#pathos — Public Fediverse posts

Siamo parecchio strani, siamo parecchio stanchi
Stanchi di crepare per seicento euro al mese
Far campare una famiglia in questo merda di Paese
Fa di me un eroe o un fuorilegge? Cazzo ne sapete

#Pathos - Chi sono

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Siamo parecchio strani, siamo parecchio stanchi
Stanchi di crepare per seicento euro al mese
Far campare una famiglia in questo merda di Paese
Fa di me un eroe o un fuorilegge? Cazzo ne sapete

#Pathos - Chi sono

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Siamo parecchio strani, siamo parecchio stanchi
Stanchi di crepare per seicento euro al mese
Far campare una famiglia in questo merda di Paese
Fa di me un eroe o un fuorilegge? Cazzo ne sapete

#Pathos - Chi sono

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Siamo parecchio strani, siamo parecchio stanchi
Stanchi di crepare per seicento euro al mese
Far campare una famiglia in questo merda di Paese
Fa di me un eroe o un fuorilegge? Cazzo ne sapete

#Pathos - Chi sono

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Siamo parecchio strani, siamo parecchio stanchi
Stanchi di crepare per seicento euro al mese
Far campare una famiglia in questo merda di Paese
Fa di me un eroe o un fuorilegge? Cazzo ne sapete

#Pathos - Chi sono

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

鉛色の鎮魂歌　Свинцева реквієм
絶望が全てを 鉛色に染めた
З багнюки чути

https://www.deviantart.com/poison-raika/art/Namari-Iro-no-Chinkon-ka-1318507903

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#ＡＩ生成 #night #heaven #came #undone #thin #thread #invite #pathos #rhythm #eaves #tune #poetry #mountain #silent #speak #absorbed #excess #divine #beast #dew #power #gestation #pitch #black #dragon #run #river

鉛色の鎮魂歌　Свинцева реквієм
絶望が全てを 鉛色に染めた
З багнюки чути

https://www.pixiv.net/novel/show.php?id=27749175

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#ＡＩ生成 #night #heaven #came #undone #thin #thread #invite #pathos #rhythm #eaves #tune #poetry #mountain #silent #speak #absorbed #excess #divine #beast #dew #power #gestation #pitch #black #dragon #run #river

鉛色の鎮魂歌　Свинцева реквієм
絶望が全てを 鉛色に染めた
З багнюки чути

https://note.com/poison_raika/n/nfd8aa6a49036

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#ＡＩ生成 #night #heaven #came #undone #thin #thread #invite #pathos #rhythm #eaves #tune #poetry #mountain #silent #speak #absorbed #excess #divine #beast #dew #power #gestation #pitch #black #dragon #run #river

鉛色の鎮魂歌　Свинцева реквієм
絶望が全てを 鉛色に染めた
З багнюки чути

https://www.pixiv.net/novel/show.php?id=27749175

<>

#ＡＩ生成 #night #heaven #came #undone #thin #thread #invite #pathos #rhythm #eaves #tune #poetry #mountain #silent #speak #absorbed #excess #divine #beast #dew #power #gestation #pitch #black #dragon #run #river

鉛色の鎮魂歌　Свинцева реквієм
絶望が全てを 鉛色に染めた
З багнюки чути

https://note.com/poison_raika/n/nfd8aa6a49036

<>

#ＡＩ生成 #night #heaven #came #undone #thin #thread #invite #pathos #rhythm #eaves #tune #poetry #mountain #silent #speak #absorbed #excess #divine #beast #dew #power #gestation #pitch #black #dragon #run #river

Non capisco questa ansia che hai nel diventare un crip
Ribadisco che di merda ce n'è tanta pure qui
Devi solo sceglierla come se fosse una puttana
Prova 'ndrangheta, camorra, cosa nostra, Forza Italia

#Pathos - Boyka

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

No, i veri matti stanno fuori, dottore, mi creda
Fanno l'elemosina sperando qualcuno li veda
Trattano donne come se fossero sacchi di merda
Spaccano crani di corpi inermi dentro una caserma

#Pathos - Chi sono

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Bilan du projet #PathOS (#OpenScience Impact Pathways) sur l'#Impact académique, sociétal et économique de la #ScienceOuverte :
👉 Visibilité accrue et bénéfices pédagogiques indéniables mais peu de preuves tangibles en faveur de bénéfices économiques et sociétaux. Des indicateurs sont à développer

➡️ https://openscience.pasteur.fr/2026/01/19/la-science-ouverte-a-t-elle-des-benefices-economiques/

Am Fr., 16.01.26 veröffentlichen wir unsere zweite EP. 7 Songs, die wir bei @flimrmusic live aufnehmen durften. Wir freuen uns sehr!

