#ming-dynasty — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ming-dynasty, aggregated by home.social.
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Si Sheppard: Spain’s Silver Was a Trap, Not an Advantage — BigGo Finance
In 1521, a force that was 99.5% indigenous soldiers marched on the Aztec capital of Tenochtitlan. The Spanish…
#Spain #ES #Europe #Europa #EU #Atahualpa #AztecEmpire #Cajamarca #DwarkeshPatel #FranciscoPizarro #hernáncortés #IncaEmpire #MingDynasty #MoctezumaII #Potosí #SiSheppard #SpanishEmpire #Tenochtitlan #Tlaxcalans
https://www.europesays.com/spain/94438/ -
Book Review: Silk and Sensibility by Mengxi Seeley
Title: Silk and Sensibility
Author: Mengxi Seeley
Publisher: Shadow Mountain Publishing
Publication date: September 15, 2026
Genre: Historical Fiction
Jane Austen’s Sense and Sensibility is one of my favorite novels. I love the story of Elinor and Marianne and their complicated romances. I’ve also been looking more for Chinese-inspired novels, and have been enjoying maybe way too many Chinese dramas over the past few years. Silk and Sensibility scratched an itch I didn’t know I had: a cross of Regency England with ancient China, apparently. While it wasn’t always a successful balance of the two all the way through, the story worked extremely well and was a delight to read.
Ailin and Meilin are the daughters of a famous Scholar and his second wife. Sadly, their father has just passed and their older half-brother has returned home to take charge, along with his wife, who despises the sisters, their younger sister, and their mother. In order to fund her mother’s nurse’s retirement, forced on all of them by the brother’s wife, Ailin attempts to sell part of her dowry, and instead gets the chance to paint for money. On her return home, Ailin and her maid encounter a student headed the same way, Fan Enze, the brother her sister-in-law has been expecting. Even though sparks fly, the sister-in-law would never condone a match and, when she suspects Ailin of taking her brother’s attention off his studies, Ailin’s mother decides to move herself and her daughters to another city, to live with her brother and his in-laws. There, Ailin gets the opportunity to paint and hope for Enze’s arrival with a proposal and Meilin falls in love with one of the tenants, playwright Wei Loubi, despite another tenant’s, Captain Bai, strong dissension. But instead of a smooth path to their happily ever afters, the sisters encounter love rivals, river pirates, and corrupt officials.
It may have been a while since I last read Sense and Sensibility, but I know this story. Ailin and Meilin were Elinor and Marianne. Their approaches to love were the same, their heartbreaks the same, and their determination just as strong. This influence on Silk and Sensibility is clear from the beginning. I was a little disappointed Meilin felt more like the impulsive Marianne than the dutiful daughter of a scholarly household, so sometimes it was hard to ignore the inspiration behind this story. There were also several instances where the original shone through a little brighter, where, for a brief moment, I felt I was a little more in Regency England than ancient China. While the story changed to fit the new world and time period, the plot points were hit, and it actually worked very well. Despite this sometimes feeling like the author leaned a little too much into the original, taking me out of ancient China now and then, the story did flow smoothly, and all the alterations to fit the new world didn’t detract or make it into something completely new and different.
This also reads a bit like an historical Chinese drama, and I sometimes felt like I could see the story playing out like one of them. I’m far from an expert on ancient China and the Ming Dynasty, but I can safely say it fit well with all the historical Chinese dramas I’ve watched. I wish there had been a little more to the corrupt officials like I usually see, but the inclusion was enough. This is, after all, a love story. What I loved most was that there were some passages where I could see it play out as though it were in a drama. There are things I’m used to seeing, and often expect to see, and I found those on the page. They’re just little things, but they always made me think this would make a great Chinese drama. As for the historical accuracy, I liked that foot binding and the structure of ancient Chinese families were included, and the river pirates were a fantastic addition.
As for the characters, they felt like their original counterparts. I had no idea how well Regency England and the Ming Dynasty would work, but their behavior and sensibilities were very similar, or close enough, so the characters managed to be completely recognizable and still fit the new world. Of course, there were times when Meilin’s character was a little jarring, and sometimes Grandmother Jiang felt a little too modern, but, for the most part, I found them to be very successful.
I found Silk and Sensibility to be a wonderful Chinese-inspired interpretation. The world felt vibrant and alive, and the story followed the original’s footsteps. While I sometimes felt more pulled into one world or the other, I found most of the novel to be nicely balanced. I would love to see this adapted into a Chinese drama because so many scenes felt so vivid in my mind. But I also just really enjoyed this and was sorry when it ended.
How many cups of tea will you need?
4 cups
Amazon | Bookshop (The Lily Cafe is a Bookshop affiliate and may earn a small commission if you use this link to make a purchase)
Thank you to NetGalley and the publisher for a review copy. All opinions expressed are my own.
