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#microtonality — Public Fediverse posts

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  1. #microtonality
    #MMRコラム

    西洋音楽が当然としてきた十二平均律を離れたとき、人間の脳は音をどのように理解し、感情はどのように変化するのか。微分音を心理学・神経科学・音楽史から読み解く

    続きはこちらから🔽
    monumental-movement.jp/column-micro...

    【コラム】 Microtonality as Emotion...

  2. In this episode you'll learn

    ・Why the brain predicts musical pitch and harmony
    ・How microtonality reshapes perception and expectation
    ・The relationship between neuroscience, psychoacoustics, and musical emotion

    #Microtonality
    #ExperimentalMusic
    #AngineDePoitrine

    youtu.be/JjxyEghBPbo

    【The Architecture of Uncertain...

  3. Monday's #ambient #pedalSteel #improv is now out, on @subvertworld , @mirlo , and Bandcamp as well, for $0/name-your-price. Sonically this one incorporates some distant industrial ambience, #microtonality, and gestures in the direction of something better.

    subvert.fm/snwv/music-at-a-dis

    #originalMusicTracks #originalMusic

  4. Monday's #ambient #pedalSteel #improv is now out, on @subvertworld , @mirlo , and Bandcamp as well, for $0/name-your-price. Sonically this one incorporates some distant industrial ambience, #microtonality, and gestures in the direction of something better.

    subvert.fm/snwv/music-at-a-dis

    #originalMusicTracks #originalMusic

  5. Monday's #ambient #pedalSteel #improv is now out, on @subvertworld , @mirlo , and Bandcamp as well, for $0/name-your-price. Sonically this one incorporates some distant industrial ambience, #microtonality, and gestures in the direction of something better.

    subvert.fm/snwv/music-at-a-dis

    #originalMusicTracks #originalMusic

  6. Monday's #ambient #pedalSteel #improv is now out, on @subvertworld , @mirlo , and Bandcamp as well, for $0/name-your-price. Sonically this one incorporates some distant industrial ambience, #microtonality, and gestures in the direction of something better.

    subvert.fm/snwv/music-at-a-dis

    #originalMusicTracks #originalMusic

  7. Monday's #ambient #pedalSteel #improv is now out, on @subvertworld , @mirlo , and Bandcamp as well, for $0/name-your-price. Sonically this one incorporates some distant industrial ambience, #microtonality, and gestures in the direction of something better.

    subvert.fm/snwv/music-at-a-dis

    #originalMusicTracks #originalMusic

  8. hkarl.bandcamp.com/album/radio

    Fans of #music that is #improvised and has a soupçon of #microtonality or, dare I say, a dash of #maqqamat and or #EAI and... well you get the idea.

    Radio sessions by me from last year. I haven't actually put any music online for eight years, it transpires, so bear that in mind or not (to taste).

  9. hkarl.bandcamp.com/album/radio

    Fans of #music that is #improvised and has a soupçon of #microtonality or, dare I say, a dash of #maqqamat and or #EAI and... well you get the idea.

    Radio sessions by me from last year. I haven't actually put any music online for eight years, it transpires, so bear that in mind or not (to taste).

  10. hkarl.bandcamp.com/album/radio

    Fans of #music that is #improvised and has a soupçon of #microtonality or, dare I say, a dash of #maqqamat and or #EAI and... well you get the idea.

    Radio sessions by me from last year. I haven't actually put any music online for eight years, it transpires, so bear that in mind or not (to taste).

  11. hkarl.bandcamp.com/album/radio

    Fans of #music that is #improvised and has a soupçon of #microtonality or, dare I say, a dash of #maqqamat and or #EAI and... well you get the idea.

    Radio sessions by me from last year. I haven't actually put any music online for eight years, it transpires, so bear that in mind or not (to taste).

  12. #introduction

    Hello everyone, I am Diego (aka videco)! I love making music with code and also with other instruments (#electricguitar, #drums, #lumatone).

    Among the music projects where I participate, probably the most relevant for this server is Pirarán, a networked ensemble.

    My favorite coding tool/language is #overtone (#clojure) for which I've developed libraries related to #microtonality and #polytemporality, as well as a port of #tidalcycles called #piratidal. I also like #tidalcycles #supercollider and #hydra.