#estrellarochen #allesgut #punk #pathos

Qui ora il clima è più freddo dell'artico
Faccio fatica a sentire il mio battito
Come banchise le emozioni sfiorite
Derise, ferite, finite in un attimo

#Pathos - Inuit

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Quando in anticipo sul tuo stupore
Verranno a chiederti del nostro amore
Tu digli solo che sono un errore

#Pathos - Addio

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

To be fair, the #novel itself is about a #teenage girl who, in an attempt to distance herself from her controlling #religion and #psychotic parents, reads aloud an ancient curse that somehow ended up printed in a #jackchick #chicktract -esque pamphlet and ends up summoning a #demon from her religion's mythos that's fated to bring about the #endtimes and devour people's souls. I think a light-hearted musical number about #llms and #agentic conversations might break up the #pathos a little.

Io vagherò senza una meta o direzione alcuna
Sopra il cappuccio ci sarà silenziosa la luna
E le dirò, a lei circondata da diamanti:
I passi falsi son comunque passi fatti, avanti

#Pathos - Addio

#RapQuotes #RapItaliano #aforismadelgiorno #mastomusic #mastomusica #rap #Aforismi #Aforisma #mastoradio #UnoRadio #UnoMusica

Very interesting new resource presented by #OSMI: The Principles of Open Science Monitoring (2025): https://doi.org/10.5281/zenodo.15807481

#OpenScience #OpenAIRE #EOSC #PathOS #OSMonitoring2025

Captivating talks and discussions during the conference „Open Science: Monitoring Progress, Assessing Impact“

Promising avenues and ideas were investigated on how to further develop international, national, regional as well as institutional approaches and collaborations to advance #OpenScience for the benefit of all!

Guiding these discussions: #UNESCO Recommendation on Open Science (2021): https://unesdoc.unesco.org/ark:/48223/pf0000379949.locale=en

#OpenAIRE #EOSC #PathOS #OSMonitoring2025

🙌🏼 Looking forward to "Open Science: Monitoring Progress, Assessing Impact" by @osmi in Paris in the upcoming days!

🔍Excited for discussions on “what works” and “how to measure it” in #OpenScience

🌐https://open-science-monitoring.org/7-and-8th-july-2025-open-science-monitoring-progress-assessing-impact/

#UNESCO #OpenAIRE #EOSC #OSMI #PathOS

Working with an #acting #coaching client on a scene and their performance revealed an alternate, deeper, tragic way the character they’re talking with responds to them. So great feeling that depth open up.

#ActingCoaching #ActingCoach #actor #coach #character #pathos

2/2 As part of its ongoing efforts, OSMI is collaborating with UNESCO, PathOS Project, EOSC Association Track, and OpenAIRE AMKE to organize the conference:

🎓 Open Science: Monitoring Progress, Assessing Impact
📅 Date: 7–8 July 2025
📍 Location: UNESCO Headquarters in Paris and online

🔗 Register now: https://indico.un.org/event/1016293/

Join us in shaping the future of Open Science monitoring!

#OpenScience #OSMI #UNESCO #PathOS #EOSC #OpenAIRE

Eurovision Song Contest: Voyage ins Post-Ironische

Nachdenken über den ESC – denken Sie mit?
#Eurovision #ESC2025 #ZoëMë #Voyage #Ironie #Postmoderne #Camp #Kitsch #Popkultur #Pathos #ESCFinale #CélineDion #LysAssia #Naivität #Medienkritik #SusanSontag #NiklasLuhmann #Hypermedialität #SRF #SRG

Video: https://youtu.be/o2g3u_o-3OI
Podcast: https://www.buzzsprout.com/1788913/episodes/17176085
Text: https://www.matthiaszehnder.ch/wochenkommentar/eurovision-song-contest/

Eurovision Song Contest: Voyage ins Post-Ironische

Nachdenken über den ESC – denken Sie mit?
#Eurovision #ESC2025 #ZoëMë #Voyage #Ironie #Postmoderne #Camp #Kitsch #Popkultur #Pathos #ESCFinale #CélineDion #LysAssia #Naivität #Medienkritik #SusanSontag #NiklasLuhmann #Hypermedialität #SRF #SRG

