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#peterbrook — Public Fediverse posts

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  1. The Occupied Space from The Empty Space

    There are two books on my desk tonight. One is thin, secondhand, printed in 1968, and it has followed me from apartment to apartment for fifty years the way certain arguments follow a person: quietly, patiently, refusing to concede. The other arrived this week in a shipping box with my name on the cover, and it exists because of the first. It is the answer, finally long enough. The thin book is Peter Brook's The Empty Space, the most quoted stage doctrine of its century, and mine is The Occupied Space: Sixty Years After The Empty Space, and it is the longest answer I have ever written to anything: twelve chapters, a coda, and a half century of rehearsal rooms behind every page. This is the story of the quarrel, the trial, and the answer, told the way I can only tell it here, at home, at length. […]

    bolesblogs.com/2026/07/26/the-

  2. The Occupied Space from The Empty Space

    There are two books on my desk tonight. One is thin, secondhand, printed in 1968, and it has followed me from apartment to apartment for fifty years the way certain arguments follow a person: quietly, patiently, refusing to concede. The other arrived this week in a shipping box with my name on the cover, and it exists because of the first. It is the answer, finally long enough. The thin book is Peter Brook's The Empty Space, the most quoted stage doctrine of its century, and mine is The Occupied Space: Sixty Years After The Empty Space, and it is the longest answer I have ever written to anything: twelve chapters, a coda, and a half century of rehearsal rooms behind every page. This is the story of the quarrel, the trial, and the answer, told the way I can only tell it here, at home, at length. […]

    bolesblogs.com/2026/07/26/the-

  3. The Occupied Space from The Empty Space

    There are two books on my desk tonight. One is thin, secondhand, printed in 1968, and it has followed me from apartment to apartment for fifty years the way certain arguments follow a person: quietly, patiently, refusing to concede. The other arrived this week in a shipping box with my name on the cover, and it exists because of the first. It is the answer, finally long enough. The thin book is Peter Brook's The Empty Space, the most quoted stage doctrine of its century, and mine is The Occupied Space: Sixty Years After The Empty Space, and it is the longest answer I have ever written to anything: twelve chapters, a coda, and a half century of rehearsal rooms behind every page. This is the story of the quarrel, the trial, and the answer, told the way I can only tell it here, at home, at length. […]

    bolesblogs.com/2026/07/26/the-

  4. The Occupied Space from The Empty Space

    There are two books on my desk tonight. One is thin, secondhand, printed in 1968, and it has followed me from apartment to apartment for fifty years the way certain arguments follow a person: quietly, patiently, refusing to concede. The other arrived this week in a shipping box with my name on the cover, and it exists because of the first. It is the answer, finally long enough. The thin book is Peter Brook's The Empty Space, the most quoted stage doctrine of its century, and mine is The Occupied Space: Sixty Years After The Empty Space, and it is the longest answer I have ever written to anything: twelve chapters, a coda, and a half century of rehearsal rooms behind every page. This is the story of the quarrel, the trial, and the answer, told the way I can only tell it here, at home, at length. […]

    bolesblogs.com/2026/07/26/the-

  5. The Occupied Space from The Empty Space

    There are two books on my desk tonight. One is thin, secondhand, printed in 1968, and it has followed me from apartment to apartment for fifty years the way certain arguments follow a person: quietly, patiently, refusing to concede. The other arrived this week in a shipping box with my name on the cover, and it exists because of the first. It is the answer, finally long enough. The thin book is Peter Brook's The Empty Space, the most quoted stage doctrine of its century, and mine is The Occupied Space: Sixty Years After The Empty Space, and it is the longest answer I have ever written to anything: twelve chapters, a coda, and a half century of rehearsal rooms behind every page. This is the story of the quarrel, the trial, and the answer, told the way I can only tell it here, at home, at length. […]

    bolesblogs.com/2026/07/26/the-

  6. Oh, friends. I had such a struggle finding a streaming version of #PeterBrook’s #Mahabharata. It is one of the, if not the greatest a mini series ever. And I finally found it to download for when my dvd player quits. archive.org/details/the_mahabh

  7. Oh, friends. I had such a struggle finding a streaming version of #PeterBrook’s #Mahabharata. It is one of the, if not the greatest a mini series ever. And I finally found it to download for when my dvd player quits. archive.org/details/the_mahabh

