#reminiscence — Public Fediverse posts

Given its proclivity for scathing speeds, tough turnarounds, and blistering double bass, death metal contains a surprising number of drummer-vocalists. There’s Chris Reifert’s foundational feats in Autopsy, Mike Browning’s total-body tour de force on The Key (Nocturnus), and Max Klebanoff’s cookie-monstered kit-mashing in Tomb Mold. Add Andrea Feltrin of Miscreance to the list of specimens who helm the drums while screaming like a maniac. His Northern Italian quartet garnered well-deserved hype with their thrashy, old-school brand of technical death metal on debut Convergence (2022).1 For its sophomore outing, Miscreance gets bolder with a concept record; the band describes Reminiscence as a ‘lost album’ from ‘an unknown civilization that’s both futuristic and extremely primitive.’ Feltrin thus faces the unenviable task of carrying the narrative and rhythmic weight of Reminiscence, a forward-looking foray into vintage thrash-death.

Fortunately, three killer musicians fill out Miscreance, evoking the genre’s genesis and present. In lockstep with Feltrin’s lethal limbs is bassist Jean-Claude Rossingnol, whose Rickenbacker rattles with a deliciously fat n’ clangy tone.2 His punchy plucks, scintillating slaps, and stimulating slides unquestionably conjure the presence of Atheist. Guitar duo Andrea Granauro and Tommaso Cappelletti forge Miscreance’s frontline, discharging a repertoire of spidery riffs, grinding gallops, and whammy-barred solos. Their symbolic sound patterns summon the inhuman fretboard gymnastics of proggy Death. Together, the members of Miscreance craft a more-than-worthy iteration of old-school technical death metal, with sharp, clean, and vibrant production. Reminiscence pays homage to a classic like Sadus’s A Vision of Misery (1992), and it can dance with a greenhorn like Tomb Mold’s The Enduring Spirit (2023).

It is the rhythm section, though, that supplies Miscreance with its star power. Often, the bass in technical (death) metal comes off as merely another melodic instrument, and Rossingnol certainly adds color at key moments (“Synaptic Corpse Dissection”). The real joys of Reminiscene, however, bloom when Rossingnol and Feltrin beat the listener over the head with primal rhythmic hooks. A recurring motif in “Oracle’s Rift” best exemplifies such wallopings. Feltrin’s accented drumrolls lock in with Rossingnol’s voluminous bass slaps, acting as a kind of non-melodic chorus for the song. The off-kilter yet movement-inducing interplay between the bass and drums forms the fabric of Reminiscence, tapping into the brain of a lizard with an advanced degree. With a little help from this feral fabric, the knotty guitar hooks stitched by Granauro and Cappelletti shine even more.

Fairly consistently, Reminiscence slays across its 38 minutes. Opener “Trait d’Union” maps a template of elements that reverberate throughout. Its tribal bongos set a primal tone that periodically pops up as the album soars through its technical journey. Additionally, the opener dons over the music deep voiceovers that, while a bit goofy, develop a sense of narrative trajectory. “Synaptic Cortex Dissection” stands as a mid-album high point—it culminates with some absolutely deranged, absolutely delightful guitar harmonies. The back half of Reminiscence keeps the momentum and quality high, even if some moments shout for breathing room (the bass groove in “Symbiosis,” the cosmic solo in “Zenith of a Dying Sun”). Pseudo-instrumental “Mirage” is a bangin’ closer, though, somehow upping the ante on an album living in the fast lane. Feltrin’s maniacal rasps amplify the unhinged volatility, recalling mid-career Chuck and Damian Herring’s harshes (Horrendous). I love how Feltrin barely sputters out all the lyrics as he screeches like an eagle. Still, more lyrical legibility would cement Reminiscence’s concept about ‘primordial extraterrestrials [that] have achieved total neural unity’ but are tempted by ‘innate wickedness.’3

As carpenters of thrashy, old-school technical death metal, Miscreance furnish a sophomore album that all but nails it. Propelled by an exciting bass/drum duo and rounded out by an equally imposing guitar pair, Reminiscence delivers everything fans of this genre are looking for, with verve. Miscreance could stand to be more unique, but they show signs of developing something singular in the future. Indeed, this Italian quintet has only just begun to discover its potential. One day, I look forward to reminiscing about Miscreance’s sophomore album as the band’s stepping-stone to the top of the death-thrash world.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Instagram | Facebook
Releases Worldwide: August 28th, 2026

Given its proclivity for scathing speeds, tough turnarounds, and blistering double bass, death metal contains a surprising number of drummer-vocalists. There’s Chris Reifert’s foundational feats in Autopsy, Mike Browning’s total-body tour de force on The Key (Nocturnus), and Max Klebanoff’s cookie-monstered kit-mashing in Tomb Mold. Add Andrea Feltrin of Miscreance to the list of specimens who helm the drums while screaming like a maniac. His Northern Italian quartet garnered well-deserved hype with their thrashy, old-school brand of technical death metal on debut Convergence (2022).1 For its sophomore outing, Miscreance gets bolder with a concept record; the band describes Reminiscence as a ‘lost album’ from ‘an unknown civilization that’s both futuristic and extremely primitive.’ Feltrin thus faces the unenviable task of carrying the narrative and rhythmic weight of Reminiscence, a forward-looking foray into vintage thrash-death.

