#precipice — Public Fediverse posts

J’interroge (Nikos Kazantzaki)

https://arbrealettres.wordpress.com/2026/07/05/jinterroge-nikos-kazantzaki/

J’interroge (Nikos Kazantzaki)

https://arbrealettres.wordpress.com/2026/07/05/jinterroge-nikos-kazantzaki/

J’interroge (Nikos Kazantzaki)

https://arbrealettres.wordpress.com/2026/07/05/jinterroge-nikos-kazantzaki/

J’interroge (Nikos Kazantzaki)

https://arbrealettres.wordpress.com/2026/07/05/jinterroge-nikos-kazantzaki/

mind the drop off

#Mountain #Road #Clouds #Sky #Storm #Dramatic #Drop-off #Landscape #Mist #Precipice #Moody
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

in real life: https://aieris.art/featured/mind-the-drop-off-eris-and-ai.html

mind the drop off

#Mountain #Road #Clouds #Sky #Storm #Dramatic #Drop-off #Landscape #Mist #Precipice #Moody
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

in real life: https://aieris.art/featured/mind-the-drop-off-eris-and-ai.html

mind the drop off

#Mountain #Road #Clouds #Sky #Storm #Dramatic #Drop-off #Landscape #Mist #Precipice #Moody
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

in real life: https://aieris.art/featured/mind-the-drop-off-eris-and-ai.html

mind the drop off

#Mountain #Road #Clouds #Sky #Storm #Dramatic #Drop-off #Landscape #Mist #Precipice #Moody
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

in real life: https://aieris.art/featured/mind-the-drop-off-eris-and-ai.html

mind the drop off

#Mountain #Road #Clouds #Sky #Storm #Dramatic #Drop-off #Landscape #Mist #Precipice #Moody
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

in real life: https://aieris.art/featured/mind-the-drop-off-eris-and-ai.html

There’s a moment that comes before the precipice.
A moment most people never talk about because it’s quieter than the fall and harder to name than the aftermath. It’s the moment when something in your life is about to grow—really grow—and the world around you senses it before you do. #precipice

http://invisiblymisdiagnosed.com/2026/01/25/relational-field-theory-before-the-precipice-breaks/?utm_source=mastodon&utm_medium=jetpack_social

No way out but through...

#bittersweet #guilt #shame #accountability #hope #work #precipice #RFT

http://invisiblymisdiagnosed.com/2026/01/25/relational-field-theory-standing-on-the-precipice/?utm_source=mastodon&utm_medium=jetpack_social

Lychgate – Precipice Review

By Grin Reaper

Dense, dark, and demented, Lychgate’s Precipice breaks nearly six years of silence with music as unsettling as the concept it’s built upon. The album’s primary inspiration draws from E. M. Forster’s short story “The Machine Stops,” a dystopian tale first published in 1909 that cautions against over-reliance on technology.1 In it, The Machine enables people to govern their lives from isolated chambers, interacting virtually rather than in person after the Earth’s surface becomes uninhabitable. Integrating notions such as blind obedience to technology, instantaneous communication, and climate change furnishes a lavish backdrop for London’s Lychgate and their fourth LP.2 Given the promise of its premise, does Precipice step off the ledge and soar, or plummet to the depths of obscurity?

Brandishing a broad array of atmospheres and a flair for generating tension, Lychgate conjures oppressive auras that equally frighten and excite. To that end, Precipice’s aural footprint lands somewhere between Blut aus Nord’s dissonant grooves and a decelerated Imperial Triumphant at their most cinematic (think “Transmission to Mercury”), taking the avant-garde trappings of each and devising a mood and character all Lychgate’s own. Emboldened by jazzy flourishes à la Dødheimsgard, Scarcity’s cacophonous, freeform nonconformity, and Morast’s caustic claustrophobia, Lychgate forges an unforgiving yet layered experience that outstrips single reference points. Tensions runs roughshod throughout Precipice, knotting its nine tracks into gnarled enigmas that demand to be sussed out with care. Gone are the clean vocals from The Contagion in Nine Steps and An Antidote for the Glass Pill, and instead vocalist Greg Chandler focuses solely on barks and snarls that remind of Doug Moore’s urgent rasps. Atop it all, Lychgate further embeds the organ into the band’s core sound and discharges potent riffs at key climactic junctures, leaving Precipice crackling with vitality and unpredictability.

