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#modern-jazz-quartet — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #modern-jazz-quartet, aggregated by home.social.

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  1. "Django" is a 1954 #jazzStandard written by #JohnLewis as a tribute to the Belgian-born jazz guitarist #DjangoReinhardt. It was a signature composition of the #ModernJazzQuartet, of which Lewis was the pianist and musical director.
    youtube.com/watch?v=awIrKZRibys

  2. "Django" is a 1954 #jazzStandard written by #JohnLewis as a tribute to the Belgian-born jazz guitarist #DjangoReinhardt. It was a signature composition of the #ModernJazzQuartet, of which Lewis was the pianist and musical director.
    youtube.com/watch?v=awIrKZRibys

  3. "Django" is a 1954 #jazzStandard written by #JohnLewis as a tribute to the Belgian-born jazz guitarist #DjangoReinhardt. It was a signature composition of the #ModernJazzQuartet, of which Lewis was the pianist and musical director.
    youtube.com/watch?v=awIrKZRibys

  4. "Django" is a 1954 #jazzStandard written by #JohnLewis as a tribute to the Belgian-born jazz guitarist #DjangoReinhardt. It was a signature composition of the #ModernJazzQuartet, of which Lewis was the pianist and musical director.
    youtube.com/watch?v=awIrKZRibys

  5. "Django" is a 1954 #jazzStandard written by #JohnLewis as a tribute to the Belgian-born jazz guitarist #DjangoReinhardt. It was a signature composition of the #ModernJazzQuartet, of which Lewis was the pianist and musical director.
    youtube.com/watch?v=awIrKZRibys

  6. "Milano" è una composizione anomala, con un tema privo di tensioni, costruito quasi per intero sulla scala di Do Maggiore. John Lewis voleva mescolare improvvisazione e parti scritte, il risultato è sicuramente affascinante.

    Leggi di più 👉 Modern Jazz Quartet, Milano. Tra musica classica e Jazz
    ▸ go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  7. A little MJQ earlier this morning. Before I swapped in a new stylus. The second track on the B side “Home” has an awesome groove. Reminds me of Lee Morgan’s Sidewinder. And Bag’s Groove as the final track with the back and forth left and right channel between the piano and vibraphone is a crowd pleaser.

    #jazz #vinyl #MJQ #ModernJazzQuartet

  8. A little MJQ earlier this morning. Before I swapped in a new stylus. The second track on the B side “Home” has an awesome groove. Reminds me of Lee Morgan’s Sidewinder. And Bag’s Groove as the final track with the back and forth left and right channel between the piano and vibraphone is a crowd pleaser.

    #jazz #vinyl #MJQ #ModernJazzQuartet

  9. A little MJQ earlier this morning. Before I swapped in a new stylus. The second track on the B side “Home” has an awesome groove. Reminds me of Lee Morgan’s Sidewinder. And Bag’s Groove as the final track with the back and forth left and right channel between the piano and vibraphone is a crowd pleaser.

    #jazz #vinyl #MJQ #ModernJazzQuartet

  10. A little MJQ earlier this morning. Before I swapped in a new stylus. The second track on the B side “Home” has an awesome groove. Reminds me of Lee Morgan’s Sidewinder. And Bag’s Groove as the final track with the back and forth left and right channel between the piano and vibraphone is a crowd pleaser.

    #jazz #vinyl #MJQ #ModernJazzQuartet

  11. 1964 - Annonces de concerts au Théâtre des Champs-Elysées (Paris):
    Duke Ellington et son Grand Orchestre (en mars) et le Modern Jazz Quartet (en avril)

    #jazz #DukeEllington #ModernJazzQuartet

  12. 1964 - Annonces de concerts au Théâtre des Champs-Elysées (Paris):
    Duke Ellington et son Grand Orchestre (en mars) et le Modern Jazz Quartet (en avril)

    #jazz #DukeEllington #ModernJazzQuartet

  13. 1964 - Annonces de concerts au Théâtre des Champs-Elysées (Paris):
    Duke Ellington et son Grand Orchestre (en mars) et le Modern Jazz Quartet (en avril)

    #jazz #DukeEllington #ModernJazzQuartet

  14. 1964 - Annonces de concerts au Théâtre des Champs-Elysées (Paris):
    Duke Ellington et son Grand Orchestre (en mars) et le Modern Jazz Quartet (en avril)

    #jazz #DukeEllington #ModernJazzQuartet

  15. Gli arrangiamenti di John Lewis sono molto curati e cercano di avvicinare il jazz al repertorio classico. Ho provato ad analizzare il suo brano intitolato "Milano".

