#opart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #opart, aggregated by home.social.
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https://www.europesays.com/hu/110817/ A magyar zseni, aki számítógép nélkül hozta létre a jövő vizuális világát – Megnéztük a Vasarely 120 kiállítást – Cikkek #cikkek #Entertainment #HU #Hungarian #Hungary #képzőművészet #kiállítás #LátnivalókésKultúra #Magyar #Magyarország #OpArt #SzépművészetiMúzeum #Szórakozás #tárlat #Vasarely120 #VictorVasarely
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Victor Vasarely💫
#art #victorvasarely #opart #mastoart -
Does this still image move for anyone else?
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Does this still image move for anyone else?
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Does this still image move for anyone else?
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Does this still image move for anyone else?
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Does this still image move for anyone else?
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Bridget Riley świętuje dziś swoje urodziny! To brytyjska artystka znana z op-artu. Jej prace pełne są dynamicznych, abstrakcyjnych wzorów, które jednocześnie intrygują i hipnotyzują. Zaczęła od czerni i bieli, a potem wprowadziła kolor, co dodało nowy wymiar jej twórcom. Riley wciąż eksperymentuje z percepcją, wpływając na nasze doświadczenie sztuki. #BridgetRiley #OpArt (fot. Wikipedia)
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Bridget Riley świętuje dziś swoje urodziny! To brytyjska artystka znana z op-artu. Jej prace pełne są dynamicznych, abstrakcyjnych wzorów, które jednocześnie intrygują i hipnotyzują. Zaczęła od czerni i bieli, a potem wprowadziła kolor, co dodało nowy wymiar jej twórcom. Riley wciąż eksperymentuje z percepcją, wpływając na nasze doświadczenie sztuki. #BridgetRiley #OpArt (fot. Wikipedia)
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Bridget Riley świętuje dziś swoje urodziny! To brytyjska artystka znana z op-artu. Jej prace pełne są dynamicznych, abstrakcyjnych wzorów, które jednocześnie intrygują i hipnotyzują. Zaczęła od czerni i bieli, a potem wprowadziła kolor, co dodało nowy wymiar jej twórcom. Riley wciąż eksperymentuje z percepcją, wpływając na nasze doświadczenie sztuki. #BridgetRiley #OpArt (fot. Wikipedia)
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Bridget Riley świętuje dziś swoje urodziny! To brytyjska artystka znana z op-artu. Jej prace pełne są dynamicznych, abstrakcyjnych wzorów, które jednocześnie intrygują i hipnotyzują. Zaczęła od czerni i bieli, a potem wprowadziła kolor, co dodało nowy wymiar jej twórcom. Riley wciąż eksperymentuje z percepcją, wpływając na nasze doświadczenie sztuki. #BridgetRiley #OpArt (fot. Wikipedia)
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Bridget Riley świętuje dziś swoje urodziny! To brytyjska artystka znana z op-artu. Jej prace pełne są dynamicznych, abstrakcyjnych wzorów, które jednocześnie intrygują i hipnotyzują. Zaczęła od czerni i bieli, a potem wprowadziła kolor, co dodało nowy wymiar jej twórcom. Riley wciąż eksperymentuje z percepcją, wpływając na nasze doświadczenie sztuki. #BridgetRiley #OpArt (fot. Wikipedia)
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Here is a more traditional style #KoruTawa, in a close to square format. Generated a month ago.
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Here is a more traditional style #KoruTawa, in a close to square format. Generated a month ago.
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Here is a more traditional style #KoruTawa, in a close to square format. Generated a month ago.
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Here is a more traditional style #KoruTawa, in a close to square format. Generated a month ago.
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Here is a more traditional style #KoruTawa, in a close to square format. Generated a month ago.
