#optimalgmbh — Public Fediverse posts

Rhiannon Giddens with Francesco Turrisi, They’re Calling Me Home, 2021 on Nonesuch

https://goatless.org/2026/06/23/rhiannon-giddens-with-francesco-turrisi-theyre-calling-me-home-2021-on-nonesuch

Rhiannon Giddens with Francesco Turrisi, They’re Calling Me Home, 2021 on Nonesuch

https://goatless.org/2026/06/23/rhiannon-giddens-with-francesco-turrisi-theyre-calling-me-home-2021-on-nonesuch

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Oscar Peterson, “Motions and Emotions,” 1970 on MPS

Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it.

My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing the original master tape box along with liner notes by Till Brönner, the ambassador to MPS in this case.

Oscar Peterson, “Motions and Emotions,” 1970 on MPS

Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it.

My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing the original master tape box along with liner notes by Till Brönner, the ambassador to MPS in this case.

Oscar Peterson, “Motions and Emotions,” 1970 on MPS

Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it.

My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing the original master tape box along with liner notes by Till Brönner, the ambassador to MPS in this case.

Oscar Peterson, “Motions and Emotions,” 1970 on MPS

Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it.

My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing the original master tape box along with liner notes by Till Brönner, the ambassador to MPS in this case.

Oscar Peterson, “Motions and Emotions,” 1970 on MPS

Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it.

My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing the original master tape box along with liner notes by Till Brönner, the ambassador to MPS in this case.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Various Artists, Here It Is: A Tribute To Leonard Cohen, 2022 on Blue Note

Wonderful compilation of covers in tribute to Leonard Cohen by a collection of artists, including:

• Norah Jones – Steer Your Way
• Peter Gabriel – Here It Is
• Gregory Porter – Suzanne
• Sarah McLachlan – Hallelujah
• Immanuel Wilkins – Avalanche
• Luciana Souza – Hey, That’s Now Way To Say Goodbye
• James Taylor – Coming Back To You
• Iggy Pop – You Want It Darker
• Mavis Staples – If It Be Your Will
• David Gray – Seems So Long Ago, Nancy
• Nathaniel Rateliff – Famous Blue Raincoat
• Bill Frisell – Bird On a Wire

It’s challenging, as Cohen songs (“Hallelujah” in particular) have been so heavily covered but I still think people manage to bring something new to these renditions – highly recommended.

My copy—direct from Blue Note—is the standard black vinyl 2xLP version, pressed at Optimal.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

David Byrne & St. Vincent, Love This Giant, 2012 on 4AD

Two of the most creative and eclectic artists and musicians collaborate here on a brass-band heavy record. (St. Vincent also contributed to Here Lies Love, Byrne’s collaboration with Fatboy Slim – a concept album / rock musical about Imelda Marcos).

The Dap-Kings and the Antibalas Afrobeat Orchestra join on “The One Who Broke Your Heart” and John Congleton co-produced with Byrne, St. Vincent (Annie Clark), and Patrick Dillett.

Fantastic album – unexpected but once you get to know it you can’t imagine how it could be any better.

My copy (based on runouts) is a somewhat later pressing (indeterminate) with markings from both Optimal Media GmbH and United Record Pressing – via Electric Fetus in Minneapolis MN

#2010s #2012 #4AD #AnnieClark #Antibalas #DavidByrne #ElectricFetus #JohnCongleton #MinneapolisMN #OptimalGmBH #StVincent #TheDapKings #TodoMundo #United #vinyl #vinylcollection #vinylfinds

David Byrne & St. Vincent, Love This Giant, 2012 on 4AD

Two of the most creative and eclectic artists and musicians collaborate here on a brass-band heavy record. (St. Vincent also contributed to Here Lies Love, Byrne’s collaboration with Fatboy Slim – a concept album / rock musical about Imelda Marcos).

The Dap-Kings and the Antibalas Afrobeat Orchestra join on “The One Who Broke Your Heart” and John Congleton co-produced with Byrne, St. Vincent (Annie Clark), and Patrick Dillett.

