#peacegrooves — Public Fediverse posts

Bowed Heads

Lately I've been seeing 
a lot of people with their heads 
bent over as if in prayer.

I am heartened to see 
so many engaged in the art 
of meditation or contemplation. 

Whether waiting for 
a meeting to begin 
or for someone to arrive 
or perhaps simply to kill time, 
the hands clasp 
and the head bows.

Then I draw closer 
and I see that the head 
is bent over a screen. 

An ethereal light bathes 
the worshipper's face, 
eyes enraptured, 
captured in a blue glow.

And I can't help 
but wonder if this 
is the new God.

July 11, 2013

Bowed Heads

Lately I've been seeing 
a lot of people with their heads 
bent over as if in prayer.

I am heartened to see 
so many engaged in the art 
of meditation or contemplation. 

Whether waiting for 
a meeting to begin 
or for someone to arrive 
or perhaps simply to kill time, 
the hands clasp 
and the head bows.

Then I draw closer 
and I see that the head 
is bent over a screen. 

An ethereal light bathes 
the worshipper's face, 
eyes enraptured, 
captured in a blue glow.

And I can't help 
but wonder if this 
is the new God.

July 11, 2013

A BetTER Day

Independence has its day,
when o’er the skies fireworks display,
and dependence, too, is good,
as every tender spirit should

learn the grace of being held,
when pride is hushed, and fear is quelled.
But methinks we need another name,
a deeper word, a wider frame.

It happens after we let one IN,
past the surface, past the skin,
past the guarded gates we keep,
past the places where hurt runs deep.

In the space before DEPEND,
we see the other as vital friend,
all as branches from one tree,
as the grains of sand receive the sea.

Then add three letters, soft but true,
TER arrives and makes it new.
Not just me and not just thee,
but something born between the three.

In-TER-dependence names the art
of hand in hand and heart to heart,
while I am I, and you are you,
something sacred binds us too.

Independence stands alone,
dependence leans on flesh and bone,
but interdependence humbly sings:
we rise by sharing roots and wings.

July 4, 2015 (updated June 2026)

A BetTER Day

Independence has its day,
when o’er the skies fireworks display,
and dependence, too, is good,
as every tender spirit should

learn the grace of being held,
when pride is hushed, and fear is quelled.
But methinks we need another name,
a deeper word, a wider frame.

It happens after we let one IN,
past the surface, past the skin,
past the guarded gates we keep,
past the places where hurt runs deep.

In the space before DEPEND,
we see the other as vital friend,
all as branches from one tree,
as the grains of sand receive the sea.

Then add three letters, soft but true,
TER arrives and makes it new.
Not just me and not just thee,
but something born between the three.

In-TER-dependence names the art
of hand in hand and heart to heart,
while I am I, and you are you,
something sacred binds us too.

Independence stands alone,
dependence leans on flesh and bone,
but interdependence humbly sings:
we rise by sharing roots and wings.

July 4, 2015 (updated June 2026)

Storm Surge

In the end,
will you be faithful?
That is question.

When the storm has come and gone,
when what you thought was precious has been stripped away,
when you sleep in darkness wondering if the lights will ever come back on,
when your life in the flash of lightning reverts back to the everyday of your sisters and brothers in the warzone,
when your plane to those destinations is grounded by the thunder’s roar?

Will you awake to new resolve for justice?
Will you spend less time before the screen and more time present to loved ones and those in need of it?
Will you leave the ground to alight among the troubled?
Will you listen to them?

Will the power that comes on be in you,
through you,
glowing out through your eyes,
electrifying,
filling you with a compassion so compelling
you become a wire
among many
channeling
love and peace
to the world?

June 2, 2015

Storm Surge

In the end,
will you be faithful?
That is question.

When the storm has come and gone,
when what you thought was precious has been stripped away,
when you sleep in darkness wondering if the lights will ever come back on,
when your life in the flash of lightning reverts back to the everyday of your sisters and brothers in the warzone,
when your plane to those destinations is grounded by the thunder’s roar?