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https://www.europesays.com/hu/58092/ Victor Vasarely születésnapján nyitott újra az op-art mesterének pécsi kiállítása #Entertainment #HelyiTudósítás #HU #Hungarian #Hungary #JanusPannoniusMúzeum #kiállítás #Kultúra #Magyar #Magyarország #múzeum #OpArt #pécs #Szórakozás #VictorVasarely
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James Webb, “This is where I leave you”, 2020, a mid-20th century, ornamental, porcelain statue of Ānanda is encased in a vitrine made of fluted glass ★ S. Africa ★ https://www.oneart.org/galleries/james-webb-where-i-leave-you-and-other-works-2020 #JamesWebb #JamesWebbtoo #contemporaryart #contemporarysculpture #flutedglass #opart #Ānanda #Ananda #buddhism #2020s
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James Webb, “This is where I leave you”, 2020, a mid-20th century, ornamental, porcelain statue of Ānanda is encased in a vitrine made of fluted glass ★ S. Africa ★ https://www.oneart.org/galleries/james-webb-where-i-leave-you-and-other-works-2020 #JamesWebb #JamesWebbtoo #contemporaryart #contemporarysculpture #flutedglass #opart #Ānanda #Ananda #buddhism #2020s
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James Webb, “This is where I leave you”, 2020, a mid-20th century, ornamental, porcelain statue of Ānanda is encased in a vitrine made of fluted glass ★ S. Africa ★ https://www.oneart.org/galleries/james-webb-where-i-leave-you-and-other-works-2020 #JamesWebb #JamesWebbtoo #contemporaryart #contemporarysculpture #flutedglass #opart #Ānanda #Ananda #buddhism #2020s
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James Webb, “This is where I leave you”, 2020, a mid-20th century, ornamental, porcelain statue of Ānanda is encased in a vitrine made of fluted glass ★ S. Africa ★ https://www.oneart.org/galleries/james-webb-where-i-leave-you-and-other-works-2020 #JamesWebb #JamesWebbtoo #contemporaryart #contemporarysculpture #flutedglass #opart #Ānanda #Ananda #buddhism #2020s
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James Webb, “This is where I leave you”, 2020, a mid-20th century, ornamental, porcelain statue of Ānanda is encased in a vitrine made of fluted glass ★ S. Africa ★ https://www.oneart.org/galleries/james-webb-where-i-leave-you-and-other-works-2020 #JamesWebb #JamesWebbtoo #contemporaryart #contemporarysculpture #flutedglass #opart #Ānanda #Ananda #buddhism #2020s
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Chen Wenji, “Brimful”, 2009, oil on canvas, 197.3 × 351.5 cm ★ China ★ https://www.sothebys.com/en/auctions/ecatalogue/2015/beijing-modern-contemporary-chinese-art-cn0020/lot.32.html ⦾ https://www.artsy.net/artist/chen-wenji #ChenWenji #contemporaryart #contemporarypainting #abstractart #metaphysical #geometric #red #solitude #quietrevolution #oiloncanvas #shapedcanvas #forms #hemisphere #minimalart #opart #concreteart #Chineseartists #2000s
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Chen Wenji, “Brimful”, 2009, oil on canvas, 197.3 × 351.5 cm ★ China ★ https://www.sothebys.com/en/auctions/ecatalogue/2015/beijing-modern-contemporary-chinese-art-cn0020/lot.32.html ⦾ https://www.artsy.net/artist/chen-wenji #ChenWenji #contemporaryart #contemporarypainting #abstractart #metaphysical #geometric #red #solitude #quietrevolution #oiloncanvas #shapedcanvas #forms #hemisphere #minimalart #opart #concreteart #Chineseartists #2000s
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Chen Wenji, “Brimful”, 2009, oil on canvas, 197.3 × 351.5 cm ★ China ★ https://www.sothebys.com/en/auctions/ecatalogue/2015/beijing-modern-contemporary-chinese-art-cn0020/lot.32.html ⦾ https://www.artsy.net/artist/chen-wenji #ChenWenji #contemporaryart #contemporarypainting #abstractart #metaphysical #geometric #red #solitude #quietrevolution #oiloncanvas #shapedcanvas #forms #hemisphere #minimalart #opart #concreteart #Chineseartists #2000s
