#romancemovies — Public Fediverse posts

The movie Kurt Russell and Michael Caine agree is the “greatest” ever

Credit: Far Out / YouTube Still Fri 16 October 2026 20:15, UK If you ask 100 people to…
#NewsBeep #News #Movies #1940s #1942 #Casablanca #DramaMovie #Entertainment #HumphreyBogart #KurtRussell #MichaelCaine #RomanceMovies #UK #UnitedKingdom
https://www.newsbeep.com/uk/805284/

What Verity's Box Office Means For The Future Of Colleen Hoover Adaptations

https://web.brid.gy/r/https://www.slashfilm.com/2278243/verity-box-office-future-colleen-hoover-adaptations-meaning/

How $25,000 led Paul Simon to write the defining song of the 1960s

Credit: Far Out / YouTube Still Sun 4 October 2026 3:00, UK While some listeners are perhaps more…
#NewsBeep #News #Music #1960s #ArtGarfunkel #Comedy #drama #Entertainment #Folkrock #MikeNichols #PaulSimon #Rom-comMovies #RomanceMovies #SimonandGarfunkel #TheGraduate #UK #UnitedKingdom
https://www.newsbeep.com/uk/791392/

The 1993 performance Paul Mescal called “masterful”

Credit: Far Out / Quinzaine des Réalisateurs Sat 12 September 2026 3:30, UK As an actor, it’s often…
#NewsBeep #News #Celebrities #1990s #1993 #Acting #AllofusStrangers #AnthonyHopkins #DramaMovie #Entertainment #PaulMescal #RomanceMovies #UK #UnitedKingdom
https://www.newsbeep.com/uk/768515/

Ester Expósito's 102-Minute Romantic Thriller Is Officially Prime Video's Biggest Streaming Hit

https://web.brid.gy/r/https://www.slashfilm.com/2255147/ester-exposito-romantic-thriller-drawn-together-streaming-prime-video-september-2026/

10 actors who gamble their entire careers on one movie

Sylvester Stallone in ‘Rocky’ (…
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https://www.newsbeep.com/us/834781/

https://www.europesays.com/uk/1183370/ 10 actors who gamble their entire careers on one movie #AStarIsBorn #ActionMovies #AndySerkis #BrendanFraser #Celebrities #CitizenKane #ComedyMovie #DanielDayLewis #DramaMovie #Entertainment #GoodWillHunting #IceCube #KieranCulkin #LadyGaga #LordOfTheRings #MattDamon #Musical #nwa #OrsonWelles #Rocky #RomanceMovies #SportsFilm #Superman #SylvesterStallone #TheWhale #UK #UnitedKingdom

Why Practical Magic 2 Replaced Evan Rachel Wood With Joey King

https://web.brid.gy/r/https://www.slashfilm.com/2248870/practical-magic-2-evan-rachel-wood-joey-king-recasting-explained/

How To Watch One Night Only At Home

https://web.brid.gy/r/https://www.slashfilm.com/2248648/how-watch-one-night-only-home/

Off-Campus: Does the Hockey Romance factor within the Coming-of-Age genre score or miss its mark?

“The opening of Off-Campus does something important almost immediately: it tells us what kind of story this is going to be—and why we should care about the people at the center of it.”

Over the past year, something rather unexpected has taken over the romance and streaming landscape: hockey romance.

It is a curious phenomenon. Hockey has long occupied a particular place in the sporting imagination—a fast, violent, physical game often marketed as one of the last bastions of traditional masculinity. It is bruising, aggressive, competitive, and unapologetically physical. Yet somewhere along the way, storytellers discovered that beneath the helmets, fights, and frozen rinks was an unexpectedly effective setting for romance.

And audiences have responded.

A growing wave of hockey-centered romance stories has attracted an enormous following, particularly among women, while also finding an audience among men. What makes the genre particularly interesting, however, isn’t simply putting hockey players into a love story. It is the contrast. These stories take a sport traditionally associated with toughness and masculinity and place it inside stories about vulnerability, identity, intimacy, sexuality, and emotional growth.