Video: https://youtu.be/o2g3u_o-3OI
Podcast: https://www.buzzsprout.com/1788913/episodes/17176085
Text: https://www.matthiaszehnder.ch/wochenkommentar/eurovision-song-contest/

Eurovision Song Contest: Voyage ins Post-Ironische

Nachdenken über den ESC – denken Sie mit?
#Eurovision #ESC2025 #ZoëMë #Voyage #Ironie #Postmoderne #Camp #Kitsch #Popkultur #Pathos #ESCFinale #CélineDion #LysAssia #Naivität #Medienkritik #SusanSontag #NiklasLuhmann #Hypermedialität #SRF #SRG

Video: https://youtu.be/o2g3u_o-3OI
Podcast: https://www.buzzsprout.com/1788913/episodes/17176085
Text: https://www.matthiaszehnder.ch/wochenkommentar/eurovision-song-contest/

Eurovision Song Contest: Voyage ins Post-Ironische

Nachdenken über den ESC – denken Sie mit?
#Eurovision #ESC2025 #ZoëMë #Voyage #Ironie #Postmoderne #Camp #Kitsch #Popkultur #Pathos #ESCFinale #CélineDion #LysAssia #Naivität #Medienkritik #SusanSontag #NiklasLuhmann #Hypermedialität #SRF #SRG

Video: https://youtu.be/o2g3u_o-3OI
Podcast: https://www.buzzsprout.com/1788913/episodes/17176085
Text: https://www.matthiaszehnder.ch/wochenkommentar/eurovision-song-contest/

Eurovision Song Contest: Voyage ins Post-Ironische

Nachdenken über den ESC – denken Sie mit?
#Eurovision #ESC2025 #ZoëMë #Voyage #Ironie #Postmoderne #Camp #Kitsch #Popkultur #Pathos #ESCFinale #CélineDion #LysAssia #Naivität #Medienkritik #SusanSontag #NiklasLuhmann #Hypermedialität #SRF #SRG

Video: https://youtu.be/o2g3u_o-3OI
Podcast: https://www.buzzsprout.com/1788913/episodes/17176085
Text: https://www.matthiaszehnder.ch/wochenkommentar/eurovision-song-contest/

https://www.donna-anna.org/en/between-pathos-and-idiocy.html Between pathos and idiocy: How pathos in art misshapes the image of the numinous. #pathos #art #demonology #metaphysics

https://www.donna-anna.org/de/zwischen-pathos-und-idiotie.html Zwischen Pathos und Idiotie: Wie das Pathos in der Kunst das Bild des Numinosen verunstaltet. #Pathos #Kunst #Dämonologie #Metaphysik

Das Märzkind hat Geburtstag.
Rückschau: Ganz viel Liebe und Dankbarkeit für das was wir haben und erleben durften. Da ist auch Stolz. Wir sind gewachsen und mussten es auch.
Blick nach vorn: Sorgen. Wohin dreht sich die Welt in 15 Jahren und welche Skills braucht es für diese? Aber es gibt auch ein Grundvertrauen. Wir können was und wir schaffen was.
#happybirthday

#Pathos und trotzdem wahr.
#fedieltern

6️⃣ upcoming webinars in #PathOS Training Corner ➡️ new expert-led series of trainings and resources that explore impacts of #OpenScience

🔗 https://pathos-project.eu/training

✅ Measuring the Societal Impact of Open Science
✅ Key Impact Pathways of Open Science
✅ Exploring the Academic Impact of Open Science
✅ Exploring the Economic Impact of Open Science
✅ Cost Benefit Analysis Framework for Open Science
✅ Open Science Impact Indicator Handbook, Tools and Data

#academia

🧐Deze week een blog over een dichtgetoverd graf 😱 en een vrouw die haar man daarover aanklaagt. En over hoe Romeinen met allerlei voor ons bijzonder klinkende gevallen hun retorische vaardigheden oefenden. https://bit.ly/dichtgetoverdgraf
#retorica #logos #ethos #pathos

Projet #PathOS. Pas un système d'exploitation mais une analyse des journaux de serveurs de science ouverte (comme Hal) pour voir qui s'en servait et comment.

Quel est l'impact ? Digression sur cette notion d'impact de la recherche et l'utilisation qui en est faite.

