#reactiveinstallation — Public Fediverse posts

Nam June Paik: Participation TV II, 1969/71, Gallery Bonino, New York 1971. Reactive installation with video synthesizer, three cameras and four monitors. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #namjunepaik #thomasdreher #videoclosedcircuit #closedcircuit #reactiveinstallation #videoinstallation #videosynthesizer #videosynthesizers #paikvideo

Nam June Paik: Participation TV II, 1969/71, Gallery Bonino, New York 1971. Reactive installation with video synthesizer, three cameras and four monitors. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #namjunepaik #thomasdreher #videoclosedcircuit #closedcircuit #reactiveinstallation #videoinstallation #videosynthesizer #videosynthesizers #paikvideo

Nam June Paik: Participation TV II, 1969/71, Gallery Bonino, New York 1971. Reactive installation with video synthesizer, three cameras and four monitors. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #namjunepaik #thomasdreher #videoclosedcircuit #closedcircuit #reactiveinstallation #videoinstallation #videosynthesizer #videosynthesizers #paikvideo

Benayoun, Maurice: World Skin, 1997-2003. Reactive installation in the CAVE. More informations: Dreher, Thomas: History of Computer Art, chapter V.2. Internet: http://iasl.uni-muenchen.de/links/GCA-V.2e.html
#mauricebenayoun #reactiveinstallation #reactiveinstallations #ResponsiveEnvironments #computerart #sandincave #dansandincave #computerartist #computerartists #computerartwork #thomasdreher

Laurel, Brenda/Strickland, Rachel: Placeholder, virtual reality installation, 1993. More informations: Dreher, Thomas: History of Computer Art, chap. V.2. Internet: http://iasl.uni-muenchen.de/links/GCA-V.2e.html #brendalaurel #rachelstrickland #placeholder #virtualreality #reactiveinstallation #datagloves #computerart #computerartwork #thomasdreher #interactiveinstallation #interactiveartinstallation

Krueger, Myron: Videospace, since 1974. Responsive environment with camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation #thomasdreher

Krueger, Myron: Psychic Space, 1971. Responsive environment with sensing grid, camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation #thomasdreher

James Seawright: Electronic Peristyle, installation 1968. Exhibition "The Magic Theatre", William Rockhill Nelson Gallery of Art, Kansas City/Missouri 1968. Photo: Larry B. Nicholson. A detailed analysis in: Thomas Dreher: History of Computer Art. Chap. II.3.3 Light and Sound Installations by James Seawright and Vladimir Bonacic. URL: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #jameseawright #computerart #responsiveenvironment #reactiveinstallation