Fantastic album – unexpected but once you get to know it you can’t imagine how it could be any better.

My copy (based on runouts) is a somewhat later pressing (indeterminate) with markings from both Optimal Media GmbH and United Record Pressing – via Electric Fetus in Minneapolis MN

#2010s #2012 #4AD #AnnieClark #Antibalas #DavidByrne #ElectricFetus #JohnCongleton #MinneapolisMN #OptimalGmBH #StVincent #TheDapKings #TodoMundo #United #vinyl #vinylcollection #vinylfinds

David Byrne & St. Vincent, Love This Giant, 2012 on 4AD

Two of the most creative and eclectic artists and musicians collaborate here on a brass-band heavy record. (St. Vincent also contributed to Here Lies Love, Byrne’s collaboration with Fatboy Slim – a concept album / rock musical about Imelda Marcos).

The Dap-Kings and the Antibalas Afrobeat Orchestra join on “The One Who Broke Your Heart” and John Congleton co-produced with Byrne, St. Vincent (Annie Clark), and Patrick Dillett.

Fantastic album – unexpected but once you get to know it you can’t imagine how it could be any better.

My copy (based on runouts) is a somewhat later pressing (indeterminate) with markings from both Optimal Media GmbH and United Record Pressing – via Electric Fetus in Minneapolis MN

#2010s #2012 #4AD #AnnieClark #Antibalas #DavidByrne #ElectricFetus #JohnCongleton #MinneapolisMN #OptimalGmBH #StVincent #TheDapKings #TodoMundo #United #vinyl #vinylcollection #vinylfinds

Joe Henderson, Mode for Joe, 1966 on Blue Note

This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz.

My copy is a 2024 reissue in the Blue Note Classic Vinyl Series – all-analog 180g vinyl pressings mastered […]

#1960s #1966 #BlueNote #BlueNoteClassicVinylSeries #BobbyHutcherson #CedarWalton #ChrisFuller #jazz #JoeChambers #JoeHenderson #KevinGray #LeeMorgan #OptimalGmBH #RonCarter #RudyVanGelder #vinyl #vinylcollection #vinylfinds

https://wp.me/p4tTZ-6Fw

Joe Henderson, Mode for Joe, 1966 on Blue Note

This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz.

My copy is a 2024 reissue in the Blue Note Classic Vinyl Series – all-analog 180g vinyl pressings mastered […]

#1960s #1966 #BlueNote #BlueNoteClassicVinylSeries #BobbyHutcherson #CedarWalton #ChrisFuller #jazz #JoeChambers #JoeHenderson #KevinGray #LeeMorgan #OptimalGmBH #RonCarter #RudyVanGelder #vinyl #vinylcollection #vinylfinds

https://wp.me/p4tTZ-6Fw

Joe Henderson, Mode for Joe, 1966 on Blue Note

This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz.

My copy is a 2024 reissue in the Blue Note Classic Vinyl Series – all-analog 180g vinyl pressings mastered […]

#1960s #1966 #BlueNote #BlueNoteClassicVinylSeries #BobbyHutcherson #CedarWalton #ChrisFuller #jazz #JoeChambers #JoeHenderson #KevinGray #LeeMorgan #OptimalGmBH #RonCarter #RudyVanGelder #vinyl #vinylcollection #vinylfinds

https://wp.me/p4tTZ-6Fw

Joe Henderson, Mode for Joe, 1966 on Blue Note

This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz.

My copy is a 2024 reissue in the Blue Note Classic Vinyl Series – all-analog 180g vinyl pressings mastered […]

#1960s #1966 #BlueNote #BlueNoteClassicVinylSeries #BobbyHutcherson #CedarWalton #ChrisFuller #jazz #JoeChambers #JoeHenderson #KevinGray #LeeMorgan #OptimalGmBH #RonCarter #RudyVanGelder #vinyl #vinylcollection #vinylfinds

https://wp.me/p4tTZ-6Fw