#CIS_CNRS

@heluecht @ojelabii

Habe gerade zum unterschiedlichen #Pathos in US-amerikanischen und deutschen Reden gebloggt. https://scilogs.spektrum.de/natur-des-glaubens/warum-koennen-deutsche-politiker-nur-nicht-reden-wie-kamala-harris-die-obamas/

#WritersCoffeeClub 6/25: What are the top five things people say when you tell them you're a writer?

1. Me too. (weeps)
2. How many real murders have you solved?
3. We're running a charity auction for a statue of JKR - can you help?
4. Have you heard of print on demand?
5. Books are so expensive, where can I steal yours?

#amwriting #writing #humour #pathos

Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]

By Dear Hollow

Y’all ready to skronk? Cuz it’s ’bout to get skronky. I had a realization about midway this year that all I was doing was contributing mathcore releases to Kenstrocity‘s Stuck in the Filter pieces. So instead of painting myself as a one-trick pony who can only do math three times a month, I decided to reveal my cards as a mathcore sellout by the end of 2023. I have been given an incurably bad taste this year, and a spotlight under which I stand alone while commenters and colleagues alike chuck tomatoes and copies of Mercyful Fate’s Dead Again and Saxon’s Rock the Nations at me (saying, and I quote, “get some culture, you sellout”). See, when the inimitable Kronos left, he took with him the taste for the mathy skronk. I suppose Dolphin Whisperer has some math love built into him, but we’re too busy squabbling over details most of the time.1

Thus, I have compiled a list of some mathcore releases you might, uh, tolerate! Because I have filtered and expressed opinions over acts like See You Next Tuesday, Sleepsculptor, Soulkeeper, and Squid Pisser (I’m not sure why I picked all mathcore acts that start with S, but here we are) you can go find ’em yourself if you’re soooo upset why I didn’t include them. Without further ado, let’s get skronky (another S!).

Better Lovers // God Made Me an Animal – Look, I get it’s an EP, but when your band consists of the instrumental section of the defunct Every Time I Die, the guitarist of Fit for an Autopsy and End, and the vocalist of the legendary The Dillinger Escape Plan, we can make some exceptions. Charisma and sleaze drip through the southern-fried leads of these four songs, while Greg Puciato’s unmistakably charismatic vocals rip across, formidable cleans gracing melodic noodling with a catchiness that contrasts with the dense groove. Speaking of the groove, they hit at just the right moments, recalling I Am Hollywood-era He is Legend in “Sacrificial Participant,” while punk speed graces “30 Under 13” with a franticness, while the riff in the title track is absolutely mammoth. Quite the lineup, and while the sound is what you’d largely expect from its ranks, the five-piece makes its debut EP just damn good mathcore.

Chamber // A Love to Kill For – Nashville’s Chamber enters the fray with a sound that weaponizes mathcore for maximum punishment, a tad like Frontierer meeting late-era The Tony Danza Tapdance Extravaganza in a knife-fight behind the old Kmart: down-tuned thuggishness, chunky and bruising rhythms, noodly riffs, and squealing leads.2 Vocalist Jacob Lilly offers a vicious performance, his roars and fry vocals dripping with vitriol, while the cutthroat axework collapses and crushes around him, and drummer Taylor Carpenter hits the kit balancing rock-solid anchoring and pure mania. A Love to Kill For is a relentless metalcore attack barbed with hardcore punk, mathcore, and hints of deathcore: carefully calculated, intensely brutish, and worth every concussion Chamber can muster.

Euclid C Finder // The Mirror, My Weapon, I Love You – A balanced affair unafraid of the noisemaking, Baltimore’s Euclid C Finder (presumably named after the Fallout weapon) releases a grind-tinged math attack of viciousness and oddity in equal measure. Nineteen minutes of wonky rhythms, blasting percussion, manic dissonance, panic chords aplenty, and insane vocals greet the ears with the subtlety of a five-car pileup. It would be easy to dismiss The Mirror… as just another Dillinger– or Converge– worshiper, but then the groove hits. The trio balances its treble trouble with a chunky hit of downtuned intensity and gruff barks that gives respite to the million-miles-per-hour of noodly technicality. It’s a toothy and intense affair that never takes itself too seriously (i.e. “Jonathan Davis 10000 BC”) and never overstays its welcome.

