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  1. §25 – Fun days

    This entry is part 37 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Chapter 25, starts with, “You are feeling crappy.” Why, yes. Yes I am.

    I know how to train hard. I know how to play and have fun. I have complete freedom in what I do with my days. Complete. There is not a single responsibility I have which I have not freely chosen to take on; freely chosen in both the sense that I was under no obligation to choose it, and that I felt it was a worthwhile responsibilit to take on. Sometimes I train, sometimes I play. This shit? I’ve got this shit figured out.

    Problem: If I’m having fun, afterwards I feel guilty because the things I’m responsible for are not getting done. Always. Every time. It’s a disease of the mind that undercuts everthing I ever manage to accomplish. There’s no point telling me that this thinking/guilt is wrong; I am well aware. There’s no point trying to help me get things done. (It’s not possible to finish everything.) There’s no point telling me to relax/unwind/have-fun. (That’s the space where the problem rears it’s ugly head.)

    The only solution— scratch that. The only progress I’ve made is to give up on things. (For example, years ago I gave up on reading science-fiction. I gave away stacks of books and I only look back occassionally to doublecheck that I don’t miss it.) I just keep hacking and slashing and saying “no” to as many things as I can.

    I’m hoping some day to be able to enjoy life, without the guilt.

    ɕ

    #LifeBalance #ParkourArtDuDeplacementByVThibault
  2. §24 – Recovery Days

    This entry is part 36 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    In certain circles it is said, “what was once your workout will become your warmup.” In my journey of rediscovering activity and play, there was a long period—20 years now, perhaps—where I was able to focus primarily on growth, forward motion, and transformative change. This made for a very long period where my workouts did gradually became my warmups. Certainly I’ve always had rest days; nearly 10 years ago, when I started parkour, it was all I could manage just to recover over the course of the entire week before heading back to the next hard training session. Rest and recovery were always in the mix, simply because I began my journey of transformative work in my 30s.

    I’ve found it increasingly challenging to remember the importance of recovery now that I’m no longer shoving the needle of progress ahead day by day. Truth be told, I’m squarely on the mid-life plateau and it is time to take life more freely. Sure, the days of working every day for seven years on the house, climbing mountains, jumping on stuff, and doing things which cause police officers to say, “…and you sir, how old are you? You should know better!” are not over. (As far as I can tell.) But these are also, certainly, the days where spending a couple hours, every day, sitting still reading and writing is truly blissful.

    ɕ

    #ParkourArtDuDeplacementByVThibault #RestorativePractice #Training
  3. §23 – Learning a new language

    This entry is part 35 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Chapter 23 is one of the longest in the book… it’s all of 2 pages, overflowing to begin a third. In it, Thibault presents the stages of learning and mastery of parkour/ADD via a metaphor about learning a new language.

    Meanwhile, the local parkour community where I train, not nearly as often as I should, continues to grow and change. Long story omitted. These days, I find myself dropping in for an adults, beginners class once a week. A class, as it were, of the A-B-C’s, basic grammar and some short, simple words.

    I’m old enough, and wise enough, to know that I can empty my tea cup, go to just about anything and find something useful to take away. And so I find myself faced with one of those kindergarten pencils and those sheets of paper with the widely spaced lines—they don’t want you to miss getting in between the lines and start crying. It’s the perfect opportunity to review so many lessons. To tinker with nuance, to fiddle with symmetry, to doodle without consequence.

    ɕ

    #BeginnerSMind #ParkourArtDuDeplacementByVThibault
  4. §20 – Three words

    This entry is part 32 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    The idea of selecting three words is an amazing tool. A few years back, Yann Hnautra spent significant time traveling in the United States teaching, but also trying to get a sense of what Art du Déplacement meant there, to those people practicing. Off to the side, at most of the events, someone (who was not Yann) took little cell phone videos where people were asked a series of questions. The idea was that he would be able to watch the videos to get a different viewpoint than he would when running events and training with people; Little moments of private candor as it were.

    I was standing, being recorded, when I was introduced to this question. Something like, “how would you describe your practice in three words?” Honestly, I have no idea what I said—sometimes I think I should ask Yann to find my video, but I’m terrified to hear what I said even just those few years ago.

    When I started the Movers Mindset podcast I wanted a way to give each episode a specific ending which would be recognizable to the listener, but which would give the guest a framework to wrap up what they had said in their own way. Many podcasts have a rapid-fire section of questions they go to at the end. But I felt that would completely change the pacing; Whatever the pace of the interview was by the end, shifting to a preset, rapid-fire pace would be a jarring change. At some point it occurred to me to ask them for three words to describe their practice.

    As the podcast grew, and the guests’ backgrounds began to vary widely, the question proved to be even more powerful than I was at first aware. Ask someone who self-identifies as doing Parkour, FreeRunning or Art du Déplacement for “three words to describe your practice” and exactly what you expect to happen happens. But I soon learned that the word “practice” is itself a powerful tool. Ask someone who self-identifies first as operating a school, as a mother, or as a community leader, and the power of the question is multiplied by their having to select words and unpack “practice.”

    In case you’re wondering, I do have three words these days, and of course they are Vincent’s…

    force | dignite | partage

    They are in French to remind me of the global scale, (of the practice, of people in general, all of it.) I have a wrist band with these words on it. It’s black and the words are black so they are difficult to notice; It’s a reminder for me, not a blaring advertisement.

    Two final points: The other side of my wrist band reads, “maximum effort.” My favorite answer given by a podcast guest is, “break all the rules.”

    ɕ

    #GroupsOf3 #ParkourArtDuDeplacementByVThibault #ThreeWords #YannHnautra
  5. §19 – One word

    This entry is part 31 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    What is it, in this sport or project, that moves me, motivates me, nourishes me—and helps me thrive and shine?

    ~ Vincent Thibault

    What facilitates my flourishing? Today, I’m going to say it’s space.

    Not physical space—although there’s a nice metaphor here about having things planted too closely in a garden and how that affects the plants’ flourishing. No, not physical space; I’ve plenty of that.

    Perhaps not even mental space—I’m certainly buffeted about by the myriad winds of demands and responsibilities. But with very few exceptions, I’ve created all of those zephyrs. No, although I have left myself no mental space, I am able usually to create it on demand.