That has created a surprisingly broad spectrum of stories.

On one end, we have the heterosexual romance of Hannah Wells and Garrett Graham in Off-Campus, where college hockey becomes the backdrop for a familiar coming-of-age story about attraction, relationships, insecurity, and growing into adulthood. On another end of the spectrum is the Game Changers universe, which centers on the relationship between professional hockey players Shane Hollander and Ilya Rozanov, bringing sexuality and identity into a sport that has historically struggled with both.

Different stories. Different audiences. Different ideas about what masculinity looks like.

But the question remains: does any of it actually work?

That question becomes even more interesting when we place hockey romance within the larger evolution of the coming-of-age genre. Every generation eventually produces its own stories about love, sex, friendship, identity, and adulthood. What changes is the setting, the culture, and the expectations surrounding those stories. For an older generation, the defining coming-of-age stories may have looked radically different from what today’s audiences are consuming.

So where does Off-Campus fit?

Is this simply another example of the current streaming industry’s obsession with turning popular romance novels into television? Is hockey romance genuinely becoming its own cultural phenomenon? Or are we watching a temporary trend fueled by attractive athletes, increasingly elaborate fan communities, and the algorithm’s seemingly endless appetite for romance?

More importantly, does hockey actually matter?

Because there is a difference between a romance story that happens to feature hockey players and a hockey story that uses the culture, pressures, rivalries, and masculinity of the sport to make romance more compelling.

And then there is the question that perhaps matters most: Are hockey fans watching these shows, or is hockey simply the bait?

Fortunately, I watched Off-Campus, so you don’t have to wonder.

So, let’s get on the ice, take a look at Hannah and Garrett’s story, examine what Off-Campus is actually trying to accomplish, and answer the question that matters: Does hockey romance have a future—or is this just another streaming fad waiting for the next trend to take its place?

The opening of Off-Campus does something important almost immediately: it tells us what kind of story this is going to be—and why we should care about the people at the center of it.

Hannah Wells is the first and perhaps clearest example. At first glance, her life appears to be built around making responsible choices. She has a scholarship, a future she is working toward, and a carefully constructed path that gives her a sense of security. Then that security begins to disappear.

Suddenly, the safe route is no longer an option.

The potential loss of her scholarship forces Hannah into a situation she has spent considerable effort avoiding. What initially appears to be a relatively simple solution quickly becomes something much more complicated: she has to confront the parts of her past that she would rather leave buried.

And this is where Off-Campus becomes considerably more interesting than a conventional college romance. Giving the series an early emotional hook. Before the hockey, romance, and college drama fully take over, Off-Campus establishes something much more universal: the fear of losing control over your future—and the possibility that the path you were forced to take might ultimately become the path you needed.

Before Off-Campus fully establishes its emotional stakes, however, it gives the audience a pretty clear indication of where the romance is headed—and it does so in a way that is both awkward and surprisingly effective.

Hannah’s introduction to Garrett comes through an uncomfortable locker-room encounter that immediately establishes the dynamic between them. It isn’t exactly the smoothest first meeting, but that is part of what makes it work. Rather than presenting their relationship as an obvious, polished romance from the beginning, the series allows their first interaction to feel messy, unexpected, and just uncomfortable enough to make the viewer wonder where it could possibly go.

But the romance isn’t the only thing that makes the opening worth paying attention to.

One of the more visually interesting choices in the series is the way the filmmakers introduce Hannah and Garrett through split-screen cinematography and visual mirroring. The two characters are often shown simultaneously performing different tasks, creating the impression that they are already connected long before their lives have actually begun to intersect.

It is a clever bit of visual storytelling.

Hannah and Garrett occupy very different worlds. She is focused on academics, her future, and maintaining control over a life that has already been complicated by her past. Garrett exists within the very different world of college hockey—competition, teammates, expectations, physicality, and the culture surrounding the sport. Yet by placing them side-by-side within the same frame, the series begins to suggest that these two seemingly separate worlds are moving toward the same destination.