Head over to the Bookshelf to check out my reviews of books from the Big 5 and self-published, indie, and small press books.
This blog is my home base, but you can also find me on:
Pinterest | Instagram | Twitter | Facebook
#ancientChina #BookReview #historicalFiction #mengxiSeeley #mingDynasty #netgalley #senseAndSensibility #shadowMountainPublishing #silkAndSensibility -
Book Review: Silk and Sensibility by Mengxi Seeley
Title: Silk and Sensibility
Author: Mengxi Seeley
Publisher: Shadow Mountain Publishing
Publication date: September 15, 2026
Genre: Historical Fiction
Jane Austen’s Sense and Sensibility is one of my favorite novels. I love the story of Elinor and Marianne and their complicated romances. I’ve also been looking more for Chinese-inspired novels, and have been enjoying maybe way too many Chinese dramas over the past few years. Silk and Sensibility scratched an itch I didn’t know I had: a cross of Regency England with ancient China, apparently. While it wasn’t always a successful balance of the two all the way through, the story worked extremely well and was a delight to read.
Ailin and Meilin are the daughters of a famous Scholar and his second wife. Sadly, their father has just passed and their older half-brother has returned home to take charge, along with his wife, who despises the sisters, their younger sister, and their mother. In order to fund her mother’s nurse’s retirement, forced on all of them by the brother’s wife, Ailin attempts to sell part of her dowry, and instead gets the chance to paint for money. On her return home, Ailin and her maid encounter a student headed the same way, Fan Enze, the brother her sister-in-law has been expecting. Even though sparks fly, the sister-in-law would never condone a match and, when she suspects Ailin of taking her brother’s attention off his studies, Ailin’s mother decides to move herself and her daughters to another city, to live with her brother and his in-laws. There, Ailin gets the opportunity to paint and hope for Enze’s arrival with a proposal and Meilin falls in love with one of the tenants, playwright Wei Loubi, despite another tenant’s, Captain Bai, strong dissension. But instead of a smooth path to their happily ever afters, the sisters encounter love rivals, river pirates, and corrupt officials.
It may have been a while since I last read Sense and Sensibility, but I know this story. Ailin and Meilin were Elinor and Marianne. Their approaches to love were the same, their heartbreaks the same, and their determination just as strong. This influence on Silk and Sensibility is clear from the beginning. I was a little disappointed Meilin felt more like the impulsive Marianne than the dutiful daughter of a scholarly household, so sometimes it was hard to ignore the inspiration behind this story. There were also several instances where the original shone through a little brighter, where, for a brief moment, I felt I was a little more in Regency England than ancient China. While the story changed to fit the new world and time period, the plot points were hit, and it actually worked very well. Despite this sometimes feeling like the author leaned a little too much into the original, taking me out of ancient China now and then, the story did flow smoothly, and all the alterations to fit the new world didn’t detract or make it into something completely new and different.
This also reads a bit like an historical Chinese drama, and I sometimes felt like I could see the story playing out like one of them. I’m far from an expert on ancient China and the Ming Dynasty, but I can safely say it fit well with all the historical Chinese dramas I’ve watched. I wish there had been a little more to the corrupt officials like I usually see, but the inclusion was enough. This is, after all, a love story. What I loved most was that there were some passages where I could see it play out as though it were in a drama. There are things I’m used to seeing, and often expect to see, and I found those on the page. They’re just little things, but they always made me think this would make a great Chinese drama. As for the historical accuracy, I liked that foot binding and the structure of ancient Chinese families were included, and the river pirates were a fantastic addition.
As for the characters, they felt like their original counterparts. I had no idea how well Regency England and the Ming Dynasty would work, but their behavior and sensibilities were very similar, or close enough, so the characters managed to be completely recognizable and still fit the new world. Of course, there were times when Meilin’s character was a little jarring, and sometimes Grandmother Jiang felt a little too modern, but, for the most part, I found them to be very successful.
I found Silk and Sensibility to be a wonderful Chinese-inspired interpretation. The world felt vibrant and alive, and the story followed the original’s footsteps. While I sometimes felt more pulled into one world or the other, I found most of the novel to be nicely balanced. I would love to see this adapted into a Chinese drama because so many scenes felt so vivid in my mind. But I also just really enjoyed this and was sorry when it ended.
How many cups of tea will you need?
4 cups
Amazon | Bookshop (The Lily Cafe is a Bookshop affiliate and may earn a small commission if you use this link to make a purchase)
Thank you to NetGalley and the publisher for a review copy. All opinions expressed are my own.
Head over to the Bookshelf to check out my reviews of books from the Big 5 and self-published, indie, and small press books.
