#ottodix — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ottodix, aggregated by home.social.
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https://www.europesays.com/at/160031/ Schenkung in New York – Klimts „Adele“ geht ans Metropolitan Museum – Kronen Zeitung #AerinLauderZinterhofer #Art #ArtAndDesign #AT #Austria #CostumeArt #DerSchwarzeFederhut #Design #DieTänzerin #Entertainment #ErnstLudwigKirchners #FifthAvenue #FortTryonPark #FridaEscobedo #GeorgeGrosz #Hollein #Kunst #KunstUndDesign #Max #MaxBeckmanns #MaxHollein #MetFifthAvenue #MichaelCRockefeller #NewYork #Österreich #OttoDix #ReneéPrice #RonaldSLauder #SergeSabarsky #Unterhaltung
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Review: “Modern Art and Politics in Germany 1910-1945” in Minneapolis
Curt Querner, Self Portrait with Stinging Nettle, 1933. Oil on cardboard. © Neue Nationalgale…
#Germany #DE #Europe #EU #Europa #AlfredHugenberg #ArtReviews #Arts #CurtQuerner #Exhibitions #Fru00e4nziFehrmann #GeorgeGrosz #HenriMatisse #HenrikIbsen #JohnStamos #MaxPechstein #MinneapolisInstituteofArt #Museums #OttoDix #PaulGauguin #RonaldLauder #TheNeueNationalgalerie #WolfgangWillrich
https://www.europesays.com/germany/6799/ -
this is brilliant from centre pompidou: otto dix's portrait of sylvia von harden breaks the fourth wall.
#art #ottoDix #paris #centrePompidou #france
https://youtu.be/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ
https://inv.nadeko.net/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ&index=5&t=29 -
this is brilliant from centre pompidou: otto dix's portrait of sylvia von harden breaks the fourth wall.
#art #ottoDix #paris #centrePompidou #france
https://youtu.be/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ
https://inv.nadeko.net/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ&index=5&t=29 -
this is brilliant from centre pompidou: otto dix's portrait of sylvia von harden breaks the fourth wall.
#art #ottoDix #paris #centrePompidou #france
https://youtu.be/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ
https://inv.nadeko.net/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ&index=5&t=29 -
this is brilliant from centre pompidou: otto dix's portrait of sylvia von harden breaks the fourth wall.
#art #ottoDix #paris #centrePompidou #france
https://youtu.be/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ
https://inv.nadeko.net/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ&index=5&t=29 -
this is brilliant from centre pompidou: otto dix's portrait of sylvia von harden breaks the fourth wall.
#art #ottoDix #paris #centrePompidou #france
https://youtu.be/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ
https://inv.nadeko.net/-eFRjZnVZ-8?list=PL5RSjCvtcKQhcNeUyuL4oPRaGl6rhwREJ&index=5&t=29 -
The Jeweller Karl Krall -- Otto Dix -- 1923 -- Oil on canvas -- Kunst und Museumsverien im Von der Heydt-Museum, Wuppertal.
According to the 2006 exhibition catalogue "Glitter and Doom: German Portraits from the 1920s", Krall was not only, as a chamber music amateur, musical, but was also "musical", to use the term used in 1920s British English to describe gay men.
The catalogue entry suggests that beneath Krall's jacket, "there must be a corset that is much too tight. Severe discomfort makes the blood rush to Krall's face, turning it purple-red with bluish accents. Veins on his forehead seem ready to pop."
As with so many of the other portraits, I find myself fascinated by this picture. Is Dix's depiction of the hour glass figured jeweller a frank depiction of Krall's style in foundation garments, or does it function as the painter's possibly contemptuous verdict on male homosexuality?
#Art #Painting #Portrait #OttoDix #GermanArt #20thCenturyArt #NeueSachlichkeit #KarlKrall #Gay #Homosexual #Homophobia #Corset #TightWaisting #WeimarRepublic
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The Jeweller Karl Krall -- Otto Dix -- 1923 -- Oil on canvas -- Kunst und Museumsverien im Von der Heydt-Museum, Wuppertal.