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  16. Gli arrangiamenti di John Lewis sono molto curati e cercano di avvicinare il jazz al repertorio classico. Ho provato ad analizzare il suo brano intitolato "Milano".

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  17. Gli arrangiamenti di John Lewis sono molto curati e cercano di avvicinare il jazz al repertorio classico. Ho provato ad analizzare il suo brano intitolato "Milano".

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  18. Gli arrangiamenti di John Lewis sono molto curati e cercano di avvicinare il jazz al repertorio classico. Ho provato ad analizzare il suo brano intitolato "Milano".

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  19. John Lewis era un esponente della "terza corrente", cercava di unire musica classica e jazz. Forse questo dibattito non è più interessante, ma la musica rimane superlativa.

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  20. John Lewis era un esponente della "terza corrente", cercava di unire musica classica e jazz. Forse questo dibattito non è più interessante, ma la musica rimane superlativa.

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  21. John Lewis era un esponente della "terza corrente", cercava di unire musica classica e jazz. Forse questo dibattito non è più interessante, ma la musica rimane superlativa.

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  22. John Lewis era un esponente della "terza corrente", cercava di unire musica classica e jazz. Forse questo dibattito non è più interessante, ma la musica rimane superlativa.

    Leggi di più 👉 go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  23. John Lewis cerca una sintesi tra progettazione e libertà, parti scritte e parti improvvisate, musica classica e jazz. Secondo voi ci riesce?

    Vai all'articolo: Modern Jazz Quartet, Milano. Tra musica classica e Jazz
    ▸ go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  24. John Lewis cerca una sintesi tra progettazione e libertà, parti scritte e parti improvvisate, musica classica e jazz. Secondo voi ci riesce?

    Vai all'articolo: Modern Jazz Quartet, Milano. Tra musica classica e Jazz
    ▸ go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  25. John Lewis cerca una sintesi tra progettazione e libertà, parti scritte e parti improvvisate, musica classica e jazz. Secondo voi ci riesce?

    Vai all'articolo: Modern Jazz Quartet, Milano. Tra musica classica e Jazz
    ▸ go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  26. John Lewis cerca una sintesi tra progettazione e libertà, parti scritte e parti improvvisate, musica classica e jazz. Secondo voi ci riesce?

    Vai all'articolo: Modern Jazz Quartet, Milano. Tra musica classica e Jazz
    ▸ go.leoravera.it/3NlkkKr

    #ModernJazzQuartet #Jazz
    go.leoravera.it/3NlkkKr

  27. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  28. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  29. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  30. Milt Jackson, Ballads & Blues, 1956 on Atlantic

    Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith (guitar). (Lewis and Clarke had […]

    #1950s #1956 #2019 #Atlantic #BarneyKessel #BarryGailbraith #Bop #jazz #JohnLewis #KennyClarke #LawrenceMarable #LuckyThomson #MiltJackson #ModernJazzQuartet #NesuhiErtegun #OscarPettiford #PercyHeath #Reissue #SkeeterBest #SpeakersCornerRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot

    wp.me/p4tTZ-6Fp

  31. John Lewis & Sacha Distel - Afternoon in Paris

    MJQ - Bags + Distel (Guitar) & Wilen (Sax), basically, playing a fun group of tunes. A little weird to have most of MJQ playing Bags' Groove without the titular vibes player, but it works anyway.

    Pristine Sam Records repress in the original style. Pallas did a great job…

    #nowplaying #vinyl #jazz #johnlewis #sachadistel #barneywilen #modernjazzquartet

  32. John Lewis & Sacha Distel - Afternoon in Paris

    MJQ - Bags + Distel (Guitar) & Wilen (Sax), basically, playing a fun group of tunes. A little weird to have most of MJQ playing Bags' Groove without the titular vibes player, but it works anyway.

    Pristine Sam Records repress in the original style. Pallas did a great job…

    #nowplaying #vinyl #jazz #johnlewis #sachadistel #barneywilen #modernjazzquartet

  33. John Lewis & Sacha Distel - Afternoon in Paris

    MJQ - Bags + Distel (Guitar) & Wilen (Sax), basically, playing a fun group of tunes. A little weird to have most of MJQ playing Bags' Groove without the titular vibes player, but it works anyway.

    Pristine Sam Records repress in the original style. Pallas did a great job…

    #nowplaying #vinyl #jazz #johnlewis #sachadistel #barneywilen #modernjazzquartet