This blog is my home base, but you can also find me on:
Pinterest | Instagram | Twitter | Facebook
#ancientChina #BookReview #historicalFiction #mengxiSeeley #mingDynasty #netgalley #senseAndSensibility #shadowMountainPublishing #silkAndSensibility -
Book Review: Silk and Sensibility by Mengxi Seeley
Title: Silk and Sensibility
Author: Mengxi Seeley
Publisher: Shadow Mountain Publishing
Publication date: September 15, 2026
Genre: Historical Fiction
Jane Austen’s Sense and Sensibility is one of my favorite novels. I love the story of Elinor and Marianne and their complicated romances. I’ve also been looking more for Chinese-inspired novels, and have been enjoying maybe way too many Chinese dramas over the past few years. Silk and Sensibility scratched an itch I didn’t know I had: a cross of Regency England with ancient China, apparently. While it wasn’t always a successful balance of the two all the way through, the story worked extremely well and was a delight to read.
Ailin and Meilin are the daughters of a famous Scholar and his second wife. Sadly, their father has just passed and their older half-brother has returned home to take charge, along with his wife, who despises the sisters, their younger sister, and their mother. In order to fund her mother’s nurse’s retirement, forced on all of them by the brother’s wife, Ailin attempts to sell part of her dowry, and instead gets the chance to paint for money. On her return home, Ailin and her maid encounter a student headed the same way, Fan Enze, the brother her sister-in-law has been expecting. Even though sparks fly, the sister-in-law would never condone a match and, when she suspects Ailin of taking her brother’s attention off his studies, Ailin’s mother decides to move herself and her daughters to another city, to live with her brother and his in-laws. There, Ailin gets the opportunity to paint and hope for Enze’s arrival with a proposal and Meilin falls in love with one of the tenants, playwright Wei Loubi, despite another tenant’s, Captain Bai, strong dissension. But instead of a smooth path to their happily ever afters, the sisters encounter love rivals, river pirates, and corrupt officials.
It may have been a while since I last read Sense and Sensibility, but I know this story. Ailin and Meilin were Elinor and Marianne. Their approaches to love were the same, their heartbreaks the same, and their determination just as strong. This influence on Silk and Sensibility is clear from the beginning. I was a little disappointed Meilin felt more like the impulsive Marianne than the dutiful daughter of a scholarly household, so sometimes it was hard to ignore the inspiration behind this story. There were also several instances where the original shone through a little brighter, where, for a brief moment, I felt I was a little more in Regency England than ancient China. While the story changed to fit the new world and time period, the plot points were hit, and it actually worked very well. Despite this sometimes feeling like the author leaned a little too much into the original, taking me out of ancient China now and then, the story did flow smoothly, and all the alterations to fit the new world didn’t detract or make it into something completely new and different.
This also reads a bit like an historical Chinese drama, and I sometimes felt like I could see the story playing out like one of them. I’m far from an expert on ancient China and the Ming Dynasty, but I can safely say it fit well with all the historical Chinese dramas I’ve watched. I wish there had been a little more to the corrupt officials like I usually see, but the inclusion was enough. This is, after all, a love story. What I loved most was that there were some passages where I could see it play out as though it were in a drama. There are things I’m used to seeing, and often expect to see, and I found those on the page. They’re just little things, but they always made me think this would make a great Chinese drama. As for the historical accuracy, I liked that foot binding and the structure of ancient Chinese families were included, and the river pirates were a fantastic addition.
As for the characters, they felt like their original counterparts. I had no idea how well Regency England and the Ming Dynasty would work, but their behavior and sensibilities were very similar, or close enough, so the characters managed to be completely recognizable and still fit the new world. Of course, there were times when Meilin’s character was a little jarring, and sometimes Grandmother Jiang felt a little too modern, but, for the most part, I found them to be very successful.
I found Silk and Sensibility to be a wonderful Chinese-inspired interpretation. The world felt vibrant and alive, and the story followed the original’s footsteps. While I sometimes felt more pulled into one world or the other, I found most of the novel to be nicely balanced. I would love to see this adapted into a Chinese drama because so many scenes felt so vivid in my mind. But I also just really enjoyed this and was sorry when it ended.
How many cups of tea will you need?
4 cups
Amazon | Bookshop (The Lily Cafe is a Bookshop affiliate and may earn a small commission if you use this link to make a purchase)
Thank you to NetGalley and the publisher for a review copy. All opinions expressed are my own.
Head over to the Bookshelf to check out my reviews of books from the Big 5 and self-published, indie, and small press books.
