#nightvisions — Public Fediverse posts

The Places in My Dreams

The world within, the world of my dreams, is similar to the one I walk through every day. But it is different.

The streets bend strangely. The rooms open where they should not. The people and places are often indifferent to me, and sometimes, they are even antagonistic.

They are not merely people and places. They are representations of emotions I have not yet worked through from the previous day. Sixteen waking hours are not enough to fully grasp all that I have experienced, endured, feared, desired, regretted, or misunderstood.

And so, in the night, these things come alive.

They take on faces. They become houses, roads, crowds, locked doors, ruined landscapes, familiar rooms made unfamiliar. They guide me through the shadow lands—not always kindly, but truthfully. They show me what I could not see while awake.

My dreams are not escapes from the day.

They are the day returning in another form, asking to be understood.

Some nights I find myself back in places I have never been, and yet they feel older than memory. A school that was never my school. A church with hallways that keep multiplying. A childhood home rearranged by grief. A city I know by instinct, though no map has ever held it.

In these places, I am often trying to get somewhere.

I am late. I am lost. I am looking for someone. I am trying to explain myself to people who will not listen. I am searching for a room, a door, a vehicle, a path, a way home. Sometimes I am carrying something fragile. Sometimes I have forgotten what I was supposed to carry. Sometimes I am responsible for a task I do not understand, surrounded by people who seem to know the rules but refuse to tell me.

This is the cruelty of the dream world: everyone else seems initiated.

They move through the strange landscape as if it is ordinary. They know which hallway leads out, which road is safe, which bus to board, which door not to open. I am the stranger in a world that somehow belongs to me. I am the dreamer, and yet I am not in control.

Perhaps this is why the places feel antagonistic. They do not hate me. They are simply unwilling to flatter me. They will not pretend I am finished with what I have not faced. They will not comfort me with easy explanations. They turn my emotions into architecture and ask me to walk through them.

Fear becomes a narrow bridge.

Regret becomes a house with too many locked rooms.

Anger becomes a storm on the edge of town.

Shame becomes a crowd that sees me before I am ready to be seen.

Grief becomes a road that always returns to the same place.

And longing—longing becomes a light in a window I can never quite reach.

I wake from these dreams with the feeling that I have traveled farther than my body could have gone. I have crossed cities, fields, stairways, basements, sanctuaries, ruins, and train stations. I have spoken with the dead and avoided the living. I have been judged by strangers and ignored by friends. I have wandered through the unfinished weather of my own soul.

Then morning comes, and the ordinary world returns.

The walls are where I left them. The floor is solid. The dog needs to go out. The coffee waits. The phone glows with its small demands. The day begins again, pretending to be separate from the night.

But I know better.

The dream has left its residue. A feeling follows me, sometimes faint, sometimes heavy. A hallway from the dream lingers inside the hallway of the house. A face from the night appears behind the face of someone I know. A mood clings to the morning like fog.

The shadow lands do not vanish when I wake.

They retreat.

They wait beneath the visible world, beneath errands and conversations, beneath sermons and chores, beneath the version of myself that knows how to answer when someone asks, “How are you?”

I say, “I’m fine.”

But somewhere beneath that answer, an entire city is still burning, or flooding, or rebuilding itself in the dark.

The Places in My Dreams

The world within, the world of my dreams, is similar to the one I walk through every day. But it is different.

The streets bend strangely. The rooms open where they should not. The people and places are often indifferent to me, and sometimes, they are even antagonistic.

They are not merely people and places. They are representations of emotions I have not yet worked through from the previous day. Sixteen waking hours are not enough to fully grasp all that I have experienced, endured, feared, desired, regretted, or misunderstood.

And so, in the night, these things come alive.

They take on faces. They become houses, roads, crowds, locked doors, ruined landscapes, familiar rooms made unfamiliar. They guide me through the shadow lands—not always kindly, but truthfully. They show me what I could not see while awake.

My dreams are not escapes from the day.

They are the day returning in another form, asking to be understood.

Some nights I find myself back in places I have never been, and yet they feel older than memory. A school that was never my school. A church with hallways that keep multiplying. A childhood home rearranged by grief. A city I know by instinct, though no map has ever held it.

In these places, I am often trying to get somewhere.