Will you awake to new resolve for justice?
Will you spend less time before the screen and more time present to loved ones and those in need of it?
Will you leave the ground to alight among the troubled?
Will you listen to them?

Will the power that comes on be in you,
through you,
glowing out through your eyes,
electrifying,
filling you with a compassion so compelling
you become a wire
among many
channeling
love and peace
to the world?

June 2, 2015

Visual Art Interpretation – My Hopes and Dreams for the Next Year

This feels less like a list of resolutions than a marquee-map of my identity and desire: a radiant, hand-made 2027 filled not so much with tasks to accomplish as with the people, callings, loves, and practices that make my life feel alive.

The bright red border and repeated golden lights give it the appearance of a theater sign, a carnival ride, or an illuminated road. It seems to announce the year joyfully: Here is what I hope will shine. But inside that celebratory outline, the words do not sit neatly in straight lines. They curve, turn, reverse, overlap, and require the eye to travel. That seems important. My hopes are not separate boxes. Pastor, husband, author, musician, PeaceGrooves creator, friend, artist, woodworker, child of God—all of these identities wind through and around one another.

The words I placed inside the year—Sing, Play, Memories, God, Laugh, Journey, Pastor, Author, Husband, PeaceGrooves, Friends, Art, Church, Love, Woodcraft—are striking to me because so many of them are relational or creative. Even the roles are not primarily about achievement. Author is near Husband. Pastor winds along the same road as Journey. PeaceGrooves circles alongside Friends, Church, Love, and creativity. I did not imagine the coming year as productivity alone. I imagined it as belonging, expression, vocation, joy, and connection.

The Word I Did Not Write

After finishing the piece, I realized that I did not write health or healing anywhere inside it. Those things matter deeply to me, especially in light of some of the physical concerns and uncertainties I have been carrying. And yet, perhaps their absence does not mean they were forgotten. Perhaps I instinctively wrote the life I hope healing will allow me to continue inhabiting.

I did not write healing, but I wrote Sing-Play: the hope that my body and spirit can still release themselves into music.

I wrote Laugh: the hope for lightness, delight, and joy.

I wrote Journey: the hope that I can continue moving forward.

I wrote Husband and Friends: the hope of remaining present in love and relationship rather than retreating into worry or isolation.

I wrote Pastor and Church: the hope that I can continue serving meaningfully among people.

I wrote Art, Author, Woodcraft, and PeaceGrooves: the hope that creativity will continue flowing through me rather than being swallowed up by discouragement, exhaustion, or fear.

Perhaps healing is everywhere in this drawing without having been named. It is hidden beneath almost every word: Let me be well enough, free enough, encouraged enough, and alive enough to keep inhabiting these loves.

But perhaps the omission also tells me something tender and difficult about myself. When I think about the future, I often think first about what I can give, create, serve, love, and build. I may not always think first about what I need. This picture invites me to remember that somewhere in the glowing year ahead, there must also be room for my own care. I am not only the husband, pastor, artist, author, musician, friend, and creator. I am also a person who needs healing, rest, gentleness, and grace.

The Smear Between Author and Husband

One of the small accidents in the piece occurred in the space between Author and Husband. Water smeared the color there, and I had to cover it as best I could. I was mostly able to hide the mistake, though I know it happened. I know that beneath the finished surface there is a place where the colors once ran together in a way I did not intend.

That accidental smear now feels strangely meaningful. Author and Husband are two of my most intimate identities: the part of me that creates worlds and gives language to inner experience, and the part of me that shares an actual life in love and covenant with another person. Perhaps those two identities were never meant to be sharply separated. My writing rises from my lived relationships, from tenderness, memory, fear, faith, longing, disappointment, and love. And my creative life inevitably spills into the life I share with my wife.