    Most likely it’s emotional space. The idea that we need room to soak in the emotional experiences that go along with the reality of things, events, and people, and to do that with no specific “why” in mind.

    ɕ

    #Books #ParkourArtDuDeplacementByVThibault #VincentThibault
  6. §18 – Start where you are

    This entry is part 30 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    The magic of confirmation bias is that everything I encounter seems to apply to the current situation. I incessantly, and to a fault, seek meaning. Not “what is the meaning of life” meaning, but explanations and reasons and plans and systems… all as a means to manipulating the universe around me.

    Chapter 18 is the heaviest so far in the book. (I’ve read it many times now of course.) Whereas the previous chapters select a single idea that one readily finds within parkour/ADD, and unpacks it, this chapter points out that there is a large body of work and a vast shared human experience outside of parkour/ADD. Taking some hints from that outside space and bringing them back into one’s parkour/ADD practice, and into one’s life in general, can only benefit those of us on the path.

    ɕ

    #ParkourArtDuDeplacementByVThibault #ThoughtAndPhilosophy
  7. §17 – Be that guy

    This entry is part 29 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    After too many readings to remember, I’m still at a loss to summarize my thoughts. The difficulty is that this is an area of my life with which I currently struggle daily.

    There is a basic challenge-level to reality: There is a stone in my shoe. It’s time to mow the lawn. This bill should be paid. I’m great at handling huge numbers of these basic sorts of challenges. Unfortunately, the positive thinking of chapter 17 doesn’t give me a handle on solutions to basic challenges. …and I am completely swamped with these sorts of basic challenges.

    Don’t conflate basic with easy. All of the easy, basic challenges I have under control; They are already done, or are managed by reliable systems. What I’m left with are the remainders—a pile of difficult, basic challenges. Things for which positive thinking still gives me no purchase.

    I don’t have much of a grasp on this chapter. But then, that’s why I’m studying this book and using its chapters as jumping-off points for my thoughts.

    ɕ

    #Books #ParkourArtDuDeplacementByVThibault
  8. §15 – A great recipe to be stressed out

    This entry is part 27 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Have you noticed: Once you know something, you see it everywhere?

    Reading this section, I’m reminded of Joe Erhmann’s ideas from the book “InsideOUT Coaching,” and of Steven Covey’s, “The 7 Habits of Highly Effective People.” Both of which also counsel beginning with what’s inside; Beginning by taking a step back and noticing — perhaps _learning_ to notice is the first step — the broader context.

    Over a decade ago, the previous-me was entirely focused inward, on myself, on the small picture. That previous-me molted as I managed to become self aware and began learning empathy. With empathy came the ability to listen and, most recently, the ability to communicate, “How can I help?”

    And yet I still regularly find myself stressed out.

    My impatience regarding…
    fat loss
    movement progression
    the podcast
    memento mori

    …grows, and the things I appreciate– the things I have now which I have worked so vary hard for to this point– …well, I’ve grown accustomed to them and while I still internally appreciate them I’ve stopped showing that appreciation externally.

    I need to shift my goals.

    I need to move the goal posts.

    I need to set milestones at smaller intervals.

    When you make some new connection, one then suddenly sees it everywhere.

    On a recent Saturday — a day I usually jam full of goals — I accidentally set so few goals for the day, that by 4pm I was completely done. Normally, I set my goals at “do all the things” [meme image omitted :], and at some point each day I surrender with a fatalistic, “that’s enough for today!” It took me a long time to get comfortable knowing I’m organized and motivated enough that I will make progress towards my long-term goals. But every day is either a day “off” with rest and relaxation with minimal work towards goals, or a day “on” where everything is ordered– flexible, adjustable, prioritized sure, but ordered none the less.

    On this particular Saturday, at 4pm…

    It was surreal. It was just a nice feeling, like, “Okay, what do I want to do?” I wandered around in this daze of, “Gee, the weather is nice,” “Wow, the feel of the concrete under my bare feet is nice,” “I’d forgotten to notice how comfortable this chair is,” and “Wow, this food is particularly yummy.”

    What was different? Nothing.

    I still had — still have! — an enormously-complex, personal productivity system which holds all the things I’m working on. That’s not bad; That’s good. It helps me greatly by remembering everything for me, so I can use my brain for having ideas and doing things. I still have a house with a sort of strange spot on one of the ceilings that I think means the roof might be leaking. I still have a leak in the shower that I haven’t figured out. There’s still some firewood to be split.

    …but for one evening — a Saturday from about 4pm until I went to sleep around 9:30 — for one evening, I clearly forgot to put in one (or both!) of the ingredients that make up the recipe for being stressed out.

    ɕ

    #MementoMori #ParkourArtDuDeplacementByVThibault #VincentThibault
  9. §14 – Precommit

    This entry is part 26 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    The devil is in the details?

    On one hand pre-committment gives you the power of hindsight; the power of having a higher view point– the executive-level view. You can sort out all the nuances and make an objective decision. But the downside is that you’re intentionally surrendering the ability to make flexible, quick decisions down the road when your day-to-day passions might lead off in a new direction.

    Do I want to be sacrificing following my passions?

    I’ve attempted — sometimes even “done” :) — big projects where I’ve invested a lot of time up-front thinking, planning, and then started off on the journey. But later, in the midst of the journey, I started to have doubts. Not small, nagging doubts, but well-founded, objective doubts. When that happens I’m faced with letting go of the sunk cost of the prep work that went into the pre-committment. I start thinking, “Look at all this planning I did. Look at how far I’ve come! This doubt must be unfounded.” And suddenly all my pre-commitment is working against me. Granted, the original intention of the pre-committment is to make it easier to achieve my goals, but it can pile on sunk costs, or worse, pile on guilt, which never serves me.

    In the end, it seems I simply have to know myself: These days, a 30 day challenge is something I can probably do, but 100 days will probably become a drag.

    The devil really is in the details.

    ɕ

    #ParkourArtDuDeplacementByVThibault #VincentThibault #Writing
  10. §13 – On Noticing New Jumps

    This entry is part 25 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    I once visited the Hoover Dam in Nevada.

