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#sarah-jaffe — Public Fediverse posts

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  1. 50 lives ago, I was jealous of her, but now it seems like I dodged a bullet…

    When I was 14 and had just started going in and out of the recording studio, an artist named Sarah Jaffe in the DFW area where I was born and raised was starting to get big on the local scene.

    Being the teenager bursting with insane, almost suicidal ambition that I was, I wished so badly that that could be me somehow. I had just released my debut extended play, Sweet Pea, that year, and even though everyone who heard it loved it, it really never sold outside of my friends and family that I know of.

    I felt like I had failed. I craved all of the attention that my family didn’t give me, and witnessing Sarah Jaffe’s rise to prominence filled me with a secret envy. We were from the same place, we both wrote music, we both had professionally recorded work, we both played live when we could. What was I missing? Why wasn’t I getting noticed outside of my social circle?

    Don’t get me wrong, I loved her music – I still do. This is intended to be more of a reflection of my emotional state at that time than any kind of a dig at her. That’s part of why I think it got to me so bad. I legitimately enjoyed what she created. I just wanted what she had, as well. I played her song “Clementine” on repeat regularly throughout my teens, as I deeply related to it. I wished I could be “more delicate”, as she put it, as I was so intense and driven that it frightened many of my teenage suitors away, with the exception of my future first husband, who was taken with my intensity and drive when we first met at 14 and 15 respectively, although he would not admit it until many years later.

    When she released an alternate version of “Clementine” on her album The Way Sound Leaves a Room a few years later that was stripped back to nothing but piano, her voice, and haunting backing vocals, I fell in love with it even more deeply. For the first time, it felt like I truly understood and felt the song’s essence, as I often do when artists release extremely scaled back versions of their music. By that time I had also fallen in love with her song “Mannequin Woman” and started teaching myself music production when my longtime producer ditched me, got a publishing deal, and made off for Los Angeles and stopped returning my calls, taking the rights to Sweet Pea in the process.

    I also worked through my envy over the years as I realized that I didn’t really want to be famous, as attention scared me just as badly as I craved it. Getting recognized on the street when I was gigging around Mormon college scared me about as straight as I’ll ever be, although I kept songwriting. I don’t know if I’ll ever stop, even though I go through a lot of dry spells nowadays.

    And then in 2024, as news of the Diddy scandal broke, I worked through the rest of my envy as I realized that I probably dodged a bullet by not becoming famous as a teenager. I had had a shitty enough time growing up with a highly controlling mother. I don’t think that, had my singing or songwriting career progressed any further than it did at the time, I would have fared any better at the hands of industry executives, and I learned an early lesson to trust nobody with the rights to my music when my producer left without any real trace. He’d likely been an anomaly, as well, by treating me as an equal collaborator when we recorded Sweet Pea, and not trying to change things too much unless I requested he do so.

    So, in summary… I still love Sarah Jaffe’s music. I don’t have any envy towards her anymore. I was an overly ambitious, precocious kid who also knew nothing about what I would have been getting myself into had things progressed. And honestly, now that I’m 29, I relate to these lyrics from “Clementine” even more.


    “We were young,
    We were young,
    We were young, we didn’t care
    Is it gone
    Oh it’s gone
    Oh it’s floating in the air?
    I changed my mind
    I changed my mind
    How I feel indifferent
    All that time, wasted
    I wish I was a little more delicate”

    -Allēna

    #beingSeen #envy #fame #Fang #Fear #Hera #intensity #MormonCollege #music #ramble #reflections #SarahJaffe #sophomorism #teenageYears #trauma
  2. 50 lives ago, I was jealous of her, but now it seems like I dodged a bullet…

    When I was 14 and had just started going in and out of the recording studio, an artist named Sarah Jaffe in the DFW area where I was born and raised was starting to get big on the local scene.

    Being the teenager bursting with insane, almost suicidal ambition that I was, I wished so badly that that could be me somehow. I had just released my debut extended play, Sweet Pea, that year, and even though everyone who heard it loved it, it really never sold outside of my friends and family that I know of.

    I felt like I had failed. I craved all of the attention that my family didn’t give me, and witnessing Sarah Jaffe’s rise to prominence filled me with a secret envy. We were from the same place, we both wrote music, we both had professionally recorded work, we both played live when we could. What was I missing? Why wasn’t I getting noticed outside of my social circle?

    Don’t get me wrong, I loved her music – I still do. This is intended to be more of a reflection of my emotional state at that time than any kind of a dig at her. That’s part of why I think it got to me so bad. I legitimately enjoyed what she created. I just wanted what she had, as well. I played her song “Clementine” on repeat regularly throughout my teens, as I deeply related to it. I wished I could be “more delicate”, as she put it, as I was so intense and driven that it frightened many of my teenage suitors away, with the exception of my future first husband, who was taken with my intensity and drive when we first met at 14 and 15 respectively, although he would not admit it until many years later.

