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#psychedelic-doom-metal — Public Fediverse posts

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  1. Aganoor – Doomerism Review

    By Killjoy

    Of all the genre labels, doom metal is probably the one that most often prompts me to investigate further. This isn’t because it’s my favorite per se, but rather because doom and its myriad subgenres can sound so wildly different from one another,1 so I try to ensure I don’t miss something good. This time it paid off when I found Aganoor, a brand new doom group from Rome, Italy. Formed as recently as summer 2023, they wasted no time writing and recording a debut LP, Doomerism, which promises an intriguing blend of classic doom, stoner, heavy psych, and goth rock. With an album title that’s maybe a bit on the nose, Aganoor sets out to bend multiple time-tested styles to suit their doomy whims.

    Like forebears Black Sabbath or Pentagram, Aganoor doesn’t skimp on weighty, down-tuned guitar riffs. The majority of these riffs are infused with a sense of vaguely bluesy stoner groove peddled by the likes of Wo Fat, with just enough grit and fuzz around the edges. At times, the guitars also take on a darker inflection when vocalist Dan Ghostrider dips into surly Type O Negative goth rock territory. It’s not all doom and gloom, though. Aganoor also has a penchant for luxuriant psychedelic explorations like Elder or (later) REZN, albeit more concise and less indulgent. A slight reverb effect on the guitars lends the music a cosmic vibe and augments the sense of psychedelia. The key takeaway is that Aganoor enjoys jamming across multiple styles.

    However, to describe Doomerism as a “jam” may be misleading because it implies that the music is directionless or unplanned. Aganoor never succumbs to the autopilot tendencies commonly associated with stoner and psych groups. In fact, all of Doomerism’s tracks sit in the 6 to 8-minute range, but they feel more like 4. This is due to a keen sense of flow and an intuition of when to go harder with the doom riffs and when to ease off the throttle for an entrancing psychedelic passage. “Icarus” exemplifies this dichotomy best, where an irresistible groove dominates the first half, then smoothly settles into a smoky bass-led segment. This isn’t to say that it’s always either-or; there are plenty of times when the lead guitar goes on a short excursion while tethered to a solid rhythm guitar or bass line (“Morbid Skin,” “Bury My Soul,” “Mind Shadowing”). In this way, not a single minute feels wasted, and even the meandering bits feel vital.

    Perhaps the most appealing quality of Doomerism is how easy it is to listen to while simultaneously offering enough to chew on during repeat visits. Aganoor does this by keeping just enough of the familiar popular music song structure but strategically omitting or lengthening components to form something more novel. The more rock-oriented numbers feature traditional choruses (“Bury My Soul” and “Emerald Lake”), but rather than relying too heavily on them for memorability, Aganoor leans more on quality hooks and recurring melodies. They’re also happy to write long, elaborate intros (“Nadir”) and instrumental bridges (“Mind Shadowing”) without ever approaching proggy excess. Doomerism’s 6-track, 39-minute runtime is the perfect amount to feel satisfied but still wish for one more song. If I must nitpick, it can sometimes feel like Aganoor are a bit too secure in the shadow of their various influences, but it’s hard to complain when their execution is this good, and they still undeniably put their own spin on this retro flavor of songwriting.

    Aganoor came seemingly out of nowhere with an enchanting combination of doom metal and adjacent styles. Doomerism feels like the best of both worlds; the riffs-first approach and gothic tendencies keep the psychedelic elements focused and grounded in reality, while the stoner rock grants the perfect amount of levity to an otherwise stifling atmosphere. The net effect is warm and refreshing like a summer breeze. Each song has a smooth, buttery flow that’s easy to zone out and get lost in. I would not have guessed this to be a debut album; the band members sound as comfortable as if they’ve been playing together for years. As such, things already look promising for a future Aganoor sophomore record.

    Rating: 4.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: My Kingdom Music | BloodRock Records
    Websites: aganoor.bandcamp.com | facebook.com/aganoorband
    Releases Worldwide: June 6th, 2025

    #2025 #40 #Aganoor #BlackSabbath #BloodRockRecords #DoomMetal #Doomerism #Elder #GothicMetal #ItalianMetal #Jun25 #MyKingdomMusic #Pentagram #PsychedelicDoomMetal #PsychedelicRock #Review #Reviews #REZN #StonerMetal #TypeONegative #WoFat

  2. #doomtober #Saturdoom #doommetal #stonermetal #PsychedelicDoomMetal

    #Lunavieja is a really cool band from Malaga. Their lyrics are about primitive witchcraft and local folklore and ancestral stories. Check them out!