    South of the dam, U.S. Highway 93 soars across the gorge 900 feet (270m) above the Colorado river. The view of the dam, from the pedestrian walkway on that bridge, is one previously seen only by helicopter. It is simply amazing.

    There is a chest-high railing along that pedestrian walkway, and there is nothing above the railing.

    The bridge is a “simple” arch span — all of the bridge structure is under the bridge deck — so there I was, standing on a sidewalk.

    …next to a railing.

    …900 feet in the air.

    I leaned casually on that rock-solid railing and took in the unrivaled view.

    I took some tourist-y photos.

    The bridge occasionally quivered ever-so-slightly in response to a truck embedded in the streams of traffic flying between Arizona and Nevada.

    I looked down, down, down to the river far below. It was a serene view; peaceful.

    I noticed: The big, round, easy-to-hold top of the railing and the two-inch-wide concrete lip on the outside of the railing.

    …and like a sucker-punch to the stomach, it occurred to me that I could turn-vault over that railing. I nearly threw up from the adrenaline spike. My knees went wobbly and had I not been on the sane side of that railing, I would absolutely have fallen off that bridge.

    I slinked back to the car, hugging the side of the walkway away from the railing.

    I have since looked up the numbers; it would have taken me 7.5 seconds to fall to the river, and I would have been traveling at 160mph (263km/hr) upon dipping my toes in the Colorado river.

    I have never — before or since — been blind-sided so violently by a physical reaction. I went from calmly enjoying a spectacular view, to needing to immediately hurry the long distance to the end of the bridge where we had parked.

    Noticing new jumps indeed.

    ɕ

    #ParkourArtDuDeplacementByVThibault
  11. §11 – Half Measures

    This entry is part 23 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    The keys to life are running and reading. When you’re running, there’s a little person that talks to you and says, “Oh I’m tired. My lung’s about to pop. I’m so hurt. There’s no way I can possibly continue.” You want to quit. If you learn how to defeat that person when you’re running. You will know how to not quit when things get hard in your life. For reading: there have been gazillions of people that have lived before all of us. There’s no new problem you could have–with your parents, with school, with a bully. There’s no new problem that someone hasn’t already had and written about it in a book.

    ~ Will Smith

    Coming up short because of half-measures is not a problem I have. On the other hand, I am stubborn to a fault. Sure, I’m not stubborn every moment of every day, but I can easily muster my inner Bulldog when I need to dig my nails into the earth and push through things. I don’t think anyone has ever called me a “quitter.”

    Self-injury? Behavior corrosive to interpersonal relationships? Mindlessly bashing myself on challenges both mental and physical? Being critical of others from a myopic view-point? Wearing my stubbornness as a badge of honor? Pride? Hubris? On all counts: Guilty as charged!

    Clearly, I should continue to practice dialing-down the stubbornness. But, is there an appropriate amount of stubbornness?

    Is play, or joyfulness, the key to finding the balance?

    If I’m happy and having fun, does that rule out being stubborn?

    Thibault’s section is urging us to avoid half-measures. But maybe I should occasionally practice putting in only a half-measure of effort. Maybe — just to practice not following through — I should try abandoning something for no particular reason?

    ɕ

    #ParkourArtDuDeplacementByVThibault #WillSmith #Wisdom #Writing
  12. §10 – Undershoot Overshoot

    This entry is part 22 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Thibault uses the phrase, “mindful resource management,” which resonates with one of my frequent avenues of thought.

    Today, I can easily take one thousand steps without risk of injury, and I could take one thousand steps every day without developing chronic injury. In fact, such regular walking is improving my general health. (Although I expect that at some point it will simply be maintaining my general health.) Clearly then, these resources are well-spent on walking. But what about some specific running precision? How many can I do well? How many can I do before I’m tearing down my tomorrow-self more than will benefit my next-week-self? What about some other challenge? Where is the tipping point where I go from, “sustainable growth,” to “acute or chronic injury?”

    To answer my own questions I must apply mindful resource management and calibrate my efforts. These concepts are important, explicit and obvious in Parkour. With movement, success or failure is usually obvious, and I can continuously calibrate my movements as I over-/undershoot. Initially I “throw myself at it” with flat trajectories and smash-crash-bang landings, but eventually I learn to “float in” with higher trajectories, more power, and more control.

    In a larger sense, this applies not only to my Parkour efforts, but to my everyday life. Much of what I do could be calibrated: Food consumption; Listening skills; Speaking skills; Time spent interacting with others versus time spent alone; Self-reflective thought versus philosophical discussion; Mindful meditation and recovery work versus high-intensity physical training.

    In the largest sense, this calibration tracks a life-span.
    Beginning with the frenetic activity of youth, actively trying to carve my life through the universe: Overshooting. Then comes the inevitable, timorous, mid-life reversal to a hyper-aware, hyper-reflective approach: Undershooting. And then finally — hopefully! — a calibrated, broad, world-view.

    A balance of give and take.
    Power and control.
    Life and death.
    Yin and yang.

    ɕ

    #ParkourArtDuDeplacementByVThibault #RestorativePractice #Wisdom #Writing
  13. §9 – Commit to the move

    This entry is part 21 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    No this. No that. No delay.

    ~ Sensei Wirth

    If you want to go east, go east. If you want to go west, go west.

    ~ Koichi Tohei Sensei

    If there’s somewhere you need to be, you need to start walking.

    ~ uncertain; possibly Lao-Tzu

    Each of those quotes expresses a certain commitment to beginning; to taking action; to moving in a direct way. But what really is commitment? I thought I knew what commitment was, until I started to think deeply about it. Now, I’m uncertain.

    There are some things to which I am deeply, unshakably, committed; Take breathing for example. At first glance this seems trivial since it’s a physiological imperative managed by the body. But if I imagine a scenario where someone is trying to prevent me from breathing, I can easily imagine myself consciously acting — wildly, vigorously, berserk even — to achieve the goal.

    What would it mean to be that committed to something of my own conscious choosing?

    What does it mean to “be committed to” a new habit?

    Sure! I’m committed! I like this new idea — this new habit. I’m going to really stick to it! I have goals, and a plan. Let’s do this!