Telos // Delude – What makes Copenhagen’s Telos unique is its blackened and noisy take on mathcore. Or, if you please, a mathy take on blackened hardcore – whatever floats your boat. A bit like if Hexis (with whom they released a split this year) and Botch had a scary-looking baby. Misanthropy oozes from every orifice and hostile noise fills negative space, ominous leads and dissonant plucking wearing haunting grooves into the brain. Tracks like “Bastion,” “I’ve Been Gone for So Long,” and “As Atlas Stumbled” are full-on assaults of intense proportions, while the more subdued ritualism and atmosphere in “I Accept / I Receive” and “Throne” show the depths of Telos’ lurching and rumbling depravity. Fans of mathcore and blackened hardcore would do well to do a headlong dive into this particular abyss.

Thin // Dusk – Mathcore gone grind. Reveling in tight descending patterns of insanity, with a fearlessness of skull-caving death metal, New York City’s Thin will beat you senseless with every weapon in its arsenal. A wall of noisy noodling, panic chords, and squalid feedback is erected with every attack, collapsing for death metal-inspired weight and dissonant plucking throughout that feels like homage to this year’s Asystole. Screamo orientation fuels the fire and brevity is the name of the game, but toss in formidable performances from all forces involved, with howling screeches giving way to gravelly gurgles, groovy riffs giving way to frantic tremolo, and the rhythm section cutting through the darkness. As the cheery acoustic strums of closer “Mangrove” sound in final respite, Thin revels in its sonic and lyrical pairing of nostalgia and trauma – a dark night of the soul.

Dead Soma // Pathos – A more rhythmic and atmospherically spidery but nonetheless viciously punishing take on mathcore. Best described as Loathe covering Converge songs, the sepia-toned and mysterious Deftones influence is unmistakable, but Sweden’s Dead Soma is unafraid to embrace the intensity. Hinting upon djent not unlike countrymen Vildhjarta and weighty rhythms like Car Bomb, the grooves are palpable and punishing, guided by the dead hands of electronic glitches and pinch harmonics and dragged by manic barks and screeches. Chino Moreno-esque whispery cleans and subdued mumbles add to the glitching and warm synthwork in the more laid-back tracks, which add further dynamic to the relentlessly fat riffs and mathy noodling (see: “Life and Limb” to “Error Blemish”). Warmly atmospheric, it carries a vintage tone by the vocals and synth, but is ultimately uncompromising in its brutality.

MouthBreather // Self-Tape – This one is less mathcore by sound and more by name. The Boston collective’s debut LP I’m Sorry Mr. Salesman (another filter cleaning I contributed to) was Coalesce-meets-Converge-core through and through in a groovy take on mathcore, but after a come-to-metalcore-Jesus moment they go straight for the jugular with a nu-infested, groove-infected -core sound for Self-Tape. The viciousness is front and center, with aggression and fury spewing from every chug and growl, with its storied mathcore history offering its energetic bite. Now featuring more deathcore weight and nu-metal influence to slam into your sorry-ass ears alongside the ghosts of Christmas skronk, Self-Tape reflects a descent into madness through its very reasonable twenty-three minutes of film references. Maybe you’ll think it’s just metalcore with no mathcore in sight, and you’d be right, but (a) that’s why it’s at the end of this piece and (b) your head will be bobbing so hard you won’t care.

#2023 #ALoveToKillFor #AmericanMetal #Asystole #BetterLovers #BlackenedHardcore #Botch #CarBomb #Chamber #Coalesce #Converge #DanishMetal #DeadSoma #Deathcore #Deftones #Delude #Dusk #End #EuclidCFinder #EveryTimeIDie #FitForAnAutopsy #Frontierer #Gideon #GodMadeMeAnAnimal #Grindcore #HardcorePunk #HeIsLegend #Hexis #Loathe #Mathcore #Metalcore #NuMetal #Pathos #SwedishMetal #Telos #TheAcaciaStrain #TheDillingerEscapePlan #TheMirrorMyWeaponILoveYou #TheTonyDanzaTapdanceExtravaganza #Thin #ThingsYouMightHaveMissed2023 #Vildhjarta

Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]