Fortunately, three killer musicians fill out Miscreance, evoking the genre’s genesis and present. In lockstep with Feltrin’s lethal limbs is bassist Jean-Claude Rossingnol, whose Rickenbacker rattles with a deliciously fat n’ clangy tone.2 His punchy plucks, scintillating slaps, and stimulating slides unquestionably conjure the presence of Atheist. Guitar duo Andrea Granauro and Tommaso Cappelletti forge Miscreance’s frontline, discharging a repertoire of spidery riffs, grinding gallops, and whammy-barred solos. Their symbolic sound patterns summon the inhuman fretboard gymnastics of proggy Death. Together, the members of Miscreance craft a more-than-worthy iteration of old-school technical death metal, with sharp, clean, and vibrant production. Reminiscence pays homage to a classic like Sadus’s A Vision of Misery (1992), and it can dance with a greenhorn like Tomb Mold’s The Enduring Spirit (2023).

It is the rhythm section, though, that supplies Miscreance with its star power. Often, the bass in technical (death) metal comes off as merely another melodic instrument, and Rossingnol certainly adds color at key moments (“Synaptic Corpse Dissection”). The real joys of Reminiscene, however, bloom when Rossingnol and Feltrin beat the listener over the head with primal rhythmic hooks. A recurring motif in “Oracle’s Rift” best exemplifies such wallopings. Feltrin’s accented drumrolls lock in with Rossingnol’s voluminous bass slaps, acting as a kind of non-melodic chorus for the song. The off-kilter yet movement-inducing interplay between the bass and drums forms the fabric of Reminiscence, tapping into the brain of a lizard with an advanced degree. With a little help from this feral fabric, the knotty guitar hooks stitched by Granauro and Cappelletti shine even more.

Fairly consistently, Reminiscence slays across its 38 minutes. Opener “Trait d’Union” maps a template of elements that reverberate throughout. Its tribal bongos set a primal tone that periodically pops up as the album soars through its technical journey. Additionally, the opener dons over the music deep voiceovers that, while a bit goofy, develop a sense of narrative trajectory. “Synaptic Cortex Dissection” stands as a mid-album high point—it culminates with some absolutely deranged, absolutely delightful guitar harmonies. The back half of Reminiscence keeps the momentum and quality high, even if some moments shout for breathing room (the bass groove in “Symbiosis,” the cosmic solo in “Zenith of a Dying Sun”). Pseudo-instrumental “Mirage” is a bangin’ closer, though, somehow upping the ante on an album living in the fast lane. Feltrin’s maniacal rasps amplify the unhinged volatility, recalling mid-career Chuck and Damian Herring’s harshes (Horrendous). I love how Feltrin barely sputters out all the lyrics as he screeches like an eagle. Still, more lyrical legibility would cement Reminiscence’s concept about ‘primordial extraterrestrials [that] have achieved total neural unity’ but are tempted by ‘innate wickedness.’3

As carpenters of thrashy, old-school technical death metal, Miscreance furnish a sophomore album that all but nails it. Propelled by an exciting bass/drum duo and rounded out by an equally imposing guitar pair, Reminiscence delivers everything fans of this genre are looking for, with verve. Miscreance could stand to be more unique, but they show signs of developing something singular in the future. Indeed, this Italian quintet has only just begun to discover its potential. One day, I look forward to reminiscing about Miscreance’s sophomore album as the band’s stepping-stone to the top of the death-thrash world.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Instagram | Facebook
Releases Worldwide: August 28th, 2026

Given its proclivity for scathing speeds, tough turnarounds, and blistering double bass, death metal contains a surprising number of drummer-vocalists. There’s Chris Reifert’s foundational feats in Autopsy, Mike Browning’s total-body tour de force on The Key (Nocturnus), and Max Klebanoff’s cookie-monstered kit-mashing in Tomb Mold. Add Andrea Feltrin of Miscreance to the list of specimens who helm the drums while screaming like a maniac. His Northern Italian quartet garnered well-deserved hype with their thrashy, old-school brand of technical death metal on debut Convergence (2022).1 For its sophomore outing, Miscreance gets bolder with a concept record; the band describes Reminiscence as a ‘lost album’ from ‘an unknown civilization that’s both futuristic and extremely primitive.’ Feltrin thus faces the unenviable task of carrying the narrative and rhythmic weight of Reminiscence, a forward-looking foray into vintage thrash-death.