    …and a month later the habit is nowhere to be seen. Does that failure mean I was actually not committed when I thought I was? Did my commitment evaporate over time? Are there degrees of commitment? Is there some minimum level of commitment necessary at the beginning to achieve certain goals? Does commitment need occasional inputs of energy to keep it going, like a spinning top? Or is commitment a simple binary — yes, or no?

    Perhaps understanding commitment would be easier if I tried to untangle a simpler type of commitment. What does it mean to “commit to” a physical action in the very near future?

    This jump scares me. But I know I can make it; I’ve definitely jumped this distance successfully many times. I know there’s value in doing this jump. I should do this. I want to do this! Okay, I’m committed! I’m ready! Here I go! abort! ABORT!!

    What happened? I thought I was committed? Was I lying to myself when I said, “Okay, I’m committed”? What would it mean if it was possible to lie to myself– to truly believe myself when I was lying? Did my commitment somehow evaporate in the moment just before I aborted? Did my body — my physical corpus separate from my mind — somehow, literally, physically refuse my mind’s directions? Is that even be possible?

    Here’s another experiment I’ve performed countless times: I get set up for a jump which pushes my limits. There are some consequences to missing, some real bit of danger is present, but it’s a good jump, something I know I can do. I’ve checked my surfaces, and I’ve explored and thought out everything to look for unknown-unknowns. I’m ready. The thinking-me-brain commits — really commits — we (the me-brain and the body) are ready to do this! And then I notice that my palms are sweating. Wait- What? Who called for sweating palms?!

    Therefore I’m forced to wonder: Does my body have a mind of its own? In fact, I believe this is the case. We know the brain — the entire central nervous system — is an amalgam of layers. The thinking me’s consciousness is just the topmost layer, and there are deeper layers, sometimes called the “lizard brain”, performing fully autonomous functions. Performing many autonomous functions.

    After all of that thinking and experimenting, I’m starting to believe that commitment is actually easy. The thinking-me-brain is good at committing to something after a bit of reasoned consideration. Committing may be one of its greatest skills, in stark contrast to the body’s short-sighted visceral behaviors.

    So what then is hard?

    Learning what level of control I am in fact able to exercise over the rest of my body is hard!

    My commitment evaporates when my body rebels; When it literally, physically refuses my thinking-me-brain’s commands. My commitment evaporates when unconscious triggers, and reward/feedback loops, guide my actions when the thinking-me-brain isn’t actively paying attention. The teacher leaves the classroom and the students start throwing paper airplanes. “I thought we were committed to reading our studies! …why all this fooling around?!” I thought we were committed to this jump! Why have we not jumped?! Why are our palms sweating and heart racing?!

    The more I examine this situation, the more it feels like the thinking-me-brain is a tiny little prisoner who has very little control over almost nothing.

    “Commit to the move,” the book says. The tiny, weak, thinking-me-brain would love to practice talking the body into doing things it doesn’t want to do. So let’s — thinking-me and the body — let’s go out and see what we can agree to commit to!

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #VincentThibault
  14. §8 – Focus on the process

    This entry is part 20 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Early on a brisk Saturday morning, I was struggling to find the motivation to put solid effort into a quadrapedie workout. During a break, I was talking to someone about how I’ve recently been dropping goals. I’ve always had a laundry-list of goals such as getting to a free-standing hand-stand, or a specific number of pull-ups. But I’m learning — slowly — that blindly chasing goals only leads me to injury and failure. Tenaciously refusing to let go of a goal can be counterproductive, even overtly unhealthy.

    I find it’s easy to learn, and easy to get some new bit of knowledge stored in my mind. But it is difficult to get my instincts and feelings to change to align with that new knowledge. So it is with my processes and goals: I know it’s all about the process, but my instincts and habits are to create goal upon goal. I regularly get caught up chasing the goals, and lose sight of the process.

    How far ahead can I see? How wisely can I set my goals? Do I chase them blindly causing my journey to veer off? Or do I have a broad spread of goals that firmly draw me in my desired direction towards the horizon, and ultimately, to the end of my journey?

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  15. §7 – Lemons

    This entry is part 19 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    “Lemons” simply reminds us that sometimes we need to make lemonade from whatever lemons we find before us.

    I am acutely aware of this aspect of Parkour; This searching what is right in front of me for something to do. Initially I felt like a one trick pony. Every time I’d be faced with some little area, I’d stare at it thinking, “I can only do, literally, a step vault. What am I going to do here?!” Yet somehow, I manage to force myself to stand in the face of my ineptitude and to search for inspiration.

    Eventually I came up with a sort of “wedge” for the problem. I would seize on, literally, the first thing I could think of. Often that would be something even I felt was ludicrous. But this first ludicrous movement, got me moving. (That’s the wedge.) From there, I invariably saw something else.

    Usually the second thing was also ludicrous, but sometimes it was better (whatever “better” might mean to me at the time). So I’d change to doing the second thing. I’d throw my shame and ego to the wind and start doing repitions of whatever that first ludicrous thing was, then the second thing if it was better, and so on. Sometimes, I could only see a single thing which I feared, and so I’d start with ludicrously simple progressions to the thing I feared.

    In my mind, I called this “busting rocks”. Pick the biggest, ludicrous rock and smash it. Pick the next biggest rock, and so on. As I smashed, I’d remind myself of something I’d written years ago: “Parkour is the grueling work of self destruction.”

    One day, I participated in the most surreal jam session. On a sign. It was just a slightly sloped, big flat sign with a map on it and four skinny legs into the ground. One person did something near it, “interesting,” I thought. Then a second person did a little sliding thing across it. And I thought, “I wish I could do something on there.” And the wedge happened automatically and I thought, “I can try this ludicrous move.” And I tried it, and someone said, “Craig, what are you doing?”. And I failed. And someone else said, “OH! That’s totally a thing!” And in the blink of an eye a dozen world-class traceurs — people whose abilities all boggle my mind — LINED UP to play on this little sign. And for what seemed like eternity, we all took turns trying crazy stuff on a sign, at night, in a busy public square. And passers-by stopped and some even applauded or cheered. And we all ate ice cream and drank milk-shakes as we waited our turn and pondered our next go. And I for one wanted it to never end.

    It was the greatest lemon pie I have ever tasted.

