#sarah-jaffe — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #sarah-jaffe, aggregated by home.social.
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50 lives ago, I was jealous of her, but now it seems like I dodged a bullet…
When I was 14 and had just started going in and out of the recording studio, an artist named Sarah Jaffe in the DFW area where I was born and raised was starting to get big on the local scene.
Being the teenager bursting with insane, almost suicidal ambition that I was, I wished so badly that that could be me somehow. I had just released my debut extended play, Sweet Pea, that year, and even though everyone who heard it loved it, it really never sold outside of my friends and family that I know of.
I felt like I had failed. I craved all of the attention that my family didn’t give me, and witnessing Sarah Jaffe’s rise to prominence filled me with a secret envy. We were from the same place, we both wrote music, we both had professionally recorded work, we both played live when we could. What was I missing? Why wasn’t I getting noticed outside of my social circle?
Don’t get me wrong, I loved her music – I still do. This is intended to be more of a reflection of my emotional state at that time than any kind of a dig at her. That’s part of why I think it got to me so bad. I legitimately enjoyed what she created. I just wanted what she had, as well. I played her song “Clementine” on repeat regularly throughout my teens, as I deeply related to it. I wished I could be “more delicate”, as she put it, as I was so intense and driven that it frightened many of my teenage suitors away, with the exception of my future first husband, who was taken with my intensity and drive when we first met at 14 and 15 respectively, although he would not admit it until many years later.
When she released an alternate version of “Clementine” on her album The Way Sound Leaves a Room a few years later that was stripped back to nothing but piano, her voice, and haunting backing vocals, I fell in love with it even more deeply. For the first time, it felt like I truly understood and felt the song’s essence, as I often do when artists release extremely scaled back versions of their music. By that time I had also fallen in love with her song “Mannequin Woman” and started teaching myself music production when my longtime producer ditched me, got a publishing deal, and made off for Los Angeles and stopped returning my calls, taking the rights to Sweet Pea in the process.
I also worked through my envy over the years as I realized that I didn’t really want to be famous, as attention scared me just as badly as I craved it. Getting recognized on the street when I was gigging around Mormon college scared me about as straight as I’ll ever be, although I kept songwriting. I don’t know if I’ll ever stop, even though I go through a lot of dry spells nowadays.
And then in 2024, as news of the Diddy scandal broke, I worked through the rest of my envy as I realized that I probably dodged a bullet by not becoming famous as a teenager. I had had a shitty enough time growing up with a highly controlling mother. I don’t think that, had my singing or songwriting career progressed any further than it did at the time, I would have fared any better at the hands of industry executives, and I learned an early lesson to trust nobody with the rights to my music when my producer left without any real trace. He’d likely been an anomaly, as well, by treating me as an equal collaborator when we recorded Sweet Pea, and not trying to change things too much unless I requested he do so.
So, in summary… I still love Sarah Jaffe’s music. I don’t have any envy towards her anymore. I was an overly ambitious, precocious kid who also knew nothing about what I would have been getting myself into had things progressed. And honestly, now that I’m 29, I relate to these lyrics from “Clementine” even more.
“We were young,
We were young,
We were young, we didn’t care
Is it gone
Oh it’s gone
Oh it’s floating in the air?
I changed my mind
I changed my mind
How I feel indifferent
All that time, wasted
I wish I was a little more delicate”-Allēna
#beingSeen #envy #fame #Fang #Fear #Hera #intensity #MormonCollege #music #ramble #reflections #SarahJaffe #sophomorism #teenageYears #trauma -
50 lives ago, I was jealous of her, but now it seems like I dodged a bullet…
When I was 14 and had just started going in and out of the recording studio, an artist named Sarah Jaffe in the DFW area where I was born and raised was starting to get big on the local scene.
Being the teenager bursting with insane, almost suicidal ambition that I was, I wished so badly that that could be me somehow. I had just released my debut extended play, Sweet Pea, that year, and even though everyone who heard it loved it, it really never sold outside of my friends and family that I know of.
I felt like I had failed. I craved all of the attention that my family didn’t give me, and witnessing Sarah Jaffe’s rise to prominence filled me with a secret envy. We were from the same place, we both wrote music, we both had professionally recorded work, we both played live when we could. What was I missing? Why wasn’t I getting noticed outside of my social circle?
Don’t get me wrong, I loved her music – I still do. This is intended to be more of a reflection of my emotional state at that time than any kind of a dig at her. That’s part of why I think it got to me so bad. I legitimately enjoyed what she created. I just wanted what she had, as well. I played her song “Clementine” on repeat regularly throughout my teens, as I deeply related to it. I wished I could be “more delicate”, as she put it, as I was so intense and driven that it frightened many of my teenage suitors away, with the exception of my future first husband, who was taken with my intensity and drive when we first met at 14 and 15 respectively, although he would not admit it until many years later.