Fortunately, three killer musicians fill out Miscreance, evoking the genre’s genesis and present. In lockstep with Feltrin’s lethal limbs is bassist Jean-Claude Rossingnol, whose Rickenbacker rattles with a deliciously fat n’ clangy tone.2 His punchy plucks, scintillating slaps, and stimulating slides unquestionably conjure the presence of Atheist. Guitar duo Andrea Granauro and Tommaso Cappelletti forge Miscreance’s frontline, discharging a repertoire of spidery riffs, grinding gallops, and whammy-barred solos. Their symbolic sound patterns summon the inhuman fretboard gymnastics of proggy Death. Together, the members of Miscreance craft a more-than-worthy iteration of old-school technical death metal, with sharp, clean, and vibrant production. Reminiscence pays homage to a classic like Sadus’s A Vision of Misery (1992), and it can dance with a greenhorn like Tomb Mold’s The Enduring Spirit (2023).

It is the rhythm section, though, that supplies Miscreance with its star power. Often, the bass in technical (death) metal comes off as merely another melodic instrument, and Rossingnol certainly adds color at key moments (“Synaptic Corpse Dissection”). The real joys of Reminiscene, however, bloom when Rossingnol and Feltrin beat the listener over the head with primal rhythmic hooks. A recurring motif in “Oracle’s Rift” best exemplifies such wallopings. Feltrin’s accented drumrolls lock in with Rossingnol’s voluminous bass slaps, acting as a kind of non-melodic chorus for the song. The off-kilter yet movement-inducing interplay between the bass and drums forms the fabric of Reminiscence, tapping into the brain of a lizard with an advanced degree. With a little help from this feral fabric, the knotty guitar hooks stitched by Granauro and Cappelletti shine even more.

Fairly consistently, Reminiscence slays across its 38 minutes. Opener “Trait d’Union” maps a template of elements that reverberate throughout. Its tribal bongos set a primal tone that periodically pops up as the album soars through its technical journey. Additionally, the opener dons over the music deep voiceovers that, while a bit goofy, develop a sense of narrative trajectory. “Synaptic Cortex Dissection” stands as a mid-album high point—it culminates with some absolutely deranged, absolutely delightful guitar harmonies. The back half of Reminiscence keeps the momentum and quality high, even if some moments shout for breathing room (the bass groove in “Symbiosis,” the cosmic solo in “Zenith of a Dying Sun”). Pseudo-instrumental “Mirage” is a bangin’ closer, though, somehow upping the ante on an album living in the fast lane. Feltrin’s maniacal rasps amplify the unhinged volatility, recalling mid-career Chuck and Damian Herring’s harshes (Horrendous). I love how Feltrin barely sputters out all the lyrics as he screeches like an eagle. Still, more lyrical legibility would cement Reminiscence’s concept about ‘primordial extraterrestrials [that] have achieved total neural unity’ but are tempted by ‘innate wickedness.’3

As carpenters of thrashy, old-school technical death metal, Miscreance furnish a sophomore album that all but nails it. Propelled by an exciting bass/drum duo and rounded out by an equally imposing guitar pair, Reminiscence delivers everything fans of this genre are looking for, with verve. Miscreance could stand to be more unique, but they show signs of developing something singular in the future. Indeed, this Italian quintet has only just begun to discover its potential. One day, I look forward to reminiscing about Miscreance’s sophomore album as the band’s stepping-stone to the top of the death-thrash world.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Instagram | Facebook
Releases Worldwide: August 28th, 2026

Given its proclivity for scathing speeds, tough turnarounds, and blistering double bass, death metal contains a surprising number of drummer-vocalists. There’s Chris Reifert’s foundational feats in Autopsy, Mike Browning’s total-body tour de force on The Key (Nocturnus), and Max Klebanoff’s cookie-monstered kit-mashing in Tomb Mold. Add Andrea Feltrin of Miscreance to the list of specimens who helm the drums while screaming like a maniac. His Northern Italian quartet garnered well-deserved hype with their thrashy, old-school brand of technical death metal on debut Convergence (2022).1 For its sophomore outing, Miscreance gets bolder with a concept record; the band describes Reminiscence as a ‘lost album’ from ‘an unknown civilization that’s both futuristic and extremely primitive.’ Feltrin thus faces the unenviable task of carrying the narrative and rhythmic weight of Reminiscence, a forward-looking foray into vintage thrash-death.