    ɕ

    #Anecdotes #Apocryphal #ParkourArtDuDeplacementByVThibault #Writing
  16. §6 – I Choose To Fall!

    This entry is part 18 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    I’ve now read the entire book several times, and Chapter 6 never ceases to inspire!

    Three thoughts:

    I may not be the strongest. I may not be the fastest. But I’ll be damned if I’m not trying my hardest.

    ~ unknown

    It ofttimes requires heroic courage to face fruitless effort, to take up the broken strands of a life-work, to look bravely toward the future, and proceed undaunted on our way. But what, to our eyes, may seem hopeless failure is often but the dawning of a greater success. It may contain in its debris the foundation material of a mighty purpose, or the revelation of new and higher possibilities.
    …
    Failure is often the turning-point, the pivot of circumstance that swings us to higher levels. It may not be financial success, it may not be fame; it may be new draughts of spiritual, moral or mental inspiration that will change us for all the later years of our life. Life is not really what comes to us, but what we get from it.

    ~ Chapter 14, “Failure as a Success”, from Self Control, Its Kingship and Majesty, by William George Jordan, 1907

    The application in the Ways is to falls in life. To be able to take a disaster or a great failure, with the whole personality, without shrinking back from it, like the big smack with which the judo man hits the ground. Then to rise at once.

    Not to be appalled at a moral fall. Yet it is not that it does not matter. The judo man tries by every means not to be thrown, but when he is thrown it does not hurt him and in a sense it does not matter. It matters immensely, and yet it does not matter.

    ‘Falling seven times, and getting up eight.’

    ~ “Falling”, from Zen and the Ways, by Trevor Leggett, 1978

    ɕ

    #Books #ParkourArtDuDeplacementByVThibault #ThoughtAndPhilosophy #TrevorLeggett #WilliamGeorgeJordan #Writing
  17. Book is now available in print

    This entry is part 16 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Quick update to point out that Parkour and the Art du déplacement is now available in print or E versions.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault
  18. Practicing mindfulness

    This entry is part 15 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Mindfulness is an inward directed practice of contemplation. It is a continuous process of being present. For me, because it was initially unfamiliar, it was more difficult to approach than the obvious physical activities such as running, jumping, and climbing. But after some practice, it became a critical part of the foundation on which I’ve placed many other parts of Parkour.

    There are many ways to practice mindfulness at large in one’s life. For example, Leo Babauta, of Zen Habits, has a great piece titled, 9 Mindfulness Rituals to Make Your Day Better I am a firm believer that mindfulness across the full breadth of daily life yields big benefits. But in this post, I’m focusing on the practice of mindfulness within Parkour.

    In many ways, mindfulness is like any other skill that you can practice intentionally. But unlike other skills, failing to be mindful leaves me with blindspots. These blindspots, which are closely related to the Dunning Kruger Effect, create space for “unknown unknowns” to lay hidden.

    Worse, lack of mindfulness is akin to: Failure of attention, which leads to injury; Failure to notice moods and emotions, which leads to loss of interest in the short term and training plateaus in the longer term; Failure to notice signals from my body, which leads to chronic injury and developmental imbalances.

    Options for practicing mindfulness

    One option would be to set out explicitly to practice mindfulness. (“Today, instead of practicing vaults, I’m going to practice mindfulness.”) Unfortunately, I would need to be highly mindful in order to stay on task working on being mindful. But, if I could be that mindful, I wouldn’t need to practice being mindful. (Which is a Catch-22 that makes my brain hurt before I even start doing anything.) In the end I find that saying, “I’m going to practice mindfulness,” is simply too vague to be motivating.

    Another option is to passively rely on fellow traceurs, or coaches, to call me out for “not being mindful”. (Or for them to set up specific “mindfulness practice.”) But mindfulness is too important for me to simply rely on other people to hold me to it. It’s much better for me to practice it intentionally.

    To make the options more complicated, it is not at all clear how I switch from being NOT mindful to being mindful enough to notice that just-a-moment-ago I was NOT being mindful. Heavy stuff that. In reality, I usually notice my mind has wandered, (“I’m paying attention to irrelevant things around me,”) or I notice my practice has become unmotivated, (“When did this get boring?”)

    Shoelaces

    So how do I practice mindfulness? I think of it like tied shoelaces. It’s important my shoelaces be tied, but I don’t obsess over them by constantly checking my shoes. I simply tie them when I notice they are untied.

    I practice mindfulness when I notice I’m not being mindful.

    My mindfulness drill

    So when I notice, what can I do, exactly?

    I locate a small jump. The jump needs to be well within my ability; not something risky or overly tiring. I want a relatively easy jump that I know I can do without thinking. It must be any easy jump, because there can be no nervousness or doubt. I’m purposely selecting a jump to set myself up to be lulled into NOT being mindful.

    I physically prepare to jump. I position myself, arrange my limbs, engage muscles, etc. Eventually I arrive at that point in space and time which would normally be the last point before I jump. At this exact point, I wait. I am poised, comfortable, ready, willing and perfectly able to jump. I know I’m in at the correct point when I suspect that if someone startled me, I would jump involuntarily.

    I find my thoughts are like birds flitting around a cavernous room. Some thoughts are on-task as they seem related to the jump: The way my body feels; The anticipation of being in the air; The expectations of the landing. But depending on how mindful I am, there are more or less other “off-task” thoughts flitting about the room.

    The sky is blue.
    How much time is left?
    I’m thirsty.
    There’s an ant where I’m going to land.
    What’s for dinner?
    People must be looking at me funny.
    …and on and on and on.

    I am alone with my thoughts, and I am simply an observer in a room with these harmless, incorporeal, flitting birds. I notice as many of the thoughts as I can, taking special notice of the ones that I believe are related to the jump. I don’t fight with the thoughts, because I cannot catch nor chase away any particular bird. In fact, chasing them is worse than useless because they simply loop around to become “the thought about the thought I just tried to chase away.”

    Gradually, some of the extraneous birds fly away. When I think the number of extraneous thoughts in my head has reached a point where it’s as good as it’s going to get . . .

    I jump.

    ɕ

    #DailyPractice #Mindfulness #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  19. §5 – Moment to moment

    This entry is part 14 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    I reached section 5, and got stuck.