When she released an alternate version of “Clementine” on her album The Way Sound Leaves a Room a few years later that was stripped back to nothing but piano, her voice, and haunting backing vocals, I fell in love with it even more deeply. For the first time, it felt like I truly understood and felt the song’s essence, as I often do when artists release extremely scaled back versions of their music. By that time I had also fallen in love with her song “Mannequin Woman” and started teaching myself music production when my longtime producer ditched me, got a publishing deal, and made off for Los Angeles and stopped returning my calls, taking the rights to Sweet Pea in the process.
I also worked through my envy over the years as I realized that I didn’t really want to be famous, as attention scared me just as badly as I craved it. Getting recognized on the street when I was gigging around Mormon college scared me about as straight as I’ll ever be, although I kept songwriting. I don’t know if I’ll ever stop, even though I go through a lot of dry spells nowadays.
And then in 2024, as news of the Diddy scandal broke, I worked through the rest of my envy as I realized that I probably dodged a bullet by not becoming famous as a teenager. I had had a shitty enough time growing up with a highly controlling mother. I don’t think that, had my singing or songwriting career progressed any further than it did at the time, I would have fared any better at the hands of industry executives, and I learned an early lesson to trust nobody with the rights to my music when my producer left without any real trace. He’d likely been an anomaly, as well, by treating me as an equal collaborator when we recorded Sweet Pea, and not trying to change things too much unless I requested he do so.
So, in summary… I still love Sarah Jaffe’s music. I don’t have any envy towards her anymore. I was an overly ambitious, precocious kid who also knew nothing about what I would have been getting myself into had things progressed. And honestly, now that I’m 29, I relate to these lyrics from “Clementine” even more.
“We were young,
We were young,
We were young, we didn’t care
Is it gone
Oh it’s gone
Oh it’s floating in the air?
I changed my mind
I changed my mind
How I feel indifferent
All that time, wasted
I wish I was a little more delicate”-Allēna
#beingSeen #envy #fame #Fang #Fear #Hera #intensity #MormonCollege #music #ramble #reflections #SarahJaffe #sophomorism #teenageYears #trauma -
The general strike remains a goal to aspire to. But simply saying the words over and over again will not call the strike into being.#Magazine #AprilMay2026 #WorkWontLoveYouBack #Labor&Economy #Immigration #ICE #Minneapolis #SarahJaffe
Strategy and Leverage—Not Vibes—Are What We Need Now -
The general strike remains a goal to aspire to. But simply saying the words over and over again will not call the strike into being.#Magazine #AprilMay2026 #WorkWontLoveYouBack #Labor&Economy #Immigration #ICE #Minneapolis #SarahJaffe
Strategy and Leverage—Not Vibes—Are What We Need Now -
The general strike remains a goal to aspire to. But simply saying the words over and over again will not call the strike into being.#Magazine #AprilMay2026 #WorkWontLoveYouBack #Labor&Economy #Immigration #ICE #Minneapolis #SarahJaffe
Strategy and Leverage—Not Vibes—Are What We Need Now -
How Devotion to Our Jobs Keeps Us #Exploited, #Exhausted and #Alone
#Book by Sarah Jaffe
\ 📖 / #SarahJaffehttps://www.hurstpublishers.com/book/work-wont-love-you-back/
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How Devotion to Our Jobs Keeps Us #Exploited, #Exhausted and #Alone
#Book by Sarah Jaffe
\ 📖 / #SarahJaffehttps://www.hurstpublishers.com/book/work-wont-love-you-back/
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redmay schedule: there must be some way out of here
src:
https://www.redmayseattle.org/scheduleRed May 2025 Schedule
There must be some way out of herehttps://www.redmayseattle.org/
https://www.facebook.com/redmayseattle/Some Way Out of Here?
Friday, May 9, 11:00 AM PDT
@YouTubeMichael McCarthy, Jasper Bernes, Jodi Dean, Alberto Toscano, Camila Vergara, Philip Wohlstetter (mod)
Beacon Cinema: The Encampments (2025)
dir: Michael T. Workman &
Kei Pritsker
Sunday, May 11, 5:00 PMCybernetic Circulation Complex: Big Tech & Planetary Crisis
Tuesday, May 13, 2:00 PM PDT
@YouTubeNick Dyer-Witheford, Alessandra Mularoni, Nick Srnicek, Kyle Kubler (mod)
Grief and Revolution in a World on Fire
Friday, May 16, 2:00 PM PDT
@YouTubeSarah Jaffe, Nica Siegel
Delmore Schwartz: Marxism & the Modernist Poet
Saturday, May 17, 11:00 AM PDT @YouTubeAlan Wald, David Lau, Roy Skodnick, Philip Wohlstetter (mod)
Beacon Cinema: Why It Happened Here
Sunday, May 18, 5:00 PM
(Film showing with discussion)(This is an In-person event)
David Shields, Tommy Swenson, Philip Wohlstetter
The West and the Rest: Capital & Power in a Multipolar World
Tuesday, May 20, 2:00 PM PDT
@YouTubeSandro Mezzadra, Brett Neilson, Kyle Kubler (mod)
Citizen Marx: Republicanism & Formation of Marx’s Thought
Wednesday, May 21, 11:00 AM PDT @YouTubeBruno Leipold, Camila Vergara, Michael Hardt, Alyssa Battistoni
American Constitutional Collapse
Thursday, May 22, 11:00 AM PDT
@YouTubeAziz Rana, Michael Hardt, Camila Vergara, Philip Wohlstetter (mod)
TERFs
Enemy Feminisms: , Policewomen & Girlbosses
Sunday, May 25, 7:00 PM PDT
@Elliott Bay Books(This is an In-person event)
Sophie Lewis, Emi Koyama (mod)
Beacon Cinema: Fragment of an Empire (1929)
dir: Fridrikh Ermler
Monday, May 26, 7:30 PMDe-reification and Art Now
Tuesday, May 27, 2:00 PM PDT @YouTubeJaleh Mansoor, Matt Browning, Anita Chari, Minh Nguyen (mod)
Fake Work: How I Began to Suspect, Capitalism Was a Joke
Wednesday, May 28, 2:00 PM PDT @YouTubeLeigh Claire la Berge, Jason Read, Madeline Lane-McKinley, Sarah Jaffe
Whatever Happened to Revolution?