This blog is my home base, but you can also find me on:
Pinterest | Instagram | Twitter | Facebook
#ancientChina #BookReview #historicalFiction #mengxiSeeley #mingDynasty #netgalley #senseAndSensibility #shadowMountainPublishing #silkAndSensibility -
Book Review: Silk and Sensibility by Mengxi Seeley
Title: Silk and Sensibility
Author: Mengxi Seeley
Publisher: Shadow Mountain Publishing
Publication date: September 15, 2026
Genre: Historical Fiction
Jane Austen’s Sense and Sensibility is one of my favorite novels. I love the story of Elinor and Marianne and their complicated romances. I’ve also been looking more for Chinese-inspired novels, and have been enjoying maybe way too many Chinese dramas over the past few years. Silk and Sensibility scratched an itch I didn’t know I had: a cross of Regency England with ancient China, apparently. While it wasn’t always a successful balance of the two all the way through, the story worked extremely well and was a delight to read.
Ailin and Meilin are the daughters of a famous Scholar and his second wife. Sadly, their father has just passed and their older half-brother has returned home to take charge, along with his wife, who despises the sisters, their younger sister, and their mother. In order to fund her mother’s nurse’s retirement, forced on all of them by the brother’s wife, Ailin attempts to sell part of her dowry, and instead gets the chance to paint for money. On her return home, Ailin and her maid encounter a student headed the same way, Fan Enze, the brother her sister-in-law has been expecting. Even though sparks fly, the sister-in-law would never condone a match and, when she suspects Ailin of taking her brother’s attention off his studies, Ailin’s mother decides to move herself and her daughters to another city, to live with her brother and his in-laws. There, Ailin gets the opportunity to paint and hope for Enze’s arrival with a proposal and Meilin falls in love with one of the tenants, playwright Wei Loubi, despite another tenant’s, Captain Bai, strong dissension. But instead of a smooth path to their happily ever afters, the sisters encounter love rivals, river pirates, and corrupt officials.
It may have been a while since I last read Sense and Sensibility, but I know this story. Ailin and Meilin were Elinor and Marianne. Their approaches to love were the same, their heartbreaks the same, and their determination just as strong. This influence on Silk and Sensibility is clear from the beginning. I was a little disappointed Meilin felt more like the impulsive Marianne than the dutiful daughter of a scholarly household, so sometimes it was hard to ignore the inspiration behind this story. There were also several instances where the original shone through a little brighter, where, for a brief moment, I felt I was a little more in Regency England than ancient China. While the story changed to fit the new world and time period, the plot points were hit, and it actually worked very well. Despite this sometimes feeling like the author leaned a little too much into the original, taking me out of ancient China now and then, the story did flow smoothly, and all the alterations to fit the new world didn’t detract or make it into something completely new and different.
This also reads a bit like an historical Chinese drama, and I sometimes felt like I could see the story playing out like one of them. I’m far from an expert on ancient China and the Ming Dynasty, but I can safely say it fit well with all the historical Chinese dramas I’ve watched. I wish there had been a little more to the corrupt officials like I usually see, but the inclusion was enough. This is, after all, a love story. What I loved most was that there were some passages where I could see it play out as though it were in a drama. There are things I’m used to seeing, and often expect to see, and I found those on the page. They’re just little things, but they always made me think this would make a great Chinese drama. As for the historical accuracy, I liked that foot binding and the structure of ancient Chinese families were included, and the river pirates were a fantastic addition.
As for the characters, they felt like their original counterparts. I had no idea how well Regency England and the Ming Dynasty would work, but their behavior and sensibilities were very similar, or close enough, so the characters managed to be completely recognizable and still fit the new world. Of course, there were times when Meilin’s character was a little jarring, and sometimes Grandmother Jiang felt a little too modern, but, for the most part, I found them to be very successful.
I found Silk and Sensibility to be a wonderful Chinese-inspired interpretation. The world felt vibrant and alive, and the story followed the original’s footsteps. While I sometimes felt more pulled into one world or the other, I found most of the novel to be nicely balanced. I would love to see this adapted into a Chinese drama because so many scenes felt so vivid in my mind. But I also just really enjoyed this and was sorry when it ended.
How many cups of tea will you need?
4 cups
Amazon | Bookshop (The Lily Cafe is a Bookshop affiliate and may earn a small commission if you use this link to make a purchase)
Thank you to NetGalley and the publisher for a review copy. All opinions expressed are my own.
Head over to the Bookshelf to check out my reviews of books from the Big 5 and self-published, indie, and small press books.
This blog is my home base, but you can also find me on:
Pinterest | Instagram | Twitter | Facebook
#ancientChina #BookReview #historicalFiction #mengxiSeeley #mingDynasty #netgalley #senseAndSensibility #shadowMountainPublishing #silkAndSensibility -
A thatched hut emerges from mist, its sloping roof dissolving into wet ink. This scroll maps a scholar’s retreat—words and seals anchor the silence of exile.