  8. Oh, friends. I had such a struggle finding a streaming version of #PeterBrook’s #Mahabharata. It is one of the, if not the greatest a mini series ever. And I finally found it to download for when my dvd player quits. archive.org/details/the_mahabh

  9. Oh, friends. I had such a struggle finding a streaming version of #PeterBrook’s #Mahabharata. It is one of the, if not the greatest a mini series ever. And I finally found it to download for when my dvd player quits. archive.org/details/the_mahabh

  10. Oh, friends. I had such a struggle finding a streaming version of #PeterBrook’s #Mahabharata. It is one of the, if not the greatest a mini series ever. And I finally found it to download for when my dvd player quits. archive.org/details/the_mahabh

  11. Ya terminamos mi #taller de #narrativa en español de #UnderTheVolcano de 2025. ¡Qué buen grupo! 😎 Me voy muy contento y deseando que muchas personas podamos leer muy pronto sus #libros terminados.
    En el #video, mi #lectura de cierre: un fragmento de "El #Mahabharata" en versión de Jean-Claude #Carrière y #PeterBrook que traduje al vuelo. 🌟
    Muchas gracias a Magda Bogin, Wendy Hesketh y todo el equipo de Under The Volcano. ¡Nos vemos en 2026!
    #CursosyTalleres #EscrituraCreativa #literatura #teatro

  12. Ya terminamos mi #taller de #narrativa en español de #UnderTheVolcano de 2025. ¡Qué buen grupo! 😎 Me voy muy contento y deseando que muchas personas podamos leer muy pronto sus #libros terminados.
    En el #video, mi #lectura de cierre: un fragmento de "El #Mahabharata" en versión de Jean-Claude #Carrière y #PeterBrook que traduje al vuelo. 🌟
    Muchas gracias a Magda Bogin, Wendy Hesketh y todo el equipo de Under The Volcano. ¡Nos vemos en 2026!
    #CursosyTalleres #EscrituraCreativa #literatura #teatro

  13. Ya terminamos mi #taller de #narrativa en español de #UnderTheVolcano de 2025. ¡Qué buen grupo! 😎 Me voy muy contento y deseando que muchas personas podamos leer muy pronto sus #libros terminados.
    En el #video, mi #lectura de cierre: un fragmento de "El #Mahabharata" en versión de Jean-Claude #Carrière y #PeterBrook que traduje al vuelo. 🌟
    Muchas gracias a Magda Bogin, Wendy Hesketh y todo el equipo de Under The Volcano. ¡Nos vemos en 2026!
    #CursosyTalleres #EscrituraCreativa #literatura #teatro

  14. Ya terminamos mi #taller de #narrativa en español de #UnderTheVolcano de 2025. ¡Qué buen grupo! 😎 Me voy muy contento y deseando que muchas personas podamos leer muy pronto sus #libros terminados.
    En el #video, mi #lectura de cierre: un fragmento de "El #Mahabharata" en versión de Jean-Claude #Carrière y #PeterBrook que traduje al vuelo. 🌟
    Muchas gracias a Magda Bogin, Wendy Hesketh y todo el equipo de Under The Volcano. ¡Nos vemos en 2026!
    #CursosyTalleres #EscrituraCreativa #literatura #teatro

  15. Ya terminamos mi #taller de #narrativa en español de #UnderTheVolcano de 2025. ¡Qué buen grupo! 😎 Me voy muy contento y deseando que muchas personas podamos leer muy pronto sus #libros terminados.
    En el #video, mi #lectura de cierre: un fragmento de "El #Mahabharata" en versión de Jean-Claude #Carrière y #PeterBrook que traduje al vuelo. 🌟
    Muchas gracias a Magda Bogin, Wendy Hesketh y todo el equipo de Under The Volcano. ¡Nos vemos en 2026!
    #CursosyTalleres #EscrituraCreativa #literatura #teatro

  16. Peter Brook takes on AI. (Sorta, kinda)

    Interesting thoughts from the legendary stage director from his 2013 book The Quality of Mercy: Reflections on Shakespeare.

    warnercrocker.com/2023/07/03/p
    #AI #PeterBrook #llm

  17. Peter Brook takes on AI. (Sorta, kinda)

    Interesting thoughts from the legendary stage director from his 2013 book The Quality of Mercy: Reflections on Shakespeare.