That visual approach also gives Off-Campus a little more personality than its premise might initially suggest.

What makes Hannah and Garrett work as a pairing is that, beneath the obvious differences between their lives, they are fighting remarkably similar battles.

On the surface, their worlds couldn’t look more different. Hannah is trying to rebuild a sense of control over her future, while Garrett is trying to protect the future he has already built. But underneath both stories is the same question: What do you do when the identity you’ve created—or the identity created for you—starts to feel like a prison?

Garrett Graham carries his own demons, and they are every bit as significant as Hannah’s.

He lives in the enormous shadow of his father, a former professional hockey player whose legacy has effectively become the standard against which Garrett measures himself. For Garrett, hockey isn’t simply something he enjoys. It is the center of his world. His scholarship depends on it. His position on the team depends on it. His future appears to depend on it.

That creates an interesting contradiction.

Garrett has spent his life becoming the hockey player everyone expects him to be. But somewhere beneath the athletic ability, the expectations, and the pressure to succeed is a much more uncomfortable question:

Does Garrett actually want to be a hockey player—or is hockey simply the only identity he has ever been allowed to have?

That question gives his character considerably more depth than the stereotypical college-athlete love interest. He isn’t simply the confident hockey star who happens to fall for the academically driven girl. He is someone struggling with the difference between choosing an identity and inheriting one.

And that is where Garrett’s story begins to mirror Hannah’s.

Hannah is forced to confront the past she has tried to escape. Garrett is forced to confront the future he has been expected to embrace. One is running away from something; the other may be running toward something without ever stopping to ask whether it is actually what he wants.

One of the strengths of Off-Campus is that the series understands something many romance adaptations get wrong: the world cannot revolve entirely around the two people falling in love.

The supporting characters are given their own emotional complexity, personal struggles, and relationship dynamics, creating a story that feels larger than Hannah and Garrett. Their presence adds depth because the audience isn’t constantly being pushed back toward the central romance. Instead, the series allows other characters to have their own moments, problems, and development.

That is particularly important for a story built around a collection of interconnected characters.

Not every viewer is going to identify with Hannah or Garrett at the exact same point in their lives. By giving the supporting cast meaningful stories of their own, Off-Campus creates multiple entry points for its audience. Someone may not see themselves in Hannah’s struggles or Garrett’s identity crisis, but they may recognize themselves in one of the characters standing beside them.

In other words, the show gives the audience somewhere else to see themselves.

For me, however, there was an obvious reason I started watching Off-Campus: hockey.

I grew up playing and watching the sport, and I remain a pretty hardcore hockey fan. So when my wife and I started watching the series, the hockey component immediately caught my attention. I was curious to see whether the show would actually understand the sport and its culture or simply use hockey as an attractive backdrop for a romance.

What I didn’t necessarily expect was how quickly the characters would begin competing with the hockey itself for my attention.

The sport got me through the door. The characters kept me there.

There was also an unexpected personal element to Garrett’s story. Some of the questions surrounding his identity, expectations, and figuring out what comes next resonated with parts of my own journey. That made the series more interesting than I initially expected. What began as curiosity about a hockey romance gradually became an investment in the people actually telling the story.

And that, ultimately, is probably the show’s biggest accomplishment.

That said, viewers should know what they’re getting into before pressing play.

Off-Campus is not a fast-paced romance in the traditional Hallmark Christmas-movie sense. This isn’t a story where two people meet, exchange a few meaningful glances, encounter one manufactured obstacle, and are happily together before the credits roll.

The series takes its time.

The romance develops gradually, allowing the characters to build relationships before the more intimate moments arrive. That pacing makes sense because the romantic and sexual elements are often tied directly to the characters’ emotional development. Their physical relationships aren’t simply inserted for shock value or entertainment; they frequently intersect with the larger process of confronting insecurity, trauma, identity, and the personal demons each character carries.

That won’t work for everyone.