Precipice’s varied compositions and instrumentations coalesce to propel Lychgate to new heights. It’s a mature release that exemplifies the prevailing virtues of prior albums, unifying them into an impressively intricate forty-eight minutes. The organ, credited to permanent member J. C. Young and session musician F. A. Young, plays a central role, spanning the gamut from lunatic funhouse (“Anagnorisis”) to Phantom of the Opera gothic drama (“Mausoleum of Steel”). It keenly weaves a calculated stress, plying tension in ebbs and flows that cleverly and constantly push the album forward. Besides organ and piano, loose guitar structures regularly bleed into riffs plucked out of an eldritch ether, oscillating between Zappa’s Jazz from Hell and unearthly, pit-scorching acrobatics (“Renunciation”). A doleful, introspective melody in “The Meeting of Orion and Scorpio” diversifies the sound and pacing, followed by a hectic skittering in “Hive of Parasites” that gives way to a slow-burn passage heavily featuring jazz flute. Myriad components fuse into a whole that should not sound as cohesive as it does, but Lychgate takes their carnival of sounds and crafts a finely-honed album that deserves more attention than it will get with an end-of-year release.

Lychgate employs a satisfying and well-considered array of ideas in service of Precipice, though a few hiccups are present. Besides the musical diversity, Lychgate flaunts remarkable instincts when it comes to pacing. Having the longest track as the midpoint of the album works well and helps establish a clear listening milestone; I only wish the back end of “Hive of Parasites” had been trimmed a touch, as the last three minutes blur together. The mix is another boon, providing ample space for S. D. Lindsley’s guitar, Tom MacLean’s bass, and T. J. F. Vallely’s drums. The only quibble is Precipice’s density, which could put off those lacking the time to absorb its demure gifts. All told, though, Lychgate earns every bit of praise by merging this many ideas so cohesively.

Despite its late release and complex composition, Lychgate delivers a smash success that commands and indisputably warrants your attention. Precipice isn’t easy to understand, but it’s irresistibly easy to spin again and again. And you should, because it takes time to unravel.3 Precipice has been one of my most played albums of the year at a time when I’ve been busiest both personally and professionally, routinely ensnaring me with its enchanting hooks and wiles. For my money, Lychgate has released the best album of their career, and you owe it to yourself to step up to the Precipice and take a leap of faith.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Debemur Morti Productions
Websites: Bandcamp | Facebook
Releases Worldwide: December 19th, 2025

#2025 #40 #AvantGardeBlackMetal #BlackMetal #BlutAusNord #DebemurMortiProductions #Dec25 #Dödheimsgard #EnglishMetal #FrankZappa #ImperialTriumphant #Lychgate #Morast #Precipice #Review #Reviews

Lychgate – Precipice Review

By Grin Reaper

Dense, dark, and demented, Lychgate’s Precipice breaks nearly six years of silence with music as unsettling as the concept it’s built upon. The album’s primary inspiration draws from E. M. Forster’s short story “The Machine Stops,” a dystopian tale first published in 1909 that cautions against over-reliance on technology.1 In it, The Machine enables people to govern their lives from isolated chambers, interacting virtually rather than in person after the Earth’s surface becomes uninhabitable. Integrating notions such as blind obedience to technology, instantaneous communication, and climate change furnishes a lavish backdrop for London’s Lychgate and their fourth LP.2 Given the promise of its premise, does Precipice step off the ledge and soar, or plummet to the depths of obscurity?

Brandishing a broad array of atmospheres and a flair for generating tension, Lychgate conjures oppressive auras that equally frighten and excite. To that end, Precipice’s aural footprint lands somewhere between Blut aus Nord’s dissonant grooves and a decelerated Imperial Triumphant at their most cinematic (think “Transmission to Mercury”), taking the avant-garde trappings of each and devising a mood and character all Lychgate’s own. Emboldened by jazzy flourishes à la Dødheimsgard, Scarcity’s cacophonous, freeform nonconformity, and Morast’s caustic claustrophobia, Lychgate forges an unforgiving yet layered experience that outstrips single reference points. Tensions runs roughshod throughout Precipice, knotting its nine tracks into gnarled enigmas that demand to be sussed out with care. Gone are the clean vocals from The Contagion in Nine Steps and An Antidote for the Glass Pill, and instead vocalist Greg Chandler focuses solely on barks and snarls that remind of Doug Moore’s urgent rasps. Atop it all, Lychgate further embeds the organ into the band’s core sound and discharges potent riffs at key climactic junctures, leaving Precipice crackling with vitality and unpredictability.