According to the 2006 exhibition catalogue "Glitter and Doom: German Portraits from the 1920s", Krall was not only, as a chamber music amateur, musical, but was also "musical", to use the term used in 1920s British English to describe gay men.
The catalogue entry suggests that beneath Krall's jacket, "there must be a corset that is much too tight. Severe discomfort makes the blood rush to Krall's face, turning it purple-red with bluish accents. Veins on his forehead seem ready to pop."
As with so many of the other portraits, I find myself fascinated by this picture. Is Dix's depiction of the hour glass figured jeweller a frank depiction of Krall's style in foundation garments, or does it function as the painter's possibly contemptuous verdict on male homosexuality?
#Art #Painting #Portrait #OttoDix #GermanArt #20thCenturyArt #NeueSachlichkeit #KarlKrall #Gay #Homosexual #Homophobia #Corset #TightWaisting #WeimarRepublic
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The Jeweller Karl Krall -- Otto Dix -- 1923 -- Oil on canvas -- Kunst und Museumsverien im Von der Heydt-Museum, Wuppertal.
According to the 2006 exhibition catalogue "Glitter and Doom: German Portraits from the 1920s", Krall was not only, as a chamber music amateur, musical, but was also "musical", to use the term used in 1920s British English to describe gay men.
The catalogue entry suggests that beneath Krall's jacket, "there must be a corset that is much too tight. Severe discomfort makes the blood rush to Krall's face, turning it purple-red with bluish accents. Veins on his forehead seem ready to pop."
As with so many of the other portraits, I find myself fascinated by this picture. Is Dix's depiction of the hour glass figured jeweller a frank depiction of Krall's style in foundation garments, or does it function as the painter's possibly contemptuous verdict on male homosexuality?
#Art #Painting #Portrait #OttoDix #GermanArt #20thCenturyArt #NeueSachlichkeit #KarlKrall #Gay #Homosexual #Homophobia #Corset #TightWaisting #WeimarRepublic
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The Jeweller Karl Krall -- Otto Dix -- 1923 -- Oil on canvas -- Kunst und Museumsverien im Von der Heydt-Museum, Wuppertal.
According to the 2006 exhibition catalogue "Glitter and Doom: German Portraits from the 1920s", Krall was not only, as a chamber music amateur, musical, but was also "musical", to use the term used in 1920s British English to describe gay men.
The catalogue entry suggests that beneath Krall's jacket, "there must be a corset that is much too tight. Severe discomfort makes the blood rush to Krall's face, turning it purple-red with bluish accents. Veins on his forehead seem ready to pop."
As with so many of the other portraits, I find myself fascinated by this picture. Is Dix's depiction of the hour glass figured jeweller a frank depiction of Krall's style in foundation garments, or does it function as the painter's possibly contemptuous verdict on male homosexuality?
#Art #Painting #Portrait #OttoDix #GermanArt #20thCenturyArt #NeueSachlichkeit #KarlKrall #Gay #Homosexual #Homophobia #Corset #TightWaisting #WeimarRepublic
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The Jeweller Karl Krall -- Otto Dix -- 1923 -- Oil on canvas -- Kunst und Museumsverien im Von der Heydt-Museum, Wuppertal.
According to the 2006 exhibition catalogue "Glitter and Doom: German Portraits from the 1920s", Krall was not only, as a chamber music amateur, musical, but was also "musical", to use the term used in 1920s British English to describe gay men.
The catalogue entry suggests that beneath Krall's jacket, "there must be a corset that is much too tight. Severe discomfort makes the blood rush to Krall's face, turning it purple-red with bluish accents. Veins on his forehead seem ready to pop."
As with so many of the other portraits, I find myself fascinated by this picture. Is Dix's depiction of the hour glass figured jeweller a frank depiction of Krall's style in foundation garments, or does it function as the painter's possibly contemptuous verdict on male homosexuality?