By Dear Hollow

Y’all ready to skronk? Cuz it’s ’bout to get skronky. I had a realization about midway this year that all I was doing was contributing mathcore releases to Kenstrocity‘s Stuck in the Filter pieces. So instead of painting myself as a one-trick pony who can only do math three times a month, I decided to reveal my cards as a mathcore sellout by the end of 2023. I have been given an incurably bad taste this year, and a spotlight under which I stand alone while commenters and colleagues alike chuck tomatoes and copies of Mercyful Fate’s Dead Again and Saxon’s Rock the Nations at me (saying, and I quote, “get some culture, you sellout”). See, when the inimitable Kronos left, he took with him the taste for the mathy skronk. I suppose Dolphin Whisperer has some math love built into him, but we’re too busy squabbling over details most of the time.1

Thus, I have compiled a list of some mathcore releases you might, uh, tolerate! Because I have filtered and expressed opinions over acts like See You Next Tuesday, Sleepsculptor, Soulkeeper, and Squid Pisser (I’m not sure why I picked all mathcore acts that start with S, but here we are) you can go find ’em yourself if you’re soooo upset why I didn’t include them. Without further ado, let’s get skronky (another S!).

Better Lovers // God Made Me an Animal – Look, I get it’s an EP, but when your band consists of the instrumental section of the defunct Every Time I Die, the guitarist of Fit for an Autopsy and End, and the vocalist of the legendary The Dillinger Escape Plan, we can make some exceptions. Charisma and sleaze drip through the southern-fried leads of these four songs, while Greg Puciato’s unmistakably charismatic vocals rip across, formidable cleans gracing melodic noodling with a catchiness that contrasts with the dense groove. Speaking of the groove, they hit at just the right moments, recalling I Am Hollywood-era He is Legend in “Sacrificial Participant,” while punk speed graces “30 Under 13” with a franticness, while the riff in the title track is absolutely mammoth. Quite the lineup, and while the sound is what you’d largely expect from its ranks, the five-piece makes its debut EP just damn good mathcore.

Chamber // A Love to Kill For – Nashville’s Chamber enters the fray with a sound that weaponizes mathcore for maximum punishment, a tad like Frontierer meeting late-era The Tony Danza Tapdance Extravaganza in a knife-fight behind the old Kmart: down-tuned thuggishness, chunky and bruising rhythms, noodly riffs, and squealing leads.2 Vocalist Jacob Lilly offers a vicious performance, his roars and fry vocals dripping with vitriol, while the cutthroat axework collapses and crushes around him, and drummer Taylor Carpenter hits the kit balancing rock-solid anchoring and pure mania. A Love to Kill For is a relentless metalcore attack barbed with hardcore punk, mathcore, and hints of deathcore: carefully calculated, intensely brutish, and worth every concussion Chamber can muster.

Euclid C Finder // The Mirror, My Weapon, I Love You – A balanced affair unafraid of the noisemaking, Baltimore’s Euclid C Finder (presumably named after the Fallout weapon) releases a grind-tinged math attack of viciousness and oddity in equal measure. Nineteen minutes of wonky rhythms, blasting percussion, manic dissonance, panic chords aplenty, and insane vocals greet the ears with the subtlety of a five-car pileup. It would be easy to dismiss The Mirror… as just another Dillinger– or Converge– worshiper, but then the groove hits. The trio balances its treble trouble with a chunky hit of downtuned intensity and gruff barks that gives respite to the million-miles-per-hour of noodly technicality. It’s a toothy and intense affair that never takes itself too seriously (i.e. “Jonathan Davis 10000 BC”) and never overstays its welcome.

Telos // Delude – What makes Copenhagen’s Telos unique is its blackened and noisy take on mathcore. Or, if you please, a mathy take on blackened hardcore – whatever floats your boat. A bit like if Hexis (with whom they released a split this year) and Botch had a scary-looking baby. Misanthropy oozes from every orifice and hostile noise fills negative space, ominous leads and dissonant plucking wearing haunting grooves into the brain. Tracks like “Bastion,” “I’ve Been Gone for So Long,” and “As Atlas Stumbled” are full-on assaults of intense proportions, while the more subdued ritualism and atmosphere in “I Accept / I Receive” and “Throne” show the depths of Telos’ lurching and rumbling depravity. Fans of mathcore and blackened hardcore would do well to do a headlong dive into this particular abyss.