Thursday, May 29, 7:00 PM PDT @TownHall(This is an In-person event)
Jasper Bernes, Colleen Lye, Nikhil Pal Singh, Idris RobinsonWhat Just Happened, America?
Friday, May 30 5:00 PM PDT
@VermillionColleen Lye, Idris Robinson, Michael Hardt, Jamie Merchant, Kathi Weeks, Jasper Bernes, Nikhil Pal Singh
Endgame: Economic Nationalism & Global Decline
Saturday, May 31, 12:30 PM PDT
@Elliott Bay Books(This is an In-person event)
Jamie Merchant, Nikhil Pal Singh (mod)The Future of Revolution
Saturday, May 31, 2:00 PM PDT @Elliott Bay Books(This is an In-person event)
Jasper Bernes, Idris Robinson (mod)
#AlanWald #AlbertoToscano #AlessandraMularoni #AlyssaBattistoni #AnitaChari #art #arte #AzizRana #BrettNeilson #BrunoLeipold #CamilaVergara #capitalism #ClassStruggle #ColleenLye #crisis #DavidLau #DavidShields #DelmoreSchwartz #ElliottBayBooks #EmiKoyama #feminism #feminisms #film #FridrikhErmler #IdrisRobinson #JalehMansoor #JamieMerchant #JasonRead #JasperBernes #JodiDean #KathiWeeks #KeiPritsker #KyleKubler #left #LeighClaireLaBerge #MadelineLaneMcKinley #Marxism #MattBrowning #MichaelHardt #MichaelMcCarthy #MichaelTWorkman #MinhNguyen #modernism #Nationalism #NicaSiegel #NickDyerWitheford #NickSrnicek #NikhilPalSingh #PhilipWohlstetter #planetaryCrisis #poetry #politics #RedMay #redmayseattleOrg #revolution #RoySkodnick #SandroMezzadra #SarahJaffe #SophieLewis #TERFs #ThereMustBeSomeWayOutOfHere #TommySwenson #video #wayOut
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Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶
Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.
“Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”
#Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe
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Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶
Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.
“Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”
#Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe
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Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶
Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.
“Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”
#Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe
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Good Records co-founder Chris Penn dies at 54 ⏺️ 💿 🎶
Penn had suffered a traumatic spinal cord injury after a fall at his Dallas store.
“Can you imagine Chris’s heaven? I hope it’s filled with Mexican food, pinball machines and a movie theater playing all the classics.”
#Music #GoodRecords #Dallas #Texas #RSD #RIP #ChrisPenn #RecordStoreDay #AliceCooper #ErykahBadu #StVincent #SarahJaffe
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Somewhat related to the "business ethos" described is a book I'm in the middle of by #SarahJaffe:
"Work Won't Love You Back". Read all about it: https://workwontloveyouback.org/ 🖖! -
Somewhat related to the "business ethos" described is a book I'm in the middle of by #SarahJaffe:
"Work Won't Love You Back". Read all about it: https://workwontloveyouback.org/ 🖖! -
Somewhat related to the "business ethos" described is a book I'm in the middle of by #SarahJaffe:
"Work Won't Love You Back". Read all about it: https://workwontloveyouback.org/ 🖖! -
CW: media recently consumed:
#Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend
#JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny
#SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U
#RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.
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CW: media recently consumed:
#Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend
#JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny
#SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U
#RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.
-
CW: media recently consumed:
#Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend
#JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny
#SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U
#RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.
-
CW: media recently consumed:
#Deadloch - Amazon prime - 8 episodes - Australian black comedy police procedural from the makers of the comedy series The Katering Show - strong recommend
#JuryDuty - Amazon/freevee - 8 episodes - US legal system documentary about the experiences of a first time jurist, except, he's the only one who isn't an actor. Heartwarming, truman show, funny
#SarahJaffe #WorkWontLoveYouBack - 'How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone' - 448p, 2022 - I keep referencing this one - #1U
#RichardOsmon - #TheManWhoDiedTwice - 464p, 2021 - British pensioners solving crimes - regularly laugh out loud funny.