    warnercrocker.com/2023/07/03/p
    #AI #PeterBrook #llm

  18. Peter Brook takes on AI. (Sorta, kinda)

    Interesting thoughts from the legendary stage director from his 2013 book The Quality of Mercy: Reflections on Shakespeare.

    warnercrocker.com/2023/07/03/p
    #AI #PeterBrook #llm

  19. Peter Brook takes on AI. (Sorta, kinda)

    Interesting thoughts from the legendary stage director from his 2013 book The Quality of Mercy: Reflections on Shakespeare.

    warnercrocker.com/2023/07/03/p
    #AI #PeterBrook #llm

  20. Peter Brook takes on AI. (Sorta, kinda)

    Interesting thoughts from the legendary stage director from his 2013 book The Quality of Mercy: Reflections on Shakespeare.

    warnercrocker.com/2023/07/03/p
    #AI #PeterBrook #llm

  21. Legendary director Peter Brook takes on Artificial Intelligence (sorta, kinda).

    2013 Insight from a great mind.
    #AI #theatre #PeterBrook

    wordpress.com/post/warnercrock

  22. Legendary director Peter Brook takes on Artificial Intelligence (sorta, kinda).

    2013 Insight from a great mind.
    #AI #theatre #PeterBrook

    wordpress.com/post/warnercrock

  23. Legendary director Peter Brook takes on Artificial Intelligence (sorta, kinda).

    2013 Insight from a great mind.
    #AI #theatre #PeterBrook

    wordpress.com/post/warnercrock

  24. Legendary director Peter Brook takes on Artificial Intelligence (sorta, kinda).

    2013 Insight from a great mind.
    #AI #theatre #PeterBrook

    wordpress.com/post/warnercrock

  25. Legendary director Peter Brook takes on Artificial Intelligence (sorta, kinda).

    2013 Insight from a great mind.
    #AI #theatre #PeterBrook

    wordpress.com/post/warnercrock

  26. I have no idea why a high-resolution filmed version of the #RSC'S #MARATSADE (1967) is available on YouTube for free, but it is and it is amazing. #movies #theatre #PeterBrook

    youtu.be/k6V2SIPL59A

  27. I have no idea why a high-resolution filmed version of the #RSC'S #MARATSADE (1967) is available on YouTube for free, but it is and it is amazing. #movies #theatre #PeterBrook

    youtu.be/k6V2SIPL59A

  28. I have no idea why a high-resolution filmed version of the #RSC'S #MARATSADE (1967) is available on YouTube for free, but it is and it is amazing. #movies #theatre #PeterBrook

    youtu.be/k6V2SIPL59A

  29. I have no idea why a high-resolution filmed version of the #RSC'S #MARATSADE (1967) is available on YouTube for free, but it is and it is amazing. #movies #theatre #PeterBrook

    youtu.be/k6V2SIPL59A

  30. I have no idea why a high-resolution filmed version of the #RSC'S #MARATSADE (1967) is available on YouTube for free, but it is and it is amazing. #movies #theatre #PeterBrook

    youtu.be/k6V2SIPL59A

  31. #Opéra en version de #concert, #Théâtre des Champs-Élysées, 27/11/2022
    "La #tragédie de #Carmen", d'après Georges #Bizet, #adaptation de Peter #Brook, Jean-Claude Carrière, Marius Constant
    Julie Robard-Gendre, #mezzosoprano: Carmen
    Marianne Croux, #soprano: Micaëla
    Sébastien Droy, #ténor: Don José
    Thomas Dolié, #baryton: Escamillo
    Nicolas Vial, Laurent Evuort-Orlandi: comédiens

    Ensemble musical Miroirs Étendus
    Fiona Monbet, direction

    #opera #chambermusic #theatre #PeterBrook #chant #lyrique

  32. #Opéra en version de #concert, #Théâtre des Champs-Élysées, 27/11/2022
    "La #tragédie de #Carmen", d'après Georges #Bizet, #adaptation de Peter #Brook, Jean-Claude Carrière, Marius Constant
    Julie Robard-Gendre, #mezzosoprano: Carmen
    Marianne Croux, #soprano: Micaëla
    Sébastien Droy, #ténor: Don José
    Thomas Dolié, #baryton: Escamillo
    Nicolas Vial, Laurent Evuort-Orlandi: comédiens

    Ensemble musical Miroirs Étendus
    Fiona Monbet, direction

    #opera #chambermusic #theatre #PeterBrook #chant #lyrique