home.social

#outsider-art — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #outsider-art, aggregated by home.social.

fetched live
  1. Today's rabbit hold: Interesting Ideas:

    "Interestingideas.com is my project. It began as a photo-copied newsletter in 1989 and reached the world via the Web in 1994, a sobering example of the Internet’s transparency to marginal notions. It was a personal test bed for online publishing as well as an outlet for thoughts on vernacular art, oddball culture, politics and other random topics."

    Dive in and get lost: interestingideas.com/

    #OutsiderArt #Vernacular #Signs #SignPainting #RoadsideArt #InterestingIdeas

  2. Today's rabbit hold: Interesting Ideas:

    "Interestingideas.com is my project. It began as a photo-copied newsletter in 1989 and reached the world via the Web in 1994, a sobering example of the Internet’s transparency to marginal notions. It was a personal test bed for online publishing as well as an outlet for thoughts on vernacular art, oddball culture, politics and other random topics."

    Dive in and get lost: interestingideas.com/

    #OutsiderArt #Vernacular #Signs #SignPainting #RoadsideArt #InterestingIdeas

  3. Today's rabbit hold: Interesting Ideas:

    "Interestingideas.com is my project. It began as a photo-copied newsletter in 1989 and reached the world via the Web in 1994, a sobering example of the Internet’s transparency to marginal notions. It was a personal test bed for online publishing as well as an outlet for thoughts on vernacular art, oddball culture, politics and other random topics."

    Dive in and get lost: interestingideas.com/

    #OutsiderArt #Vernacular #Signs #SignPainting #RoadsideArt #InterestingIdeas

  4. Today's rabbit hold: Interesting Ideas:

    "Interestingideas.com is my project. It began as a photo-copied newsletter in 1989 and reached the world via the Web in 1994, a sobering example of the Internet’s transparency to marginal notions. It was a personal test bed for online publishing as well as an outlet for thoughts on vernacular art, oddball culture, politics and other random topics."

    Dive in and get lost: interestingideas.com/

    #OutsiderArt #Vernacular #Signs #SignPainting #RoadsideArt #InterestingIdeas

  5. Today's rabbit hold: Interesting Ideas:

    "Interestingideas.com is my project. It began as a photo-copied newsletter in 1989 and reached the world via the Web in 1994, a sobering example of the Internet’s transparency to marginal notions. It was a personal test bed for online publishing as well as an outlet for thoughts on vernacular art, oddball culture, politics and other random topics."

    Dive in and get lost: interestingideas.com/

    #OutsiderArt #Vernacular #Signs #SignPainting #RoadsideArt #InterestingIdeas

  6. Wie ben ik nou eigenlijk?
    Het antwoord op deze vraag is nog niet zo simpel.
    Wat ben ik nou eigenlijk?
    Deze vraag is iets gemakkelijker te beantwoorden.
    Kunstenaar.
    #outsiderart #artist #neurodivergent #different

  7. Wie ben ik nou eigenlijk?
    Het antwoord op deze vraag is nog niet zo simpel.
    Wat ben ik nou eigenlijk?
    Deze vraag is iets gemakkelijker te beantwoorden.
    Kunstenaar.
    #outsiderart #artist #neurodivergent #different

  8. Wie ben ik nou eigenlijk?
    Het antwoord op deze vraag is nog niet zo simpel.
    Wat ben ik nou eigenlijk?
    Deze vraag is iets gemakkelijker te beantwoorden.
    Kunstenaar.
    #outsiderart #artist #neurodivergent #different

  9. Wie ben ik nou eigenlijk?
    Het antwoord op deze vraag is nog niet zo simpel.
    Wat ben ik nou eigenlijk?
    Deze vraag is iets gemakkelijker te beantwoorden.
    Kunstenaar.
    #outsiderart #artist #neurodivergent #different

  10. Wie ben ik nou eigenlijk?
    Het antwoord op deze vraag is nog niet zo simpel.
    Wat ben ik nou eigenlijk?
    Deze vraag is iets gemakkelijker te beantwoorden.
    Kunstenaar.
    #outsiderart #artist #neurodivergent #different

  11. @gutenberg_org In younger years, I was fascinated by the #Voynich manuscript and all these deciphering hypotheses.
    But later I did research about #OutsiderArt of mentally ill people of the Wölfli Foundation and #Prinzhorn Collection en.wikipedia.org/wiki/Outsider for Prinzhorn: sammlung-prinzhorn.de/
    I saw so many parallels that I ask myself what if it was individual Outsider #Art? Then we'll never decipher it. Because it was perhaps a very individual talk with a mental situation for surviving it.

  12. @gutenberg_org In younger years, I was fascinated by the #Voynich manuscript and all these deciphering hypotheses.
    But later I did research about #OutsiderArt of mentally ill people of the Wölfli Foundation and #Prinzhorn Collection en.wikipedia.org/wiki/Outsider for Prinzhorn: sammlung-prinzhorn.de/
    I saw so many parallels that I ask myself what if it was individual Outsider #Art? Then we'll never decipher it. Because it was perhaps a very individual talk with a mental situation for surviving it.