Fortunately, three killer musicians fill out Miscreance, evoking the genre’s genesis and present. In lockstep with Feltrin’s lethal limbs is bassist Jean-Claude Rossingnol, whose Rickenbacker rattles with a deliciously fat n’ clangy tone.2 His punchy plucks, scintillating slaps, and stimulating slides unquestionably conjure the presence of Atheist. Guitar duo Andrea Granauro and Tommaso Cappelletti forge Miscreance’s frontline, discharging a repertoire of spidery riffs, grinding gallops, and whammy-barred solos. Their symbolic sound patterns summon the inhuman fretboard gymnastics of proggy Death. Together, the members of Miscreance craft a more-than-worthy iteration of old-school technical death metal, with sharp, clean, and vibrant production. Reminiscence pays homage to a classic like Sadus’s A Vision of Misery (1992), and it can dance with a greenhorn like Tomb Mold’s The Enduring Spirit (2023).

It is the rhythm section, though, that supplies Miscreance with its star power. Often, the bass in technical (death) metal comes off as merely another melodic instrument, and Rossingnol certainly adds color at key moments (“Synaptic Corpse Dissection”). The real joys of Reminiscene, however, bloom when Rossingnol and Feltrin beat the listener over the head with primal rhythmic hooks. A recurring motif in “Oracle’s Rift” best exemplifies such wallopings. Feltrin’s accented drumrolls lock in with Rossingnol’s voluminous bass slaps, acting as a kind of non-melodic chorus for the song. The off-kilter yet movement-inducing interplay between the bass and drums forms the fabric of Reminiscence, tapping into the brain of a lizard with an advanced degree. With a little help from this feral fabric, the knotty guitar hooks stitched by Granauro and Cappelletti shine even more.

Fairly consistently, Reminiscence slays across its 38 minutes. Opener “Trait d’Union” maps a template of elements that reverberate throughout. Its tribal bongos set a primal tone that periodically pops up as the album soars through its technical journey. Additionally, the opener dons over the music deep voiceovers that, while a bit goofy, develop a sense of narrative trajectory. “Synaptic Cortex Dissection” stands as a mid-album high point—it culminates with some absolutely deranged, absolutely delightful guitar harmonies. The back half of Reminiscence keeps the momentum and quality high, even if some moments shout for breathing room (the bass groove in “Symbiosis,” the cosmic solo in “Zenith of a Dying Sun”). Pseudo-instrumental “Mirage” is a bangin’ closer, though, somehow upping the ante on an album living in the fast lane. Feltrin’s maniacal rasps amplify the unhinged volatility, recalling mid-career Chuck and Damian Herring’s harshes (Horrendous). I love how Feltrin barely sputters out all the lyrics as he screeches like an eagle. Still, more lyrical legibility would cement Reminiscence’s concept about ‘primordial extraterrestrials [that] have achieved total neural unity’ but are tempted by ‘innate wickedness.’3

As carpenters of thrashy, old-school technical death metal, Miscreance furnish a sophomore album that all but nails it. Propelled by an exciting bass/drum duo and rounded out by an equally imposing guitar pair, Reminiscence delivers everything fans of this genre are looking for, with verve. Miscreance could stand to be more unique, but they show signs of developing something singular in the future. Indeed, this Italian quintet has only just begun to discover its potential. One day, I look forward to reminiscing about Miscreance’s sophomore album as the band’s stepping-stone to the top of the death-thrash world.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Instagram | Facebook
Releases Worldwide: August 28th, 2026

Given its proclivity for scathing speeds, tough turnarounds, and blistering double bass, death metal contains a surprising number of drummer-vocalists. There’s Chris Reifert’s foundational feats in Autopsy, Mike Browning’s total-body tour de force on The Key (Nocturnus), and Max Klebanoff’s cookie-monstered kit-mashing in Tomb Mold. Add Andrea Feltrin of Miscreance to the list of specimens who helm the drums while screaming like a maniac. His Northern Italian quartet garnered well-deserved hype with their thrashy, old-school brand of technical death metal on debut Convergence (2022).1 For its sophomore outing, Miscreance gets bolder with a concept record; the band describes Reminiscence as a ‘lost album’ from ‘an unknown civilization that’s both futuristic and extremely primitive.’ Feltrin thus faces the unenviable task of carrying the narrative and rhythmic weight of Reminiscence, a forward-looking foray into vintage thrash-death.