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Chen Wenji, “Brimful”, 2009, oil on canvas, 197.3 × 351.5 cm ★ China ★ https://www.sothebys.com/en/auctions/ecatalogue/2015/beijing-modern-contemporary-chinese-art-cn0020/lot.32.html ⦾ https://www.artsy.net/artist/chen-wenji #ChenWenji #contemporaryart #contemporarypainting #abstractart #metaphysical #geometric #red #solitude #quietrevolution #oiloncanvas #shapedcanvas #forms #hemisphere #minimalart #opart #concreteart #Chineseartists #2000s
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Chen Wenji, “Brimful”, 2009, oil on canvas, 197.3 × 351.5 cm ★ China ★ https://www.sothebys.com/en/auctions/ecatalogue/2015/beijing-modern-contemporary-chinese-art-cn0020/lot.32.html ⦾ https://www.artsy.net/artist/chen-wenji #ChenWenji #contemporaryart #contemporarypainting #abstractart #metaphysical #geometric #red #solitude #quietrevolution #oiloncanvas #shapedcanvas #forms #hemisphere #minimalart #opart #concreteart #Chineseartists #2000s
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For last week's #CreativeCoding challenge topic of psychedelic, I took the Bezier shape triangle from my last #OpticalIllusion post and made it into a spiral configuration, with some trippy cascading motion. I sped it up for the video here, but you can control the speed to play it as slow as you want in this sketch (the full resolution and framerate and uncompressed will look a lot better of course):
https://openprocessing.org/sketch/2899986 -
For last week's #CreativeCoding challenge topic of psychedelic, I took the Bezier shape triangle from my last #OpticalIllusion post and made it into a spiral configuration, with some trippy cascading motion. I sped it up for the video here, but you can control the speed to play it as slow as you want in this sketch (the full resolution and framerate and uncompressed will look a lot better of course):
https://openprocessing.org/sketch/2899986 -
For last week's #CreativeCoding challenge topic of psychedelic, I took the Bezier shape triangle from my last #OpticalIllusion post and made it into a spiral configuration, with some trippy cascading motion. I sped it up for the video here, but you can control the speed to play it as slow as you want in this sketch (the full resolution and framerate and uncompressed will look a lot better of course):
https://openprocessing.org/sketch/2899986 -
For last week's #CreativeCoding challenge topic of psychedelic, I took the Bezier shape triangle from my last #OpticalIllusion post and made it into a spiral configuration, with some trippy cascading motion. I sped it up for the video here, but you can control the speed to play it as slow as you want in this sketch (the full resolution and framerate and uncompressed will look a lot better of course):
https://openprocessing.org/sketch/2899986 -
For last week's #CreativeCoding challenge topic of psychedelic, I took the Bezier shape triangle from my last #OpticalIllusion post and made it into a spiral configuration, with some trippy cascading motion. I sped it up for the video here, but you can control the speed to play it as slow as you want in this sketch (the full resolution and framerate and uncompressed will look a lot better of course):
https://openprocessing.org/sketch/2899986 -
Josef Albers, “Ascension” (Danilowitz 100), 1942, lithograph, 43.7 × 20.7 cm ★ Germany/USA ★ https://whitney.org/collection/works/3418 #JosefAlbers #modernart #moderngraphics #Bauhaus #abstractart #geometric #opart #ascension #lithographs #citations #artstars #BlackMountainCollege #1940s
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early op art
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«Для меня абстракция реальна, вероятно, реальнее природы. Я пойду дальше и скажу, что абстракция ближе моему сердцу. Я предпочитаю видеть с закрытыми глазами».