I am late. I am lost. I am looking for someone. I am trying to explain myself to people who will not listen. I am searching for a room, a door, a vehicle, a path, a way home. Sometimes I am carrying something fragile. Sometimes I have forgotten what I was supposed to carry. Sometimes I am responsible for a task I do not understand, surrounded by people who seem to know the rules but refuse to tell me.

This is the cruelty of the dream world: everyone else seems initiated.

They move through the strange landscape as if it is ordinary. They know which hallway leads out, which road is safe, which bus to board, which door not to open. I am the stranger in a world that somehow belongs to me. I am the dreamer, and yet I am not in control.

Perhaps this is why the places feel antagonistic. They do not hate me. They are simply unwilling to flatter me. They will not pretend I am finished with what I have not faced. They will not comfort me with easy explanations. They turn my emotions into architecture and ask me to walk through them.

Fear becomes a narrow bridge.

Regret becomes a house with too many locked rooms.

Anger becomes a storm on the edge of town.

Shame becomes a crowd that sees me before I am ready to be seen.

Grief becomes a road that always returns to the same place.

And longing—longing becomes a light in a window I can never quite reach.

I wake from these dreams with the feeling that I have traveled farther than my body could have gone. I have crossed cities, fields, stairways, basements, sanctuaries, ruins, and train stations. I have spoken with the dead and avoided the living. I have been judged by strangers and ignored by friends. I have wandered through the unfinished weather of my own soul.

Then morning comes, and the ordinary world returns.

The walls are where I left them. The floor is solid. The dog needs to go out. The coffee waits. The phone glows with its small demands. The day begins again, pretending to be separate from the night.

But I know better.

The dream has left its residue. A feeling follows me, sometimes faint, sometimes heavy. A hallway from the dream lingers inside the hallway of the house. A face from the night appears behind the face of someone I know. A mood clings to the morning like fog.

The shadow lands do not vanish when I wake.

They retreat.

They wait beneath the visible world, beneath errands and conversations, beneath sermons and chores, beneath the version of myself that knows how to answer when someone asks, “How are you?”

I say, “I’m fine.”

But somewhere beneath that answer, an entire city is still burning, or flooding, or rebuilding itself in the dark.

The Places in My Dreams

The world within, the world of my dreams, is similar to the one I walk through every day. But it is different.

The streets bend strangely. The rooms open where they should not. The people and places are often indifferent to me, and sometimes, they are even antagonistic.

They are not merely people and places. They are representations of emotions I have not yet worked through from the previous day. Sixteen waking hours are not enough to fully grasp all that I have experienced, endured, feared, desired, regretted, or misunderstood.

And so, in the night, these things come alive.

They take on faces. They become houses, roads, crowds, locked doors, ruined landscapes, familiar rooms made unfamiliar. They guide me through the shadow lands—not always kindly, but truthfully. They show me what I could not see while awake.

My dreams are not escapes from the day.

They are the day returning in another form, asking to be understood.

Some nights I find myself back in places I have never been, and yet they feel older than memory. A school that was never my school. A church with hallways that keep multiplying. A childhood home rearranged by grief. A city I know by instinct, though no map has ever held it.

In these places, I am often trying to get somewhere.

I am late. I am lost. I am looking for someone. I am trying to explain myself to people who will not listen. I am searching for a room, a door, a vehicle, a path, a way home. Sometimes I am carrying something fragile. Sometimes I have forgotten what I was supposed to carry. Sometimes I am responsible for a task I do not understand, surrounded by people who seem to know the rules but refuse to tell me.

This is the cruelty of the dream world: everyone else seems initiated.

They move through the strange landscape as if it is ordinary. They know which hallway leads out, which road is safe, which bus to board, which door not to open. I am the stranger in a world that somehow belongs to me. I am the dreamer, and yet I am not in control.

Perhaps this is why the places feel antagonistic. They do not hate me. They are simply unwilling to flatter me. They will not pretend I am finished with what I have not faced. They will not comfort me with easy explanations. They turn my emotions into architecture and ask me to walk through them.

Fear becomes a narrow bridge.

Regret becomes a house with too many locked rooms.

Anger becomes a storm on the edge of town.

Shame becomes a crowd that sees me before I am ready to be seen.

Grief becomes a road that always returns to the same place.