    It’s obvious the key idea of section 5 is mindfulness. So I started by thinking about “mindfulness in Parkour practice.” But I wasn’t able to find a compelling thread to unify my thoughts. I came away from a few writing sessions with nothing of value. Eventually it occurred to me to circle back and reconsider my writing process.

    I reread this whole series and — aside from, “Wow, I suck at writing!” — it struck me that I have been “unpacking” each of the first four sections. My process has been to sift each section for a key idea, and then simply spend time thinking about that specific idea:

    What exactly does the idea mean?
    Do I already know and understand the idea?
    How does it relate to my Parkour practice?
    What other areas of knowledge does it relate to?

    But section 5 is already short and to-the-point and doesn’t need to be unpacked.

    I’m so META Even This Acronym:

    Stop the presses! It seems I have just discovered the concept of being mindful of the writing process. /sarcasm

    Next up:

    I am actually writing something about section 5 now that I have a different plan.

    ɕ

    #Mindfulness #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  20. Point “B”; the me of tomorrow

    This entry is part 13 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Over the last few years it seems I have — finally! — learned some key lesson about pace; the idea of enjoying the journey. The idea of focusing on what I can control. The truth that some of these projects I will not finish, some places I will not see, and some people I will not manage to spend enough time with. These ideas are patently obvious and unequivocal, but learning the Lesson, and deeply and truly making it part of your work-a-day life and personal philosophy takes effort.

    When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return.

    ~ Leonardo de Vinci

    Years ago I started journaling as a form of self-reflection. It enables me to look back. Sometimes it’s a travel log, but mostly it’s a “this is what I was thinking” log, a glimpse at what I was working on, inspired by, or frustrated by. After a large amount of writing and thinking I gained enough perspective to start removing some things, and changing others. I learned to say ‘no’ to some things I would have taken on in the past, and learned how to rearrange other things to make more space.

    I always wonder why birds stay in the same place when they can fly anywhere on Earth. Then I ask myself the same question.

    ~ Harun Yahya ( https://en.wikipedia.org/wiki/Adnan_Oktar )

    But only recently have I found myself turning more often to look forward, rather than back.

    What would the best possible version of myself do?
    Walk the Earth with eyes turned skyward.
    Point A to point B, efficiently.

    Close the gap.

    ɕ

    #HarunYahya #Journaling #LeonardoDeVinci #Parkour #ParkourArtDuDeplacementByVThibault #ThoughtAndPhilosophy #Writing
  21. §4 – Close the gap

    This entry is part 12 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    “What would the greatest version of myself do?”

    I can think of no better personal compass than that simple question. I whole-heartedly agree with its sentiment; that exploring your own concept of “greatness” is the single most important thing you can do. Each of us will come to a different answer; potentially very different answers. But, the act of honestly exploring your own conceptions, and the act of self reflection, are what will move you in a positive direction.

    I had already begun embracing this idea of seeking the greatest version of myself. As part of that effort, I took up a personal Oath which clearly reflects the idea.

    What is Parkour?

    Thibault’s section 4 is about seeking personal greatness and striving to constantly improve. That’s clearly a “big picture” goal involving one’s entire self. But we can also use this idea of “closing the gap” to investigate our every-day description of what Parkour is.

    When asked, many people say that Parkour is about “efficiency”. They say that Parkour is about “moving efficiently” or “getting from A to B efficiently.” (“Quickly” is also used.) Alternatively, there are many people who dislike the “efficiency” description. Some prefer “personal expression through movement”, “pushing the boundaries of human movement”, or even simply “freedom”. There are many alternatives to the “efficiency” description, but it is undoubtedly one of the most dominant descriptions.

    Where did I stand before reading this section?

    If you practice Parkour, you will be asked (and often!), “What is Parkour?” I realized I would do well to have a one-sentence answer to that question. I’ve found that people are pleasantly surprised when I have a clear, one-sentence answer. Almost everyone asks further questions and a conversation about Parkour grows naturally from there.

    My one-sentence answer is: Parkour is using challenges to improve oneself.

    And now?

    When I read Thibault’s section 4, it struck me that Parkour is exactly about “getting from point A to point B as efficiently and quickly as possible.”

    Point “A” is here; the me of today.

    Point “B” is there; the me of tomorrow.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  22. Was that resilience?

    This entry is part 10 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Sunday’s class contained a block of time where we were told to set a specific goal for ourselves, and then go work on it.

    There’s a particular technique that I’ve been stuck on for nearly two years. It’s completely a psychological issue. Each time a coach brings up this technique, I equivocate, and they drop me back to the progressions for the technique. But, I can do the progressions, and every coach then says, “Then just do the technique.” Usually, they manage to encourage me enough to eek out a few tentative iterations of the technique. At which point I’m all like, “Yeah! Progress! Awesome!”

    And the next time the technique comes up I have the EXACT. SAME. PROBLEM. I profess inability, the coach assesses the progressions, and then coaxes me through getting the technique. Over and over and over and over and over with too many coaches, way too many times.

    Nemesis: n., this technique.

    So on Sunday, armed with 15 minutes of time and delusions of making progress on my own, I set off to work on my nemesis.

    (Here, there would be a montage and inspirational music.)

    13 minutes later I had managed to scare the crap out of myself several times, and had accomplished absolutely nothing. I’d stared at it, fiddled with variations of feet and hands, and jiggered every adjustable parameter. Basically, I spent 13 minutes trying to avoid my fear. It was exceedingly frustrating because I’ve done this countless times: Every single variation, every attempt, every change, telling myself the things coaches would say, my worries, my self-reprimands.

    So I’m standing there, mentally kicking myself thinking: “Yes yes, I’ve even tried mentally kicking myself countless times before. Fine. All I have to do it screw around for two more minutes and then this can be over.”

    At which point I finally had a different thought: Section 3! Resilience! How can I specifically use resilience in this situation?

    Truthfully, I had no idea how to apply resilience. I tried looking at the obstacle differently. I literally laid behind the wall and looked up from where I should land. I sat astride the wall and imagined the technique from the side.

    I eventually tried again and — I have no idea why anything was different — I actually made one. Then a second. And then a third. And then, in fact, 13 in a row, banging out the last few repetitions as the instructor called us back together.