#Art #Painting #Portrait #OttoDix #GermanArt #20thCenturyArt #NeueSachlichkeit #KarlKrall #Gay #Homosexual #Homophobia #Corset #TightWaisting #WeimarRepublic
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Zwischen Fabrikhallen und Zukunftsträumen: Im LVR-Landesmuseum Bonn wird sichtbar, wie sich der Wandel der Arbeitswelt in der Kunst spiegelt. Von Breuers Kohlenmann bis zu Höchs Collagen – die Neue Sachlichkeit zwischen 1890 und 1940 als Dialog mit der Gegenwart.
#NeueSachlichkeit #Bonn #Moderne #OttoDix #Ausstellung
https://www.kunst-mag.de/2026/02/12/themenausstellung-in-bonn/ -
Zwischen Fabrikhallen und Zukunftsträumen: Im LVR-Landesmuseum Bonn wird sichtbar, wie sich der Wandel der Arbeitswelt in der Kunst spiegelt. Von Breuers Kohlenmann bis zu Höchs Collagen – die Neue Sachlichkeit zwischen 1890 und 1940 als Dialog mit der Gegenwart.
#NeueSachlichkeit #Bonn #Moderne #OttoDix #Ausstellung
https://www.kunst-mag.de/2026/02/12/themenausstellung-in-bonn/ -
¡ESTRENO!
La historia no son solo combates ni eventos políticos, sino también arte. Y Otto Dix fue uno de los grandes artistas en este aspecto
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Otto #Dix prägte die #NeueSachlichkeit entscheidend mit, galt den Nationalsozialisten jedoch als „entartet". Das Museum Moderner Kunst Wörlen #Passau zeigt nun Werke aus fünf Jahrzehnten seines Schaffens. #OttoDix #Kunstgeschichte
https://www.kunst-mag.de/2025/09/07/otto-dix-im-mmk-passau/ -
https://www.europesays.com/uk/343880/ How two contrasting cities tell the German story #AlternativeFürDeutschland #Ansbach #Audi #AugustHorchMuseum #bavaria #Chemnitz #ChemnitzIndustrialMuseum #Dresden #EastGermany #EU #Europe #EuropeanCapitalOfCulture #Germany #KarlMarxStadt #KaßbergPrison #Leipzig #OttoDix #RedTower #RobertSchumann #RothenburgObDerTauber #Saxony #VillaEsche #Zwickau
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A Personal Commentary on Otto Dix’s Portrait of the Journalist Sylvia von Harden
This 1926 portrait by Otto Dix stands as one of the most audacious depictions of the “New Woman.” It captures not only Sylvia’s individuality but also the cultural shifts of a transforming era.
From symbolism to societal critique, this piece remains relevant nearly a century later.
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(4/14) ... à Dessau (cf 1892 1928 1937 + Donald 2025 #woke) dit 'Cabinets des Horreurs" -> peintre prof #Kadinsky/ #RaulHausmann s'exilent à #Paris + rétrospective Oscar #Schlemmer supprimée + fichage systématique des oeuvres 'dégénérés' (cf Donald 2024-2025) -> décrochage musées #OttoDix #Kirchner #PaulKlee #KarlSchmidtRottluff #OttoMueller + art du #Bauhaus #VanGogh le #CavalierBleu #expressionnisme avec limogeage Directeurs...
#year1933 #anthropocene #climat #climate #climatechange #chagall
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(4/14) ... à Dessau (cf 1892 1928 1937 + Donald 2025 #woke) dit 'Cabinets des Horreurs" -> peintre prof #Kadinsky/ #RaulHausmann s'exilent à #Paris + rétrospective Oscar #Schlemmer supprimée + fichage systématique des oeuvres 'dégénérés' (cf Donald 2024-2025) -> décrochage musées #OttoDix #Kirchner #PaulKlee #KarlSchmidtRottluff #OttoMueller + art du #Bauhaus #VanGogh le #CavalierBleu #expressionnisme avec limogeage Directeurs...