    When she released an alternate version of “Clementine” on her album The Way Sound Leaves a Room a few years later that was stripped back to nothing but piano, her voice, and haunting backing vocals, I fell in love with it even more deeply. For the first time, it felt like I truly understood and felt the song’s essence, as I often do when artists release extremely scaled back versions of their music. By that time I had also fallen in love with her song “Mannequin Woman” and started teaching myself music production when my longtime producer ditched me, got a publishing deal, and made off for Los Angeles and stopped returning my calls, taking the rights to Sweet Pea in the process.

    I also worked through my envy over the years as I realized that I didn’t really want to be famous, as attention scared me just as badly as I craved it. Getting recognized on the street when I was gigging around Mormon college scared me about as straight as I’ll ever be, although I kept songwriting. I don’t know if I’ll ever stop, even though I go through a lot of dry spells nowadays.

    And then in 2024, as news of the Diddy scandal broke, I worked through the rest of my envy as I realized that I probably dodged a bullet by not becoming famous as a teenager. I had had a shitty enough time growing up with a highly controlling mother. I don’t think that, had my singing or songwriting career progressed any further than it did at the time, I would have fared any better at the hands of industry executives, and I learned an early lesson to trust nobody with the rights to my music when my producer left without any real trace. He’d likely been an anomaly, as well, by treating me as an equal collaborator when we recorded Sweet Pea, and not trying to change things too much unless I requested he do so.

    So, in summary… I still love Sarah Jaffe’s music. I don’t have any envy towards her anymore. I was an overly ambitious, precocious kid who also knew nothing about what I would have been getting myself into had things progressed. And honestly, now that I’m 29, I relate to these lyrics from “Clementine” even more.


    “We were young,
    We were young,
    We were young, we didn’t care
    Is it gone
    Oh it’s gone
    Oh it’s floating in the air?
    I changed my mind
    I changed my mind
    How I feel indifferent
    All that time, wasted
    I wish I was a little more delicate”

    -Allēna

    #beingSeen #envy #fame #Fang #Fear #Hera #intensity #MormonCollege #music #ramble #reflections #SarahJaffe #sophomorism #teenageYears #trauma
  3. redmay schedule: there must be some way out of here

    src:
    https://www.redmayseattle.org/schedule

    Red May 2025 Schedule
    There must be some way out of here

    https://www.redmayseattle.org/
    https://www.facebook.com/redmayseattle/

    Some Way Out of Here?
    Friday, May 9, 11:00 AM PDT
    @YouTube

    Michael McCarthy, Jasper Bernes, Jodi Dean, Alberto Toscano, Camila Vergara, Philip Wohlstetter (mod)

    Beacon Cinema: The Encampments (2025)

    dir: Michael T. Workman &
    Kei Pritsker

    Sunday, May 11, 5:00 PM

    (This is an In-person event)

    Cybernetic Circulation Complex: Big Tech & Planetary Crisis
    Tuesday, May 13, 2:00 PM PDT
    @YouTube

    Nick Dyer-Witheford, Alessandra Mularoni, Nick Srnicek, Kyle Kubler (mod)

    Grief and Revolution in a World on Fire
    Friday, May 16, 2:00 PM PDT
    @YouTube

    Sarah Jaffe, Nica Siegel

    Delmore Schwartz: Marxism & the Modernist Poet
    Saturday, May 17, 11:00 AM PDT  @YouTube

    Alan Wald, David Lau, Roy Skodnick, Philip Wohlstetter (mod)

    Beacon Cinema: Why It Happened Here
    Sunday, May 18, 5:00 PM
    (Film showing with discussion)

    (This is an In-person event)

    David Shields, Tommy Swenson, Philip Wohlstetter

    The West and the Rest: Capital & Power in a Multipolar World
    Tuesday, May 20, 2:00 PM PDT
    @YouTube

    Sandro Mezzadra, Brett Neilson, Kyle Kubler (mod)

    Citizen Marx: Republicanism & Formation of Marx’s Thought
    Wednesday, May 21, 11:00 AM PDT @YouTube

    Bruno Leipold, Camila Vergara, Michael Hardt, Alyssa Battistoni

    American Constitutional Collapse
    Thursday, May 22, 11:00 AM PDT
    @YouTube

    Aziz Rana, Michael Hardt, Camila Vergara, Philip Wohlstetter (mod)

    TERFs

    Enemy Feminisms: , Policewomen & Girlbosses
    Sunday, May 25, 7:00 PM PDT 
    @Elliott Bay Books