    NOT comfortable: Even the success freaks me out so badly that my palms are sweating days later as I type this.

    NOT impressive: It’s a simple technique. The 13 I did were teeny tiny baby versions with a low obstacle, and most of them had poor landings. Worst of all, I’m not the LEAST bit certain I can do it again.

    Was it resilience? Was it stubbornness? Luck? Finally just strong/flexible/whatever enough to make it? I have no clue. I was jammed so far up in my “head space” that I haven’t the slightest idea what actually happened in those last two minutes.

    Do I have a point here? I’m not even sure about that. This is just a story related to section 3.

    meh.

    Some days, Parkour is like this; It’s not all unicorns and rainbows.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  23. §3 – The rose that grew from concrete

    This entry is part 9 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Resilience.

    Why does Parkour so effectively teach resilience? Because your regular world and your regular life are DESIGNED for your interaction. Stairs are a certain height, walking surfaces are smooth and even, door knobs are convenient, chairs, air conditioning, trains and autos; Everything you interact with is designed for human interaction. In a very real sense, that’s what “civilized” means.

    Have you ever stopped to consider something as simple and common as doorways? What would life like, if – just for some historic reason – every doorway was only 4 feet high? Life would be much better simply because everyone would have to bend over regularly!

    What if stairs were the norm? What if walking was the norm?

    When you begin exploring your world through the lens of Parkour, you are told to intentionally seek out challenges. In Parkour practice, you’re exposing yourself to a hard choice: Bend your mind and body to the challenge, or face pain and injury. A good coach sets you up for success, but you’re still told to go under that railing, climb over that wall, and put your hands on that rough concrete. You have to teach your mind and body how to be resilient so that you can rediscover the ways already within yourself to interact with an environment that is, at best, indifferent to your wellbeing.

    Once you see things differently, you can start interacting with things that were specifically designed for some reason other than human interaction. You start by looking at your world this way as part of a specific practice; “I’m going to class and the instructor makes us do this”. Eventually, the mindset becomes comfortable on its own without prompting, and you begin to automatically practice a mindful resilience in your daily life.

    How could I get to that place over there without using that obvious pedestrian route? How would I get down there, or up there? Why am I eating inside when it’s so nice outside? What would I do if an emergency happened right now?

    Once you are well and truly comfortable with the resilient mindset, your body relaxes and the physical uncertainty, or even fear, that you were unconsciously feeling goes away. In it’s place wells up good old natural Human Curiosity. Your mind says, “Sure, let’s go this other way,” and, “Let’s take this road less travelled.” It really does make all the difference.

    I shall be telling this with a sigh
    Somewhere ages and ages hence:
    Two roads diverged in a wood, and I—
    I took the one less traveled by,
    And that has made all the difference.

    ~ Robert Frost, from The Road Not Taken

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #RobertFrost #Writing
  24. §2 – One thousand ways to read a book

    This entry is part 7 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    Here Thibault draws an analogy from how one reads a book. The obvious way is to read straight through from front to back. But he points out, just as there are alternatives with a book, there are alternatives with how we view and interact with our environment.

    I’ve said many times – this isn’t my idea but I’ve forgotten where I picked it up – that one aspect of Parkour is realizing that the obstacle IS the path. Things in the environment which once were “obstacles” become “options.” Things which others would never consider interacting with draw my attention and suggest ways to interact. As my curiosity developed, I literally began to see my environment differently.

    Aside: One of my favorite Parkour jokes is that I’ve converted my ADD from “Attention Deficit Disorded” to “Art Du Déplacement”. (That’s the French name for what we call Parkour.) But I’ve subsequently been diagnosed with late onset “Obstacle Attraction Disorder” (OAD).

    Here, there is a railing. Why, really, may I not walk upon it? Many of the reasons for staying off are internal: I may fall; I have poor balance; I’m afraid. The rest of the reasons are based on other people’s internal fears projected out into the environment: People think, “I may fall, therefore you may fall.” And so we encounter people yelling, “Get down from there you’ll hurt yourself!”

    Aside: Here’s my opinion on liability issues. Railings, as an example, are clearly not intended to be walked on. So I’m implicitly accepting the risk of my falling off the railing. Further, I’m also implicitly accepting the responsibility to repair the railing if I break it.

    Through Parkour, I slowly discovered all of these internal reasons which I’d never noticed, let alone attempted to address, which were holding me back! Not simply holding me back in the context of some particular obstacle. (After all, I could simply walk around that wall!) But rather, all those internal reasons were holding me back in the context of my entire life. I realized that climbing stairs was no longer trivial. Touching my toes was no longer trivial. Climb a tree? …no more. Live a full life, sleep well, run? Nope, nope, nope. As a human being, I have a birthright to move (with a hat tip to Ido Portal), and to interact physically with my environment.

    (Spoiler: I also have a birthright to interact physically with my fellow humans, but that’s another section in Thibault’s book.)

    So Thibault’s section 2 seems trivial at first glance, but actually speaks to a very deep, and fundamentally important idea.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  25. Post class thoughts

    This entry is part 5 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    As I expected, I pretty much forgot about this project once I was on my way to class. So this is just my looking back at my experiences in class through the lens of this first section of the book. (I’m betting this is what’s going to happen another 89 times.)

    I’m not going to pick apart every moment from class; I’ll just go over a few that come immediately to mind:

    Balancing at height – We started practicing purposely bailing off a low rail and worked up to some climb-over tasks in a playground. Eventually we worked up to a “find something that’s high enough to be moderately uncomfortable” level of individual balancing. I headed for a 7-foot high long bar (like where swings would hang. sorta.) and struggled my way up onto the bar — that was a challenge in and of itself. So I definitely went straight at something that was challenging — falling from standing on a 7-foot bar is not trivial. I down-graded though after falling, because climbing up multiple times wasn’t worth the little bit of balancing I was managing.

    Balancing on a rail – We were working with partners. We ended up mostly taking turns challenging each other. Try this, try this variation, etc making it increasingly difficult. At one point, I quietly headed off to the side for a rail to work on a sequence of variations. (Off to the side so as not to be a distracting, apparent-show-off.) So again here, definitely operating in the mind set where “the obstacle is the path”.