The water touched the border between those words, and I tried to repair it. That is not a failure of the picture. It may be one of the most honest parts of it. Life does not remain perfectly inside the lines. The roles I care most about do not remain untouched by mess, vulnerability, or accident. Sometimes the colors run together. Sometimes I try to cover what went wrong. Sometimes a trace remains, visible mostly to me.

Yet I did not throw the picture away. I continued working on it. I allowed the imperfection to become part of the finished whole.

Perhaps that is an image of grace. A life of grace is not a life where nothing ever gets smeared. It is a life in which even the smeared places can be incorporated into the beauty.

Church: Almost Illegible

I also noticed that Church almost looks like “Churgh.” It is there, but it is not the clearest or most immediately readable word. That, too, feels symbolic.

Church is deeply present in my hopes for the coming year. It is part of who I am, part of my calling, part of my relationship with God and with community. But church is not always simple or perfectly clear. It can be difficult to read. It can be beautiful and messy, life-giving and exhausting, sacred and profoundly human all at once.

In this picture, church does not appear by itself in a clean, isolated space. It is crowded into a circling path alongside other words: Love, Friends, Art, perhaps even the movements of creativity and ministry surrounding it. That seems truthful. For me, church is not separate from love, friendship, art, imagination, service, or reconciliation. It is entangled with them.

The fact that the word is only almost clear may express something I feel: church is something I continue to believe in and belong to, while also still trying to see clearly. It is present. It matters. It is part of the year I hope to live. But it is not polished or uncomplicated.

Perhaps that is what makes it real.

The Shape of the Year

The large number itself is not simply filled in. It becomes a winding course. The words curve around turns and corners; some appear upright from one angle and upside down from another. To read the whole image, I almost have to rotate it, follow it, and let my eyes travel through it.

That feels like an honest representation of the year ahead. I do not know exactly how it will unfold. My hopes do not form a straight road or a neatly numbered plan. They form a brightly lit labyrinth. Something that appears upside down from one position may look different once I travel farther along the curve. Something that seems peripheral now may become central. Something disappointing may redirect me toward an unexpected opening.

This drawing does not say, Here is my plan to master the next year.

It says, Here is the glowing path I hope to inhabit.

That is truer to my life. Music feeds ministry. Woodcraft feeds contemplation. Writing feeds faith. PeaceGrooves gathers together my imagination, my longing for peace, my love of play, and my desire to offer something meaningful to others. Marriage and friendship keep my creative life from becoming merely solitary. Church places my personal dreams within a larger body. God is not outside all these things, looking down upon them from a distance, but present among them.

My life is not a ladder climbing toward a single success. It is a winding, illuminated journey through many loves.

The Lights Around the Border

The repeated yellow bulbs around the border give the piece a vintage, celebratory feeling. They make the year look like something being announced: a show beginning, a stage opening, a bright invitation to enter.

There is something almost exuberant about it. I did not draw a quiet little calendar page or a restrained list of intentions. I drew the year as a spectacle of hope. These dreams are not small to me. They are worthy of light. Music, laughter, love, friendship, art, faith, craft, writing, church, PeaceGrooves—these are not hobbies or decorative extras around the edge of life. They are among the things that make life worth living.

And yet the lights are not machine-perfect. They are hand-drawn. Each one is slightly different. Some are rounder, some rougher, some more irregular. That matters too. The brightness of this coming year is not a slick commercial promise that everything will be perfect. It is the brightness I have carefully drawn around my hopes with my own imperfect hand.

Most moving of all, the lights continue around the bends. They do not shine only along the smooth or impressive stretches. They follow the narrow turns, the dips, the places where the shape curls inward. The light does not abandon the complicated places.

What This Picture Says to Me

This is a picture of my hope not merely to survive another year, but to remain fully myself within it.

I want to sing and play.

I want to laugh.

I want to remember.

I want to journey.

I want to love and be loved.

I want to remain a husband, a pastor, an author, an artist, a craftsman, a musician, a friend, and a dreamer.