    Conceptually one of my primary motivators is exploring creativity as a natural phenomena. I do so by conceiving thought/imagination as an ecosystem where different ideas get to co-evolve, and so, I try to think of the projects I work on as part of a network of relations and the products, not as things in themselves, but as parts of a bigger whole. Consequently I place great emphasis on #collaboration as diversity is most important to maintain the dynamic equilibrium of ecosystems and to keep them healthy and lively. As part of all that #chaostheory, #systemstheory, #ecology and #anarchy are also things that interest me.

    You can find more information on the music at echoic.space

    The repositories live at github.com/diegovdc

    Pirarán's music is here: piraran.bandcamp.com

  13. #introduction

    Hello everyone, I am Diego (aka videco)! I love making music with code and also with other instruments (#electricguitar, #drums, #lumatone).

    Among the music projects where I participate, probably the most relevant for this server is Pirarán, a networked ensemble.

    My favorite coding tool/language is #overtone (#clojure) for which I've developed libraries related to #microtonality and #polytemporality, as well as a port of #tidalcycles called #piratidal. I also like #tidalcycles #supercollider and #hydra.

    Conceptually one of my primary motivators is exploring creativity as a natural phenomena. I do so by conceiving thought/imagination as an ecosystem where different ideas get to co-evolve, and so, I try to think of the projects I work on as part of a network of relations and the products, not as things in themselves, but as parts of a bigger whole. Consequently I place great emphasis on #collaboration as diversity is most important to maintain the dynamic equilibrium of ecosystems and to keep them healthy and lively. As part of all that #chaostheory, #systemstheory, #ecology and #anarchy are also things that interest me.

    You can find more information on the music at echoic.space

    The repositories live at github.com/diegovdc

    Pirarán's music is here: piraran.bandcamp.com

  14. #introduction

    Hello everyone, I am Diego (aka videco)! I love making music with code and also with other instruments (#electricguitar, #drums, #lumatone).

    Among the music projects where I participate, probably the most relevant for this server is Pirarán, a networked ensemble.

    My favorite coding tool/language is #overtone (#clojure) for which I've developed libraries related to #microtonality and #polytemporality, as well as a port of #tidalcycles called #piratidal. I also like #tidalcycles #supercollider and #hydra.

    Conceptually one of my primary motivators is exploring creativity as a natural phenomena. I do so by conceiving thought/imagination as an ecosystem where different ideas get to co-evolve, and so, I try to think of the projects I work on as part of a network of relations and the products, not as things in themselves, but as parts of a bigger whole. Consequently I place great emphasis on #collaboration as diversity is most important to maintain the dynamic equilibrium of ecosystems and to keep them healthy and lively. As part of all that #chaostheory, #systemstheory, #ecology and #anarchy are also things that interest me.

    You can find more information on the music at echoic.space

    The repositories live at github.com/diegovdc

    Pirarán's music is here: piraran.bandcamp.com

  15. #introduction

    Hello everyone, I am Diego (aka videco)! I love making music with code and also with other instruments (#electricguitar, #drums, #lumatone).

    Among the music projects where I participate, probably the most relevant for this server is Pirarán, a networked ensemble.

    My favorite coding tool/language is #overtone (#clojure) for which I've developed libraries related to #microtonality and #polytemporality, as well as a port of #tidalcycles called #piratidal. I also like #tidalcycles #supercollider and #hydra.

    Conceptually one of my primary motivators is exploring creativity as a natural phenomena. I do so by conceiving thought/imagination as an ecosystem where different ideas get to co-evolve, and so, I try to think of the projects I work on as part of a network of relations and the products, not as things in themselves, but as parts of a bigger whole. Consequently I place great emphasis on #collaboration as diversity is most important to maintain the dynamic equilibrium of ecosystems and to keep them healthy and lively. As part of all that #chaostheory, #systemstheory, #ecology and #anarchy are also things that interest me.

    You can find more information on the music at echoic.space

    The repositories live at github.com/diegovdc

    Pirarán's music is here: piraran.bandcamp.com

  16. @johncarlosbaez

    I love this topic (new here and preparing a paper on this)! Some people call it #Mathemusic .
    The exploration beyond dodecaphny is called #Microtonality , here is a nice Wiki from Mathemusician from both sides:
    en.xen.wiki/

  17. @johncarlosbaez

    I love this topic (new here and preparing a paper on this)! Some people call it #Mathemusic .
    The exploration beyond dodecaphny is called #Microtonality , here is a nice Wiki from Mathemusician from both sides:
    en.xen.wiki/

  18. @johncarlosbaez

    I love this topic (new here and preparing a paper on this)! Some people call it #Mathemusic .
    The exploration beyond dodecaphny is called #Microtonality , here is a nice Wiki from Mathemusician from both sides:
    en.xen.wiki/

  19. Today is Adriaan Fokker's birthday. He was one of the most influential 20th century theorists of musical tunings. Inspired by the earlier work of Nicola Vicentino and Christiaan Huygens, he became a champion of 31-EDO, a tuning that's becoming more popular nowadays. He famously designed a 31-EDO organ that's still played regularly in concerts in Muziekgebouw aan 't IJ in Amsterdam.