  13. @gutenberg_org In younger years, I was fascinated by the #Voynich manuscript and all these deciphering hypotheses.
    But later I did research about #OutsiderArt of mentally ill people of the Wölfli Foundation and #Prinzhorn Collection en.wikipedia.org/wiki/Outsider for Prinzhorn: sammlung-prinzhorn.de/
    I saw so many parallels that I ask myself what if it was individual Outsider #Art? Then we'll never decipher it. Because it was perhaps a very individual talk with a mental situation for surviving it.

  14. @gutenberg_org In younger years, I was fascinated by the #Voynich manuscript and all these deciphering hypotheses.
    But later I did research about #OutsiderArt of mentally ill people of the Wölfli Foundation and #Prinzhorn Collection en.wikipedia.org/wiki/Outsider for Prinzhorn: sammlung-prinzhorn.de/
    I saw so many parallels that I ask myself what if it was individual Outsider #Art? Then we'll never decipher it. Because it was perhaps a very individual talk with a mental situation for surviving it.

  15. @gutenberg_org In younger years, I was fascinated by the #Voynich manuscript and all these deciphering hypotheses.
    But later I did research about #OutsiderArt of mentally ill people of the Wölfli Foundation and #Prinzhorn Collection en.wikipedia.org/wiki/Outsider for Prinzhorn: sammlung-prinzhorn.de/
    I saw so many parallels that I ask myself what if it was individual Outsider #Art? Then we'll never decipher it. Because it was perhaps a very individual talk with a mental situation for surviving it.

  16. Potlood schets/tekening van een lid van een metalcore band. Ik ben bewonderaar van o.a Matisse en Chagall. Misschien is dat te zien.
    #outsiderart #artbrut #matisse #chagall #potloodtekening

  17. Potlood schets/tekening van een lid van een metalcore band. Ik ben bewonderaar van o.a Matisse en Chagall. Misschien is dat te zien.
    #outsiderart #artbrut #matisse #chagall #potloodtekening

  18. Potlood schets/tekening van een lid van een metalcore band. Ik ben bewonderaar van o.a Matisse en Chagall. Misschien is dat te zien.
    #outsiderart #artbrut #matisse #chagall #potloodtekening

  19. Potlood schets/tekening van een lid van een metalcore band. Ik ben bewonderaar van o.a Matisse en Chagall. Misschien is dat te zien.
    #outsiderart #artbrut #matisse #chagall #potloodtekening

  20. Potlood schets/tekening van een lid van een metalcore band. Ik ben bewonderaar van o.a Matisse en Chagall. Misschien is dat te zien.
    #outsiderart #artbrut #matisse #chagall #potloodtekening

  21. Dit is voorlopig de laatste bewerkte foto van mij in de Franeker Martenatuin. Daarmee komt dit fotoproject ten einde. #fotografie #Kunstfotografie #franeker #outsiderart

  22. "Untitled," Minnie Evans, 1959.

    Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

    Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

    She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

    Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

    From the American Folk Art Museum, New York.

    #Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

  23. "Untitled," Minnie Evans, 1959.

    Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

    Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

    She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

    Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

    From the American Folk Art Museum, New York.

    #Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

  24. "Untitled," Minnie Evans, 1959.

    Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

    Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

    She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

    Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

    From the American Folk Art Museum, New York.

    #Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

  25. "Untitled," Minnie Evans, 1959.

    Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

    Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

    She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

    Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

    From the American Folk Art Museum, New York.

    #Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

  26. "Untitled," Minnie Evans, 1959.

    Evans (1892-1987) was a self-taught Black folk artist who didn't begin drawing until she was in her 40s, working at the ticket booth at Airlie Gardens in Wilmington, NC.

    Inspired by her inner visions, her religious faith, her regard for her ancestors, and her surroundings, she created many intricate images of faces amid flowers and foliage. The faces could be her ancestors, or her version of spiritual guides, or something else altogether.

    She once said that her flower paintings were her vision of heaven, dismissing the idea of heaven as white and full of clouds, but instead a joyous garden of rainbow colors.

    Her work, which began in the 40s, was in many ways a forerunner to psychedelic art of the 60s and 70s; this would not have been out of place on the wall of a hippie's flat.

    From the American Folk Art Museum, New York.

    #Art #MinnieEvans #OutsiderArt #VisionaryArt #BlackArtists #WomenArtists #BlackHistory #WomensHistory #AmericanArt #FlowerFriday

  27. Sentinel

    Work for my ongoing project 'de vervlieging van het wantserland'

    Digital in krita

    #krita #art #MastoArt #artbrut #outsiderart

  28. Sentinel

    Work for my ongoing project 'de vervlieging van het wantserland'

    Digital in krita

    #krita #art #MastoArt #artbrut #outsiderart

  29. Holiday time is over, so time to get back to my regular work
    Here is a sketch for the Sentinel character for my 'flyification of bugland' story

    Ink in my sketchbook, soon to be followed by a proper illustration

    #sponsstudio
    #ink #sketchbook #art #mastoArt #artbrut #outsiderart

  30. Holiday time is over, so time to get back to my regular work
    Here is a sketch for the Sentinel character for my 'flyification of bugland' story

    Ink in my sketchbook, soon to be followed by a proper illustration

    #sponsstudio
    #ink #sketchbook #art #mastoArt #artbrut #outsiderart