Fortunately, three killer musicians fill out Miscreance, evoking the genre’s genesis and present. In lockstep with Feltrin’s lethal limbs is bassist Jean-Claude Rossingnol, whose Rickenbacker rattles with a deliciously fat n’ clangy tone.2 His punchy plucks, scintillating slaps, and stimulating slides unquestionably conjure the presence of Atheist. Guitar duo Andrea Granauro and Tommaso Cappelletti forge Miscreance’s frontline, discharging a repertoire of spidery riffs, grinding gallops, and whammy-barred solos. Their symbolic sound patterns summon the inhuman fretboard gymnastics of proggy Death. Together, the members of Miscreance craft a more-than-worthy iteration of old-school technical death metal, with sharp, clean, and vibrant production. Reminiscence pays homage to a classic like Sadus’s A Vision of Misery (1992), and it can dance with a greenhorn like Tomb Mold’s The Enduring Spirit (2023).

It is the rhythm section, though, that supplies Miscreance with its star power. Often, the bass in technical (death) metal comes off as merely another melodic instrument, and Rossingnol certainly adds color at key moments (“Synaptic Corpse Dissection”). The real joys of Reminiscene, however, bloom when Rossingnol and Feltrin beat the listener over the head with primal rhythmic hooks. A recurring motif in “Oracle’s Rift” best exemplifies such wallopings. Feltrin’s accented drumrolls lock in with Rossingnol’s voluminous bass slaps, acting as a kind of non-melodic chorus for the song. The off-kilter yet movement-inducing interplay between the bass and drums forms the fabric of Reminiscence, tapping into the brain of a lizard with an advanced degree. With a little help from this feral fabric, the knotty guitar hooks stitched by Granauro and Cappelletti shine even more.

Fairly consistently, Reminiscence slays across its 38 minutes. Opener “Trait d’Union” maps a template of elements that reverberate throughout. Its tribal bongos set a primal tone that periodically pops up as the album soars through its technical journey. Additionally, the opener dons over the music deep voiceovers that, while a bit goofy, develop a sense of narrative trajectory. “Synaptic Cortex Dissection” stands as a mid-album high point—it culminates with some absolutely deranged, absolutely delightful guitar harmonies. The back half of Reminiscence keeps the momentum and quality high, even if some moments shout for breathing room (the bass groove in “Symbiosis,” the cosmic solo in “Zenith of a Dying Sun”). Pseudo-instrumental “Mirage” is a bangin’ closer, though, somehow upping the ante on an album living in the fast lane. Feltrin’s maniacal rasps amplify the unhinged volatility, recalling mid-career Chuck and Damian Herring’s harshes (Horrendous). I love how Feltrin barely sputters out all the lyrics as he screeches like an eagle. Still, more lyrical legibility would cement Reminiscence’s concept about ‘primordial extraterrestrials [that] have achieved total neural unity’ but are tempted by ‘innate wickedness.’3

As carpenters of thrashy, old-school technical death metal, Miscreance furnish a sophomore album that all but nails it. Propelled by an exciting bass/drum duo and rounded out by an equally imposing guitar pair, Reminiscence delivers everything fans of this genre are looking for, with verve. Miscreance could stand to be more unique, but they show signs of developing something singular in the future. Indeed, this Italian quintet has only just begun to discover its potential. One day, I look forward to reminiscing about Miscreance’s sophomore album as the band’s stepping-stone to the top of the death-thrash world.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Season of Mist
Websites: Instagram | Facebook
Releases Worldwide: August 28th, 2026

'dissipation'

#Dissipation #Reminiscence #LoveTrees #AbstractArt #Bioluminescence #ClimateArt #ClimateChange #GlobalWarming #NatureArt #Surreal #MastoArt #Krita

'dissipation'

#Dissipation #Reminiscence #LoveTrees #AbstractArt #Bioluminescence #ClimateArt #ClimateChange #GlobalWarming #NatureArt #Surreal #MastoArt #Krita

'dissipation'

#Dissipation #Reminiscence #LoveTrees #AbstractArt #Bioluminescence #ClimateArt #ClimateChange #GlobalWarming #NatureArt #Surreal #MastoArt #Krita

'dissipation'

#Dissipation #Reminiscence #LoveTrees #AbstractArt #Bioluminescence #ClimateArt #ClimateChange #GlobalWarming #NatureArt #Surreal #MastoArt #Krita

One small computing thing that might have sounded strange and futuristic for me fourty years ago is probably that often I use a laptop with four mouse-like devices. My Thinkpad has a touchpad, a trackpoint device, and then I plug in a usb mouse and a drawing pad. Then not every computer even had a mouse.

Of course the fact that I can plug and unplug the mice on the fly is a nifty thing too.