How many red seals mark the boundary between absence and belonging?
#ClevelandMuseumofArt #ChineseLandscape #MingDynasty
https://clevelandart.org/art/2008.108 -
A thatched hut emerges from mist, its sloping roof dissolving into wet ink. This scroll maps a scholar’s retreat—words and seals anchor the silence of exile.
How many red seals mark the boundary between absence and belonging?
#ClevelandMuseumofArt #ChineseLandscape #MingDynasty
https://clevelandart.org/art/2008.108 -
Lost Ming Dynasty goldworking technique recreated after nearly 500 years
Chinese goldsmiths during Ming Dynasty produced fine jewelry found in Hubei province tombs. A recent study in NPJ Heritage Science examined earrings from Prince Zhu Zairong tomb, died 1545. Researchers studied a lost method named Jin zhe si. The method creates filigree appearance without using wire...
More information: https://archaeologymag.com/2026/07/ming-dynasty-goldworking-technique-recreated/
Follow @archaeology
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Lost Ming Dynasty goldworking technique recreated after nearly 500 years
Chinese goldsmiths during Ming Dynasty produced fine jewelry found in Hubei province tombs. A recent study in NPJ Heritage Science examined earrings from Prince Zhu Zairong tomb, died 1545. Researchers studied a lost method named Jin zhe si. The method creates filigree appearance without using wire...
More information: https://archaeologymag.com/2026/07/ming-dynasty-goldworking-technique-recreated/
Follow @archaeology
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Lost Ming Dynasty goldworking technique recreated after nearly 500 years
Chinese goldsmiths during Ming Dynasty produced fine jewelry found in Hubei province tombs. A recent study in NPJ Heritage Science examined earrings from Prince Zhu Zairong tomb, died 1545. Researchers studied a lost method named Jin zhe si. The method creates filigree appearance without using wire...
More information: https://archaeologymag.com/2026/07/ming-dynasty-goldworking-technique-recreated/
Follow @archaeology
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Lost Ming Dynasty goldworking technique recreated after nearly 500 years
Chinese goldsmiths during Ming Dynasty produced fine jewelry found in Hubei province tombs. A recent study in NPJ Heritage Science examined earrings from Prince Zhu Zairong tomb, died 1545. Researchers studied a lost method named Jin zhe si. The method creates filigree appearance without using wire...
More information: https://archaeologymag.com/2026/07/ming-dynasty-goldworking-technique-recreated/
Follow @archaeology
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Road workers accidentally uncovered a 700-year-old Ming Dynasty mummy preserved with astonishing detail inside a coffin filled with a mysterious brown liquid.
#AncientOrigins #Mummy #China #MingDynasty #Archaeology #AncientMysteries #LostHistory #AncientDiscovery
Read more:https://www.ancient-origins.net/news-history-archaeology/taizhou-mummy-002202 -
Road workers accidentally uncovered a 700-year-old Ming Dynasty mummy preserved with astonishing detail inside a coffin filled with a mysterious brown liquid.
#AncientOrigins #Mummy #China #MingDynasty #Archaeology #AncientMysteries #LostHistory #AncientDiscovery
Read more:https://www.ancient-origins.net/news-history-archaeology/taizhou-mummy-002202 -
Road workers accidentally uncovered a 700-year-old Ming Dynasty mummy preserved with astonishing detail inside a coffin filled with a mysterious brown liquid.
#AncientOrigins #Mummy #China #MingDynasty #Archaeology #AncientMysteries #LostHistory #AncientDiscovery
Read more:https://www.ancient-origins.net/news-history-archaeology/taizhou-mummy-002202 -
Road workers accidentally uncovered a 700-year-old Ming Dynasty mummy preserved with astonishing detail inside a coffin filled with a mysterious brown liquid.
#AncientOrigins #Mummy #China #MingDynasty #Archaeology #AncientMysteries #LostHistory #AncientDiscovery
Read more:https://www.ancient-origins.net/news-history-archaeology/taizhou-mummy-002202 -
Ancient Chinese Surgeon's Tools Yield Earliest Chemical Proof of Anesthetic Use
Chemical proof found on 15th-century Chinese surgeon's tools shows earliest use of anesthetics. This changes understanding of ancient pain relief.
#AncientMedicine, #AnesthesiaHistory, #ChineseMedicine, #MingDynasty, #SurgicalTools
https://newsletter.tf/15th-century-chinese-anesthetic-tools-proof/
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New research found chemical proof of anesthetics on tools from the 1400s, showing Chinese doctors used them much earlier than thought.