    QM exercise – We ended with a laps challenge. For me, 3 laps of QM around a small-ish basketball court, followed by a running lap around the school. I pushed this really hard and it was here that I think the mind set really paid off . . .

    In a discussion with Tracy after class, I came up with the idea that I seem to be using this mind set as a “razor”; An immediate yes/no testing tool. Your mind is busy with a stream of thoughts as you grind you way through hard work. In hindsight, I realize I was fast-processing everything with this combination of the mindset and a dash of stoicism. “Caution, quad nearly cramping,” is something I can affect; pause and unload that leg, or stretch it, or slow down. “Ow, stone in my hand,” shake it off when next I lift that hand. “I want to quit,” what? no, that’s not going to move me forward towards my goal. “How is [other student] still going so fast,” ignore that I cannot affect that. So it seems to have been just this long (long LONG) series of thoughts. Sometimes I’m certain I wasn’t finished with one thought before another preempted it; Which is fine, the really important stuff will preempt silly thoughts about a cool drink of water.

    So it was nice to come away believing that I’m already applying this mind set in a big way.

    Light bulb

    But wait a second, here’s a new [for me] thought: This mind set also means there’s a difference between “stopping” and “quiting”, even though outwardly they look identical to an observer. I can STOP for the RIGHT reason, or QUIT for the WRONG reason. Stop before an actual cramp, verus quit because I’m demoralized. That’s another facet of using this mind set as a “razor”.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #Writing
  26. §1 – The growth mindset

    This entry is part 4 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    “I can’t.” versus “not yet.”

    Right out of the gate in the first section… hitting the ground running. This mindset is something that I already find critical. Critical in the sense that I attribute my success –– what success I can be said to have achieved –– to two things: This mindset, and sheer willpower/determination. (spoiler: the later is covered elsewhere in the book.) But I’d already made my own connection to the Stoics’ philosophy, and that’s a very apropos piece of bedrock.

    aside: as this is the very beginning of this experiment, I’m going to be making this up as I go along. First bit of framework: I’m not going to quote/include any of Thibault’s book. Pull-quoting is time consuming to do well, and by the time I’m done, I’d have way more of his book “excerpted” here than I’d feel comfortable with. That means, if you really want to follow along, you simply must get a copy of the book yourself and read the original material. It’s easy, and you can thank me later.

    I’m looking at this material in the context of: OK. I’ve read it. I understand, but what’s the action item? …or how do I use this as a catalyst?

    Lehigh Valley Parkour has a few oddball traditions. One of them is a strong aversion to the word “can’t”. Community members will avoid saying it at all costs. The penalty for using the word is an immediate 5 pushups. Mostly, it’s an honor thing… we take the word “immediately” seriously; mid-run, in a car, in a restaurant, right now. Immediately. On the spot. Why?

    Because when you change your words, you change your thinking. “I can’t get up that wall.” becomes, “I am not yet able to scale that wall.” Which is pretty weak sauce, and is still pretty negative. But, we quickly get sick of saying “not yet able”, and start getting creative… “I’d have to be able to jump higher to scale that.” …or run faster, or be stronger, or whatever.

    BOOM

    I banned a word and I’ve flipped my thinking around.

    Next up: let’s take the idea to class.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault #Stoicism #Writing
  27. How these posts are organized

    This entry is part 3 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    I’m not going to quote/include any of Thibault’s book. Pull-quoting is time consuming to do well, and by the time I’m done, I’d have way more of his book “excerpted” here than I’d feel comfortable with. That means, if you really want to follow along, you simply must get a copy of the book yourself and read the original material. It’s easy, and you can thank me later.

    As I begin each subsequent section in Thibault’s book, there will be a post titled to match the section. This way you can skim the listing of post titles and see the sections corresponding to the book. These “new section” posts have titles starting with the section character (§).

    ɕ

    #ParkourArtDuDeplacementByVThibault
  28. Parkour & Art du Déplacement

    This entry is part 2 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    https://www.librarything.com/work/17885382

    On September 4th, Vincent Thibault’s latest book, Parkour & Art du Déplacement: Lessons in Practical Wisdom came out on Kindle. (A print version is eminent.)

    I was in Québec at the time, and it felt like an early birthday present. I took most of the day off to sit in a beautiful park, on a spectacular day. I devoured the entire book in one sitting. With every page, I became more convinced that I was going to be spending a lot of quality time with this book.

    This book brings a fresh approach to understanding and exploring Parkour/Art du Déplacement/Free Running. No pictures, no explanations of techniques. Instead, it provides 90 distinct thoughts and ideas giving you the option of exploring your Parkour/ADD in your own way. You can read the entire book, or dive into one particular idea at a time. If you read it overall as one piece it will give you a great introduction to the Spirit and Philosophy of Parkour/ADD; If you want to “dive deep”, you can pick each of the ideas apart separately and explore them through your own thinking, exploration and communications with others.

    The book includes both English and French written by the author — this is an exceptional feature of the book. Rather than being translated, Thibault is able to convey the ideas naturally in both languages. Native speakers of English or French will benefit equally.

    Finally, this is the first book (that I’m aware of) which literally bridges the two most important languages encountered in the context of Parkour/ADD. If you are working on one of them as a second language, you can flip between the two language versions of the material and be assured you are getting a nuanced, and accurate, translation of the concepts.

    ɕ

    #Books #Parkour #ParkourArtDuDeplacementByVThibault #VincentThibault #Writing
  29. Not something I’ve tried before

    This entry is part 1 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

    If this goes as planned, this series will be a very long sequence of posts that chronicle my diving into a particular book. The book contains 90 short sections; It’s a large, open-ended collection of ideas and vignettes on Parkour.

    My plan is to study one section each week by reading it on a Sunday — Sunday mornings are when I most often have down time for reading and reflection. Then over the course of the following week, I’ll trying to keep the “idea” topmost in my “parkour thoughts”; Talk to others about it, read other related materials from my personal library, think about it in terms of physically moving, etc. Along the way during the week, I’ll try to write small (likely very small!) bits covering my explorations.

    It will be interesting to see how far I get.

    ɕ

    #Parkour #ParkourArtDuDeplacementByVThibault
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