I want PeaceGrooves not merely to exist as a project, but to become an expression of something deep within me: my longing to imagine, create, and make peace.

I want God not as an abstract religious idea floating somewhere outside my life, but as a living presence woven among music, love, creativity, friendship, church, memory, laughter, and journey.

And perhaps beneath the entire picture is the word I did not write: wholeness.

Wholeness includes health. It includes healing. But it is larger than both. It is the hope that all these different names for myself will not compete with one another, break apart, or fade away, but somehow curve together into a single radiant life.

The smear between Author and Husband, the almost-illegible Church, the reversed words, the crowded pathways, the uneven bulbs, and the wandering design do not lessen the picture. They make it more truthful.

My hopes for the next year are not cleanly arranged or perfectly protected from mistakes. They are handmade. They are entangled. They are vulnerable. They are colorful. They are imperfect.

And they are still shining.

Visual Art Interpretation – My Hopes and Dreams for the Next Year

This feels less like a list of resolutions than a marquee-map of my identity and desire: a radiant, hand-made 2027 filled not so much with tasks to accomplish as with the people, callings, loves, and practices that make my life feel alive.

The bright red border and repeated golden lights give it the appearance of a theater sign, a carnival ride, or an illuminated road. It seems to announce the year joyfully: Here is what I hope will shine. But inside that celebratory outline, the words do not sit neatly in straight lines. They curve, turn, reverse, overlap, and require the eye to travel. That seems important. My hopes are not separate boxes. Pastor, husband, author, musician, PeaceGrooves creator, friend, artist, woodworker, child of God—all of these identities wind through and around one another.

The words I placed inside the year—Sing, Play, Memories, God, Laugh, Journey, Pastor, Author, Husband, PeaceGrooves, Friends, Art, Church, Love, Woodcraft—are striking to me because so many of them are relational or creative. Even the roles are not primarily about achievement. Author is near Husband. Pastor winds along the same road as Journey. PeaceGrooves circles alongside Friends, Church, Love, and creativity. I did not imagine the coming year as productivity alone. I imagined it as belonging, expression, vocation, joy, and connection.

The Word I Did Not Write

After finishing the piece, I realized that I did not write health or healing anywhere inside it. Those things matter deeply to me, especially in light of some of the physical concerns and uncertainties I have been carrying. And yet, perhaps their absence does not mean they were forgotten. Perhaps I instinctively wrote the life I hope healing will allow me to continue inhabiting.

I did not write healing, but I wrote Sing-Play: the hope that my body and spirit can still release themselves into music.

I wrote Laugh: the hope for lightness, delight, and joy.

I wrote Journey: the hope that I can continue moving forward.

I wrote Husband and Friends: the hope of remaining present in love and relationship rather than retreating into worry or isolation.

I wrote Pastor and Church: the hope that I can continue serving meaningfully among people.

I wrote Art, Author, Woodcraft, and PeaceGrooves: the hope that creativity will continue flowing through me rather than being swallowed up by discouragement, exhaustion, or fear.

Perhaps healing is everywhere in this drawing without having been named. It is hidden beneath almost every word: Let me be well enough, free enough, encouraged enough, and alive enough to keep inhabiting these loves.

But perhaps the omission also tells me something tender and difficult about myself. When I think about the future, I often think first about what I can give, create, serve, love, and build. I may not always think first about what I need. This picture invites me to remember that somewhere in the glowing year ahead, there must also be room for my own care. I am not only the husband, pastor, artist, author, musician, friend, and creator. I am also a person who needs healing, rest, gentleness, and grace.

The Smear Between Author and Husband

One of the small accidents in the piece occurred in the space between Author and Husband. Water smeared the color there, and I had to cover it as best I could. I was mostly able to hide the mistake, though I know it happened. I know that beneath the finished surface there is a place where the colors once ran together in a way I did not intend.