#AncientMedicine, #AnesthesiaHistory, #ChineseMedicine, #MingDynasty, #SurgicalTools
https://newsletter.tf/15th-century-chinese-anesthetic-tools-proof/ -
This Week in Science: A Sleep Apnea Pill, Ancient Anesthetic, And More! https://www.byteseu.com/2063376/ #FDAApproval #MingDynasty #ObstructiveSleepApnea #Science #SLEEPAPNEA #spacetime #SurgicalScissors #SurgicalTools #XiaQuan
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Oldest Evidence of Surgical Anesthesia Found on 600-Year-Old Chinese Tools #China #archaeology #archaeologylovers #mingdynasty #excavation #mustread https://www.gsnsp.com/oldest-surgical-anesthesia-evidence-ming-dynasty-tools/
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Oldest Evidence of Surgical Anesthesia Found on 600-Year-Old Chinese Tools #China #archaeology #archaeologylovers #mingdynasty #excavation #mustread https://www.gsnsp.com/oldest-surgical-anesthesia-evidence-ming-dynasty-tools/
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Oldest Evidence of Surgical Anesthesia Found on 600-Year-Old Chinese Tools #China #archaeology #archaeologylovers #mingdynasty #excavation #mustread https://www.gsnsp.com/oldest-surgical-anesthesia-evidence-ming-dynasty-tools/
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Oldest Evidence of Surgical Anesthesia Found on 600-Year-Old Chinese Tools #China #archaeology #archaeologylovers #mingdynasty #excavation #mustread https://www.gsnsp.com/oldest-surgical-anesthesia-evidence-ming-dynasty-tools/
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Bright red rust on Ming Dynasty surgical scissors contained traces of aconitine — a toxic plant alkaloid used as an anaesthetic. New SRS analysis provides the first direct chemical evidence for surgical pain management in ancient China. #Archaeology #MingDynasty #MedicalHistory @Antiquity https://www.anthropology.net/p/a-poison-on-the-blade-aconitine-traces
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Bright red rust on Ming Dynasty surgical scissors contained traces of aconitine — a toxic plant alkaloid used as an anaesthetic. New SRS analysis provides the first direct chemical evidence for surgical pain management in ancient China. #Archaeology #MingDynasty #MedicalHistory @Antiquity https://www.anthropology.net/p/a-poison-on-the-blade-aconitine-traces
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Bright red rust on Ming Dynasty surgical scissors contained traces of aconitine — a toxic plant alkaloid used as an anaesthetic. New SRS analysis provides the first direct chemical evidence for surgical pain management in ancient China. #Archaeology #MingDynasty #MedicalHistory @Antiquity https://www.anthropology.net/p/a-poison-on-the-blade-aconitine-traces
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Bright red rust on Ming Dynasty surgical scissors contained traces of aconitine — a toxic plant alkaloid used as an anaesthetic. New SRS analysis provides the first direct chemical evidence for surgical pain management in ancient China. #Archaeology #MingDynasty #MedicalHistory @Antiquity https://www.anthropology.net/p/a-poison-on-the-blade-aconitine-traces
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Gold-thread cranes ascend through cobalt clouds, their wings outstretched toward a radiant sun disk. This Ming-dynasty rank badge encoded loyalty to the emperor while signaling the wearer’s civil rank—what details reveal the weaver’s hand in balancing symmetry and spontaneity?
#MingDynasty #TextileArt #ClevelandMuseumofArt
https://clevelandart.org/art/1916.1330 -
Gold-thread cranes ascend through cobalt clouds, their wings outstretched toward a radiant sun disk. This Ming-dynasty rank badge encoded loyalty to the emperor while signaling the wearer’s civil rank—what details reveal the weaver’s hand in balancing symmetry and spontaneity?
#MingDynasty #TextileArt #ClevelandMuseumofArt
https://clevelandart.org/art/1916.1330 -
Gold-thread cranes ascend through cobalt clouds, their wings outstretched toward a radiant sun disk. This Ming-dynasty rank badge encoded loyalty to the emperor while signaling the wearer’s civil rank—what details reveal the weaver’s hand in balancing symmetry and spontaneity?