#mouse #trackpad #computers #history #reminiscence

One small computing thing that might have sounded strange and futuristic for me fourty years ago is probably that often I use a laptop with four mouse-like devices. My Thinkpad has a touchpad, a trackpoint device, and then I plug in a usb mouse and a drawing pad. Then not every computer even had a mouse.

Of course the fact that I can plug and unplug the mice on the fly is a nifty thing too.

#mouse #trackpad #computers #history #reminiscence

One small computing thing that might have sounded strange and futuristic for me fourty years ago is probably that often I use a laptop with four mouse-like devices. My Thinkpad has a touchpad, a trackpoint device, and then I plug in a usb mouse and a drawing pad. Then not every computer even had a mouse.

Of course the fact that I can plug and unplug the mice on the fly is a nifty thing too.

#mouse #trackpad #computers #history #reminiscence

One small computing thing that might have sounded strange and futuristic for me fourty years ago is probably that often I use a laptop with four mouse-like devices. My Thinkpad has a touchpad, a trackpoint device, and then I plug in a usb mouse and a drawing pad. Then not every computer even had a mouse.

Of course the fact that I can plug and unplug the mice on the fly is a nifty thing too.

#mouse #trackpad #computers #history #reminiscence

Thinking back to those halcyon, innocent days before #911, before the 7X24 news cycle, that blissfuly boring summer when my kids were toddlers, watching #RealityTV garbage like ‘Are You Hot’, ‘To Live & Date in NY’ and ‘Who Wants To Marry A MultiMillionaire’ & binging #Sopranos on VHS from the #Library. Whatever happened to Darva Conger? Did Gary Condit kill Chandra Levy? How boring was the Bush presidency? We didn’t know how good we had it, before the world went to hell. #Reminiscence #2001

Thinking back to those halcyon, innocent days before #911, before the 7X24 news cycle, that blissfuly boring summer when my kids were toddlers, watching #RealityTV garbage like ‘Are You Hot’, ‘To Live & Date in NY’ and ‘Who Wants To Marry A MultiMillionaire’ & binging #Sopranos on VHS from the #Library. Whatever happened to Darva Conger? Did Gary Condit kill Chandra Levy? How boring was the Bush presidency? We didn’t know how good we had it, before the world went to hell. #Reminiscence #2001

Thinking back to those halcyon, innocent days before #911, before the 7X24 news cycle, that blissfuly boring summer when my kids were toddlers, watching #RealityTV garbage like ‘Are You Hot’, ‘To Live & Date in NY’ and ‘Who Wants To Marry A MultiMillionaire’ & binging #Sopranos on VHS from the #Library. Whatever happened to Darva Conger? Did Gary Condit kill Chandra Levy? How boring was the Bush presidency? We didn’t know how good we had it, before the world went to hell. #Reminiscence #2001

Thinking back to those halcyon, innocent days before #911, before the 7X24 news cycle, that blissfuly boring summer when my kids were toddlers, watching #RealityTV garbage like ‘Are You Hot’, ‘To Live & Date in NY’ and ‘Who Wants To Marry A MultiMillionaire’ & binging #Sopranos on VHS from the #Library. Whatever happened to Darva Conger? Did Gary Condit kill Chandra Levy? How boring was the Bush presidency? We didn’t know how good we had it, before the world went to hell. #Reminiscence #2001

Thinking back to those halcyon, innocent days before #911, before the 7X24 news cycle, that blissfuly boring summer when my kids were toddlers, watching #RealityTV garbage like ‘Are You Hot’, ‘To Live & Date in NY’ and ‘Who Wants To Marry A MultiMillionaire’ & binging #Sopranos on VHS from the #Library. Whatever happened to Darva Conger? Did Gary Condit kill Chandra Levy? How boring was the Bush presidency? We didn’t know how good we had it, before the world went to hell. #Reminiscence #2001

✮ Talking to a Stone ✮

Subscribe to keep reading

Become a paid subscriber to get access to the rest of this post and other exclusive content.

✮ Talking to a Stone ✮

Subscribe to keep reading

Become a paid subscriber to get access to the rest of this post and other exclusive content.

✮ Talking to a Stone ✮

Subscribe to keep reading

Become a paid subscriber to get access to the rest of this post and other exclusive content.

Forever Young and
Summer of '69

just came on one after the other on the radio driving home. That's a turn down a heavenly memory lane, there.

#nostalgia #reminiscence #throwback #memories #theyflutterbehindyou

Forever Young and
Summer of '69

just came on one after the other on the radio driving home. That's a turn down a heavenly memory lane, there.

#nostalgia #reminiscence #throwback #memories #theyflutterbehindyou

Forever Young and
Summer of '69

just came on one after the other on the radio driving home. That's a turn down a heavenly memory lane, there.