That accidental smear now feels strangely meaningful. Author and Husband are two of my most intimate identities: the part of me that creates worlds and gives language to inner experience, and the part of me that shares an actual life in love and covenant with another person. Perhaps those two identities were never meant to be sharply separated. My writing rises from my lived relationships, from tenderness, memory, fear, faith, longing, disappointment, and love. And my creative life inevitably spills into the life I share with my wife.

The water touched the border between those words, and I tried to repair it. That is not a failure of the picture. It may be one of the most honest parts of it. Life does not remain perfectly inside the lines. The roles I care most about do not remain untouched by mess, vulnerability, or accident. Sometimes the colors run together. Sometimes I try to cover what went wrong. Sometimes a trace remains, visible mostly to me.

Yet I did not throw the picture away. I continued working on it. I allowed the imperfection to become part of the finished whole.

Perhaps that is an image of grace. A life of grace is not a life where nothing ever gets smeared. It is a life in which even the smeared places can be incorporated into the beauty.

Church: Almost Illegible

I also noticed that Church almost looks like “Churgh.” It is there, but it is not the clearest or most immediately readable word. That, too, feels symbolic.

Church is deeply present in my hopes for the coming year. It is part of who I am, part of my calling, part of my relationship with God and with community. But church is not always simple or perfectly clear. It can be difficult to read. It can be beautiful and messy, life-giving and exhausting, sacred and profoundly human all at once.

In this picture, church does not appear by itself in a clean, isolated space. It is crowded into a circling path alongside other words: Love, Friends, Art, perhaps even the movements of creativity and ministry surrounding it. That seems truthful. For me, church is not separate from love, friendship, art, imagination, service, or reconciliation. It is entangled with them.

The fact that the word is only almost clear may express something I feel: church is something I continue to believe in and belong to, while also still trying to see clearly. It is present. It matters. It is part of the year I hope to live. But it is not polished or uncomplicated.

Perhaps that is what makes it real.

The Shape of the Year

The large number itself is not simply filled in. It becomes a winding course. The words curve around turns and corners; some appear upright from one angle and upside down from another. To read the whole image, I almost have to rotate it, follow it, and let my eyes travel through it.

That feels like an honest representation of the year ahead. I do not know exactly how it will unfold. My hopes do not form a straight road or a neatly numbered plan. They form a brightly lit labyrinth. Something that appears upside down from one position may look different once I travel farther along the curve. Something that seems peripheral now may become central. Something disappointing may redirect me toward an unexpected opening.

This drawing does not say, Here is my plan to master the next year.

It says, Here is the glowing path I hope to inhabit.

That is truer to my life. Music feeds ministry. Woodcraft feeds contemplation. Writing feeds faith. PeaceGrooves gathers together my imagination, my longing for peace, my love of play, and my desire to offer something meaningful to others. Marriage and friendship keep my creative life from becoming merely solitary. Church places my personal dreams within a larger body. God is not outside all these things, looking down upon them from a distance, but present among them.

My life is not a ladder climbing toward a single success. It is a winding, illuminated journey through many loves.

The Lights Around the Border

The repeated yellow bulbs around the border give the piece a vintage, celebratory feeling. They make the year look like something being announced: a show beginning, a stage opening, a bright invitation to enter.

There is something almost exuberant about it. I did not draw a quiet little calendar page or a restrained list of intentions. I drew the year as a spectacle of hope. These dreams are not small to me. They are worthy of light. Music, laughter, love, friendship, art, faith, craft, writing, church, PeaceGrooves—these are not hobbies or decorative extras around the edge of life. They are among the things that make life worth living.

And yet the lights are not machine-perfect. They are hand-drawn. Each one is slightly different. Some are rounder, some rougher, some more irregular. That matters too. The brightness of this coming year is not a slick commercial promise that everything will be perfect. It is the brightness I have carefully drawn around my hopes with my own imperfect hand.