#year1933 #anthropocene #climat #climate #climatechange #chagall
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(4/14) ... à Dessau (cf 1892 1928 1937 + Donald 2025 #woke) dit 'Cabinets des Horreurs" -> peintre prof #Kadinsky/ #RaulHausmann s'exilent à #Paris + rétrospective Oscar #Schlemmer supprimée + fichage systématique des oeuvres 'dégénérés' (cf Donald 2024-2025) -> décrochage musées #OttoDix #Kirchner #PaulKlee #KarlSchmidtRottluff #OttoMueller + art du #Bauhaus #VanGogh le #CavalierBleu #expressionnisme avec limogeage Directeurs...
#year1933 #anthropocene #climat #climate #climatechange #chagall
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(4/14) ... à Dessau (cf 1892 1928 1937 + Donald 2025 #woke) dit 'Cabinets des Horreurs" -> peintre prof #Kadinsky/ #RaulHausmann s'exilent à #Paris + rétrospective Oscar #Schlemmer supprimée + fichage systématique des oeuvres 'dégénérés' (cf Donald 2024-2025) -> décrochage musées #OttoDix #Kirchner #PaulKlee #KarlSchmidtRottluff #OttoMueller + art du #Bauhaus #VanGogh le #CavalierBleu #expressionnisme avec limogeage Directeurs...
#year1933 #anthropocene #climat #climate #climatechange #chagall
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(4/14) ... à Dessau (cf 1892 1928 1937 + Donald 2025 #woke) dit 'Cabinets des Horreurs" -> peintre prof #Kadinsky/ #RaulHausmann s'exilent à #Paris + rétrospective Oscar #Schlemmer supprimée + fichage systématique des oeuvres 'dégénérés' (cf Donald 2024-2025) -> décrochage musées #OttoDix #Kirchner #PaulKlee #KarlSchmidtRottluff #OttoMueller + art du #Bauhaus #VanGogh le #CavalierBleu #expressionnisme avec limogeage Directeurs...
#year1933 #anthropocene #climat #climate #climatechange #chagall
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0,80 x 1,20 m
#amelieverantes #art #kunst #ottodix #hommage
#willemdekooning #franzkline #markrothko #actionpainting #abstractart #abstraction #abstractpainting #abstractartist #abstract #contemporaryart #contemporarypainting #contemporaryartist #modernart #picasso #helenfrankenthaler #abstractexpressionism #cytwombly #artbasel #artcollector #artgallery #painting #artlover #artcollection #soldier #livingwithart
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Die Journalistin Sylvia von Harden
a) im Bildnis von Otto Dix (1926),
b) als Journalistin im WDR (!) (1931) und
c) eine Wiederbegegnung von Modell und Bild 1961 in Paris.
😲
Ich finde das SEHR schön.
#SylviavonHarden #OttoDix #Kunst 'Malerei #NeueSachlichkeit #KunsthalleMannheim -
Otto Dix (2 dicembre 1891)
Il venditore di fiammiferi
1921 -
Otto Dix hat in den 50er Jahren für die Petruskirche in Kattenhorn Glasfenster entworfen, die 65 Jahre später wenig an Aktualität verloren haben:
Nach dem 2. Weltkrieg suchten Flüchtlinge am Bodensee einen Neuanfang. Otto Dix wurde beauftragt, ihre Kirche zu gestalten.
Dix selbst hatte als von den Nazis verfemter Künstler selbst in den 30er Jahren hier Zuflucht gesucht & kannte somit die Lage der Geflüchteten.
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Painter Otto Dix met Photographer Hugo Erfurth in 1920 due to Erfurth’s passion for taking portraits of Dresden artists. They developed a lasting friendship.
Photographs of Otto Dix by Hugo Erfurth, 1929
Portrait of Hugo Erfurth and his Dog (Ajax) Otto Dix, 1926
Circle of Art ⭕️
#ottodix #hugoerfurth #artist #photographer #photography #painter #germanartists #artistfriends #circleofart⭕️ #portrait #portraits #portraitphotography #portraitart #paintings #artworld #kunst #künstler #bwphotography #schwarzweiss #schwarzweissfotografie #dix #erfurth #fotografia #fotografie
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Painter Otto Dix met Photographer Hugo Erfurth in 1920 due to Erfurth’s passion for taking portraits of Dresden artists. They developed a lasting friendship.