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Josef Albers, “Ascension” (Danilowitz 100), 1942, lithograph, 43.7 × 20.7 cm ★ Germany/USA ★ https://whitney.org/collection/works/3418 #JosefAlbers #modernart #moderngraphics #Bauhaus #abstractart #geometric #opart #ascension #lithographs #citations #artstars #BlackMountainCollege #1940s
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early op art
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«Для меня абстракция реальна, вероятно, реальнее природы. Я пойду дальше и скажу, что абстракция ближе моему сердцу. Я предпочитаю видеть с закрытыми глазами».
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Josef Albers, “Ascension” (Danilowitz 100), 1942, lithograph, 43.7 × 20.7 cm ★ Germany/USA ★ https://whitney.org/collection/works/3418 #JosefAlbers #modernart #moderngraphics #Bauhaus #abstractart #geometric #opart #ascension #lithographs #citations #artstars #BlackMountainCollege #1940s
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early op art
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«Для меня абстракция реальна, вероятно, реальнее природы. Я пойду дальше и скажу, что абстракция ближе моему сердцу. Я предпочитаю видеть с закрытыми глазами».
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Josef Albers, “Ascension” (Danilowitz 100), 1942, lithograph, 43.7 × 20.7 cm ★ Germany/USA ★ https://whitney.org/collection/works/3418 #JosefAlbers #modernart #moderngraphics #Bauhaus #abstractart #geometric #opart #ascension #lithographs #citations #artstars #BlackMountainCollege #1940s
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early op art
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«Для меня абстракция реальна, вероятно, реальнее природы. Я пойду дальше и скажу, что абстракция ближе моему сердцу. Я предпочитаю видеть с закрытыми глазами».
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Josef Albers, “Ascension” (Danilowitz 100), 1942, lithograph, 43.7 × 20.7 cm ★ Germany/USA ★ https://whitney.org/collection/works/3418 #JosefAlbers #modernart #moderngraphics #Bauhaus #abstractart #geometric #opart #ascension #lithographs #citations #artstars #BlackMountainCollege #1940s
~~
early op art
~~~~
«Для меня абстракция реальна, вероятно, реальнее природы. Я пойду дальше и скажу, что абстракция ближе моему сердцу. Я предпочитаю видеть с закрытыми глазами».
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Since I've been doing more #Monochrome photography lately, I think I will post some monochrome #KoruTawa pieces on each #MonochromeMonday for a while. This one from two years ago is titled "Particulate City"
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Since I've been doing more #Monochrome photography lately, I think I will post some monochrome #KoruTawa pieces on each #MonochromeMonday for a while. This one from two years ago is titled "Particulate City"
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Since I've been doing more #Monochrome photography lately, I think I will post some monochrome #KoruTawa pieces on each #MonochromeMonday for a while. This one from two years ago is titled "Particulate City"
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Since I've been doing more #Monochrome photography lately, I think I will post some monochrome #KoruTawa pieces on each #MonochromeMonday for a while. This one from two years ago is titled "Particulate City"
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Since I've been doing more #Monochrome photography lately, I think I will post some monochrome #KoruTawa pieces on each #MonochromeMonday for a while. This one from two years ago is titled "Particulate City"
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"When Worlds Collide"
2023/11/20it is a large grid #KoruTawa with square dots, no side dots, and two large slightly overlapping circular groupings that include positive or negative inside and exclude outside. Many mid-dot columns or walks filled in first, with one positive large dots column in ascending size, then scatter dot groups filled the rest. The rendered PNGs are 230 MP (yet under 2 MB), and the model is 11 MB uncompressed.
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"When Worlds Collide"
2023/11/20it is a large grid #KoruTawa with square dots, no side dots, and two large slightly overlapping circular groupings that include positive or negative inside and exclude outside. Many mid-dot columns or walks filled in first, with one positive large dots column in ascending size, then scatter dot groups filled the rest. The rendered PNGs are 230 MP (yet under 2 MB), and the model is 11 MB uncompressed.