Most moving of all, the lights continue around the bends. They do not shine only along the smooth or impressive stretches. They follow the narrow turns, the dips, the places where the shape curls inward. The light does not abandon the complicated places.

What This Picture Says to Me

This is a picture of my hope not merely to survive another year, but to remain fully myself within it.

I want to sing and play.

I want to laugh.

I want to remember.

I want to journey.

I want to love and be loved.

I want to remain a husband, a pastor, an author, an artist, a craftsman, a musician, a friend, and a dreamer.

I want PeaceGrooves not merely to exist as a project, but to become an expression of something deep within me: my longing to imagine, create, and make peace.

I want God not as an abstract religious idea floating somewhere outside my life, but as a living presence woven among music, love, creativity, friendship, church, memory, laughter, and journey.

And perhaps beneath the entire picture is the word I did not write: wholeness.

Wholeness includes health. It includes healing. But it is larger than both. It is the hope that all these different names for myself will not compete with one another, break apart, or fade away, but somehow curve together into a single radiant life.

The smear between Author and Husband, the almost-illegible Church, the reversed words, the crowded pathways, the uneven bulbs, and the wandering design do not lessen the picture. They make it more truthful.

My hopes for the next year are not cleanly arranged or perfectly protected from mistakes. They are handmade. They are entangled. They are vulnerable. They are colorful. They are imperfect.

And they are still shining.

Head and Feet Blues (SONG)

One of my favorites when Jeremiahs Run was still performing live.

This is a story about a man who split himself in two.
One part stayed the same the other just grew and grew.
One part stayed in one place, the other up and joined the ratrace.
He had his head in one place and his feet in another.

Head in one place feet in another. You got your head in one place, your feet in another. Your heart’s disconnected one way or the other. Head in one place feet in another.

The part that never changed was always true,
it was always old and the growing part was always new.
While one part was dying from entropy the other part was dying from too much speed,
Head in one place feet in another.

Head in one place feet in another. You got your head in one place, your feet in another. Your heart’s disconnected one way or the other. Head in one place feet in another.

I heard a story about a man who split himself in two.
One part stayed the same, the other just grew and grew.
I got to wondering when the story was through which part was me and which part was you.
Head in one place feet in another

Head in one place feet in another. You got your head in one place, your feet in another. Your heart’s disconnected one way or the other. Head in one place feet in another.

Song written October 27, 1998

Head and Feet Blues (SONG)

One of my favorites when Jeremiahs Run was still performing live.

This is a story about a man who split himself in two.
One part stayed the same the other just grew and grew.
One part stayed in one place, the other up and joined the ratrace.
He had his head in one place and his feet in another.

Head in one place feet in another. You got your head in one place, your feet in another. Your heart’s disconnected one way or the other. Head in one place feet in another.

The part that never changed was always true,
it was always old and the growing part was always new.
While one part was dying from entropy the other part was dying from too much speed,
Head in one place feet in another.

Head in one place feet in another. You got your head in one place, your feet in another. Your heart’s disconnected one way or the other. Head in one place feet in another.

I heard a story about a man who split himself in two.
One part stayed the same, the other just grew and grew.
I got to wondering when the story was through which part was me and which part was you.
Head in one place feet in another

Head in one place feet in another. You got your head in one place, your feet in another. Your heart’s disconnected one way or the other. Head in one place feet in another.

Song written October 27, 1998

A Day for the World to Say Sorry

From Australia’s National Sorry Day Toward an International Day of Truth, Repentance, and Repair

A PeaceGrooves Reflection

There are words so overused that they risk becoming weightless. Sorry is one of them. We say it when we bump into someone in a hallway, when we answer an email too late, when we make an insignificant mistake. Yet there are times when sorry is not small at all. There are wounds so deep, so deliberately inflicted, and so long denied that the speaking of sorrow becomes an act of public truth.

