#nowadays — Public Fediverse posts on home.social

MCWC @[email protected] · 2026-03-07 · 13:45 UTC

#Nowadays or #sincebeggining of time? The ways men oppress #women
(I thought of more) YOUR SILENT COMPLICITY ABOUT RAPE AND THE ONGOING RAPE
stop covering for each other
act like it was you that got raped
(we know your daughter is property to ya). Daughters are people just like you.

#nowadays #sincebeggining #women

MCWC @[email protected] · 2026-03-07 · 13:45 UTC

#Nowadays or #sincebeggining of time? The ways men oppress #women
(I thought of more) YOUR SILENT COMPLICITY ABOUT RAPE AND THE ONGOING RAPE
stop covering for each other
act like it was you that got raped
(we know your daughter is property to ya). Daughters are people just like you.

#nowadays #sincebeggining #women

MCWC @[email protected] · 2026-03-07 · 13:45 UTC

#Nowadays or #sincebeggining of time? The ways men oppress #women
(I thought of more) YOUR SILENT COMPLICITY ABOUT RAPE AND THE ONGOING RAPE
stop covering for each other
act like it was you that got raped
(we know your daughter is property to ya). Daughters are people just like you.

#nowadays #sincebeggining #women

MCWC @[email protected] · 2026-03-07 · 13:45 UTC

#Nowadays or #sincebeggining of time? The ways men oppress #women
(I thought of more) YOUR SILENT COMPLICITY ABOUT RAPE AND THE ONGOING RAPE
stop covering for each other
act like it was you that got raped
(we know your daughter is property to ya). Daughters are people just like you.

#women #sincebeggining #nowadays

MCWC @[email protected] · 2026-03-07 · 13:45 UTC

#Nowadays or #sincebeggining of time? The ways men oppress #women
(I thought of more) YOUR SILENT COMPLICITY ABOUT RAPE AND THE ONGOING RAPE
stop covering for each other
act like it was you that got raped
(we know your daughter is property to ya). Daughters are people just like you.

#nowadays #sincebeggining #women

PSiReN-X :verified_flashing: @[email protected] · 2025-11-15 · 14:37 UTC

#OnceUponATime... #Medics were a #Thing...

#Nowadays... #NotSoMuch...

#Maybe... #JustMaybe #WesStreeting's #SmartWatch can #FixEverything; but, we #DoubtIT...

#DontPanic; #NoOneCares...

#AlreadyPurple... #DontStopDancing...!

🧙⚕️🤖:wolfparty:🤖⚕️🧙 | :fediverse:🦹:PirateBadge:🦄:PirateBadge:🦹:fediverse:

#dontstopdancing #onceuponatime #medics #thing #nowadays #notsomuch

PSiReN-X :verified_flashing: @[email protected] · 2025-11-09 · 13:21 UTC

#SittingComfortably...

#OnceUponATime... #Medics were a #Thing...

#Nowadays... #NotSoMuch...

#Maybe... #JustMaybe #WesStreeting's #SmartWatch can #FixEverything; but, we #DoubtIT...

#DontPanic; #NoOneCares...

🧙⚕️🤖:wolfparty:🤖⚕️🧙 | :fediverse:🦹:PirateBadge:🦄:PirateBadge:🦹:fediverse:

#sittingcomfortably #onceuponatime #medics #thing #nowadays #notsomuch

DaLetra Deutsch @[email protected] · 2025-09-20 · 16:15 UTC

Text des Liedes “Nowadays” von Lil Skies
#LilSkies #Nowadays
https://daletra.top/lil-skies/liedtexte/nowadays.html

#lilskies #nowadays

Xamanismo Coletivo @[email protected] · 2025-07-26 · 12:01 UTC

On #Andor, #revolution, and #characterbuilding in #nowadays #storytelling:
"In these universes characters and settings are monetary assets, to be exploited, protected, and manipulated according to the owner’s wishes. Understanding them requires understanding what the owner wants: how this story fits not just with the other stories to which it is connected but into the ever-proliferating network of brand identity and profit opportunities of which it is a part. (This is one of the things that differentiates such corporate storytelling from mere sequels, and from the more familiar dictates of genres and adaptations.) It takes so much #metatextual awareness that it can feel, at times, like watching Hollywood movies made under the Hays Code, or like reading novels written under strict censorship. The best works of corporate storytelling are, in a sense, acts of quiet resistance, written in the blank spots of the #enforcednarrative."