    Fokker was a Dutch academic physicist who started to work on music theory and musical tunings during WW2, when Leiden University was closed. During that time he also wrote a lot of music in 31-EDO, which, sadly, isn't being played that much anymore.

    In the picture Fokker's the tall guy in the front with his arms crossed. (In the back, third from the left, is Oppenheimer.)

    #microtonality #MicrotonalMusic #MusicTheory #xenharmonic

    Thanks for the reminder, @AlgoCompSynth

  20. Today is Adriaan Fokker's birthday. He was one of the most influential 20th century theorists of musical tunings. Inspired by the earlier work of Nicola Vicentino and Christiaan Huygens, he became a champion of 31-EDO, a tuning that's becoming more popular nowadays. He famously designed a 31-EDO organ that's still played regularly in concerts in Muziekgebouw aan 't IJ in Amsterdam.

    Fokker was a Dutch academic physicist who started to work on music theory and musical tunings during WW2, when Leiden University was closed. During that time he also wrote a lot of music in 31-EDO, which, sadly, isn't being played that much anymore.

    In the picture Fokker's the tall guy in the front with his arms crossed. (In the back, third from the left, is Oppenheimer.)

    #microtonality #MicrotonalMusic #MusicTheory #xenharmonic

    Thanks for the reminder, @AlgoCompSynth

  21. Today is Adriaan Fokker's birthday. He was one of the most influential 20th century theorists of musical tunings. Inspired by the earlier work of Nicola Vicentino and Christiaan Huygens, he became a champion of 31-EDO, a tuning that's becoming more popular nowadays. He famously designed a 31-EDO organ that's still played regularly in concerts in Muziekgebouw aan 't IJ in Amsterdam.

    Fokker was a Dutch academic physicist who started to work on music theory and musical tunings during WW2, when Leiden University was closed. During that time he also wrote a lot of music in 31-EDO, which, sadly, isn't being played that much anymore.

    In the picture Fokker's the tall guy in the front with his arms crossed. (In the back, third from the left, is Oppenheimer.)

    #microtonality #MicrotonalMusic #MusicTheory #xenharmonic

    Thanks for the reminder, @AlgoCompSynth

  22. Today is Adriaan Fokker's birthday. He was one of the most influential 20th century theorists of musical tunings. Inspired by the earlier work of Nicola Vicentino and Christiaan Huygens, he became a champion of 31-EDO, a tuning that's becoming more popular nowadays. He famously designed a 31-EDO organ that's still played regularly in concerts in Muziekgebouw aan 't IJ in Amsterdam.

    Fokker was a Dutch academic physicist who started to work on music theory and musical tunings during WW2, when Leiden University was closed. During that time he also wrote a lot of music in 31-EDO, which, sadly, isn't being played that much anymore.

    In the picture Fokker's the tall guy in the front with his arms crossed. (In the back, third from the left, is Oppenheimer.)

    #microtonality #MicrotonalMusic #MusicTheory #xenharmonic

    Thanks for the reminder, @AlgoCompSynth

  23. Today is Adriaan Fokker's birthday. He was one of the most influential 20th century theorists of musical tunings. Inspired by the earlier work of Nicola Vicentino and Christiaan Huygens, he became a champion of 31-EDO, a tuning that's becoming more popular nowadays. He famously designed a 31-EDO organ that's still played regularly in concerts in Muziekgebouw aan 't IJ in Amsterdam.

    Fokker was a Dutch academic physicist who started to work on music theory and musical tunings during WW2, when Leiden University was closed. During that time he also wrote a lot of music in 31-EDO, which, sadly, isn't being played that much anymore.

    In the picture Fokker's the tall guy in the front with his arms crossed. (In the back, third from the left, is Oppenheimer.)

    #microtonality #MicrotonalMusic #MusicTheory #xenharmonic

    Thanks for the reminder, @AlgoCompSynth