Australia’s National Sorry Day, observed each year on May 26, is such a day. It remembers the Aboriginal and Torres Strait Islander children forcibly removed from their families, communities, languages, and cultures under government policies now associated with the Stolen Generations. The date marks the anniversary of the 1997 tabling of the Bringing Them Home report, the landmark national inquiry that gathered testimony from survivors and documented the devastation caused by these removals. The report called not only for recognition of what had happened, but for apology, healing, reparations, family reunion, access to records, and measures ensuring such violations would never recur.

National Sorry Day did not begin as a sentimental holiday….

Read the full essay at PeaceGrooves.

A Day for the World to Say Sorry

From Australia’s National Sorry Day Toward an International Day of Truth, Repentance, and Repair

A PeaceGrooves Reflection

There are words so overused that they risk becoming weightless. Sorry is one of them. We say it when we bump into someone in a hallway, when we answer an email too late, when we make an insignificant mistake. Yet there are times when sorry is not small at all. There are wounds so deep, so deliberately inflicted, and so long denied that the speaking of sorrow becomes an act of public truth.

Australia’s National Sorry Day, observed each year on May 26, is such a day. It remembers the Aboriginal and Torres Strait Islander children forcibly removed from their families, communities, languages, and cultures under government policies now associated with the Stolen Generations. The date marks the anniversary of the 1997 tabling of the Bringing Them Home report, the landmark national inquiry that gathered testimony from survivors and documented the devastation caused by these removals. The report called not only for recognition of what had happened, but for apology, healing, reparations, family reunion, access to records, and measures ensuring such violations would never recur.

National Sorry Day did not begin as a sentimental holiday….

Read the full essay at PeaceGrooves.

NEW! Album – Keepers of the Concord RPG Soundtrack by Dusty Rhymes

PeaceGrooves Productions, along with Tongue Screw Records and Revolutions Music, are pleased to announce the album release of Keepers of the Concord, the soundtrack for the RPG Game, Keepers of the Concord, from PeaceGrooves.com.

Dusty Rhymes (aka The D.R.) is a musician, sonic storyteller, and digital artist whose work explores the nexus of roots, rhythm, myth, and modern sound. With an ear for atmosphere and a gift for shaping songs that feel lived-in and cinematic, Rhymes creates music that carries both dust and light—grounded in human longing while reaching for something beyond mere existence.

For The Keepers album, Rhymes developed a 14 song soundscape of Seldara, the world of the Keepers of the Concord, giving voice to themes of courage, reconciliation, wounded communities, and the fragile hope of peace. His music moves between folk-shadowed reflection, pulsing digital textures, and anthem-like moments of resolve, offering listeners not just songs, but a journey through places of melody and imagination.

The hyperlink page from Distrokid is below:

https://distrokid.com/hyperfollow/dustyrhymes/keepers-of-the-concord-original-rpg-game-soundtrack

The album will be available on all of the major streaming services including Spotify, YouTube, and Apple Music.

NEW! Album – Keepers of the Concord RPG Soundtrack by Dusty Rhymes

PeaceGrooves Productions, along with Tongue Screw Records and Revolutions Music, are pleased to announce the album release of Keepers of the Concord, the soundtrack for the RPG Game, Keepers of the Concord, from PeaceGrooves.com.

Dusty Rhymes (aka The D.R.) is a musician, sonic storyteller, and digital artist whose work explores the nexus of roots, rhythm, myth, and modern sound. With an ear for atmosphere and a gift for shaping songs that feel lived-in and cinematic, Rhymes creates music that carries both dust and light—grounded in human longing while reaching for something beyond mere existence.

For The Keepers album, Rhymes developed a 14 song soundscape of Seldara, the world of the Keepers of the Concord, giving voice to themes of courage, reconciliation, wounded communities, and the fragile hope of peace. His music moves between folk-shadowed reflection, pulsing digital textures, and anthem-like moments of resolve, offering listeners not just songs, but a journey through places of melody and imagination.