    Desdoblamiento from Lunavieja

    lunavieja.bandcamp.com/track/d

  3. Eyes of the Oak – Neolithic Flint Dagger Review

    By Steel Druhm

    Written By: Nameless_N00b_90

    One look at the cover of Neolithic Flint Dagger, the second album by Eyes of the Oak, and it should be no surprise that they play a mix of psychedelic doom, stoner rock, and traditional metal. That means fuzzy guitars, gruff cleans, and brief psychedelic passages of the kind that Pink Floyd plays on Dark Side of the Moon. These Swedes have previous experience in genres ranging from black metal to power metal, yet you’ll hear nary a trace of either on Neolithic Flint Dagger. Instead of high energy and soaring choruses, you’ll find an album with a mellow, laid-back sound that can sometimes pack a wallop. Is this a recipe for a good time, or does this drug-influenced concoction risk becoming overcooked?

    Eyes of the Oak sounds like a mix between Somnuri and old-school Black Sabbath. Yet they are not as consistently high energy or heavy as Somnuri, and they’re not as exploratory or psychedelically weird as the classics. I found them most enjoyable when taking the heavier route, but their ability to blend styles adds a lot of depth to their overall sound. Guitarist Holger Thorsin, whose past work includes thrash (Chaosys) and black metal (Noctes) shows here that he has the chops to play any style. Drummer Hugo Thorsin (Noctes) shows off his work with an impressive intro on “Way Home.” Andreas Sjöström, who has experience on guitar with a couple of power metal bands (Wyvern, Diverge), contributes the necessary layers and rhythm that give the songs a little extra seasoning. Despite their disparate backgrounds, these musicians sound right at home playing stoner doom.

    Whether Eyes of the Oak plays fast and heavy or takes it nice and slow, this album is fun. Opener “Cold Alchemy” is a heavy, rousing track that is sure to get your blood pumping, and it builds momentum for the first half of the album. “The Burning of Rome” is the other heavy hitter, combining wobbly guitars with a surprisingly bruising chorus. It’s the sort of song that will have you alternating between a gentle head sway and a forceful headbang. The mellower tracks, such as “Way Home” and “In the End,” reward patience and repeat listens, while “Night Visions” has a surprisingly catchy chorus. The variety within songs helps keep them fresh and enjoyable, even as most fall into the 5-6 minute range.

    The second half of Neolithic Flint Dagger does suffer from uneven songwriting, however. Closer, “Offering to the Gods,” is the only song to extend past the six-minute mark, and while it does have some nice ideas, they are not developed enough to fill up the song’s nine-minute length. But the worst offender is “The Masters Hide.” This song doesn’t feel as cohesive as the other tracks, and the album’s vocal weaknesses are most pronounced here. Vocalist Andreas Sjöström does have a voice well-suited to the genre, and for the most part, he’s on point. However, his execution is inconsistent: sometimes flat, sometimes sleepy, sometimes talky.1 The promo materials for Eyes of the Oak say they recorded their debut album, The Stone Vortex, live in a studio. I wonder if they did the same here, and perhaps this approach puts a strain on Sjöström’s vocal cords.

    Eyes of the Oak play a fun, accessible form of psychedelic rock mixed with stoner doom. From the giant glowing dagger on the album cover, you get the sense they don’t take themselves too seriously, and the album sounds like the band had fun recording it. It helps that they have some great ideas and capable musicians to carry out their vision. There may be a few kinks to work out, but I look forward to seeing how they develop their sound on future albums. So sit back, relax, and get high on… life? as you absorb the music of Neolithic Flint Dagger.

    Rating: 3.0/5.0
    DR: X | Format Reviewed: Stream
    Label: Self-Release
    Websites: eyesoftheoak.bandcamp.com | eyesoftheoak.com
    Releases Worldwide: August 23, 2024

    #2024 #Aug24 #BlackSabbath #EyesOfTheOak #NeolithicFlintDagger #PinkFloyd #PsychedelicDoomMetal #Review #Reviews #SelfReleases #Somnuri #StonerDoom #SwedishMetal