And longing—longing becomes a light in a window I can never quite reach.

I wake from these dreams with the feeling that I have traveled farther than my body could have gone. I have crossed cities, fields, stairways, basements, sanctuaries, ruins, and train stations. I have spoken with the dead and avoided the living. I have been judged by strangers and ignored by friends. I have wandered through the unfinished weather of my own soul.

Then morning comes, and the ordinary world returns.

The walls are where I left them. The floor is solid. The dog needs to go out. The coffee waits. The phone glows with its small demands. The day begins again, pretending to be separate from the night.

But I know better.

The dream has left its residue. A feeling follows me, sometimes faint, sometimes heavy. A hallway from the dream lingers inside the hallway of the house. A face from the night appears behind the face of someone I know. A mood clings to the morning like fog.

The shadow lands do not vanish when I wake.

They retreat.

They wait beneath the visible world, beneath errands and conversations, beneath sermons and chores, beneath the version of myself that knows how to answer when someone asks, “How are you?”

I say, “I’m fine.”

But somewhere beneath that answer, an entire city is still burning, or flooding, or rebuilding itself in the dark.

The Places in My Dreams

The world within, the world of my dreams, is similar to the one I walk through every day. But it is different.

The streets bend strangely. The rooms open where they should not. The people and places are often indifferent to me, and sometimes, they are even antagonistic.

They are not merely people and places. They are representations of emotions I have not yet worked through from the previous day. Sixteen waking hours are not enough to fully grasp all that I have experienced, endured, feared, desired, regretted, or misunderstood.

And so, in the night, these things come alive.

They take on faces. They become houses, roads, crowds, locked doors, ruined landscapes, familiar rooms made unfamiliar. They guide me through the shadow lands—not always kindly, but truthfully. They show me what I could not see while awake.

My dreams are not escapes from the day.

They are the day returning in another form, asking to be understood.

Some nights I find myself back in places I have never been, and yet they feel older than memory. A school that was never my school. A church with hallways that keep multiplying. A childhood home rearranged by grief. A city I know by instinct, though no map has ever held it.

In these places, I am often trying to get somewhere.

I am late. I am lost. I am looking for someone. I am trying to explain myself to people who will not listen. I am searching for a room, a door, a vehicle, a path, a way home. Sometimes I am carrying something fragile. Sometimes I have forgotten what I was supposed to carry. Sometimes I am responsible for a task I do not understand, surrounded by people who seem to know the rules but refuse to tell me.

This is the cruelty of the dream world: everyone else seems initiated.

They move through the strange landscape as if it is ordinary. They know which hallway leads out, which road is safe, which bus to board, which door not to open. I am the stranger in a world that somehow belongs to me. I am the dreamer, and yet I am not in control.

Perhaps this is why the places feel antagonistic. They do not hate me. They are simply unwilling to flatter me. They will not pretend I am finished with what I have not faced. They will not comfort me with easy explanations. They turn my emotions into architecture and ask me to walk through them.

Fear becomes a narrow bridge.

Regret becomes a house with too many locked rooms.

Anger becomes a storm on the edge of town.

Shame becomes a crowd that sees me before I am ready to be seen.

Grief becomes a road that always returns to the same place.

And longing—longing becomes a light in a window I can never quite reach.

I wake from these dreams with the feeling that I have traveled farther than my body could have gone. I have crossed cities, fields, stairways, basements, sanctuaries, ruins, and train stations. I have spoken with the dead and avoided the living. I have been judged by strangers and ignored by friends. I have wandered through the unfinished weather of my own soul.

Then morning comes, and the ordinary world returns.

The walls are where I left them. The floor is solid. The dog needs to go out. The coffee waits. The phone glows with its small demands. The day begins again, pretending to be separate from the night.

But I know better.

The dream has left its residue. A feeling follows me, sometimes faint, sometimes heavy. A hallway from the dream lingers inside the hallway of the house. A face from the night appears behind the face of someone I know. A mood clings to the morning like fog.

The shadow lands do not vanish when I wake.

They retreat.

They wait beneath the visible world, beneath errands and conversations, beneath sermons and chores, beneath the version of myself that knows how to answer when someone asks, “How are you?”

I say, “I’m fine.”

But somewhere beneath that answer, an entire city is still burning, or flooding, or rebuilding itself in the dark.