    (This is an In-person event)

    Sophie Lewis, Emi Koyama (mod)

    Beacon Cinema: Fragment of an Empire (1929)
    dir: Fridrikh Ermler

    Monday, May 26, 7:30 PM

    (This is an In-person event)

    De-reification and Art Now
    Tuesday, May 27, 2:00 PM PDT @YouTube

    Jaleh Mansoor, Matt Browning, Anita Chari, Minh Nguyen (mod)

    Fake Work: How I Began to Suspect, Capitalism Was a Joke
    Wednesday, May 28, 2:00 PM PDT @YouTube 

    Leigh Claire la Berge, Jason Read, Madeline Lane-McKinley, Sarah Jaffe

    Whatever Happened to Revolution?
    Thursday, May 29, 7:00 PM PDT @TownHall

    (This is an In-person event)
    Jasper Bernes, Colleen Lye, Nikhil Pal Singh, Idris Robinson

    What Just Happened, America?
    Friday, May 30 5:00 PM PDT  
    @Vermillion

    (This is an In-person event)

    Colleen Lye, Idris Robinson, Michael Hardt, Jamie Merchant, Kathi Weeks, Jasper Bernes, Nikhil Pal Singh

    Endgame: Economic Nationalism & Global Decline
    Saturday, May 31, 12:30 PM PDT
    @Elliott Bay Books

    (This is an In-person event)
    Jamie Merchant, Nikhil Pal Singh (mod)

    The Future of Revolution 
    Saturday, May 31, 2:00 PM PDT @Elliott Bay Books

    (This is an In-person event)

    Jasper Bernes, Idris Robinson (mod)

     

    #AlanWald #AlbertoToscano #AlessandraMularoni #AlyssaBattistoni #AnitaChari #art #arte #AzizRana #BrettNeilson #BrunoLeipold #CamilaVergara #capitalism #ClassStruggle #ColleenLye #crisis #DavidLau #DavidShields #DelmoreSchwartz #ElliottBayBooks #EmiKoyama #feminism #feminisms #film #FridrikhErmler #IdrisRobinson #JalehMansoor #JamieMerchant #JasonRead #JasperBernes #JodiDean #KathiWeeks #KeiPritsker #KyleKubler #left #LeighClaireLaBerge #MadelineLaneMcKinley #Marxism #MattBrowning #MichaelHardt #MichaelMcCarthy #MichaelTWorkman #MinhNguyen #modernism #Nationalism #NicaSiegel #NickDyerWitheford #NickSrnicek #NikhilPalSingh #PhilipWohlstetter #planetaryCrisis #poetry #politics #RedMay #redmayseattleOrg #revolution #RoySkodnick #SandroMezzadra #SarahJaffe #SophieLewis #TERFs #ThereMustBeSomeWayOutOfHere #TommySwenson #video #wayOut

  4. Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶

    Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.

    “Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”

    🆓🔗: archive.ph/rSJHp

    @dallasnews

    dallasnews.com/arts-entertainm

    #Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe

  5. Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶

    Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.

    “Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”

    🆓🔗: archive.ph/rSJHp

    @dallasnews

    dallasnews.com/arts-entertainm

    #Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe

  6. Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶

    Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.

    “Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”

    🆓🔗: archive.ph/rSJHp

    @dallasnews

    dallasnews.com/arts-entertainm

    #Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe

  7. Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶

    Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.

    “Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”

    🆓🔗: archive.ph/rSJHp

    @dallasnews

    dallasnews.com/arts-entertainm

    #Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe

  8. @dramypsyd

    Somewhat related to the "business ethos" described is a book I'm in the middle of by #SarahJaffe:
    "Work Won't Love You Back". Read all about it: workwontloveyouback.org/ 🖖!

  9. @dramypsyd

    Somewhat related to the "business ethos" described is a book I'm in the middle of by #SarahJaffe:
    "Work Won't Love You Back". Read all about it: workwontloveyouback.org/ 🖖!

  10. @dramypsyd

    Somewhat related to the "business ethos" described is a book I'm in the middle of by #SarahJaffe:
    "Work Won't Love You Back". Read all about it: workwontloveyouback.org/ 🖖!

  11. CW: media recently consumed:

    #Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend

    #JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny

    #SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U

    #RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.

    #recommendations #tv #books

  12. CW: media recently consumed:

    #Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend

    #JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny

    #SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U

    #RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.

    #recommendations #tv #books

  13. CW: media recently consumed:

    #Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend

    #JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny

    #SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U

    #RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.

    #recommendations #tv #books

  14. CW: media recently consumed:

    #Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend

    #JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny

    #SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U

    #RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.

    #recommendations #tv #books