Some viewers will appreciate the slower burn and emotional buildup. Others may find themselves wondering when the story is finally going to get somewhere. But if you’re willing to let the characters develop rather than demanding an immediate payoff, the slower pace becomes part of the appeal.

And, yes, there is one other important disclaimer.

The series contains nudity, sexual situations, and partially undressed characters at various points. Those elements are a significant part of the show’s presentation and should be expected going in.

So, is Off-Campus worth watching?

For me, absolutely.

It isn’t perfect, and it isn’t necessarily going to convert everyone into a hockey-romance fan. But it succeeds at something more difficult: it takes what initially sounds like a very specific premise—college hockey players, romance, and coming-of-age drama—and turns it into a story about something considerably more universal.

Is 2004’s ‘Wimbledon’ Kirsten Dunst’s worst movie?

Credit: Far Out / Universal Pictures Thu 13 August 2026 5:00, UK I love a good romantic comedy.…
#Tennis #Wimbledon #2000s #2004 #BritishFilm #ComedyMovie #homepage #KirstenDunst #RomanceMovies #Sportsfilm #wimbledon
https://www.europesays.com/tennis/50356/

For One Night Only, guests in Sydney mixed with Callum Turner, Will Gluck
By Mawunyo Gbogbo

Callum Turner and Will Gluck walked the red carpet at the Sydney premiere of One Night Only, as invited guests took a break from the census for the special event.

https://www.abc.net.au/news/2026-08-12/one-night-only-in-sydney-with-callum-turner-will-gluck/107027702

#RomanceMovies #ComedyMovies #Movies #PopularCulture #FilmIndustry #CritiqueandTheory #MawunyoGbogbo

One Night Only Director Knows What Everyone Was Saying About The Movie's Creepy World [Exclusive]

https://web.brid.gy/r/https://www.slashfilm.com/2231751/one-night-only-director-will-gluck-the-purge-comparisions-interview/

One Night Only Director Talks About The Movie's Soon-To-Be Iconic Final Location [Exclusive]

https://web.brid.gy/r/https://www.slashfilm.com/2231210/one-night-only-director-will-gluck-interview-new-york-city-lighthouse-location/

One Night Only Review: A Wild, Weird, Totally Unexpected Rom Com Pleasure

https://web.brid.gy/r/https://www.slashfilm.com/2230705/one-night-only-movie-review/

The 1989 movie John Goodman called “the greatest joy in the world”

Credit: Far Out / Alan Light Wed 29 July 2026 17:15, UK Just because an actor has a…
#NewsBeep #News #Movies #1980s #1989 #DramaMovie #Entertainment #fantasymovie #JohnGoodman #LedZeppelin #RomanceMovies #StevenSpielberg #TheBeatles #UK #UnitedKingdom
https://www.newsbeep.com/uk/717804/

Glen Hansard's Onscreen Legacy Is One Of The Best Movies Ever Made About Music

https://web.brid.gy/r/https://www.slashfilm.com/2226304/glen-hansard-legacy-best-movie-about-music-once/

10 overlooked movie masterpieces of the 1970s

‘Getting Straight’ (Richard Rush, 1970) There were many ‘70s films that directly responded to the co…
#NewsBeep #News #Movies #1970s #ActionMovies #Addiction #AkiraKurosawa #alpacino #ClintEastwood #ComedyMovie #CrimeMovie #DennisHopper #DramaMovie #Entertainment #HarrisonFord #homepage #MilosForman #Musical #PaulSchrader #Quadrophenia #RomanceMovies #SeanConnery #SidneyLumet #TheWho #UK #UnitedKingdom #WimWenders
https://www.newsbeep.com/uk/716643/

The 1997 career crossroads that left Leonardo DiCaprio dejected

Credit: Far Out / YouTube Still Sat 25 July 2026 16:15, UK Leonardo DiCaprio is undoubtedly the most…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Celebrities #1990s #1997 #Blockbusters #Entertainment #JamesCameron #katewinslet #leonardodicaprio #RomanceMovies #titanic
https://www.newsbeep.com/us/784928/

