#musikfonds — Public Fediverse posts

Dahlia Borsche im Interview. Sie hat am 1. Januar dieses Jahres die Geschäftsführung des Musik­fonds e.V. von Gregor Hotz übernom­men.

https://www.nmz.de/nmz-verbaende/deutscher-tonkuenstlerverband/das-bewusstsein-fuer-die-freie-szene-schaerfen

📸Dahlia Borsche, Geschäftsführerin des Musikfonds e.V. Foto: Eunice Maurice
#musikfonds #freieszene #musikmachen #haushaltskürzungen #kulturförderung

Dahlia Borsche im Interview. Sie hat am 1. Januar dieses Jahres die Geschäftsführung des Musik­fonds e.V. von Gregor Hotz übernom­men.

https://www.nmz.de/nmz-verbaende/deutscher-tonkuenstlerverband/das-bewusstsein-fuer-die-freie-szene-schaerfen

📸Dahlia Borsche, Geschäftsführerin des Musikfonds e.V. Foto: Eunice Maurice
#musikfonds #freieszene #musikmachen #haushaltskürzungen #kulturförderung

Dahlia Borsche im Interview. Sie hat am 1. Januar dieses Jahres die Geschäftsführung des Musik­fonds e.V. von Gregor Hotz übernom­men.

https://www.nmz.de/nmz-verbaende/deutscher-tonkuenstlerverband/das-bewusstsein-fuer-die-freie-szene-schaerfen

📸Dahlia Borsche, Geschäftsführerin des Musikfonds e.V. Foto: Eunice Maurice
#musikfonds #freieszene #musikmachen #haushaltskürzungen #kulturförderung

I am very happy that my project "Teleonomies – Intelligence: Artificial and Complex" has been awarded a one-year artistic research grant from the Musikfonds (STIP-5).

I've been working intensively on the project since the start of the year and look forward to expanding the research further in the coming months.

The question of how AI and physical machines can actively become co-creators of musical processes lies at the heart of this work. I am currently developing a system in which a swarm of modular robots, floating on a specially constructed air table, explores the relationships between data, movement and sound, thereby giving rise to new musical realities. The installation examines how machine agents not only process data, but also translate it into spatial and sonic experiences. The focus is on complex systems, self-organisation and the question of how musical form can emerge in real time from local interactions.

What fascinates me most is the idea of music as a process: composition not as defining a finished work, but as designing the conditions for a system to unfold on its own.

The project builds on earlier work that I began over ten years ago during a residency at the Laboratory for Artificial Intelligence at the University of Zurich, under the supervision of Rolf Pfeifer, and takes this work further within the intersection of AI, robotics and algorithmic composition.

I am very much looking forward to the coming months and to sharing insights into the research process.

#Musikfonds #AI #robotics #complexsystems #generativemusic

I am very happy that my project "Teleonomies – Intelligence: Artificial and Complex" has been awarded a one-year artistic research grant from the Musikfonds (STIP-5).

I've been working intensively on the project since the start of the year and look forward to expanding the research further in the coming months.

The question of how AI and physical machines can actively become co-creators of musical processes lies at the heart of this work. I am currently developing a system in which a swarm of modular robots, floating on a specially constructed air table, explores the relationships between data, movement and sound, thereby giving rise to new musical realities. The installation examines how machine agents not only process data, but also translate it into spatial and sonic experiences. The focus is on complex systems, self-organisation and the question of how musical form can emerge in real time from local interactions.

What fascinates me most is the idea of music as a process: composition not as defining a finished work, but as designing the conditions for a system to unfold on its own.

The project builds on earlier work that I began over ten years ago during a residency at the Laboratory for Artificial Intelligence at the University of Zurich, under the supervision of Rolf Pfeifer, and takes this work further within the intersection of AI, robotics and algorithmic composition.

I am very much looking forward to the coming months and to sharing insights into the research process.

#Musikfonds #AI #robotics #complexsystems #generativemusic

I am very happy that my project "Teleonomies – Intelligence: Artificial and Complex" has been awarded a one-year artistic research grant from the Musikfonds (STIP-5).

I've been working intensively on the project since the start of the year and look forward to expanding the research further in the coming months.

The question of how AI and physical machines can actively become co-creators of musical processes lies at the heart of this work. I am currently developing a system in which a swarm of modular robots, floating on a specially constructed air table, explores the relationships between data, movement and sound, thereby giving rise to new musical realities. The installation examines how machine agents not only process data, but also translate it into spatial and sonic experiences. The focus is on complex systems, self-organisation and the question of how musical form can emerge in real time from local interactions.

What fascinates me most is the idea of music as a process: composition not as defining a finished work, but as designing the conditions for a system to unfold on its own.

The project builds on earlier work that I began over ten years ago during a residency at the Laboratory for Artificial Intelligence at the University of Zurich, under the supervision of Rolf Pfeifer, and takes this work further within the intersection of AI, robotics and algorithmic composition.

I am very much looking forward to the coming months and to sharing insights into the research process.

#Musikfonds #AI #robotics #complexsystems #generativemusic

I am very happy that my project "Teleonomies – Intelligence: Artificial and Complex" has been awarded a one-year artistic research grant from the Musikfonds (STIP-5).

I've been working intensively on the project since the start of the year and look forward to expanding the research further in the coming months.

