoff was a founding member of The Hub and taught at Mills for ages.
Paul Demarinis is a Mills alum, who has done amazing work with text. (This computer work is 1980!!)
Phil Haromic was a Mills alum and also the housemate of my MA thesis advisor. I wish I'd met him, but alas, he did not survive the AIDS crisis.
Frankie Mann was an early adopter of computer controlled synthesis. I know of her because John Bischoff told me to to look her up. This is one of the only things I've found.
Maggi Payne is a Mills alum and the former director of CCM at Mills. She was my composition teacher.
Blue Gene Tyranny was a teacher at Mills and also a member of the Once group in Ann Arbor, Michigan. His work is extremely influential, especially on piano.
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Now Listening:
Lovely Little Records
https://www.ubu.com/sound/lovely.html
A fascinating compilation of the state of experimental electronic music in 1980. Everyone on the record either taught at or studied at #MillsCollege.
John Bischoff was a founding member of The Hub and taught at Mills for ages.
Paul Demarinis is a Mills alum, who has done amazing work with text. (This computer work is 1980!!)
Phil Haromic was a Mills alum and also the housemate of my MA thesis advisor. I wish I'd met him, but alas, he did not survive the AIDS crisis.
Frankie Mann was an early adopter of computer controlled synthesis. I know of her because John Bischoff told me to to look her up. This is one of the only things I've found.
Maggi Payne is a Mills alum and the former director of CCM at Mills. She was my composition teacher.
Blue Gene Tyranny was a teacher at Mills and also a member of the Once group in Ann Arbor, Michigan. His work is extremely influential, especially on piano.
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Now listening:
OM Live: Inner Cities 8 from Other Minds Recordshttps://othermindsrecords.bandcamp.com/album/om-live-inner-cities-8
Thoughtful piano music from #MillsCollege's long term composer in residence.
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Now listening:
OM Live: Inner Cities 8 from Other Minds Recordshttps://othermindsrecords.bandcamp.com/album/om-live-inner-cities-8
Thoughtful piano music from #MillsCollege's long term composer in residence.
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#MillsMusic https://oliveros.bandcamp.com/album/alien-bog-beautiful-soop
These iconic pieces by Pauline Oliveros were made at the San Francisco Tape Music Centre and the Centre for Contemporary Music at #MillsCollege.
Oliveros wrote: "I was deeply impressed by the sounds from the frog pond outside the studio window at Mills. I loved the accompaniment as I worked on my pieces. Though I never recorded the frogs I was of course influenced by their music."
This is just the time of year that the fogs would be singing. It was an incredible accompaniment to the Moog when I was there.
Mills still has all the synthesisers and equipment used to make these pieces, all accessible to students.