Precipice’s varied compositions and instrumentations coalesce to propel Lychgate to new heights. It’s a mature release that exemplifies the prevailing virtues of prior albums, unifying them into an impressively intricate forty-eight minutes. The organ, credited to permanent member J. C. Young and session musician F. A. Young, plays a central role, spanning the gamut from lunatic funhouse (“Anagnorisis”) to Phantom of the Opera gothic drama (“Mausoleum of Steel”). It keenly weaves a calculated stress, plying tension in ebbs and flows that cleverly and constantly push the album forward. Besides organ and piano, loose guitar structures regularly bleed into riffs plucked out of an eldritch ether, oscillating between Zappa’s Jazz from Hell and unearthly, pit-scorching acrobatics (“Renunciation”). A doleful, introspective melody in “The Meeting of Orion and Scorpio” diversifies the sound and pacing, followed by a hectic skittering in “Hive of Parasites” that gives way to a slow-burn passage heavily featuring jazz flute. Myriad components fuse into a whole that should not sound as cohesive as it does, but Lychgate takes their carnival of sounds and crafts a finely-honed album that deserves more attention than it will get with an end-of-year release.

Lychgate employs a satisfying and well-considered array of ideas in service of Precipice, though a few hiccups are present. Besides the musical diversity, Lychgate flaunts remarkable instincts when it comes to pacing. Having the longest track as the midpoint of the album works well and helps establish a clear listening milestone; I only wish the back end of “Hive of Parasites” had been trimmed a touch, as the last three minutes blur together. The mix is another boon, providing ample space for S. D. Lindsley’s guitar, Tom MacLean’s bass, and T. J. F. Vallely’s drums. The only quibble is Precipice’s density, which could put off those lacking the time to absorb its demure gifts. All told, though, Lychgate earns every bit of praise by merging this many ideas so cohesively.

Despite its late release and complex composition, Lychgate delivers a smash success that commands and indisputably warrants your attention. Precipice isn’t easy to understand, but it’s irresistibly easy to spin again and again. And you should, because it takes time to unravel.3 Precipice has been one of my most played albums of the year at a time when I’ve been busiest both personally and professionally, routinely ensnaring me with its enchanting hooks and wiles. For my money, Lychgate has released the best album of their career, and you owe it to yourself to step up to the Precipice and take a leap of faith.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Debemur Morti Productions
Websites: Bandcamp | Facebook
Releases Worldwide: December 19th, 2025

#2025 #40 #AvantGardeBlackMetal #BlackMetal #BlutAusNord #DebemurMortiProductions #Dec25 #Dödheimsgard #EnglishMetal #FrankZappa #ImperialTriumphant #Lychgate #Morast #Precipice #Review #Reviews

Lychgate – Precipice Review

By Grin Reaper

Dense, dark, and demented, Lychgate’s Precipice breaks nearly six years of silence with music as unsettling as the concept it’s built upon. The album’s primary inspiration draws from E. M. Forster’s short story “The Machine Stops,” a dystopian tale first published in 1909 that cautions against over-reliance on technology.1 In it, The Machine enables people to govern their lives from isolated chambers, interacting virtually rather than in person after the Earth’s surface becomes uninhabitable. Integrating notions such as blind obedience to technology, instantaneous communication, and climate change furnishes a lavish backdrop for London’s Lychgate and their fourth LP.2 Given the promise of its premise, does Precipice step off the ledge and soar, or plummet to the depths of obscurity?

Brandishing a broad array of atmospheres and a flair for generating tension, Lychgate conjures oppressive auras that equally frighten and excite. To that end, Precipice’s aural footprint lands somewhere between Blut aus Nord’s dissonant grooves and a decelerated Imperial Triumphant at their most cinematic (think “Transmission to Mercury”), taking the avant-garde trappings of each and devising a mood and character all Lychgate’s own. Emboldened by jazzy flourishes à la Dødheimsgard, Scarcity’s cacophonous, freeform nonconformity, and Morast’s caustic claustrophobia, Lychgate forges an unforgiving yet layered experience that outstrips single reference points. Tensions runs roughshod throughout Precipice, knotting its nine tracks into gnarled enigmas that demand to be sussed out with care. Gone are the clean vocals from The Contagion in Nine Steps and An Antidote for the Glass Pill, and instead vocalist Greg Chandler focuses solely on barks and snarls that remind of Doug Moore’s urgent rasps. Atop it all, Lychgate further embeds the organ into the band’s core sound and discharges potent riffs at key climactic junctures, leaving Precipice crackling with vitality and unpredictability.