Thin // Dusk – Mathcore gone grind. Reveling in tight descending patterns of insanity, with a fearlessness of skull-caving death metal, New York City’s Thin will beat you senseless with every weapon in its arsenal. A wall of noisy noodling, panic chords, and squalid feedback is erected with every attack, collapsing for death metal-inspired weight and dissonant plucking throughout that feels like homage to this year’s Asystole. Screamo orientation fuels the fire and brevity is the name of the game, but toss in formidable performances from all forces involved, with howling screeches giving way to gravelly gurgles, groovy riffs giving way to frantic tremolo, and the rhythm section cutting through the darkness. As the cheery acoustic strums of closer “Mangrove” sound in final respite, Thin revels in its sonic and lyrical pairing of nostalgia and trauma – a dark night of the soul.

Dead Soma // Pathos – A more rhythmic and atmospherically spidery but nonetheless viciously punishing take on mathcore. Best described as Loathe covering Converge songs, the sepia-toned and mysterious Deftones influence is unmistakable, but Sweden’s Dead Soma is unafraid to embrace the intensity. Hinting upon djent not unlike countrymen Vildhjarta and weighty rhythms like Car Bomb, the grooves are palpable and punishing, guided by the dead hands of electronic glitches and pinch harmonics and dragged by manic barks and screeches. Chino Moreno-esque whispery cleans and subdued mumbles add to the glitching and warm synthwork in the more laid-back tracks, which add further dynamic to the relentlessly fat riffs and mathy noodling (see: “Life and Limb” to “Error Blemish”). Warmly atmospheric, it carries a vintage tone by the vocals and synth, but is ultimately uncompromising in its brutality.

MouthBreather // Self-Tape – This one is less mathcore by sound and more by name. The Boston collective’s debut LP I’m Sorry Mr. Salesman (another filter cleaning I contributed to) was Coalesce-meets-Converge-core through and through in a groovy take on mathcore, but after a come-to-metalcore-Jesus moment they go straight for the jugular with a nu-infested, groove-infected -core sound for Self-Tape. The viciousness is front and center, with aggression and fury spewing from every chug and growl, with its storied mathcore history offering its energetic bite. Now featuring more deathcore weight and nu-metal influence to slam into your sorry-ass ears alongside the ghosts of Christmas skronk, Self-Tape reflects a descent into madness through its very reasonable twenty-three minutes of film references. Maybe you’ll think it’s just metalcore with no mathcore in sight, and you’d be right, but (a) that’s why it’s at the end of this piece and (b) your head will be bobbing so hard you won’t care.

#2023 #ALoveToKillFor #AmericanMetal #Asystole #BetterLovers #BlackenedHardcore #Botch #CarBomb #Chamber #Coalesce #Converge #DanishMetal #DeadSoma #Deathcore #Deftones #Delude #Dusk #End #EuclidCFinder #EveryTimeIDie #FitForAnAutopsy #Frontierer #Gideon #GodMadeMeAnAnimal #Grindcore #HardcorePunk #HeIsLegend #Hexis #Loathe #Mathcore #Metalcore #NuMetal #Pathos #SwedishMetal #Telos #TheAcaciaStrain #TheDillingerEscapePlan #TheMirrorMyWeaponILoveYou #TheTonyDanzaTapdanceExtravaganza #Thin #ThingsYouMightHaveMissed2023 #Vildhjarta

A ausência do ethos!!!

Só hoje com calma é q assisti aos 50 minutos da entrevista que Sergey Lavrov (tratado por Sergey Viktorovish - literalmente "filho de um Viktor" - o nome do pai deste que era um Arménio a viver em Tiblisi na Geórgia, agora estado independente, então em 1951, quando nasceu Lavrov nasceu a, República Socialista Soviética da Geórgia) e de facto não fosse eu um interessado na política internacional e na compreensão do ethos do adversário com quem o mundo ocidental se defronta actualmente tinha adormecido ou mudado de canal.

E falemos sobre ethos enquadrado na arte da retórica pode ser definida como "a arte de escolher o melhor argumento a cada caso com o fim de persuadir", e que é usado em amiúde nos meios diplomáticos. Nesta arte é considerado que existem três modos de persuasão: ethos, pathos e logos.

Resumidamente:
Ethos: persuade-se pelo caráter, por quem é o orador, se este é digno de fé;
Pathos: persuade-se pela emoção, pelos sentimentos causados de tristeza ou alegria, amor ou ódio;
Logos: persuade-se pela lógica dos argumentos apresentados.