#nostalgia #reminiscence #throwback #memories #theyflutterbehindyou

Forever Young and
Summer of '69

just came on one after the other on the radio driving home. That's a turn down a heavenly memory lane, there.

#nostalgia #reminiscence #throwback #memories #theyflutterbehindyou

Forever Young and
Summer of '69

just came on one after the other on the radio driving home. That's a turn down a heavenly memory lane, there.

#nostalgia #reminiscence #throwback #memories #theyflutterbehindyou

Movie TV Tech Geeks #MovieNews #Reminiscence #HughJackman Hugh Jackman and Rebecca Ferguson’s Forgotten Sci-Fi Noir Is a Streaming Hidden Gem http://dlvr.it/TTwf6t

Movie TV Tech Geeks #MovieNews #Reminiscence #HughJackman Hugh Jackman and Rebecca Ferguson’s Forgotten Sci-Fi Noir Is a Streaming Hidden Gem http://dlvr.it/TTwf6t

Movie TV Tech Geeks #MovieNews #Reminiscence #HughJackman Hugh Jackman and Rebecca Ferguson’s Forgotten Sci-Fi Noir Is a Streaming Hidden Gem http://dlvr.it/TTwf6t

Movie TV Tech Geeks #MovieNews #Reminiscence #HughJackman Hugh Jackman and Rebecca Ferguson’s Forgotten Sci-Fi Noir Is a Streaming Hidden Gem http://dlvr.it/TTwf6t

Movie TV Tech Geeks #MovieNews #Reminiscence #HughJackman Hugh Jackman and Rebecca Ferguson’s Forgotten Sci-Fi Noir Is a Streaming Hidden Gem http://dlvr.it/TTwf6t

The price of nostalgia

#nostalgia #nostalgic #memories #memorylane #sentimental #reminiscing #childhoodmemories #throwback #daysgoneby #reminiscence #thehumanheart

The price of nostalgia

#nostalgia #nostalgic #memories #memorylane #sentimental #reminiscing #childhoodmemories #throwback #daysgoneby #reminiscence #thehumanheart

The price of nostalgia

#nostalgia #nostalgic #memories #memorylane #sentimental #reminiscing #childhoodmemories #throwback #daysgoneby #reminiscence #thehumanheart

The price of nostalgia

#nostalgia #nostalgic #memories #memorylane #sentimental #reminiscing #childhoodmemories #throwback #daysgoneby #reminiscence #thehumanheart

The price of nostalgia

#nostalgia #nostalgic #memories #memorylane #sentimental #reminiscing #childhoodmemories #throwback #daysgoneby #reminiscence #thehumanheart

https://www.europesays.com/be-fr/179394/ Vous replongez dans vos jeux d’enfance ? La science pense savoir ce que vous recherchez réellement #Adolescence #BE #BEFr #Belgique #Belgium #Chargeémotionnelle #deuil #émotions #ENFANCE #JeuxVidéo #LesTendances #Nostalgie #passé ? #psychologie #Réminiscence #Retrogaming #Science #ScienceAndTechnology #Sciences #SciencesEtTechnologies #Souvenirs #Technologies #Technology #VoyageMental

https://www.europesays.com/ch-fr/222947/ Vous replongez dans vos jeux d’enfance ? La science pense savoir ce que vous recherchez réellement #adolescence #Chargeémotionnelle #Deuil #Émotions #enfance #JeuxVidéo #LesTendances #nostalgie #passé #Psychologie #Réminiscence #rétrogaming #Science #ScienceAndTechnology #Sciences #SciencesEtTechnologies #Souvenirs #Suisse #Technologies #Technology #VoyageMental

✮ Dots ✮

Subscribe to keep reading

Become a paid subscriber to get access to the rest of this post and other exclusive content.

✮ Dots ✮

Subscribe to keep reading

Become a paid subscriber to get access to the rest of this post and other exclusive content.

✮ Dots ✮

Subscribe to keep reading

Become a paid subscriber to get access to the rest of this post and other exclusive content.