Precipice’s varied compositions and instrumentations coalesce to propel Lychgate to new heights. It’s a mature release that exemplifies the prevailing virtues of prior albums, unifying them into an impressively intricate forty-eight minutes. The organ, credited to permanent member J. C. Young and session musician F. A. Young, plays a central role, spanning the gamut from lunatic funhouse (“Anagnorisis”) to Phantom of the Opera gothic drama (“Mausoleum of Steel”). It keenly weaves a calculated stress, plying tension in ebbs and flows that cleverly and constantly push the album forward. Besides organ and piano, loose guitar structures regularly bleed into riffs plucked out of an eldritch ether, oscillating between Zappa’s Jazz from Hell and unearthly, pit-scorching acrobatics (“Renunciation”). A doleful, introspective melody in “The Meeting of Orion and Scorpio” diversifies the sound and pacing, followed by a hectic skittering in “Hive of Parasites” that gives way to a slow-burn passage heavily featuring jazz flute. Myriad components fuse into a whole that should not sound as cohesive as it does, but Lychgate takes their carnival of sounds and crafts a finely-honed album that deserves more attention than it will get with an end-of-year release.

Lychgate employs a satisfying and well-considered array of ideas in service of Precipice, though a few hiccups are present. Besides the musical diversity, Lychgate flaunts remarkable instincts when it comes to pacing. Having the longest track as the midpoint of the album works well and helps establish a clear listening milestone; I only wish the back end of “Hive of Parasites” had been trimmed a touch, as the last three minutes blur together. The mix is another boon, providing ample space for S. D. Lindsley’s guitar, Tom MacLean’s bass, and T. J. F. Vallely’s drums. The only quibble is Precipice’s density, which could put off those lacking the time to absorb its demure gifts. All told, though, Lychgate earns every bit of praise by merging this many ideas so cohesively.

Despite its late release and complex composition, Lychgate delivers a smash success that commands and indisputably warrants your attention. Precipice isn’t easy to understand, but it’s irresistibly easy to spin again and again. And you should, because it takes time to unravel.3 Precipice has been one of my most played albums of the year at a time when I’ve been busiest both personally and professionally, routinely ensnaring me with its enchanting hooks and wiles. For my money, Lychgate has released the best album of their career, and you owe it to yourself to step up to the Precipice and take a leap of faith.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Debemur Morti Productions
Websites: Bandcamp | Facebook
Releases Worldwide: December 19th, 2025

#2025 #40 #AvantGardeBlackMetal #BlackMetal #BlutAusNord #DebemurMortiProductions #Dec25 #Dödheimsgard #EnglishMetal #FrankZappa #ImperialTriumphant #Lychgate #Morast #Precipice #Review #Reviews

Lychgate – Precipice Review

By Grin Reaper

Dense, dark, and demented, Lychgate’s Precipice breaks nearly six years of silence with music as unsettling as the concept it’s built upon. The album’s primary inspiration draws from E. M. Forster’s short story “The Machine Stops,” a dystopian tale first published in 1909 that cautions against over-reliance on technology.1 In it, The Machine enables people to govern their lives from isolated chambers, interacting virtually rather than in person after the Earth’s surface becomes uninhabitable. Integrating notions such as blind obedience to technology, instantaneous communication, and climate change furnishes a lavish backdrop for London’s Lychgate and their fourth LP.2 Given the promise of its premise, does Precipice step off the ledge and soar, or plummet to the depths of obscurity?

Brandishing a broad array of atmospheres and a flair for generating tension, Lychgate conjures oppressive auras that equally frighten and excite. To that end, Precipice’s aural footprint lands somewhere between Blut aus Nord’s dissonant grooves and a decelerated Imperial Triumphant at their most cinematic (think “Transmission to Mercury”), taking the avant-garde trappings of each and devising a mood and character all Lychgate’s own. Emboldened by jazzy flourishes à la Dødheimsgard, Scarcity’s cacophonous, freeform nonconformity, and Morast’s caustic claustrophobia, Lychgate forges an unforgiving yet layered experience that outstrips single reference points. Tensions runs roughshod throughout Precipice, knotting its nine tracks into gnarled enigmas that demand to be sussed out with care. Gone are the clean vocals from The Contagion in Nine Steps and An Antidote for the Glass Pill, and instead vocalist Greg Chandler focuses solely on barks and snarls that remind of Doug Moore’s urgent rasps. Atop it all, Lychgate further embeds the organ into the band’s core sound and discharges potent riffs at key climactic junctures, leaving Precipice crackling with vitality and unpredictability.

Precipice’s varied compositions and instrumentations coalesce to propel Lychgate to new heights. It’s a mature release that exemplifies the prevailing virtues of prior albums, unifying them into an impressively intricate forty-eight minutes. The organ, credited to permanent member J. C. Young and session musician F. A. Young, plays a central role, spanning the gamut from lunatic funhouse (“Anagnorisis”) to Phantom of the Opera gothic drama (“Mausoleum of Steel”). It keenly weaves a calculated stress, plying tension in ebbs and flows that cleverly and constantly push the album forward. Besides organ and piano, loose guitar structures regularly bleed into riffs plucked out of an eldritch ether, oscillating between Zappa’s Jazz from Hell and unearthly, pit-scorching acrobatics (“Renunciation”). A doleful, introspective melody in “The Meeting of Orion and Scorpio” diversifies the sound and pacing, followed by a hectic skittering in “Hive of Parasites” that gives way to a slow-burn passage heavily featuring jazz flute. Myriad components fuse into a whole that should not sound as cohesive as it does, but Lychgate takes their carnival of sounds and crafts a finely-honed album that deserves more attention than it will get with an end-of-year release.

