#rudyvangelder — Public Fediverse posts

Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note

Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note

Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note

Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note

Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note

https://goatless.org/2026/04/25/horace-silver-quintet-silvers-serenade-1963-on-blue-note

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

https://goatless.org/2026/04/23/freddie-roach-good-move-1964-on-blue-note

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Zum Ausklang des Arbeitstages etwas #Jazz mit #TheHoraceSilverQuintet erschienen 1959 bei #BlueNote als #Mono Pressung.
#nowplaying #vinyl #vinylrecords #Bop #HardBop #RudyVanGelder #RVG #EugeneTaylor #LouisHayes #HoraceSilver #JuniorCook #BlueMitchell

Zum Ausklang des Arbeitstages etwas #Jazz mit #TheHoraceSilverQuintet erschienen 1959 bei #BlueNote als #Mono Pressung.
#nowplaying #vinyl #vinylrecords #Bop #HardBop #RudyVanGelder #RVG #EugeneTaylor #LouisHayes #HoraceSilver #JuniorCook #BlueMitchell

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, which was reissued in 2024.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Lou Donaldson, The Natural Soul, 1963 on Blue Note

Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley).

Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion.

My copy is part of the 2024 reissue of the 2019 Vinyl Me Please Anthology.

Dexter Gordon, Dexter Calling, 1962 on Blue Note

Released in mono in 1961 and in stereo in 1962, this was Gordon’s second album on Blue Note, following quickly after Doin’ Allright and five years after Daddy Plays the Horn.

Recorded by Rudy Van Gelder at his studio in Englewood Cliffs, NJ. Gordon is joined by Paul Chambers, Philly Joe Jones, and Kenny Drew. Liner notes by Leonard Feather, produced by Alfred Lion.

My copy is from the VMP Anthology The Story of Blue Note Records, which was first issued in 2019 and then reissued in 2024 – my copy is from that second edition.

Dexter Gordon, Dexter Calling, 1962 on Blue Note

Released in mono in 1961 and in stereo in 1962, this was Gordon’s second album on Blue Note, following quickly after Doin’ Allright and five years after Daddy Plays the Horn.

Recorded by Rudy Van Gelder at his studio in Englewood Cliffs, NJ. Gordon is joined by Paul Chambers, Philly Joe Jones, and Kenny Drew. Liner notes by Leonard Feather, produced by Alfred Lion.

My copy is from the VMP Anthology The Story of Blue Note Records, which was first issued in 2019 and then reissued in 2024 – my copy is from that second edition.

Dexter Gordon, Dexter Calling, 1962 on Blue Note

Released in mono in 1961 and in stereo in 1962, this was Gordon’s second album on Blue Note, following quickly after Doin’ Allright and five years after Daddy Plays the Horn.

Recorded by Rudy Van Gelder at his studio in Englewood Cliffs, NJ. Gordon is joined by Paul Chambers, Philly Joe Jones, and Kenny Drew. Liner notes by Leonard Feather, produced by Alfred Lion.

My copy is from the VMP Anthology The Story of Blue Note Records, which was first issued in 2019 and then reissued in 2024 – my copy is from that second edition.