The 1997 career crossroads that left Leonardo DiCaprio dejected

Credit: Far Out / YouTube Still Sat 25 July 2026 16:15, UK Leonardo DiCaprio is undoubtedly the most…
#NewsBeep #News #Celebrities #1990s #1997 #Blockbusters #Entertainment #JamesCameron #KateWinslet #LeonardoDiCaprio #RomanceMovies #Titanic #UK #UnitedKingdom
https://www.newsbeep.com/uk/710919/

The 2004 movie that gave Ryan Gosling “the love of my life”

Credit: Alamy Sat 18 July 2026 2:30, UK Ryan Gosling didn’t want to settle for anything less than…
#NewsBeep #News #Celebrities #2000s #2004 #Entertainment #RachelMcAdams #RomanceMovies #RyanGosling #UK #UnitedKingdom
https://www.newsbeep.com/uk/699424/

ICYMI: Once We Were Us ~ The Lingering Power of First Love https://popgeeks.com/once-we-were-us-the-lingering-power-of-first-love/?utm_source=dlvr.it&utm_medium=mastodon #OnceWeWereUs #FirstLove #KoreanCinema #RomanceMovies #LoveStory

Once We Were Us ~ The Lingering Power of First Love https://popgeeks.com/once-we-were-us-the-lingering-power-of-first-love/?utm_source=dlvr.it&utm_medium=mastodon #OnceWeWereUs #FirstLove #RomanceMovies #KoreanFilm #LoveStory

10 movies from 2016 that would never be made today

‘Billy Lynn’s Long Halftime Walk’ (Ang Lee, 2016) Ang Lee has always been at the forefront of technical…
#NewsBeep #News #Movies #2010s #2016 #AngLee #BenAffleck #BryanCranston #ChrisPratt #Comedy #drama #Entertainment #Ghostbusters #History #JenniferLawrence #MartinScorsese #Politics #RobReiner #RomanceMovies #russellcrowe #RyanGosling #Sci-FiMovie #UK #UnitedKingdom #WoodyHarrelson #woody-allen
https://www.newsbeep.com/uk/665353/

https://www.europesays.com/uk/1058653/ 10 movies from 2016 that would never be made today #2010s #2016 #AngLee #BenAffleck #BryanCranston #ChrisPratt #Comedy #drama #Entertainment #Ghostbusters #History #JenniferLawrence #MartinScorsese #Movies #Politics #RobReiner #RomanceMovies #RussellCrowe #RyanGosling #SciFiMovie #UK #UnitedKingdom #WoodyAllen #WoodyHarrelson

Netflix's Voicemails For Isabelle Director Shut Down Production To Make Sure A Small Detail Was Correct [Exclusive]

https://web.brid.gy/r/https://www.slashfilm.com/2197793/netflix-voicemails-for-isabelle-director-shut-down-production-detail-exclusive/

https://www.alojapan.com/1452683/7-japanese-romance-movies-thatll-break-your-heart-in-a-good-way/ 7 Japanese romance movies that’ll break your heart (in a good way) #Japan #JapanNews #Japanese #JapaneseMovie #JapaneseMovieArticle #JapaneseMovies #JapaneseMoviesRecommendation #JapaneseNews #JapaneseRomanceMovies #LoveLetterMoivie #news #RomanceMovies #sekachu #SekaiNoChuushinDeAiOSakebu #Top10JapaneseMovies #Valentine'sDay #ValentinesDayJapan #ValentinesDayJapaneseMovie (Screenshot of YouTube video) Japanese romance cinema is known for cap

7 Japanese romance movies that’ll break your heart (in a good way)

(Screenshot of YouTu…
#Japan #JP #JapanNews #Japanese #japanesemovie #japanesemoviearticle #Japanesemovies #japanesemoviesrecommendation #Japanesenews #japaneseromancemovies #lovelettermoivie #news #romancemovies #sekachu #sekainochuushindeaiosakebu #top10japanesemovies #Valentine'sday #valentinesdayjapan #valentinesdayjapanesemovie
https://www.alojapan.com/1452683/7-japanese-romance-movies-thatll-break-your-heart-in-a-good-way/

The Painted Veil, a 1934 Greta Garbo romantic melodrama. Based on a Somerset Maugham story. The introduction of the Production Code earlier in 1934 results in characters whose behaviours make no sense but it looks good and Garbo is terrific.