#MingDynasty #TextileArt #ClevelandMuseumofArt
https://clevelandart.org/art/1916.1330 -
The stunning "Nine Dragons & Nine Phoenixes Crown" of Ming Empress Xiaoduan 👑 A top treasure at China's National Museum. Crafted with gold & rare kingfisher feathers ("Diancui"). Empress Wang, from a humble background, was central to the epic "Succession Crisis" that weakened the Ming Dynasty. 🏛️
#MingDynasty #ChineseHistory #NationalMuseum #CulturalHeritage #Archaeology #ArtHistory #ImperialJewelry
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The stunning "Nine Dragons & Nine Phoenixes Crown" of Ming Empress Xiaoduan 👑 A top treasure at China's National Museum. Crafted with gold & rare kingfisher feathers ("Diancui"). Empress Wang, from a humble background, was central to the epic "Succession Crisis" that weakened the Ming Dynasty. 🏛️
#MingDynasty #ChineseHistory #NationalMuseum #CulturalHeritage #Archaeology #ArtHistory #ImperialJewelry
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The stunning "Nine Dragons & Nine Phoenixes Crown" of Ming Empress Xiaoduan 👑 A top treasure at China's National Museum. Crafted with gold & rare kingfisher feathers ("Diancui"). Empress Wang, from a humble background, was central to the epic "Succession Crisis" that weakened the Ming Dynasty. 🏛️
#MingDynasty #ChineseHistory #NationalMuseum #CulturalHeritage #Archaeology #ArtHistory #ImperialJewelry
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The stunning "Nine Dragons & Nine Phoenixes Crown" of Ming Empress Xiaoduan 👑 A top treasure at China's National Museum. Crafted with gold & rare kingfisher feathers ("Diancui"). Empress Wang, from a humble background, was central to the epic "Succession Crisis" that weakened the Ming Dynasty. 🏛️
#MingDynasty #ChineseHistory #NationalMuseum #CulturalHeritage #Archaeology #ArtHistory #ImperialJewelry
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Ceramic (stoneware), glaze, metal 16th-17th centuries AD
Late #MingDynasty (AD 1368-1644)
Made in China
Acquired in the Philippines, Luzon Island, Manaba, Abra
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Censer body (missing legs, handles, and cover)
Ceramic (earthenware), glaze
Probably #MingDynasty (AD 1368-1644)
Ching, Jiangxi Province, Leping
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In Shaanxi Province, Xi'an Prefecture, #mingdynasty Chang'an County, Yuliang Li, #ShanzhengVillage..., resident disciple together with his wife Lady Li, disciple Dang Jinshan with his wife Lady Wei, disciple Lady Liu,
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A five-clawed dragon lunges across cobalt clouds, its rouge de fer scales catching the light against green and yellow scrolls. This Ming dynasty jar transforms imperial pursuit into porcelain poetry—what detail in the chase reveals the jewel’s power?
#ClevelandMuseumofArt #MingDynasty #PorcelainArt
https://clevelandart.org/art/1989.291 -
A five-clawed dragon lunges across cobalt clouds, its rouge de fer scales catching the light against green and yellow scrolls. This Ming dynasty jar transforms imperial pursuit into porcelain poetry—what detail in the chase reveals the jewel’s power?
#ClevelandMuseumofArt #MingDynasty #PorcelainArt
https://clevelandart.org/art/1989.291 -
A five-clawed dragon lunges across cobalt clouds, its rouge de fer scales catching the light against green and yellow scrolls. This Ming dynasty jar transforms imperial pursuit into porcelain poetry—what detail in the chase reveals the jewel’s power?
#ClevelandMuseumofArt #MingDynasty #PorcelainArt
https://clevelandart.org/art/1989.291 -
A lone scholar stands beneath a thatched pavilion, dwarfed by towering pines and jagged peaks dissolving into mist. This vast, empty landscape suggests retreat not as escape, but as defiance—where silence speaks louder than fallen dynasties.
What does the red seal interrupting the calligraphy reveal about the artist’s hand?
#ClevelandMuseumofArt #ChineseInkPainting #MingDynasty
https://clevelandart.org/art/1971.19 -
A lone scholar stands beneath a thatched pavilion, dwarfed by towering pines and jagged peaks dissolving into mist. This vast, empty landscape suggests retreat not as escape, but as defiance—where silence speaks louder than fallen dynasties.
What does the red seal interrupting the calligraphy reveal about the artist’s hand?
#ClevelandMuseumofArt #ChineseInkPainting #MingDynasty
https://clevelandart.org/art/1971.19 -
A lone scholar stands beneath a thatched pavilion, dwarfed by towering pines and jagged peaks dissolving into mist. This vast, empty landscape suggests retreat not as escape, but as defiance—where silence speaks louder than fallen dynasties.
What does the red seal interrupting the calligraphy reveal about the artist’s hand?
#ClevelandMuseumofArt #ChineseInkPainting #MingDynasty
https://clevelandart.org/art/1971.19 -
Zheng Chenggong tore at his breast as he ordered Zheng Jing's execution to cleanse their family's reputation. His officers refused, fueling his fury and despair. Day after day, Zheng pressed for confirmation,…
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Zhang Huangyan hurriedly wrote a letter urging Zheng not to retreat so readily, but Zheng was already pressing his withdrawal from the Yangtze. He hoped a fresh victory would lift his troops' spirits. The…
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Sun Kewang stood before the gathered veterans, his eyes blazing with conviction as he declared, "In this fight I will see Li Dingguo dead or I will die!" At dusk, August 1, 1657, in Guiyang, a sweeping…
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Li Dingguo flew into a rage as he stormed straight up to Sun Kewang, warning that fleeing south would lead to death, and then dramatically pretended to take his own life. The other commanders panicked and…
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Li Chengdong led his troops toward Ganzhou under cover of darkness at dusk in early October, preparing for a long siege with trenches and fortifications.