Lychgate employs a satisfying and well-considered array of ideas in service of Precipice, though a few hiccups are present. Besides the musical diversity, Lychgate flaunts remarkable instincts when it comes to pacing. Having the longest track as the midpoint of the album works well and helps establish a clear listening milestone; I only wish the back end of “Hive of Parasites” had been trimmed a touch, as the last three minutes blur together. The mix is another boon, providing ample space for S. D. Lindsley’s guitar, Tom MacLean’s bass, and T. J. F. Vallely’s drums. The only quibble is Precipice’s density, which could put off those lacking the time to absorb its demure gifts. All told, though, Lychgate earns every bit of praise by merging this many ideas so cohesively.

Despite its late release and complex composition, Lychgate delivers a smash success that commands and indisputably warrants your attention. Precipice isn’t easy to understand, but it’s irresistibly easy to spin again and again. And you should, because it takes time to unravel.3 Precipice has been one of my most played albums of the year at a time when I’ve been busiest both personally and professionally, routinely ensnaring me with its enchanting hooks and wiles. For my money, Lychgate has released the best album of their career, and you owe it to yourself to step up to the Precipice and take a leap of faith.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Debemur Morti Productions
Websites: Bandcamp | Facebook
Releases Worldwide: December 19th, 2025

#2025 #40 #AvantGardeBlackMetal #BlackMetal #BlutAusNord #DebemurMortiProductions #Dec25 #Dödheimsgard #EnglishMetal #FrankZappa #ImperialTriumphant #Lychgate #Morast #Precipice #Review #Reviews

Lychgate – Precipice Review

By Grin Reaper

Dense, dark, and demented, Lychgate’s Precipice breaks nearly six years of silence with music as unsettling as the concept it’s built upon. The album’s primary inspiration draws from E. M. Forster’s short story “The Machine Stops,” a dystopian tale first published in 1909 that cautions against over-reliance on technology.1 In it, The Machine enables people to govern their lives from isolated chambers, interacting virtually rather than in person after the Earth’s surface becomes uninhabitable. Integrating notions such as blind obedience to technology, instantaneous communication, and climate change furnishes a lavish backdrop for London’s Lychgate and their fourth LP.2 Given the promise of its premise, does Precipice step off the ledge and soar, or plummet to the depths of obscurity?

Brandishing a broad array of atmospheres and a flair for generating tension, Lychgate conjures oppressive auras that equally frighten and excite. To that end, Precipice’s aural footprint lands somewhere between Blut aus Nord’s dissonant grooves and a decelerated Imperial Triumphant at their most cinematic (think “Transmission to Mercury”), taking the avant-garde trappings of each and devising a mood and character all Lychgate’s own. Emboldened by jazzy flourishes à la Dødheimsgard, Scarcity’s cacophonous, freeform nonconformity, and Morast’s caustic claustrophobia, Lychgate forges an unforgiving yet layered experience that outstrips single reference points. Tensions runs roughshod throughout Precipice, knotting its nine tracks into gnarled enigmas that demand to be sussed out with care. Gone are the clean vocals from The Contagion in Nine Steps and An Antidote for the Glass Pill, and instead vocalist Greg Chandler focuses solely on barks and snarls that remind of Doug Moore’s urgent rasps. Atop it all, Lychgate further embeds the organ into the band’s core sound and discharges potent riffs at key climactic junctures, leaving Precipice crackling with vitality and unpredictability.

Precipice’s varied compositions and instrumentations coalesce to propel Lychgate to new heights. It’s a mature release that exemplifies the prevailing virtues of prior albums, unifying them into an impressively intricate forty-eight minutes. The organ, credited to permanent member J. C. Young and session musician F. A. Young, plays a central role, spanning the gamut from lunatic funhouse (“Anagnorisis”) to Phantom of the Opera gothic drama (“Mausoleum of Steel”). It keenly weaves a calculated stress, plying tension in ebbs and flows that cleverly and constantly push the album forward. Besides organ and piano, loose guitar structures regularly bleed into riffs plucked out of an eldritch ether, oscillating between Zappa’s Jazz from Hell and unearthly, pit-scorching acrobatics (“Renunciation”). A doleful, introspective melody in “The Meeting of Orion and Scorpio” diversifies the sound and pacing, followed by a hectic skittering in “Hive of Parasites” that gives way to a slow-burn passage heavily featuring jazz flute. Myriad components fuse into a whole that should not sound as cohesive as it does, but Lychgate takes their carnival of sounds and crafts a finely-honed album that deserves more attention than it will get with an end-of-year release.

