#musicrecommondation — Public Fediverse posts

TSR, those fine people from the Stockholm underground did a total #aciddecember banger. OMG, this is like wading through acid...

https://acid.datapop.se/2025/9

#aciddecember25 #acid #musicrecommondation

»Butting Trio« is back!!

Kind of. But new release! But recorded 2k21. Anyway. Am so happy right now!!

4 letters for peace!

https://butteringtrio.bandcamp.com/track/fuck-for-peace

#neosoul #Berlin #Telaviv #musicrecommondation

I can't deny it, some tracks from the 1994 #NineInchNails album will never leave me. The UNBELIEVABLE insane "Eraser", also "Reptile", of course "Hurt" (I like the original still the most - and the live piano version from 1995) and a couple of others, while other songs totally aren't my taste. Strange Album indeed.

I'd say they never got back to this kind of energy - understandable: You've got to be in a dark kind of state to be forced to struggle yourself free from it with SUCH music.

Anyway. They did the OST for the 2025 Tron: Ares Movie!! (Release in Germany: October, 9th).

And boy! They are so back!
I never heard that typical from the surface seen "nice n cozy" kinda "cyber Sphere synth" music, that feels that much threatening from deep down, so defective from the far inside.
It's like all falls apart in slowmo.

Trademark Tent Razor mood building! A bit of EBM cliché here and there, but not in a way that annoys me personally (yes, standard EBM annoys me to the brink - this here is different).
Even some harsh pop dancefloor smashers there. So cool!

https://album.link/y/OLAK5uy_kv_3KkfjM-8gBptNjoINqarLmZwjlmlnc

#nin #musicRecommondation

Samstag, am 5.7. gibz wieder #RadioIrrtum! auf Alex Berlin.

Was es leider nicht in die knappe Stunde geschafft hat (Sendung hab ich dieses Wochenende vorproduziert):

Kuchenmann: N_zi Cop

Zum einen ist Kuchenmann inzwischen sicherlich bekannt genug ;) (ich versuche ja, immer unbekannte Talente mit neuer Musik ans Licht zu zerren).
Zum anderen muss ich sagen, ist das musikalisch bei Weitem nicht auf dem Niveau, was ich sonst vom Kuchenmann gewöhnt bin. Die Beats hätten einfach besser laufen müssen und n Tick mehr Abwechslung hätte auch gern sein dürfen.

Aber der Text ist natürlich über all das erhaben und verdammt wahr - daher jetzt hier für Euch (Vorsicht, Link geht zu YouTube - versteh auch nicht, warum er Bandcamp nicht mehr bedient):

https://www.youtube.com/watch?v=iitpkaw5pO8

#music #hiphop #rap #germanRap #deutschRap #musicRecommondation #nofascism

I'm under the psychic impression that something is going on in the @[email protected] department, and it's coming from the future to haunt me in extended colors, right here:

https://zonawatusa.bandcamp.com/album/musicke-for-psychedelic-duelling-vol-3-the-loplop-pit


#psychedelicduelling #acidPsychedelogy #sonicBrainWaveReordering #musicrecommondation #underground #illegalMusicStyles

ladies:&:Gentleman, I'm blasted into pieces. My parts are all around now.

Because of Aroma Nice.
New release. Check it out if you are in...

#DnB #IDM #Jungle #Bass

https://yukumusic.bandcamp.com/album/cycling-into-oncoming-traffic

#musicrecommondation

Music Recension in 2 parts
(Yes, two parts: Even Misskey doesn’t give me the number of chars I need ;) )

Disclaimer:

I usually don’t do full album recensions, this in fact my first (all that in English – not my native language). Why do this then? I can’t explain. I just think I need to do it. Well – it may have something to do with having somehow befriended someone in the net – as far as this is possible, when you haven’t spoken with- or seen each other. The fact, that this recension is done for an album made by this person shouldn’t cloud my objective judgment but nevertheless may.
You’ve been warned.

The person I talk about is Stephan K. better known as the head of the Creative Commons music project “Schall und Stille” – so lets focus on his brand new release

Schall und Stille – Biike

Biike, that is an annual ceremony done mostly in Scandinavian countries to bid farewell to the winter involving huge bonfires. In a further sense this means: Let the past rest. Start something new. Something refreshing, renewing. Which turns out to be just a new cycle of the same. A new iteration. A new old. I may be carried away, but I think this all can be found in this album.
Which is fragile. Yes. I think “fragile” carries the vibe I get from the whole construct. Not in a sense of weakness or unstableness. But as in something, you know can be easily hurt, so you want to protect it to keep its beauty. It starts with broken chords – a motive reoccurring at almost every track – unfinished minor chords complementing each other in some sense but at the same time feel non complete, leaving the listener in some floating state. Not grounded, not flying high. The first track – an instrumental – sets this kind of mood and carries it over to the first real song. Friends. @[email protected] is doing the vocals himself here. And its obvious, he struggles doing so (which btw. has medical reasons, as he wrote lately) but doing this anyway doesn’t make the resulting track, technically a waltz, sound wrong at all. He is one with his music – and this is so much more important than most people think. All the fragility introduced from the intro track – it materializes here – carrying a deep sadness and a accordion alike sound with it. It is perfect the way it is. Speaking of sound design, I might be wrong, but I think there is LOTS of oldskuhl “wavetable” wizardry in place here. I know, Stephan is collecting all the old original Waldorf synths and breaths new live into them. The sounds coming out of that are fragile again in themselves, as they are not perfect: When listening closely there will be low bitrate/low samplerate aliasing all over those sounds making them appear more “human” because of their technical imperfection. (1/2)

#review #musicReview #musicRecommondation #CreativeCommons