Photographs of Otto Dix by Hugo Erfurth, 1929
Portrait of Hugo Erfurth and his Dog (Ajax) Otto Dix, 1926
Circle of Art ⭕️
#ottodix #hugoerfurth #artist #photographer #photography #painter #germanartists #artistfriends #circleofart⭕️ #portrait #portraits #portraitphotography #portraitart #paintings #artworld #kunst #künstler #bwphotography #schwarzweiss #schwarzweissfotografie #dix #erfurth #fotografia #fotografie
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Painter Otto Dix met Photographer Hugo Erfurth in 1920 due to Erfurth’s passion for taking portraits of Dresden artists. They developed a lasting friendship.
Photographs of Otto Dix by Hugo Erfurth, 1929
Portrait of Hugo Erfurth and his Dog (Ajax) Otto Dix, 1926
Circle of Art ⭕️
#ottodix #hugoerfurth #artist #photographer #photography #painter #germanartists #artistfriends #circleofart⭕️ #portrait #portraits #portraitphotography #portraitart #paintings #artworld #kunst #künstler #bwphotography #schwarzweiss #schwarzweissfotografie #dix #erfurth #fotografia #fotografie
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Curt Querner: Agitator,
oil on canvas 1931#CurtQuerner (1804-1976) was a representative of the #NewObjectivity movement and a #painter of #realism. he developed a unique perspective on the world due to his parents' deafness. At the Dresden Academy of Fine Arts in 1926, he studied under renowned artists such as #RichardMüller, #GeorgLührig, and #OttoDix.
#Querner
#PortraitCommunity
#MastoArt #MastoArtist #fediart #portraitpainting #portraitart -
the seven deadly sins, 1933 #dix #ottodix https://www.wikiart.org/en/otto-dix/the-seven-deadly-sins-1933
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Nude Girl with Gloves, 1932 #ottodix #verism https://www.wikiart.org/en/otto-dix/nude-girl-with-gloves-1932
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Nude Girl with Gloves, 1932 #ottodix #verism https://www.wikiart.org/en/otto-dix/nude-girl-with-gloves-1932
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The Art Dealer Alfred Flechtheim, 1926 #ottodix #verism https://www.wikiart.org/en/otto-dix/the-art-dealer-alfred-flechtheim
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The Art Dealer Alfred Flechtheim, 1926 #ottodix #verism https://www.wikiart.org/en/otto-dix/the-art-dealer-alfred-flechtheim
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Otto Dix, War Cripples (Kriegskrüppel), 1920 #museumofmodernart #ottodix http://www.moma.org/collection/works/69799
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Self-Portrait with Wanderhut #verism #ottodix https://www.wikiart.org/en/otto-dix/self-portrait-with-wanderhut
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Self-Portrait with Wanderhut #verism #ottodix https://www.wikiart.org/en/otto-dix/self-portrait-with-wanderhut
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Shock Troops Advance under Gas, 1924 #dix #ottodix https://www.wikiart.org/en/otto-dix/shock-troops-advance-under-gas-1924
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Half-Nude, 1926 #ottodix #verism https://www.wikiart.org/en/otto-dix/half-nude
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Half-Nude, 1926 #ottodix #verism https://www.wikiart.org/en/otto-dix/half-nude
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Hugo Erfurth with Dog, 1926 #verism #ottodix https://www.wikiart.org/en/otto-dix/hugo-erfurth-with-dog
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Hugo Erfurth with Dog, 1926 #verism #ottodix https://www.wikiart.org/en/otto-dix/hugo-erfurth-with-dog
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Crater field near Dontrien lit up by flares, 1924 #ottodix #dix https://www.wikiart.org/en/otto-dix/crater-field-near-dontrien-lit-up-by-flares
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Portrait of the Painter Adolf Uzarski #ottodix #verism https://www.wikiart.org/en/otto-dix/portrait-of-the-painter-adolf-uzarski