Lychgate employs a satisfying and well-considered array of ideas in service of Precipice, though a few hiccups are present. Besides the musical diversity, Lychgate flaunts remarkable instincts when it comes to pacing. Having the longest track as the midpoint of the album works well and helps establish a clear listening milestone; I only wish the back end of “Hive of Parasites” had been trimmed a touch, as the last three minutes blur together. The mix is another boon, providing ample space for S. D. Lindsley’s guitar, Tom MacLean’s bass, and T. J. F. Vallely’s drums. The only quibble is Precipice’s density, which could put off those lacking the time to absorb its demure gifts. All told, though, Lychgate earns every bit of praise by merging this many ideas so cohesively.

Despite its late release and complex composition, Lychgate delivers a smash success that commands and indisputably warrants your attention. Precipice isn’t easy to understand, but it’s irresistibly easy to spin again and again. And you should, because it takes time to unravel.3 Precipice has been one of my most played albums of the year at a time when I’ve been busiest both personally and professionally, routinely ensnaring me with its enchanting hooks and wiles. For my money, Lychgate has released the best album of their career, and you owe it to yourself to step up to the Precipice and take a leap of faith.

Rating: Great
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Debemur Morti Productions
Websites: Bandcamp | Facebook
Releases Worldwide: December 19th, 2025

#2025 #40 #AvantGardeBlackMetal #BlackMetal #BlutAusNord #DebemurMortiProductions #Dec25 #Dödheimsgard #EnglishMetal #FrankZappa #ImperialTriumphant #Lychgate #Morast #Precipice #Review #Reviews

Le podcast est là : https://pyongyangcityrockers.wordpress.com/2025/06/04/평양-city-rockers-391-touti-frouti-04-06-2025/

Touti frouti avec de l'irlandais (#JunTzu, #Nugget, #Kneecap), les annonces concerts (#AngryZeta, #LosIntrusos, #WallOfGin), les nouveautés plutôt gueulantes (#Précipice, #Koridor, #Shafrah, #Timüt)... et aussi #GoldenShitters, #DroogzBrigade et #diall Merci !

#punk #hardcore #rap #grunge #radioshow

Le podcast est là : https://pyongyangcityrockers.wordpress.com/2025/06/04/평양-city-rockers-391-touti-frouti-04-06-2025/

Touti frouti avec de l'irlandais (#JunTzu, #Nugget, #Kneecap), les annonces concerts (#AngryZeta, #LosIntrusos, #WallOfGin), les nouveautés plutôt gueulantes (#Précipice, #Koridor, #Shafrah, #Timüt)... et aussi #GoldenShitters, #DroogzBrigade et #diall Merci !

#punk #hardcore #rap #grunge #radioshow

Is humanity teetering on the edge of disaster? Are we destined for doom? Our intelligence should guide us, not lead us to extinction. Let's navigate this journey wisely. 🌍 #choices #future #humanity #aiart #midjourney #precipice

Is humanity teetering on the edge of disaster? Are we destined for doom? Our intelligence should guide us, not lead us to extinction. Let's navigate this journey wisely. 🌍 #choices #future #humanity #aiart #midjourney #precipice

I leave you with a short video summary of the week.

Will we fall off the edge, or can we pull ourselves back? Think.
#humanity #precipice #questions

I leave you with a short video summary of the week.

Will we fall off the edge, or can we pull ourselves back? Think.
#humanity #precipice #questions

I do not believe we understand that free speech allows you the freedom to express yourself without fear as long as you do not spread hatred.

Governments fear free speech and critical, independent thought.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

I do not believe we understand that free speech allows you the freedom to express yourself without fear as long as you do not spread hatred.