Assim sendo porque aludi ao "ethos" e não ao "pathos" ou ao "logos" de Sergey Viktorovish Lavrov, primeiro porque o "pathos" não existiu, o homem estava literalmente a fazer um frete, segundo porque inexistiu "logos", ou seja, lógica argumentária apresentada e por fim porque o que se pôde aferir foi a falta de ética total do interveniente.

Era o que poderia eventualmente safar este Ministro dos Negócios Estrangeiros da Federação Russa, este apresentar algum carácter e alguma boa fé, pois já conhecemos que em termos de argumentos apresentados que inexiste uma lógica total e, que em termos de emoção este sempre apresenta um ar de frete médio muito comum desde o início do seu cargo diplomático.

E a boa fé e a falta de ética foi tal que posso referir vários pontos em que esta foi mais evidente (embora fosse transversal a toda a entrevista):
1. Que foi o ocidente que começou com as ameaças nucleares o que é totalmente contrário à realidade e aos factos, pois estas ameaças Russas existiram de forma continua nos últimos onze anos, muito antes até desde a invasão e ocupação e anexação ilegal da Crimeia e dos territórios destruídos e sujeitos a ocupação, genocídios e pilhagens largamente documentadas e generalizadas;
2. Que o regime democrático e legítimo ucraniano é um regime nazi (este repetiu esta ofensa pelo menos doze vezes) com um fantoche dos ocidentais como Presidente, ou seja, Zelensky, o que tornaria automaticamente todos os paises que o apoiam como não legitimos e neo-nazis;
3. Que a guerra foi uma reacção ao genocídio cultural e físico dos russófonos e que existe russofobia no ocidente;
4. Que no ocidente não existe contraditório e pior que todos alinham pelo discurso pelo lado ucraniano e, embora esse apoio seja esmagador é preciso perceber que em Portugal tanto o PCP como as bases militantes do CHEGA são pró russofonas enquanto e neste último partido os seus líderes só não o são por questões de demagogia, pois todos partidos afiliados à sua linha política neo fascista, neo nazi e anti democrática o são na restante Europa;
5. Por fim que não existem investigações aos abjectos actos e diversos genocídios a civis na invasão ilegal e ilegítima ao território ucraniano, nomeadamente ao massacre de Bucha.

Como vemos a ausência de "logos" foi total e a esta juntou-se a falta de "ethos", já para não falar do "pathos"!!!

#ethos #pathos #logos #invasaorussa #GuerraNaUcrania #Lavrov #RTP #rtp1

https://www.rtp.pt/play/p11985/a-entrevista-sergey-lavrov

#Unterscheidung #Journalismus und #Journalist​innen;
#Personalisierung und #Ausweitung von #Pressefreiheit auf #Medienfreiheit:

#Medienfreiheitsgesetz als #Schutz des #Schaffen​s von #Transparenz (!) vor #Ermordung, #Bedrohung, #Verprügeln;

-> Don't #shoot the #messenger!

#Rede zur #Lage der #EU im #Parlament in #Straßburg; Von der #Leyen

#SZ, 16.09.21, S.2, #Thema des #Tag​es; #Finke, #Kelnberger, #Kolb - Mit #Pathos und #Milliarde​n

#Unterscheidung #Journalismus und #Journalist​innen;
#Personalisierung und #Ausweitung von #Pressefreiheit auf #Medienfreiheit:

#Medienfreiheitsgesetz als #Schutz des #Schaffen​s von #Transparenz (!) vor #Ermordung, #Bedrohung, #Verprügeln;

-> Don't #shoot the #messenger!

#Rede zur #Lage der #EU im #Parlament in #Straßburg; Von der #Leyen

#SZ, 16.09.21, S.2, #Thema des #Tag​es; #Finke, #Kelnberger, #Kolb - Mit #Pathos und #Milliarde​n

Das sind #salbung​svolle #erbaulich​e #Wort​e, ein durch die #Krise #befeuert​es #Pathos, aus dem aber überhaupt #nichts hervorgeht.

#Erwachen aus der #Vollnarkose

#Zuversichtsprosa // #Hoffnung

#FAS 5.4.20, #Feuilleton, #Sinn und #Kitsch;

Das sind #salbung​svolle #erbaulich​e #Wort​e, ein durch die #Krise #befeuert​es #Pathos, aus dem aber überhaupt #nichts hervorgeht.

#Erwachen aus der #Vollnarkose

#Zuversichtsprosa // #Hoffnung

#FAS 5.4.20, #Feuilleton, #Sinn und #Kitsch;