My review: https://dfordoom-movieramblings.blogspot.com/2024/06/the-painted-veil-1934.html

#30smovie #30smovies #1930smovie #1930smovies #precode #precodemovie #precodemovies #precodehollywood #GretaGarbo #romance #romancemovie #romancemovies #melodrama #wSomersetMaugham

The Temptress (1926), one of Greta Garbo's first major hits. She plays a vamp who may or may not be entirely wicked. Beautifully crafted unabashed melodrama with Garbo's subtlety and star quality already very evident. She is stunning and sexy.

My review: https://dfordoom-movieramblings.blogspot.com/2024/03/the-temptress-1926.html

#20smovie #20smovies #1920smovie #1920smovies #silentfilm #silentfilms #silentmovie #silentmovies #silentcinema #romancemovie #romancemovies #melodrama #GretaGarbo

Flesh and the Devil is a 1926 MGM silent melodrama starring Greta Garbo and John Gilbert. A huge hit which made Garbo a star. Gloriously lurid, steamy, melodramatic and romantic and absolutely dripping with sex. Garbo sizzles. Great movie.

My review: https://dfordoom-movieramblings.blogspot.com/2024/03/flesh-and-devil-1926.html

#20smovie #20smovies #1920smovie #1920smovies #classicmovie #classicmovies #silentfilm #silentfilms #silentmovie #silentmovies #silentcinema #romancemovie #romancemovies #JohnGilbert #GretaGarbo #melodrama #melodramas

The Spanish Dancer is a 1923 silent romantic melodrama. A beautiful fiery gypsy girl and a dissolute nobleman become embroiled in court intrigues in 17th century Spain. A great love story. See it for Pola Negri at the top of her game.

My review: https://dfordoom-movieramblings.blogspot.com/2024/01/the-spanish-dancer-1923.html

#20smovie #20smovies #1920smovie #1920smovies #classicmovie #classicmovies #silentfilm #silentfilms #silentmovie #silentmovies #silentcinema #romancemovie #romancemovies #PolaNegri

Gidget (1959), the first surfer girl movie. Sandra Dee is amazingly charming. Lightweight amusing romantic fun that takes its heroine's struggles with growing up quite seriously. But the ending is - well let's just say I hated the ending.

My review: https://dfordoom-movieramblings.blogspot.com/2023/12/gidget-1959.html

#1950smovie #1950smovies #50smovie #50smovies #classicmovie #classicmovie #goldenagehollywood #SandraDee #JamesDarren #Gidget #Surfmovie #surfmovies #romance #romancemovie #romancemovies #CliffRobertson

The Wildcat (Die Bergkatze) is a 1921 Ernst Lubitsch silent comedy/romance. It's wild crazy, visually bizarre and flamboyant, and insanely romantic. Wild gal Rischka (Pola Negri), daughter of a bandit chief, falls for a womanising army officer.

My review: https://dfordoom-movieramblings.blogspot.com/2023/12/the-wildcat-1921.html

#1920smovie #1920smovies #classicmovie #classicmovie #silentmovie #silentmovie #silentfilm #silentfilms #silentcinema #ErnstLubitsch #PolaNegri #romance #romancemovie #romancemovies

What good #RomanceMovies are on Netflix/Amazon/Hulu/HBO lately? Straight is fine, bonus points for queer. I'm feeling the need for a romance binge coming on. 🤔

(boosts ok!)