Governments fear free speech and critical, independent thought.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Climate systems are breaking down, despite what the climate denier says. The polar caps melt, and all they care about is trade routes. What will they do when the world collapses?
Something is wrong with humans.
Will we fall off the edge? Can we pull ourselves back?
#humanity #precipice #questions

Climate systems are breaking down, despite what the climate denier says. The polar caps melt, and all they care about is trade routes. What will they do when the world collapses?
Something is wrong with humans.
Will we fall off the edge? Can we pull ourselves back?
#humanity #precipice #questions

We live in a post-truth world.
Governments lie.
Pr
Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

We live in a post-truth world.
Governments lie.
Pr
Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Social media is toxic. We emphasize differences and seek to inflict pain on those whom we 'other.' Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Social media is toxic. We emphasize differences and seek to inflict pain on those whom we 'other.' Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

The theme is that humanity stands on the precipice. Violence surrounds us in deed, thought, and writing. Our philosophy is helpless, and religion sucks.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

The theme is that humanity stands on the precipice. Violence surrounds us in deed, thought, and writing. Our philosophy is helpless, and religion sucks.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Is humanity teetering on the edge of disaster? Are we destined for doom? Our intelligence should guide us, not lead us to extinction. Let's navigate this journey wisely. 🌍 #choices #future #humanity #aiart #midjourney #precipice

Is humanity teetering on the edge of disaster? Are we destined for doom? Our intelligence should guide us, not lead us to extinction. Let's navigate this journey wisely. 🌍 #choices #future #humanity #aiart #midjourney #precipice

I leave you with a short video summary of the week.

Will we fall off the edge, or can we pull ourselves back? Think.
#humanity #precipice #questions

I leave you with a short video summary of the week.

Will we fall off the edge, or can we pull ourselves back? Think.
#humanity #precipice #questions

Climate systems are breaking down, despite what the climate denier says. The polar caps melt, and all they care about is trade routes. What will they do when the world collapses?
Something is wrong with humans.
Will we fall off the edge? Can we pull ourselves back?
#humanity #precipice #questions

Climate systems are breaking down, despite what the climate denier says. The polar caps melt, and all they care about is trade routes. What will they do when the world collapses?
Something is wrong with humans.
Will we fall off the edge? Can we pull ourselves back?
#humanity #precipice #questions

I do not believe we understand that free speech allows you the freedom to express yourself without fear as long as you do not spread hatred.

Governments fear free speech and critical, independent thought.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

I do not believe we understand that free speech allows you the freedom to express yourself without fear as long as you do not spread hatred.

Governments fear free speech and critical, independent thought.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

We live in a post-truth world.
Governments lie.
Pr
Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

We live in a post-truth world.
Governments lie.
Pr
Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Social media is toxic. We emphasize differences and seek to inflict pain on those whom we 'other.' Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Social media is toxic. We emphasize differences and seek to inflict pain on those whom we 'other.' Something is wrong with humans.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

The theme is that humanity stands on the precipice. Violence surrounds us in deed, thought, and writing. Our philosophy is helpless, and religion sucks.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

The theme is that humanity stands on the precipice. Violence surrounds us in deed, thought, and writing. Our philosophy is helpless, and religion sucks.
Will we fall off the edge, or can we pull ourselves back?
#humanity #precipice #questions

Le podcast est là : https://pyongyangcityrockers.wordpress.com/2025/03/26/평양-city-rockers-381-neuf-et-exclus-26-03-2025/

Hier c'était jour d'émission... Vous êtes gâtées, Ô Auditrices et Teurs, vlà une avalanche de nouveautés et d'exclus dans ce Pyongyang City Rockers #381 (#Belljars, #Cantagrel, #JodieFaster, #EdMudshi, #UltraRazzia, #TheMercenaries), y a aussi les annonces concerts (#GutsPieEarshot, #Précipice), des sons étranges venus de bien loin (#1186, #YatKha), et les vieilles marmites dans lesquelles on commence et termine les meilleures émissions (#TheShocks, #Revulsion)... Merci !

PS : avec un remerciement à @Ortie vers 16:54 !

#punk #oi! #hardcore #shoegaze #throatsinging

Le podcast est là : https://pyongyangcityrockers.wordpress.com/2025/03/26/평양-city-rockers-381-neuf-et-exclus-26-03-2025/

Hier c'était jour d'émission... Vous êtes gâtées, Ô Auditrices et Teurs, vlà une avalanche de nouveautés et d'exclus dans ce Pyongyang City Rockers #381 (#Belljars, #Cantagrel, #JodieFaster, #EdMudshi, #UltraRazzia, #TheMercenaries), y a aussi les annonces concerts (#GutsPieEarshot, #Précipice), des sons étranges venus de bien loin (#1186, #YatKha), et les vieilles marmites dans lesquelles on commence et termine les meilleures émissions (#TheShocks, #Revulsion)... Merci !

PS : avec un remerciement à @Ortie vers 16:54 !