The hyperlink page from Distrokid is below:

https://distrokid.com/hyperfollow/dustyrhymes/keepers-of-the-concord-original-rpg-game-soundtrack

The album will be available on all of the major streaming services including Spotify, YouTube, and Apple Music.

Visual Art This Week

Below are some of my more visual artistic endeavors from this past week:

A wood inlay table top….read more at LyndakerInlay.com.

An illustration for a blog post about the philosopher Sartre and the Christian Nation.

A photograph addition to my BeLeaf photo series. (Fall is always such a wonderful time to capture the simple unique beauty of leaves).

And finally, a logo designed for the launch of PG Press, an imprint of PeaceGrooves.

As always you can find more of my visual art at https://deviantart.com/peacegroover

#Art #peacegroover #PeaceGrooves #Photography #VisualArt #woodCraft

Peace Heroes

A card game featuring some of history’s greatest peacemakers

Peace Heroes is a fast-paced, fun, and educational card game of 67 cards where the object is to rescue as many Peace Heroes as possible.

PeaceGrooves is excited to announce that our first “peace game” – Peace Heroes – is complete! The design was submitted to the manufacturer and we received the first printed deck March 11. Everything looks great so the game is now available for purchase!

Purchase PeaceHeroes at https://www.thegamecrafter.com/games/peace-heroes

One special feature is the amazing original artwork of 17 historical peace heroes by Leo Hartshorn! The first 10 purchasers of Peace Heroes will receive a special card insert autographed by Leo Hartshorn! Send us proof of purchase and your address, and we will send you your autographed card. More art by Leo can be found here.

PeaceGrooves is a creative platform dedicated to designing stories, games, and activities that promote peace and nonviolence. From board games to role-playing adventures, music to animated storytelling, we aim to inspire children, youth, and adults to explore the power of empathy, conflict transformation, and relational healing.

#cardGame #ccg #Creativity #Games #History #newIdeas #peace #PeaceAndJustice #peaceGames #peaceHeroes #PeaceGrooves

Bullet the Blue Sky*

I went outside 
to watch the 
stars.

It is as if 
all the bullets 
from the war 
have been fired 
into the sky,
tearing holes 
in the black velvet 
for a little bit 
of heaven 
to shine 
through.

Every once 
in a while 
the fabric rips 
as a shooting star 
races across 
the sky,
but then 
it quickly 
mends 
itself.

November 2, 1988
La Esperanza, Nicaragua

Part of the continuing Ugly American series, a selection of writings from my travel journals from Central America in 1988

*From the U2 song of the same title

Bullet the Blue Sky*

I went outside 
to watch the 
stars.

It is as if 
all the bullets 
from the war 
have been fired 
into the sky,
tearing holes 
in the black velvet 
for a little bit 
of heaven 
to shine 
through.

Every once 
in a while 
the fabric rips 
as a shooting star 
races across 
the sky,
but then 
it quickly 
mends 
itself.

November 2, 1988
La Esperanza, Nicaragua

Part of the continuing Ugly American series, a selection of writings from my travel journals from Central America in 1988

*From the U2 song of the same title

FSLN

I live under the mountain,
the mountain with giant letters
that glare whitely in the sun.
It stands for the people who died then
and who die now.

The coffers are empty.
History and war and the
hand of Nature have a way of
drinking you dry.

The mountain is reflected in the
dark eyes of these hungry children.
I only hope that it still stands
when they can eat again.

October 31, 1988
Managua, Nicaragua

Part of the continuing Respectful American series, a selection of writings from my travel journals from Central America in 1988

FSLN

I live under the mountain,
the mountain with giant letters
that glare whitely in the sun.
It stands for the people who died then
and who die now.

The coffers are empty.
History and war and the
hand of Nature have a way of
drinking you dry.

The mountain is reflected in the
dark eyes of these hungry children.
I only hope that it still stands
when they can eat again.

October 31, 1988
Managua, Nicaragua

Part of the continuing Respectful American series, a selection of writings from my travel journals from Central America in 1988