Madonna of the Seven Moons is a 1945 British Gainsborough melodrama but melodrama is hardly an adequate word to describe this truly bizarre film. It's beyond mere melodrama. Over-the-top, outrageously excessive, a delight from start to finish.

My review: https://dfordoom-movieramblings.blogspot.com/2017/08/madonna-of-seven-moons-1945.html

#classicmovies #classicmovie #1940smovie #Britishcinema #britishmovie #britishmovies #melodrama #melodramas #GainsboroughPictures #PhyllisCalvert #StewartGranger #romance #romancemovie #romancemovies

#DadJokes #Puns #Birds #RomanceMovies

Movies I want to see:

A 1950's avian romance movie named "Last of the Red-Hot Plovers."

Sissi (1955), the most famous and most successful entry in the German heimatfilm genre. If you’re in the mood for a lightweight feelgood fluffy romance with a fairytale vibe then this is just what you’re looking for.

It made Romy Schneider a star and she's adorable.

My review: https://dfordoom-movieramblings.blogspot.com/2023/03/sissi-1955.html

#heimatfilm #classicmovies #classicmovie #1950smovie #germancinema #germanmovie
#germanmovies #RomanceMovies #RomanceMovie #romance #fairytalemovie #fairytalemovies #RomySchneider

Futures Vedettes AKA School for Love AKA Sweet Sixteen (1955) is an early Brigitte Bardot romantic melodrama co-written by Roger Vadim. There are a few comic touches but it’s always romance that takes centre stage. It can also be seen as a coming-of-age movie.

The main reason for seeing this movie today is of course Bardot. but it's a pretty good movie.

My review: https://dfordoom-movieramblings.blogspot.com/2020/10/futures-vedettes-1955.html

#BrigitteBardot #RomanceMovies #Romance #classicmovies #classicmovie #FrenchCinema #melodrama #RogerVadim

Arabian Nights (1942), Universal’s first epic made using the three-strip Technicolor process.

It has the charm of an adventure B-picture but it looks very impressive. It’s quite content to provide spectacle and harmless entertainment. And there's plenty of romance.

With Maria Montez as a dancing girl who wants to be a queen.

My review: https://dfordoom-movieramblings.blogspot.com/2019/02/arabian-nights-1942.html

#ArabianNights #MariaMontez #campclassics #Bmovie #bmovies #adventuremovies #Romance #RomanceMovies

The Blue Angel (1930), the first Josef von Sternberg movie to star Marlene Dietrich.

Made in Germany with both the English and the much superior German language versions being shot simultaneously.

Dietrich is extraordinary as Lola Lola, a surprisingly complex and ambiguous femme fatale.

A true cinematic masterpiece.

My review: https://dfordoom-movieramblings.blogspot.com/2021/08/the-blue-angel-1930.html

#JosefvonSternberg #MarleneDietrich #classicmovies #germancinema #decadence #weimarrepublic #musicals #melodrama #RomanceMovies

The Female Animal was Hedy Lamarr’s last movie. Not at all a bad way for her career to end. She has a really juicy part and she makes the most of it.

Hedy plays a fading movie stars who acquires a new toy boy (played by George Nader). This causes problems with her (Jane Powell).

A very entertaining noirish grown-up sex melodrama and Lamarr is terrific.

My review: https://dfordoom-movieramblings.blogspot.com/2022/09/the-female-animal-1958.html

#HedyLamarr #melodrama #RomanceMovies #classicmovies #GeorgeNader #JanePowell #FilmMastodon #filmnoir

Butterfield 8 is a much more interesting and much better movie than its reputation would suggest.

One of the problems is that Butterfield 8 really is trashy. It’s an overheated sweaty sex melodrama. I happen to like overheated sweaty sex melodramas.

It dates from a period when Hollywood was tentatively exploring the idea of making movies for grown-ups.

My review: https://dfordoom-movieramblings.blogspot.com/2021/12/butterfield-8-1960.html

#ElizabethTaylor #LaurenceHarvey #classicmovies #FilmMastodon #JohnOHara #RomanceMovies