Movie TV Tech Geeks #MovieNews #RebeccaFerguson #SciFi #Reminiscence 5 Years Later, Rebecca Ferguson’s Sci-Fi Movie Is One of the Best on Streaming http://dlvr.it/TS6Q40

Movie TV Tech Geeks #MovieNews #RebeccaFerguson #SciFi #Reminiscence 5 Years Later, Rebecca Ferguson’s Sci-Fi Movie Is One of the Best on Streaming http://dlvr.it/TS6Q40

Movie TV Tech Geeks #MovieNews #RebeccaFerguson #SciFi #Reminiscence 5 Years Later, Rebecca Ferguson’s Sci-Fi Movie Is One of the Best on Streaming http://dlvr.it/TS6Q40

Movie TV Tech Geeks #MovieNews #RebeccaFerguson #SciFi #Reminiscence 5 Years Later, Rebecca Ferguson’s Sci-Fi Movie Is One of the Best on Streaming http://dlvr.it/TS6Q40

Movie TV Tech Geeks #MovieNews #RebeccaFerguson #SciFi #Reminiscence 5 Years Later, Rebecca Ferguson’s Sci-Fi Movie Is One of the Best on Streaming http://dlvr.it/TS6Q40

Movie TV Tech Geeks #MovieNews #Reminiscence #RebeccaFerguson #Silo Rebecca Ferguson’s Confusing $16.4 Million Sci-Fi Drama Is Turning ‘Silo’ Fans Into Believers http://dlvr.it/TR5LYP

I also updated the #Reminiscence album on #BandCamp with the new Liminal States track: https://darwinne.bandcamp.com/track/liminal-states #MastoMusic #MastoArt #NewMuisc #IndieMusic #Stylophone #ElectronicMusic

I also updated the #Reminiscence album on #BandCamp with the new Liminal States track: https://darwinne.bandcamp.com/track/liminal-states #MastoMusic #MastoArt #NewMuisc #IndieMusic #Stylophone #ElectronicMusic

I also updated the #Reminiscence album on #BandCamp with the new Liminal States track: https://darwinne.bandcamp.com/track/liminal-states #MastoMusic #MastoArt #NewMuisc #IndieMusic #Stylophone #ElectronicMusic

I also updated the #Reminiscence album on #BandCamp with the new Liminal States track: https://darwinne.bandcamp.com/track/liminal-states #MastoMusic #MastoArt #NewMuisc #IndieMusic #Stylophone #ElectronicMusic

I also updated the #Reminiscence album on #BandCamp with the new Liminal States track: https://darwinne.bandcamp.com/track/liminal-states #MastoMusic #MastoArt #NewMuisc #IndieMusic #Stylophone #ElectronicMusic

Réminiscence
#citation #DanyLaferrière #mémoire #poème #réminiscence #sensation #sentiment

« Une sensation qu'on cherche
à retrouver peut se révéler
pire qu'un sentiment perdu. »
– Dany Laferrière, Un certain art de vivre, Éditions du Boréal, 2024, p. 25

Réminiscence
#citation #DanyLaferrière #mémoire #poème #réminiscence #sensation #sentiment

« Une sensation qu'on cherche
à retrouver peut se révéler
pire qu'un sentiment perdu. »
– Dany Laferrière, Un certain art de vivre, Éditions du Boréal, 2024, p. 25

Ah, nothing screams excitement like a nostalgic ode to the thrilling world of *boring* Macs 🤯. Remember when computers being slow and cool was the *pinnacle* of innovation? 🥱 Don’t rush to clap, folks; we're just reminiscing about being thrilled by the mundane! 😴💻
https://512pixels.net/2025/10/boring-is-what-we-wanted/ #nostalgia #tech #boringcomputers #Macinnovation #slowcomputers #reminiscence #HackerNews #ngated

Ah, nothing screams excitement like a nostalgic ode to the thrilling world of *boring* Macs 🤯. Remember when computers being slow and cool was the *pinnacle* of innovation? 🥱 Don’t rush to clap, folks; we're just reminiscing about being thrilled by the mundane! 😴💻
https://512pixels.net/2025/10/boring-is-what-we-wanted/ #nostalgia #tech #boringcomputers #Macinnovation #slowcomputers #reminiscence #HackerNews #ngated

Ah, nothing screams excitement like a nostalgic ode to the thrilling world of *boring* Macs 🤯. Remember when computers being slow and cool was the *pinnacle* of innovation? 🥱 Don’t rush to clap, folks; we're just reminiscing about being thrilled by the mundane! 😴💻
https://512pixels.net/2025/10/boring-is-what-we-wanted/ #nostalgia #tech #boringcomputers #Macinnovation #slowcomputers #reminiscence #HackerNews #ngated

Ah, nothing screams excitement like a nostalgic ode to the thrilling world of *boring* Macs 🤯. Remember when computers being slow and cool was the *pinnacle* of innovation? 🥱 Don’t rush to clap, folks; we're just reminiscing about being thrilled by the mundane! 😴💻
https://512pixels.net/2025/10/boring-is-what-we-wanted/ #nostalgia #tech #boringcomputers #Macinnovation #slowcomputers #reminiscence #HackerNews #ngated

#potsdameschaut #Reminiscence

7 von 10.