The question of how AI and physical machines can actively become co-creators of musical processes lies at the heart of this work. I am currently developing a system in which a swarm of modular robots, floating on a specially constructed air table, explores the relationships between data, movement and sound, thereby giving rise to new musical realities. The installation examines how machine agents not only process data, but also translate it into spatial and sonic experiences. The focus is on complex systems, self-organisation and the question of how musical form can emerge in real time from local interactions.

What fascinates me most is the idea of music as a process: composition not as defining a finished work, but as designing the conditions for a system to unfold on its own.

The project builds on earlier work that I began over ten years ago during a residency at the Laboratory for Artificial Intelligence at the University of Zurich, under the supervision of Rolf Pfeifer, and takes this work further within the intersection of AI, robotics and algorithmic composition.

I am very much looking forward to the coming months and to sharing insights into the research process.

#Musikfonds #AI #robotics #complexsystems #generativemusic

About two inspiring weeks at CASCB in Konstanz — fireflies, bats, bees, meerkats, and swarm intelligence. All feeding into new algorithms for musical co-improvisation. Next artistic residency: IRCAM, Paris. #Musikfonds #AI #Music #bioinspired @uni-konstanz.de

https://www.federicovisi.com/residency-at-the-centre-for-the-advanced-study-of-collective-behaviour/?utm_source=mastodon&utm_medium=jetpack_social

About two inspiring weeks at CASCB in Konstanz — fireflies, bats, bees, meerkats, and swarm intelligence. All feeding into new algorithms for musical co-improvisation. Next artistic residency: IRCAM, Paris. #Musikfonds #AI #Music #bioinspired @uni-konstanz.de

https://www.federicovisi.com/residency-at-the-centre-for-the-advanced-study-of-collective-behaviour/?utm_source=mastodon&utm_medium=jetpack_social

About two inspiring weeks at CASCB in Konstanz — fireflies, bats, bees, meerkats, and swarm intelligence. All feeding into new algorithms for musical co-improvisation. Next artistic residency: IRCAM, Paris. #Musikfonds #AI #Music #bioinspired @uni-konstanz.de

https://www.federicovisi.com/residency-at-the-centre-for-the-advanced-study-of-collective-behaviour/?utm_source=mastodon&utm_medium=jetpack_social

About two inspiring weeks at CASCB in Konstanz — fireflies, bats, bees, meerkats, and swarm intelligence. All feeding into new algorithms for musical co-improvisation. Next artistic residency: IRCAM, Paris. #Musikfonds #AI #Music #bioinspired @uni-konstanz.de

https://www.federicovisi.com/residency-at-the-centre-for-the-advanced-study-of-collective-behaviour/?utm_source=mastodon&utm_medium=jetpack_social

Logbuch der Kritischen Masse: uhren, die verkehrt herum gehen, ticken auch nicht anders
https://www.kritische-masse.de/logbuch/2024/08/uhren-die-verkehrt-herum-gehen-ticken-auch-nicht-anders/

Widerstand gegen Kürzungen bei den Bundeskulturfonds (Petition) +++ Jazz im Radio – die Rettungsaktion der Deutschen Jazzunion +++ Jahressteuergesetz 2024 ändern – Bildungs- und Kulturangebote sichern +++ … – Stichworte: #Bundeskulturfonds #DeutscheJazzunion #Musikfonds #DeutscherMusikrat #Jazz #Rundfunkreform

Logbuch der Kritischen Masse: Kraterkunde mit Jan B. – Claudia Roths Streiche – Trödel mit Vernunft
https://www.kritische-masse.de/logbuch/2024/07/kraterkunde-mit-jan-b-claudia-roths-streiche-troedel-mit-vernunft/

Wolfgang Rihm ist gestorben. Das ganze musikalische Weltnetz ist voll von Nachrufen und Erinnerungen in den sozialen Medien. Selbst in den Nachrichten von ARD und ZDF hat er einen kleinen Meldungsplatz bekommen. So zweifell… – Stichworte: #Kraterkunde #Musikfonds #Bundeskulturministerium #ClaudiaRoth #Museum #Rechtsextremismus #WolfgangRihm

Aktuell in der HörBar: M.E.A.N.: drei

Die vier Musiker schlabbern mit einer Spielfreude durch Genres und Klanggefühle: Mit Druck und Lässigkeit. Mit Leidenschaft und Verwirrtuosität sondergleichen.

https://hoerbar.nmz.de/2024/07/m-e-a-n-drei/
#Jazz #DominiqueEhlert #jazz #JazzHausMusik #MartinAuer #MatthiasEichhorn #Musikfonds #NeustartKultur #WernerNeumann

Aktuell in der HörBar: M.E.A.N.: drei

Die vier Musiker schlabbern mit einer Spielfreude durch Genres und Klanggefühle: Mit Druck und Lässigkeit. Mit Leidenschaft und Verwirrtuosität sondergleichen.

https://hoerbar.nmz.de/2024/07/m-e-a-n-drei/
#Jazz #DominiqueEhlert #jazz #JazzHausMusik #MartinAuer #MatthiasEichhorn #Musikfonds #NeustartKultur #WernerNeumann

Aktuell in der HörBar: M.E.A.N.: drei

Die vier Musiker schlabbern mit einer Spielfreude durch Genres und Klanggefühle: Mit Druck und Lässigkeit. Mit Leidenschaft und Verwirrtuosität sondergleichen.

https://hoerbar.nmz.de/2024/07/m-e-a-n-drei/
#Jazz #DominiqueEhlert #jazz #JazzHausMusik #MartinAuer #MatthiasEichhorn #Musikfonds #NeustartKultur #WernerNeumann