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Dorgon issued another shaving edict to enforce the Manchu hairstyle among the Han populace, ordering officials and commoners to shave their foreheads and keep the Manchu braid within ten days.
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Shi Kefa personally organized forces and ordered Gao Jie to lead a contingent north into Henan at dawn, cooperating with the Qing to crush Li Zicheng's Shun rebels.
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Wu Sangui marched his army towards the city with hope of finding refuge with Li Zicheng, weighed by honor against family, but halfway there received a secret letter from Beijing revealing his father's brutal…
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Li Zicheng personally led his main force out of Xi'an, crossing the Yellow River and pushing eastward into Shanxi and Hebei, moving past strategic points such as Datong and Xuanfu towards Beijing. His army…
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Li Zicheng concentrated his forces south of Luoyang at once, arriving early to oversee earthwork construction and fortification. Cannons and infantry were emplaced within the earthen forts, while cavalry…
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Zhu Changxun clutched his bulk, struggling to keep pace with his son as they fled Luoyang through its narrow streets at dawn.
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Yuan Chonghuan stood at the dock, gazing out at Pi Island's northern shore, as his new responsibilities weighed heavily upon him. The Later Jin influence was evident, just eighty li from the open sea, making…
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Wei Zhongxian heard it and told himself that a man once called a gentleman had sunk to this brought low, humiliated by petty men, and he could not bear it. He chose his end: he hanged himself from a beam with…
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@EVDHmn I'm not sure about that, but apparently there could have been a #MaunderMinimum triggering the #Megadrought during the #MingDynasty (which I did not know about)!
Excerpt: "Our results indicate that the late Ming megadrought from 1625 – 1644 CE occurred in both the northern and southern parts of the East Asian monsoon region in China. However, variations in the onset, duration, and magnitude of this event differ between regions. The combination of factors such as Pacific sea surface temperature anomalies, weakened solar activity, and large-scale volcanic eruptions may have contributed to the occurrence of the late Ming megadrought. These factors are also identified as key drivers of interannual to decadal fluctuations in drought in the middle reaches of the Yangtze River. Our reconstruction provides an historical context for the development of adaptive measures to mitigate future drought impacts in the region."
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@EVDHmn I'm not sure about that, but apparently there could have been a #MaunderMinimum triggering the #Megadrought during the #MingDynasty (which I did not know about)!
Excerpt: "Our results indicate that the late Ming megadrought from 1625 – 1644 CE occurred in both the northern and southern parts of the East Asian monsoon region in China. However, variations in the onset, duration, and magnitude of this event differ between regions. The combination of factors such as Pacific sea surface temperature anomalies, weakened solar activity, and large-scale volcanic eruptions may have contributed to the occurrence of the late Ming megadrought. These factors are also identified as key drivers of interannual to decadal fluctuations in drought in the middle reaches of the Yangtze River. Our reconstruction provides an historical context for the development of adaptive measures to mitigate future drought impacts in the region."
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@EVDHmn I'm not sure about that, but apparently there could have been a #MaunderMinimum triggering the #Megadrought during the #MingDynasty (which I did not know about)!
Excerpt: "Our results indicate that the late Ming megadrought from 1625 – 1644 CE occurred in both the northern and southern parts of the East Asian monsoon region in China. However, variations in the onset, duration, and magnitude of this event differ between regions. The combination of factors such as Pacific sea surface temperature anomalies, weakened solar activity, and large-scale volcanic eruptions may have contributed to the occurrence of the late Ming megadrought. These factors are also identified as key drivers of interannual to decadal fluctuations in drought in the middle reaches of the Yangtze River. Our reconstruction provides an historical context for the development of adaptive measures to mitigate future drought impacts in the region."
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Witness the elegance of the Ming dynasty through the Jar with Dragon Design, a masterful blend of myth and artistry. This piece showcases the dragon's regal symbolism and the delicate craftsmanship of imperial China. What stories do you think this jar holds?
#ClevelandArt #MingDynasty #ArtHistory #Dragons
https://clevelandart.org/art/1986.85 -
Witness the elegance of the Ming dynasty through the Jar with Dragon Design, a masterful blend of myth and artistry. This piece showcases the dragon's regal symbolism and the delicate craftsmanship of imperial China. What stories do you think this jar holds?
#ClevelandArt #MingDynasty #ArtHistory #Dragons
https://clevelandart.org/art/1986.85