The Places in My Dreams

The world within, the world of my dreams, is similar to the one I walk through every day. But it is different.

The streets bend strangely. The rooms open where they should not. The people and places are often indifferent to me, and sometimes, they are even antagonistic.

They are not merely people and places. They are representations of emotions I have not yet worked through from the previous day. Sixteen waking hours are not enough to fully grasp all that I have experienced, endured, feared, desired, regretted, or misunderstood.

And so, in the night, these things come alive.

They take on faces. They become houses, roads, crowds, locked doors, ruined landscapes, familiar rooms made unfamiliar. They guide me through the shadow lands—not always kindly, but truthfully. They show me what I could not see while awake.

My dreams are not escapes from the day.

They are the day returning in another form, asking to be understood.

Some nights I find myself back in places I have never been, and yet they feel older than memory. A school that was never my school. A church with hallways that keep multiplying. A childhood home rearranged by grief. A city I know by instinct, though no map has ever held it.

In these places, I am often trying to get somewhere.

I am late. I am lost. I am looking for someone. I am trying to explain myself to people who will not listen. I am searching for a room, a door, a vehicle, a path, a way home. Sometimes I am carrying something fragile. Sometimes I have forgotten what I was supposed to carry. Sometimes I am responsible for a task I do not understand, surrounded by people who seem to know the rules but refuse to tell me.

This is the cruelty of the dream world: everyone else seems initiated.

They move through the strange landscape as if it is ordinary. They know which hallway leads out, which road is safe, which bus to board, which door not to open. I am the stranger in a world that somehow belongs to me. I am the dreamer, and yet I am not in control.

Perhaps this is why the places feel antagonistic. They do not hate me. They are simply unwilling to flatter me. They will not pretend I am finished with what I have not faced. They will not comfort me with easy explanations. They turn my emotions into architecture and ask me to walk through them.

Fear becomes a narrow bridge.

Regret becomes a house with too many locked rooms.

Anger becomes a storm on the edge of town.

Shame becomes a crowd that sees me before I am ready to be seen.

Grief becomes a road that always returns to the same place.

And longing—longing becomes a light in a window I can never quite reach.

I wake from these dreams with the feeling that I have traveled farther than my body could have gone. I have crossed cities, fields, stairways, basements, sanctuaries, ruins, and train stations. I have spoken with the dead and avoided the living. I have been judged by strangers and ignored by friends. I have wandered through the unfinished weather of my own soul.

Then morning comes, and the ordinary world returns.

The walls are where I left them. The floor is solid. The dog needs to go out. The coffee waits. The phone glows with its small demands. The day begins again, pretending to be separate from the night.

But I know better.

The dream has left its residue. A feeling follows me, sometimes faint, sometimes heavy. A hallway from the dream lingers inside the hallway of the house. A face from the night appears behind the face of someone I know. A mood clings to the morning like fog.

The shadow lands do not vanish when I wake.

They retreat.

They wait beneath the visible world, beneath errands and conversations, beneath sermons and chores, beneath the version of myself that knows how to answer when someone asks, “How are you?”

I say, “I’m fine.”

But somewhere beneath that answer, an entire city is still burning, or flooding, or rebuilding itself in the dark.

I'm cheating a bit for this #Bandshirtfriday as I'm working remote and these are often my go to homeshirts.
It's #NightVisions movie festival 2016 edition design, IMO pretty metal (and rock) as far as genre movie festivals go. I have like 10 shirts with different NV designs!
#bändipaitaperjantai

I'm cheating a bit for this #Bandshirtfriday as I'm working remote and these are often my go to homeshirts.
It's #NightVisions movie festival 2016 edition design, IMO pretty metal (and rock) as far as genre movie festivals go. I have like 10 shirts with different NV designs!
#bändipaitaperjantai

https://www.europesays.com/fi/202693/ Caroline Munro: Legendaarinen Bond-tyttö ja kauhuleffatähti Night Visions -festivaalilla Helsingissä #007Rakastettuni #AtTheEarth’sCore #CaptainKronos:VampireHunter #CarolineMunro #Celebrities #Entertainment #FI #Finland #Finnish #HammerElokuvat #JamesBond #Julkkikset #kauhuelokuvat #maniac #NightVisions #RogerMoore #Suomi #TheGoldenVoyageOfSinbad #viihde

Saw the film Holofiction at Night Visions film festival.