https://www.nybooks.com/online/2025/07/24/the-revolution-will-not-be-star-wars/

#andor #revolution #characterbuilding #nowadays #storytelling #metatextual

Xamanismo Coletivo @[email protected] · 2025-07-26 · 12:01 UTC

On #Andor, #revolution, and #characterbuilding in #nowadays #storytelling:
"In these universes characters and settings are monetary assets, to be exploited, protected, and manipulated according to the owner’s wishes. Understanding them requires understanding what the owner wants: how this story fits not just with the other stories to which it is connected but into the ever-proliferating network of brand identity and profit opportunities of which it is a part. (This is one of the things that differentiates such corporate storytelling from mere sequels, and from the more familiar dictates of genres and adaptations.) It takes so much #metatextual awareness that it can feel, at times, like watching Hollywood movies made under the Hays Code, or like reading novels written under strict censorship. The best works of corporate storytelling are, in a sense, acts of quiet resistance, written in the blank spots of the #enforcednarrative."

https://www.nybooks.com/online/2025/07/24/the-revolution-will-not-be-star-wars/

#andor #revolution #characterbuilding #nowadays #storytelling #metatextual

Xamanismo Coletivo @eliasulrich · 2025-07-26 · 12:01 UTC

On #Andor, #revolution, and #characterbuilding in #nowadays #storytelling:
"In these universes characters and settings are monetary assets, to be exploited, protected, and manipulated according to the owner’s wishes. Understanding them requires understanding what the owner wants: how this story fits not just with the other stories to which it is connected but into the ever-proliferating network of brand identity and profit opportunities of which it is a part. (This is one of the things that differentiates such corporate storytelling from mere sequels, and from the more familiar dictates of genres and adaptations.) It takes so much #metatextual awareness that it can feel, at times, like watching Hollywood movies made under the Hays Code, or like reading novels written under strict censorship. The best works of corporate storytelling are, in a sense, acts of quiet resistance, written in the blank spots of the #enforcednarrative."

https://www.nybooks.com/online/2025/07/24/the-revolution-will-not-be-star-wars/

#andor #revolution #characterbuilding #nowadays #storytelling #metatextual

Xamanismo Coletivo @[email protected] · 2025-07-26 · 12:01 UTC

On #Andor, #revolution, and #characterbuilding in #nowadays #storytelling:
"In these universes characters and settings are monetary assets, to be exploited, protected, and manipulated according to the owner’s wishes. Understanding them requires understanding what the owner wants: how this story fits not just with the other stories to which it is connected but into the ever-proliferating network of brand identity and profit opportunities of which it is a part. (This is one of the things that differentiates such corporate storytelling from mere sequels, and from the more familiar dictates of genres and adaptations.) It takes so much #metatextual awareness that it can feel, at times, like watching Hollywood movies made under the Hays Code, or like reading novels written under strict censorship. The best works of corporate storytelling are, in a sense, acts of quiet resistance, written in the blank spots of the #enforcednarrative."

https://www.nybooks.com/online/2025/07/24/the-revolution-will-not-be-star-wars/

#enforcednarrative #metatextual #storytelling #nowadays #characterbuilding #revolution

Xamanismo Coletivo @[email protected] · 2025-07-26 · 12:01 UTC

On #Andor, #revolution, and #characterbuilding in #nowadays #storytelling:
"In these universes characters and settings are monetary assets, to be exploited, protected, and manipulated according to the owner’s wishes. Understanding them requires understanding what the owner wants: how this story fits not just with the other stories to which it is connected but into the ever-proliferating network of brand identity and profit opportunities of which it is a part. (This is one of the things that differentiates such corporate storytelling from mere sequels, and from the more familiar dictates of genres and adaptations.) It takes so much #metatextual awareness that it can feel, at times, like watching Hollywood movies made under the Hays Code, or like reading novels written under strict censorship. The best works of corporate storytelling are, in a sense, acts of quiet resistance, written in the blank spots of the #enforcednarrative."