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#remixculture — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #remixculture, aggregated by home.social.

  1. Maybe I’m missing something, but…

    Can we protect artists and avoid making everyday, non-commercial creativity feel risky?

    Artists deserve pay. People also deserve to live and share culture without fear.

    Curious how others see this.

    juliezimmi.github.io/Swarm/

    #Creators #Artists #RemixCulture
    #democracy #activism #photography #musicchannel #socialmedia #press #books #art #gaming #politics #technology #artificialintelligence #artist #movies #business #humanities #architecture #tv #government

  2. Music taught me before school did. I literally recited “Rime of the Ancient Mariner” on day one of Senior English—thanks to Maiden. Here’s how that led to GNU/Linux, attribution, and remix culture:
    linuxexpert.org/iron-maiden-ca

    #IronMaiden #OpenSource #Linux #RemixCulture #History #Literature

  3. I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic.

    Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.

    amplifierfilms.ca/uploading-ra

    #NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE

  4. I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic.

    Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.

    amplifierfilms.ca/uploading-ra

    #NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE

  5. I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic.

    Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.

    amplifierfilms.ca/uploading-ra

    #NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE

  6. I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic.

    Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.

    amplifierfilms.ca/uploading-ra

    #NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE

  7. I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic.

    Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.

    amplifierfilms.ca/uploading-ra

    #NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE

  8. Holy shit. This. This is what we mean when we're talking about remix culture.

    "Gorillaz – Feel Good Inc." sung by 198 movies

    youtu.be/rk0NzRu6Wr0 (4 min)

    #mashup #remix #RemixCulture

  9. 🇩🇪 Kraftwerk "Radioactivity" – 1991

    A powerful reactivation of Kraftwerk’s 1975 classic. These 12" remixes bring sharper beats and a darker electronic edge, reflecting the rising techno and EBM scenes of the early '90s. Still politically charged and still eerily relevant...

    #kraftwerk #techno #ebm #electro #remixculture #vinyl #music #vinylrecords #vinylcollection #vinylcollector #nowspinningonvinyl #nowspinning #nowlistening

  10. 🇪🇸 Miguel Bosé "Amante Bandido" – 2000 Remixes - 2000

    Breathes new millennium life into Miguel Bosé’s iconic 1984 hit. The 2000 remixes flirt with house, Latin pop, and club beats, all while keeping the seductive core of the original intact.

    #latinpop #housemusic #electropop #remixculture #spanishpop #vinyl #music #vinylrecords #vinylcollection #vinylcollector #nowspinningonvinyl #nowspinning #nowlistening

  11. 🇬🇧 Erasure "Fingers & Thumbs (Cold Summer's Day) - Tin Tin Out Remix" – 1995

    Tin Tin Out reimagines this Erasure track with lush, melancholic house textures and smooth club production. The remix adds depth and polish while preserving the emotional core of the song, turning heartbreak into a bittersweet dancefloor moment...

    #synthpop #housemusic #progressivehouse #90smusic #remixculture #vinyl #music #vinylrecords #vinylcollection #vinylcollector #nowspinningonvinyl #nowspinning #nowlistening

  12. 🇬🇧 Yazoo "Reconnected EP" – 2008

    Essential 80s synthpop reworked for the dancefloor. This remix EP breathes new energy into classics like “Situation” and “Goodbye 70s,” blending Vince Clarke’s signature analog synths with sleek, club-friendly production...

    #yazoo #synthpop #electronicmusic #80smusic #remixculture #nowspinning #vinyl #music #vinylrecords #vinylcollection #vinylcollector #nowlistening

  13. Album Of The Day 🎧📀😉

    SOL INVICTO - Initium 😎🤘🏻

    Drum'n'Bass-Metal-Bastard by Richie Londres, Eric Bobo of Cypress Hill and Stephen Carpenter of Deftones 🤩

    Check out some free ARL3CCH1NO-music on various platforms:
    www.linktr.ee/ARL3CCH1NO

    #ARL3CCH1NO #Psyche #remix #remixculture #vinyl #discogs #vinylcollection #vinylcommunity #vinyllovers #cdcollection #metalcd #nineties #cdcollector #bandcampfriday #bandcamp #solinvicto

  14. Album Of The Day 🎧📀😉

    SOL INVICTO - Initium 😎🤘🏻

    Drum'n'Bass-Metal-Bastard by Richie Londres, Eric Bobo of Cypress Hill and Stephen Carpenter of Deftones 🤩

    Check out some free ARL3CCH1NO-music on various platforms:
    www.linktr.ee/ARL3CCH1NO

    #ARL3CCH1NO #Psyche #remix #remixculture #vinyl #discogs #vinylcollection #vinylcommunity #vinyllovers #cdcollection #metalcd #nineties #cdcollector #bandcampfriday #bandcamp #solinvicto