#punk #oi! #hardcore #shoegaze #throatsinging

Le podcast est là : https://pyongyangcityrockers.wordpress.com/2025/03/26/평양-city-rockers-381-neuf-et-exclus-26-03-2025/

Hier c'était jour d'émission... Vous êtes gâtées, Ô Auditrices et Teurs, vlà une avalanche de nouveautés et d'exclus dans ce Pyongyang City Rockers #381 (#Belljars, #Cantagrel, #JodieFaster, #EdMudshi, #UltraRazzia, #TheMercenaries), y a aussi les annonces concerts (#GutsPieEarshot, #Précipice), des sons étranges venus de bien loin (#1186, #YatKha), et les vieilles marmites dans lesquelles on commence et termine les meilleures émissions (#TheShocks, #Revulsion)... Merci !

PS : avec un remerciement à @Ortie vers 16:54 !

#punk #oi! #hardcore #shoegaze #throatsinging

Name That Edge Toon: On the Precipice – Source: www.darkreading.com https://ciso2ciso.com/name-that-edge-toon-on-the-precipice-source-www-darkreading-com/ #rssfeedpostgeneratorecho #DarkReadingSecurity #CyberSecurityNews #DARKReading #Precipice

Name That Edge Toon: On the Precipice – Source: www.darkreading.com https://ciso2ciso.com/name-that-edge-toon-on-the-precipice-source-www-darkreading-com/ #rssfeedpostgeneratorecho #DarkReadingSecurity #CyberSecurityNews #DARKReading #Precipice

Name That Edge Toon: On the Precipice – Source: www.darkreading.com https://ciso2ciso.com/name-that-edge-toon-on-the-precipice-source-www-darkreading-com/ #rssfeedpostgeneratorecho #DarkReadingSecurity #CyberSecurityNews #DARKReading #Precipice

Name That Edge Toon: On the Precipice – Source: www.darkreading.com https://ciso2ciso.com/name-that-edge-toon-on-the-precipice-source-www-darkreading-com/ #rssfeedpostgeneratorecho #DarkReadingSecurity #CyberSecurityNews #DARKReading #Precipice

#TheMetalDogArticleList
#BraveWords
BravePicks 2023 - OBITUARY's Dying Of Everything #1

https://bravewords.com/news/bravepicks-2023-obituary-s-dying-of-everything-1

#Obituary #DyingofEverything #IndieMetal #BravePicks2023 #HeavyMusic #MetalMusic #GuitarSolos #KennieSmith #InTheTrenches #LyricalContent #MetalAlbum #FlamesOfTheInsane #Precipice

#TheMetalDogArticleList
#BraveWords
BravePicks 2023 - OBITUARY's Dying Of Everything #1

https://bravewords.com/news/bravepicks-2023-obituary-s-dying-of-everything-1

#Obituary #DyingofEverything #IndieMetal #BravePicks2023 #HeavyMusic #MetalMusic #GuitarSolos #KennieSmith #InTheTrenches #LyricalContent #MetalAlbum #FlamesOfTheInsane #Precipice

#TheMetalDogArticleList
#BraveWords
BravePicks 2023 - OBITUARY's Dying Of Everything #1

https://bravewords.com/news/bravepicks-2023-obituary-s-dying-of-everything-1

#Obituary #DyingofEverything #IndieMetal #BravePicks2023 #HeavyMusic #MetalMusic #GuitarSolos #KennieSmith #InTheTrenches #LyricalContent #MetalAlbum #FlamesOfTheInsane #Precipice

#TheMetalDogArticleList
#BraveWords
BravePicks 2023 - OBITUARY's Dying Of Everything #1

https://bravewords.com/news/bravepicks-2023-obituary-s-dying-of-everything-1

#Obituary #DyingofEverything #IndieMetal #BravePicks2023 #HeavyMusic #MetalMusic #GuitarSolos #KennieSmith #InTheTrenches #LyricalContent #MetalAlbum #FlamesOfTheInsane #Precipice

#TheMetalDogArticleList
#BraveWords
BravePicks 2023 - OBITUARY's Dying Of Everything #1

https://bravewords.com/news/bravepicks-2023-obituary-s-dying-of-everything-1

#Obituary #DyingofEverything #IndieMetal #BravePicks2023 #HeavyMusic #MetalMusic #GuitarSolos #KennieSmith #InTheTrenches #LyricalContent #MetalAlbum #FlamesOfTheInsane #Precipice

Heading to NYC for a new #R01 #startupmeeting led by @[email protected] + @[email protected] and it promises to be amazing

#PRECIPICE Promoting #Equity via Change in Practice for Respiratory Failure (PRECIPICE)

Heading to NYC for a new #R01 #startupmeeting led by @[email protected] + @[email protected] and it promises to be amazing

#PRECIPICE Promoting #Equity via Change in Practice for Respiratory Failure (PRECIPICE)