It was pretty interestng! It's a supercut of over 400 films and TV series about WWII and Holocaust, assembled into a full-length Holocaust film. Great, dramatic sound track. No dialogue, but you don't need the dialogue since you know the story already.

There's another showing tomorrow (Saturday).

https://www.nightvisions.info/wp/en/portfolio/holofiction/

#nightvisions #helsinki

Saw the film Holofiction at Night Visions film festival.

It was pretty interestng! It's a supercut of over 400 films and TV series about WWII and Holocaust, assembled into a full-length Holocaust film. Great, dramatic sound track. No dialogue, but you don't need the dialogue since you know the story already.

There's another showing tomorrow (Saturday).

https://www.nightvisions.info/wp/en/portfolio/holofiction/

#nightvisions #helsinki

Muutama suositukseni ensi keskiviikkona alkavan Night Visions -festarin ohjelmistosta. #nightvisions

Night Visions tulee taas - täs...

Onsen Shark sai alkunsa tuottaja Masayuki Nagatan muutettua Atamin kaupunkiin. Syntyi ajatus yhdistää kaksi perijapanilaista genreä: kotiseutuelokuva ja hirviöelokuva.

Käsikirjoittajaksi ja ohjaajaksi valikoitui nuori hirviöelokuvantekijä, jo pari kertaa palkintoja voittanut Morihito Inoue.

#NightVisions #Elokuvat #Leffat

Armeijasta ei ole apua haiden EMP-sähköhyökkäysten ja metaaniräjähdysten vuoksi. Kun kansa on evakuoitu, laivasto aikoo tuhota koko kaupungin One Piece -tyyliin.

Ehtivätkö pormestari, tutkija ja mystinen lihasmies ennen sitä pelastaa päivän 3D-printatulla sukellusveneellä?

#NightVisions #Elokuvat #Leffat

♨-kiduksiset kuumalähdehait pääsevät siis kapeimpiakin putkia pitkin kylpylöihin ja jopa ammeisiin syömään ihmisiä.

Pian sekään ei riitä, kun koko kaupungista tulee niiden metsästysmaata, jossa hait voivat hyökätä viemäreistä tai maan läpi tihkuvista lammikoista.

#NightVisions #Elokuvat #Leffat

Mutta sitten pormestarin paikalle kutsuma tutkija Kose esittää uskomattoman teorian: kaupungin uuden kylpyläkompleksin rakennustyöt ovat herättäneet maan alta sukupuuttoon kuolleeksi luultuja muinaishaita, jotka viihtyvät kuumassa vedessä ja joiden vartalot ovat uskomattoman joustavia.

#NightVisions #Elokuvat #Leffat

Erehdyttävästi Atamin lomakaupunkia muistuttavassa Atsumissa alkaa tapahtua kummallisia haihyökkäyksiä, jotka hämmentävät jo eläkepäiviään suunnittelevaa poliisipäällikköä. Pormestari kuitenkin olisi aluksi kiinnostuneempi kaupungin maineesta turistikauden alkaessa.

#NightVisions #Elokuvat #Leffat

Night Visions -elokuvafestivaalin ainoa japanilaiselokuva tänä keväänä on Morihito Inouen ohjaama ja käsikirjoittama Onsen Shark.

Tokusatsu-rymistelyssä verenhimoiset hait hyökkäävät kylpylälomakaupungin asukkaiden kimppuun.

https://www.nightvisions.info/wp/portfolio/onsen-shark/

#NightVisions #Elokuvat #Leffat

I should've posted this before Halloween but I guess election day is also pretty scary 🙃

https://archive.org/details/night-visions-complete-series

Night Visions is a 2001 horror anthology TV series that I used to watch in reruns on the SyFy Channel when I was in high school around 2005. They were going for a Twilight Zone vibe with Henry Rollins as the narrator. A few episodes stuck with me because they spoke to my particular flavor of mental illness, particularly 13A "Patterns." I think most people wouldn't find it scary, but if your anxiety also manifests as paranoia that you'll jinx things by thinking about them in the wrong way, it'll probably hit.

#horror #nightvisions #mentalillness